128 search results for "yo la tengo"

Yo La Tengo: April 9, 2016 Landmark Loew’s New Jersey Theatre (Jersey City, NJ)

April 10, 2016
By

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[photo via Bork Lord‘s twitter feed]

Yo La Tengo ended their most recent tour last Saturday at the shabby-chic Landmark Loew’s Jersey Theatre, a cavernous space made intimate by the positive vibes headed from the stage and to it. The usual contingent of longtime fans were out in force for this weekend show, and the band rewarded us with a setlist that reflected their Fade-era habit of dividing the show into acoustic and electric portions. As this tour wasn’t, strictly speaking, to promote last year’s Stuff Like That There, the band jumped around their catalog a good bit more, with the electric set a particularly sweet offering for the more improvisational-minded among us. The extended outro jam on “Before We Run” that led into the slow version of “Big Day Coming” was a strong moment there, as was the segue of “Sudden Organ,” “Autumn Sweater,” “Decora,” and “Ohm” that made up the bulk of the set. But that’s not to slight the acoustic set, either, where the acoustic treatment of “Deeper Into Movies” was particularly affecting, along with new favorites like “Rickety.” By the time the encore came around there were the usual calls for hyper-obscure covers (which the band has served up in abundance on multiple WFMU marathons), most of which were ignored, though we did get Wire’s “Too Late.” The band sent us off, as they often like to do, on a quiet note, with the noisy Electr-O-Pura classic “Tom Courtenay” rendered as a solemn coda with Georgia leading the way on vocals. Now it’s time for the band to enjoy a little downtime and recharge the batteries, as they await a handful of summer festival dates. Meanwhile, we’ll be excited for what they come up with next.

I recorded this set with a soundboard feed from Yo La Tengo engineer Mark Luecke, together with Schoeps MK41V microphones. Given the challenges of the venue acoustics, this relies heavily on Mark’s soundboard feed. The sound quality is, overall, excellent. Enjoy!

Download the complete set: [FLAC/ALAC/MP3]

Stream the complete set:

Yo La Tengo
2016-04-09
Landmark Loews Jersey Theatre
Jersey City, NJ USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK41V (at SBD, PAS)>KC5>CMC6>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, re-image SBD, adjust levels, mix down, compression, limiter, fades)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 2:13:34]
Set One – Acoustic
01 My Heart’s Not In It [Darlene McCrea]
02 Periodically Double or Triple
03 Rickety
04 Automatic Doom [Special Pillow]
05 Did I Tell You
06 Black Flowers
07 Somebody’s In Love
08 I’ll Be Around
09 Deeper Into Movies
10 I Feel Like Going Home

Set Two – Electric
11 [intro jam]
12 Sugarcube
13 Let’s Save Tony Orlando’s House>
14 Shaker
15 Before We Run>
16 Big Day Coming
17 Sudden Organ>
18 Autumn Sweater>
19 Decora>
20 Ohm
21 Pass the Hatchet, I Think I’m Goodkind
22 [encore break]
23 Drug Test
24 Too Late [Wire]
25 Tom Courtenay (acoustic)

If you enjoyed this recording, PLEASE SUPPORT Yo La Tengo, visit their website, and buy Stuff Like That There and their many other fine releases from Matador Records.

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Yo La Tengo: October 10, 2015 Kings Theatre

October 18, 2015
By

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[Photos courtesy of P Squared Photography]

A Yo La Tengo show in New York always feels like a family affair, even if held in the sprawling, gorgeous new Kings Theatre in Flatbush, Brooklyn. (If you haven’t seen this space, it’s so spectacular that it might make the Beacon Theater blush). This tour’s format — an all-acoustic performance that highlights the band’s recent partial-covers album, Stuff Like That There — also lent it that air, as the band clustered together with ample space to spare, surrounded by artwork made by friends and family, plus the friends and family staring back at them from the audience. With this band, you can always count on the unexpected, so while of course they played their new “single,” a cover of The Cure’s “Friday, I’m In Love,” along with other highlights of the record like their covers of Darlene McCrea’s “My Heart’s Not In It” and Lovin’ Spoonful’s “Butchie’s Tune,” and the brand-new songs “Rickety” and “Awhileaway,” their set was more surprises than sure things.

