2622 search results for ""wet tuna""

Wet Tuna: April 16, 2022 Three Lobed Recordings 21st Anniversary, Duke University (Durham, NC)

April 29, 2022
By

A sunny spring afternoon in North Carolina, with a light breeze in the air, audience members in uncramped splay on the ground, Wet Tuna onstage as a new lineup, here to celebrate the 21st anniversary of a label whose longevity and success both might once have felt improbable, but now seem inevitable. All of this smack in the middle of the lush arboreal campus of an elite American university, one equally improbable as the location of a weird daytime concert and birthplace of said label. Like the first song says, so much vibe in the world. So much right here.

Held on the outdoor grounds of the Karsh Alumni Center at Duke University, Wet Tuna’s set kicked off the third and final day of Three Lobed Recordings‘ 21st anniversary celebration, one of many things postponed by the pandemic. Tuna’s third full-length, Warping All By Yourself, was released recently by Three Lobed, and is the band’s first that isn’t a collab between Matt “MV” Valentine and Pat “PG Six” Gubler. So, for its expanded embrace of funk, we have only Valentine himself to thank — and today’s live lineup including MV&EE collaborator and partner Erika “EE” Elder and Jim Bliss for bringing that vibe to the live audience this afternoon.

This set began in the mellow embrace of “So Much Vibe In the World” and ended with the straight up boogie of “Sweet Chump Change,” which might be the most “approachable” Tuna jam yet. In between, don’t sleep on the band’s take on Peter Laughner’s “Baudelaire,” the new album’s centerpiece, “Raw Food” (this being closer to version 1 of the 2 versions offered) and “Cowpath 40” which sets the stage for the segue into “Sweet Chump Change.” This day couldn’t have opened more smoothly or in any way that felt more right. It was good to be here, in this welcoming space, back in the zone.

I recorded this set with a soundboard feed from longtime area sound engineer Wayne, together with Schoeps MK4V mics. MV’s outbound mix to the board did most of the work here; like the day itself, it’s right on.

Download the complete show in FLAC, Apple Lossless and MP3 [HERE]

acidjacknyc · Wet Tuna – live at TLR21 (April 16, 2022)

Wet Tuna
2022-04-16
Three Lobed 21st Anniversary
Karsh Alumni Center, Duke University
Durham, NC USA

Recorded and produced by acidjack
Live sound engineer: Wayne

Soundboard + Schoeps MK4V>KC5>CMC6>>Sound Devices MixPre6>24/44.1kHz WAV>Adobe Audition CC>Izotope Ozone 5>Audacity>FLAC ( level 8 )

Tracks [Total Time 56:00]
01 [Rayborn intro]
02 So Much Vibe in the World
03 Baudelaire [Peter Laughner]
04 Raw Food (version 1)
05 Cowpath 40>
06 Sweet Chump Change

Personnel:
Matt Valentine – guitar/vox
Erika Elder – keys, vox
Jim Bliss – bass/synth

PLEASE SUPPORT WET TUNA AT THEIR BANDCAMP

Wet Tuna: December 22, 2018 Union Pool & September 8, 2018 Three Lobed / WXDU Annual Ritual of Summoning

January 3, 2019
By

Straight from the ever-expanding Tunaverse, here’s a double header of shows from last year. The first finds the duo traveling down to Raleigh, North Carolina for the “Three Lobed / WXDU Annual Ritual of Sommoning,” the yearly Hopscotch day party that’s become one of the festival’s biggest draws. Next is another duo set from last month at Jeff Conklin’s birthday party. Fun was had by all and here’s the documentation to prove it.

While you’re enjoying these live Wet Tuna dispatches, head over to their blog to order Mountain Busted, a 7-CD set of multitracked live shows. I’ve been lost in these recordings for a couple weeks now and the sound is absolutely phenomenal—more than enough reason to dive in head first. The set gets a little sweeter thanks to a trio of Root Cellar gigs with special guest spots from J Mascis, John Moloney, Jim Bliss, and more, that hail from another plane of existence.

I recorded the Union Pool gig from our usual spot at the soundboard, combined with a feed courtesy of Jase Hottenroth. Acidjack recorded the Raleigh show with his usual six track rig at King’s. Both sound excellent. Enjoy!

Union Pool Download: [FLAC/MP3]
Three Lobed / WXDU Annual Ritual of Summoning Download: [FLAC/MP3]

Wet Tuna
2018-12-22
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Jase Hottenroth) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [40:56]
01. I’d Rather Be Hayin’ > Hay Space
02. Roomtone
03. I Know You Rider
04. Roomtone
05. New York Street

MV/PG Six/Coot Moon



Wet Tuna
2018-09-07
Three Lobed / WXDU Annual Ritual of Summoning
King’s
Raleigh, NC USA

Recorded and produced by acidjack

Soundboard + Schoeps MK4V (onstage, DFC)>KC5>CMC6 + Behringer C2>>Zoom F8>24/48 WAVs>Adobe Audition CC (align, mix down, limiter)>Izotope Ozone 5 (effects, EQ)>Audacity 2.2.2 (track, amplify)>FLAC ( level 8 )

Tracks
01 I Know You Rider
02 Water Train
03 New York Street

Bandcamp

Wet Tuna: April 27, 2018 Wonders of Nature

April 30, 2018
By

There are few things in the world more satisfying than Wet Tuna’s space-hazy folk. Matt and Pat have a rare chemistry that comes only after playing together some twenty-odd years. Wet Tuna are finally on the road for their first real tour (check out the full list of dates here) in support of Livin’ the Die. We caught their sold-out gig at new-ish Williamsburg spot, Wonders of Nature, a perfectly chill small room for the duo. Tune in for these exploratory jams and Wet Tuna will see you on that golden road.

Recorded front and center from the tapers pit with the MBHO’s in stereo XY configuration. The sound is killer. Enjoy!

Download the complete show: [FLAC/MP3]

Wet Tuna
2018-04-27
Wonders of Nature
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

MBHO MBP603/KA200N (XY, stage lip) > Roland R-26 > WAV (24/48) > Adobe Audition CC (balance, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [58:38]
01. I Know You Rider
02. Other Kinds Run
03. New York Street
04. I’d Rather Be Hayin’

Band:
Matt Valentine
P.G. Six

Bandcamp

Wet Tuna: December 10, 2017 Trans-Pecos

March 20, 2018
By

What’s better than an early Sunday evening kickin’ it with the deep space musings of Matt “MV” Valentine? How about Matt plus PG Six, aka Pat Gubler, who’ve been touring (and are about to put out a record) together as Wet Tuna? The pair of guitarists (plus some pre-recorded beats) were in NYC for a pair of shows, the first night (recorded) at Brooklyn’s Ceremony, the second this jaunt at the revitalized Trans-Pecos.

Given that the night kicked off with a DJ set from WFMU’s DJ Jeff Conklin, whose beloved Avant Ghetto show is a must-listen for fans of this kind of music, it felt appropriate for the Tuna to launch with “I Know You Rider,” the traditional blues song popularized by the Grateful Dead. From there, we got two more sick covers – Michael Hurley’s “Water Train” followed by Incredible String Band’s “Empty Pocket Blues,” which flowed into the Livin’ the Die track “New York Street.” Along with this performance with the Tuna, we’ve also caught Matt on some recent solo outings — so stay tuned for that as well.

This set was recorded directly from the Trans-Pecos soundboard. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Wet Tuna
2017-12-10
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Produced by acidjack

Soundboard (house PA mix saved to SanDisk thumb drive)>16/48 WAV>Adobe Audition CC (EQ, effects)>Audacity 2.0.3 (track, amplify, fades)>FLAC ( level 8 )

Tracks
01 I Know You Rider [Grateful Dead version]
02 Water Train [Michael Hurley]
03 Empty Pocket Blues [Clive Palmer/Incredible String Band]>Empty Mood Jam>Space/Drums>New York Street

SUPPORT WET TUNA: Buy Livin’ The Die from them right here.