I’d assume the band’s longtime friends in Antietam were floating around in the audience somewhere, so Yo La Tengo rewarded us with a cover of that band’s “Naples.” Okay, fine, maybe one would have anticipated that — but who would have thought the band would follow the ultra-quiet new number “Awhileaway” with a cover of the Minutemen’s “Corona”? And later, as if in a nod to us noiseniks who can’t live without the band’s extended improvisational songs, they gave us an acoustic version of “Pass the Hatchet, I Think I’m Goodkind.” Of course, Stuff Like That There isn’t the band’s first covers-based album, so they of course had to take us back to the Fakebook days, including an excellent rendition of “Yellow Sarong” by The Scene Is Now. “Our Way To Fall” was as lovely as always, ending the main set on a subtle note. Of course the band came back, and of course it was with another excellent cover, this time Devo’s “Bottled Up,” with James taking his first vocal turn of the night. But the show’s final two numbers that will probably go down as its key moments, as the night’s opener, the famed English musician and songwriter Nick Lowe, joined the band for “Walk Away Renee” and his own song, “Rollers Show.”

As Georgia Hubley handles the vocals on many of the band’s quiet numbers, this format gave her a more prominent role. Added to the band’s arsenal for this tour is longtime partner Dave Schramm on second guitar, while James McNew ably tackled the stand-up bass. The soft/loud dynamic has traditionally been as essential to this band’s sound as their encyclopedic music knowledge, so the choice of an all-acoustic show — following a 2014 tour that had one full acoustic set before the “loud” second set — is a bit of a detour, but I can’t say I’m surprised that it worked. We’ll call this journey to the mellower side of YLT an unqualified success.

I recorded this set with the invaluable assistance of the band’s engineer Mark Luecke and the Kings Theatre staff. The recording is Mark’s mix combined with Schoeps MK41V microphones, and the sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC/Apple Lossless]

Stream the complete set:

Yo La Tengo
2015-10-10
Kings Theatre
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK41V>KCY>Z-PFA>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (patch first song, align, mix down, amplify, balance)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Special thanks to Mark Luecke for his assistance and the patched audience portion of the first song.

Tracks
01 Tried So Hard [Gene Clark]*
02 Automatic Doom [Special Pillow]
03 Rickety
04 My Heart’s Not In It [Darlene McCrea]
05 Double Dare
06 Naples [Antietam]
07 Deeper Into Movies
08 Butchie’s Tune [Lovin’ Spoonful]
09 Awhileaway
10 Corona [Minutemen]
11 Today Is the Day
12 Pass The Hatchet, I Think I’m Goodkind
13 Can’t Forget
14 [banter]
15 Here Comes My Baby [Cat Stevens]
16 Friday I’m In Love [The Cure]
17 Yellow Sarong [The Scene Is Now]
18 Ohm
19 Our Way To Fall
20 [encore break/artwork intro]
21 Bottled Up [Devo]
22 [Nick Lowe intro]
23 Walk Away Renee [The Left Banke]&
24 Rollers Show [Nick Lowe]&

* no soundboard for first 1:20; audience mics are patched from the band’s source
& with Nick Lowe

If you enjoyed this recording, PLEASE SUPPORT Yo La Tengo, visit their website, and buy Stuff Like That There and their many other fine releases from Matador Records.

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Yo La Tengo: December 6, 2014 Trocadero Philly – Flac/MP3/Streaming

December 10, 2014
By

YLT 1
[photos by Max Sall]

This show represents the only time this year that I saw Yo La Tengo live. You have to go back nearly a decade to find a calendar year when I saw the band only once. The band went out on a little mini-tour in celebration of their official 30th anniversary as a band and also in support of a new release called Extra Painful — a reissue of their classic 1993 album Painful packed with a bunch of bonus material. So since the two Town Hall shows were not conducive to recording, I made a roadtrip in the pouring rain to Philadelphia and back. The Trocadero is a converted old theatre right in the heart of Philly’s Chinatown District and its just a few blocks from the Franklin Bridge — an easy in and out of the City. Although the Troc has two balconies and an official capacity of 1200, it definitely has an intimate vibe perhaps since the actual floor is fairly small. But intimate or not, we’re used to seeing Yo La Tengo amongst “friends” at some fairly small-ish places, so there was a definite “road” feel to this show. As YLT shows go, this one had pretty much everything you could ask for including some rare nuggets (“Empty Pool”, “Demons”), special guests (Tara Key early, and full Antietam later), plenty of noisy stuff, and an absolutely ear-crushing “Story”. We are streaming a standout version of “Drug Test” that began with a (separately tracked) false start but like in so many of those situations with a “start over”, the band totally nailed it on the re-do. Yo La Tengo currently has no scheduled dates, but we’re hoping that we get more than one chance to see them live in 2015.