Mountain Movers: April 30, 2022 Tubby’s (Kingston, NY)

May 13, 2022
By

Much has changed in Kingston since the start of Covid. Many of the long-standing hubs of the community (RIP BSP, Boitson’s, Tony’s) sit empty while revitalization and housing prices march onward. Tubby’s, thankfully, has not only weathered the storm, but seems to be steadily gaining steam. 

At its core Tubby’s is a local hang. On any given evening it may be the gathering spot for local members of the LGBTQ+ community, Simpsons fans, Deadheads, Goths or just folks looking for a cold beer after work. This beautiful Spring evening was a double bill with Mountain Movers and Wet Tuna, a night for the heads. 

Mountain Movers have appeared on this website several times over the years, and I am happy to add another recording to the list. The New Haven CT quartet pulled from their entire catalog including several tracks from their excellent 2021 release “World What World”. The set ended with a particularly transportive 10-minute workout of “Unknown Hours” exploring all the corners of noise, psychedelia, atmosphere, and Rock they are known for. 

I recorded this set from my normal spot atop the riser next to the soundboard with my MBHO mics and a mono board feed from Tubby’s FOH engineer Brian. I am quite happy with the results! 

Download in FLAC/MP3

Mountain Movers
2022-04-30
Tubby’s
Kingston, NY

Recorded and Produced by Kliked

Source:
MBHO440 + SDB> SoundDevices MixPre3> SD (24/48)> Adobe Audition/izotope 9> Audacity> FLAC (lvl8)> Mp3Tag
Thanks to Tubby’s FOH engineer Brian for the board patch!

  1. Hudson Valley Jam
  2. Bodega On My Mind > The Sun Shines On The Moon
  3. I Wanna See The Sun
  4. Then The Moon
  5. Flock Of Swans
  6. Way Back to the World
  7. Unknown Hours

Movers:
Dan Greene: guitar, vocals
Rick Omonte: bass
Kryssi Battalene: lead guitar
Ross Menze: drums

Please support Mountain Movers and visit their Bandcamp page!

Tubby’s upcoming shows!

MV & EE: January 19, 2020 Baby’s All Right

January 27, 2020
By

It’s been a while since we’ve seen Matt and Erika playing together at MV/EE. Of course Matt’s been busy charting new frequencies with his latest solo record, Preserves, and jamming with his other duo, Wet Tuna. But really there’s nothing nicer than a cosmic Sunday matinee with the classic duo, who drove down from Vermont to open for Dead tribute band High Time. Even the traffic couldn’t dampen their spirits as they took a more relaxed drive with “East Mountain Joint,” followed by “Tea Devil,” and an extended ride on “Shit’s Creek” and “No $.”

This recording is a result of a combined effort—my onstage recording with the MBHO omnis and Baby’s FOH Alex Harwood’s soundboard recording. The sound is outstanding. Enjoy!

Download MP3/FLAC



MV & EE
2020-01-19
Baby’s All Right
Brooklyn, NY

On stage recording by Eric PH
Soundboard recording by Alex Harwood

Mixed and produced by Eric PH for nyctaper.com

Soundboard + MBHO KA100DK/603A (on stage) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC + Izotope Ozone 5 > Audacity 2.0.5 > FLAC

Tracks [36:06]
01. East Mountain Joint
02. Tea Devil
03. Shit’s Creek > Jam > No $ > Shit’s Creek

If you enjoyed this recording, PLEASE SUPPORT MV & EE: Their Website | Buy Root/Void from Woodsist | Twitter

Chris Forsyth: April 29, 2019 Rough Trade NYC

April 30, 2019
By

A few weeks ago, the internet buzzed with discussion of “indie jam,” the term coined by Steven Hyden at Uproxx and referring, as many noted in response, to a constellation of bands advanced largely by Jeff Conklin on The Avant Ghetto. (We at NYCTaper are acknowledged by Hyden too, I’m obliged to mention.) In the article, musicians like Chris Forsyth (along with Garcia Peoples, Sunwatchers, Ryley Walker, William Tyler, and many others) are credited with “an inclination to meld all kinds of music — including indie, post-rock, folk, country, jazz fusion, and, yes, punk — and take it in adventurous and often improvised directions.”