I recorded this set with the Schoeps mounted in the front of the soundboard booth and mixed with a superb feed provide by the band’s longtime and legendary FOH Mark Luecke. As with most YLT recordings, there are level issues — the quiet songs are whispers and the noisey songs are loud as heck — so there are some minor artifacts from my editing to create a more consistent level throughout. Ultimately the sound quality is quite excellent. Enjoy!

Stream “Drug Test”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

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Yo La Tengo
2014-12-06
Trocadero Theatre
Philadelphia PA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Mark Luecke] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:57:56]
01 Cherry Chapstick
02 Let’s Save Tony Orlando’s House
03 Super Kiwi
04 [banter – Tara intro]
05 Demons
06 Mr. Tough
07 [dedication to Richard Evans]
08 If It’s True
09 [banter – 30 years]
10 The Empty Pool [Yung Wu]
11 The Whole of the Law [The Only Ones]
12 The Summer
13 [banter – XPN]
14 I’ll Be Around
15 Big Day Coming
16 We’re An American Band
17 [false start]
18 Drug Test
19 Sugarcube
20 Ohm
21 The Story of Yo La Tango
22 [encore break]
23 Today Is The Day
24 [banter – Antietam intro]
25 Orange Song [Antietam]
26 [thanks]
27 What Can I Say [NRBQ]

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase the Extra Painful reissue from Matador Records [HERE].

Yo La Tengo: December 16, 2013 Bell House – Flac/MP3/Streaming

December 24, 2013
By

yo-la-tengo17
[photos by PSquared Photography]

The final night of these long runs of shows by Yo La Tengo are always the most bittersweet nights. Throughout the week of the shows, we fall into a kind of change of lifestyle during these periods — get through the work day, get to the venue, and then inside the little cocoon of the show. Its a bit of a fantasy world, and by the time of the last show we’re tired, happy for the experiences and perhaps a little nostalgic for what’s soon to end. The band generally saves some special treats for the closer and on the fourth and final night of the Bell House it was no different. From our perch adjacent to the VIP area, we could see that the Kaplan and Hubley extended families were out in full and this added a bit of “old home” to the performance. We felt that the more personal lyrics were especially heartfelt — “Our Way To Fall” and “The Point of It” were particularly solid versions of those songs. But for those of us who’d weathered the snow and the travel and put off whatever we had going on in our lives for four consecutive nights, Ira dedicated the infrequently-performed older number “Satellite”. The song had been requested earlier in the week by one of those every-show guys (our friend from the “Laz Archives“) and we were happy to see him get mention from stage. We’re streaming that song below. For the electric set, once again the band held back nothing and marched full energy through ninety minutes of noisy goodness. This show the set closer was “Blue Line Swinger”, which at fourteen minutes was not the longest version we’ve seen but it was certainly one of the tightest. My own personal highlight of the evening and of perhaps the entire run of shows came as the encore set began — a raging cover of Neil Young’s “Time Fades Away” which featured the shared riffs of Antietam’s Tara Key on guitar. And as she has often, Marilyn Kaplan closed the set and the week with her annual appearance with her son’s band to sing “My Little Corner of the World”. While the Bell House isn’t Maxwell’s, the venue certainly offers a number of charms that we hope make it become the “corner of the world” that hosts future Yo La Tengo shows, perhaps even next year’s Hanukkah celebration. We shall see.

I recorded this set in the same manner as the recording posted for December 14 and the sound quality is equally superb. Enjoy!

Stream “Satellite”:

Stream “Time Fades Away”:

Download the Complete Show [MP3] / [FLAC] or [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

yo-la-tengo60

Yo La Tengo
2013-12-16
Bell House
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard (engineer Mark Luecke) + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 50:17]
01 Ohm
02 Our Way to Fall
03 When It’s Dark
04 Is That Enough
05 [banter – trends]
06 Butchie’s Tune [Lovin Spoonful]
07 The Point of It
08 Cornelia and Jane
09 I’ll Be Around
10 Satellite
11 Big Day Coming

Set 2
[Total Time 1:33:28]
12 Stupid Things
13 Let’s Save Tony Orlando’s House
14 Outsmartener
15 Super Kiwi
16 Autumn Sweater
17 Before We Run
18 Deeper Into Movies
19 From a Motel 6
20 Ohm (electric)
21 Blue Line Swinger
22 [encore break]
23 Time Fades Away [Neil Young]
24 [banter]
25 By the Time It Gets Dark [Sandy Denny]
26 My Little Corner of the World [Pockriss – Hilliard]

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade and its related special releases from Matador Records [HERE].

Yo La Tengo: December 15, 2013 Bell House – FLAC/MP3/Streaming

December 21, 2013
By

IMG_6392
[photos by acidjack]

Yo La Tengo are such an embarrassment of riches, it is hard to know where to begin, or what to be said that hasn’t been said in our many reviews of them before. As we reached the penultimate night of the band’s four-night stand at Bell House, we had already seen four sets, two encores and over five hours of their music. But that much Yo La Tengo doesn’t get old. There’s always some new trick up their collective sleeve, or something old that they supercharge with added emotion, a new arrangement, or just a flat-out great performance.

For me, on this night, it was the electric-set closer “I Heard You Looking”. The electric set always closes out with one of their guitar freakout sprawlers, and this was the one I most wanted to hear. The version at last year’s Hanukkah show had been outstanding, to the point that I thought it might be impossible to top, but the level of intensity displayed by Ira, writhing as he wrung noise out of his guitar at the peak of the number, might have done it. The wordless song speaks volumes, from its wistful opening chords to the climax that expands in all directions. It never ceases to be a thing of beauty, but this version stood out even still.

We didn’t get any special guests on this snowy Sunday night, save all-purpose band associate Joe Puleo joining on “I Heard You Looking”, but for the encore, in addition to “Moby Octopad”, we got three covers that have only been brought out a few times on this tour. The three songs — the Who’s “Disguises”, the Only One’s “The Whole of the Law” and Sun Ra’s “Somebody’s In Love” — provided a neat survey of the band’s eclecticism. With one night left to close out 2013, we couldn’t wait to see what came next. Stay tuned.

I recorded this set with a soundboard feed provided by longtime engineer Mark Luecke, plus Schoeps MK4V cardiod microphones. The sound quality is excellent. Enjoy!

Stream “From Black to Blue” from the acoustic set:

Stream “I Heard You Looking” from the electric set:

Download the complete show [MP3] or [MP3] | [FLAC] (Note: One MP3 file set name has a typo, but is right files)
Please notify us if the MP3 links are not working. If you just can’t wait, you could always try downloading and converting the FLAC with xAct (Mac) or Free Studio Manager.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_6378

Yo La Tengo
2013-12-15
The Bell House
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK4V (at SBD, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Mark)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (noise reduction on acoustic SBD, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, compression on acoustic set, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Setlist courtesy of Jesse Jarnow

Tracks
Set One (acoustic) [Total Time: 45:15]
01 Ohm
02 Two Trains
03 Shadows
04 From Black to Blue
05 How To Make A Baby Elephant Float
06 [banter1]
07 The Point of It
08 Cornelia and Jane
09 I’ll Be Around
10 Can’t Forget
11 Tom Courtenay (Georgia on vocals)

Set Two (electric) [Total Time: 1:47:06]
12 Cherry Chapstick
13 [false start]
14 Is That Enough?
15 Super Kiwi
16 Upside Down
17 Mr. Tough
18 Before We Run
19 Nothing to Hide
20 Sugarcube
21 Ohm
22 I Heard You Looking
23 [encore break]
24 Moby Octopad
25 Disguises [The Who]
26 [banter2]
27 The Whole of the Law [The Only Ones]
28 Somebody’s In Love [Sun Ra]
* with Joe Puleo on Ace Tone

If you download this recording from NYCTaper, PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade and its related special releases from Matador Records [HERE].

Yo La Tengo: December 14, 2013 Bell House – Flac/MP3/Streaming

December 19, 2013
By

yo-la-tengo12
[photos by PSquared Photography]