“Indie jam”—or whatever you want to call it—surely wasn’t born in an out-of-the-way amphitheater in Raleigh, NC. But in September 2013, when we were first introduced to Forsyth’s far-out jams that were clearly referencing the Grateful Dead and Television, something was afoot. Is it time for us shrug off the legacy of Kurt Cobain’s distaste for the Dead and acknowledge the ongoing intersections of indie rock and jambands? Across the aisle, jamband fans are approaching the same questions, as the podcast Beyond the Pond seeks to introduce Phish fans to music outside the jamband ecosystem.

In the meantime, while the heads have been catching up to him, Chris Forsyth has released a series of increasingly great albums. The latest is All Time Present, in which Forsyth’s singular guitar playing weaves effortlessly between varied genres, from psych rock to, yes, even dance.

On Monday night we caught Forsyth’s Brooklyn record release show, appropriately opening for Träd, Gräs och Stenar. Joined by the latest edition of the Solar Motel Band, Peter Kerlin on bass and Ryan Jewell on drums, the trio play “Tomorrow Might as Well Be Today” and “Mystic Mountain” before being joined by Pat Gubler (P.G. Six/Wet Tuna) on keys for “Dream Song” and an absolutely epic performance of “Dreaming in the Non-Dream.” Returning the favor from last month’s Garcia Peoples record release show, the Solar Moteliers are joined by Tom Malach, Danny Arakaki, and Cesar Arakaki to complete the circle with “Techno Top.”

Chris Forsyth, Garcia Peoples, Dire Wolves, and Weak Signal play Market Hotel on July 27. You can find out what magic is in store from this insanely great lineup by grabbing a ticket.

Downloads available at the Live Music Archive

Chris Forsyth
2019-04-29
Rough Trade NYC
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Terry) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [59:36]
01. Tomorrow Might as Well Be Today
02. Mystic Mountain
03. Dream Song
04. Dreaming in the Non-Dream
05. Techno Top

Solar Motel Band:
Chris Forsyth
Peter Kerlin
Ryan Jewell

3-5 with Pat Gubler
5 with Tom Malach, Danny Arakaki, and Cesar Arakaki of Garcia Peoples

Website | Facebook | Buy All Time Present via Bandamp

Rhyton: April 27, 2018 Wonders of Nature

May 7, 2018
By

Here’s a wild one from New York’s masters of improvised psych, Rhyton, opening up for fellow heads Wet Tuna at Wonders of Nature. This set captures the trio—Dave Shuford, Jimy SeiTang, and Rob Smith—in full-on improvisational mode. The direction on these jams tends more to their recent easy-going Redshift material, which just so happens to be my favorite side of Rhyton. While their earlier, heavier stuff first caught my attention, it’s Redshift that I pull out most frequently when searching for the sound. In particular, it’s the set-ending and mind-bending closer of “The Owl’s Octave” into “Pharaonic Crosstalk” that scratches that itch for exploratory rock thats meanders and grooves. Rhyt-on!

Download the complete show: [FLAC/MP3]

Rhyton
2018-04-27
Wonders of Nature
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

MBHO MBP603/KA200N (XY, stage lip) > Roland R-26 > WAV (24/48) > Adobe Audition CC (balance, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [40:41]
01. Abacus Jam
02. LIT on the Down Low
03. Skygazing
04. The Owl’s Octave > Pharaonic Crosstalk

Buy Rhyton’s Redshift (and other Rhyton records) via Thrill Jockey
• • Connect with the band on Facebook

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