Yo La Tengo has never been shy inviting guests of all sorts to play live with them. Just peruse the pages of this site for audio evidence of the frequency and often mindbending success of those collaborations. For Saturday night’s show, the second of the Bell House run, they welcomed perhaps the most eclectic guest we’ve ever seen, a woman whose name we only heard as “Yen” playing a stringed Chinese instrument called the guzheng. Wikipedia tells us that the guzheng usually has 21 strings and movable bridges and it dates back about 2500 years. Although in recent years, the instrument has found its way into some rare rock and jazz compositions, the closest I’ve ever seen to this type of collaboration was during Bjork’s 2007 tour when Min Xiao Fen guested for one song on the Chinese stringed instrument the Pipa for all of the NYC dates. But that was one song. The Yo La Tengo guest played on the majority of the first (acoustic) set, and with one minor quibble, the instrument added a unique subtle depth to all of the tracks upon which is was featured. Perhaps my favorite song that featured the collaboration was “Paddle Forward”, where the rhythmic sound of the guzheng strings paralleled and enhanced the water imagery of the lyrics. The only song where perhaps the addition didn’t quite work was on “Green Arrow” where Ira’s slide guitar solos sounded too close in tone to the guzheng, and the climaxes sounded a bit cluttered. But all in all, this guest appearance was one of the more memorable and unique and was quite the success. For the electric set we were back to the trio and as with all the second sets this week, it raged from start to finish. This night’s closing song was a twenty-minute working of “Tango” that touched on all aspects of the band’s sound — quiet melody, rich harmonic instrumentation, thrash, unpredictable solos and a crescendo for the ages. The encores featured three covers and were icing on the cake of another amazing YLT experience.

I recorded this show with the Neumann Hypercards mounted on the rail in front of the soundboard and mixed with an excellent feed by veteran YLT FOH Mark Luecke. The sound quality is superb, enjoy!

Stream “Nowhere Near”:

Stream “Before We Run”:

Download the Complete Show [MP3] / [FLAC] or [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

yo-la-tengo52

Yo La Tengo
2013-12-14
Bell House
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard (engineer Mark Luecke) + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 49:29]
01 Ohm
02 Green Arrow
03 Paddle Forward
04 Fog Over Frisco
05 The Point of It
06 Cornelia and Jane
07 I’ll Be Around
08 Autumn Sweater
09 Nowhere Near

Set 2
[Total Time 1:34:10]
10 Stupid Things
11 Well You Better
12 False Alarm
13 Super Kiwi
14 Shaker
15 Before We Run
16 Double Dare
17 Decora
18 Ohm (electric)
19 The Story of Yo La Tango
20 [encore break]
21 Drug Test
22 [banter – Hanukkah]
23 Gimme All Your Lovin [ZZ Top]
24 Griselda [Peter Stampfel]
25 [banter – false start]
26 Behind That Locked Door [George Harrison]

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade and its related special releases from Matador Records [HERE].

yo-la-tengo83

Yo La Tengo: December 13, 2013 Bell House – FLAC/MP3/Streaming

December 17, 2013
By

IMG_6348
[Photos by acidjack]

During their expansive worldwide tour that consumed most of this year, Yo La Tengo tried an interesting concept: At every non-festival show, they would play the same song, “Ohm”, twice. The song would open the first, acoustic set, then pop up again somewhere in the middle of the noisier electric set that followed. It’s almost like they want to be sure we don’t miss the point. To paraphrase it, there is no point in resisting change.

Anyone who joined us for the band’s Hanukkah tradition at Maxwell’s last year, or in previous years, might well have nodded along to many of those lines from “Ohm” as they watched the band perched in front of the fanciful wooden forest on the much broader stage of the Bell House. Whether or not the band’s Hanukkah tradition survives, its spiritual home did not. The spirit at the Bell House on this first night contained both hope and regret. Even if that impossible-to-replicate intimacy of Maxwell’s was gone, even without the rotating cast of surprise opening acts and comedians and non-stop-wacky collaborations, we were still staring down four nights of sold-out shows by the ever-generous band, played to their hometown crowd. A band that, even as veterans go, came as road-tested as possible, arguably at the top of their powers.

Each of the four nights — each of which will be posted on this site in the coming days — followed the band’s tour-long acoustic/electric format, with only the Fade songs repeated (along with a few that cropped up as both acoustic and electric incarnations). Along with Ira’s hilarious banter during “Periodically Double or Triple”, the highlight of the acoustic portion was the cover of the Zombies’ “You Make Me Feel Good”, which made its only appearance of the tour. The electric set boasted the uncommonly played “Story of Jazz” and closed out on one of our favorite of the sprawling jam numbers, “Pass the Hatchet, I Think I’m Goodkind”. Anyone who didn’t expect YLT to pull something out of their hat for the encore by that point shouldn’t have given up hope so easily. Bruce Bennett of Brooklyn garage rockers The A-Bones parachuted in for an encore of three classic covers: The Seeds’ “Can’t Seem To Make You Mine”, The Flamin’ Groovies’ “Slow Death” (a 2013 debut) and Arthur Lee’s “Luci Baines”. The night closed on the quiet but hopeful coda of “Big Day Coming”, a song that echoed that message from “Ohm”. No need to lose time resisting the flow of change. These four nights of the holiday season were meant for celebration.

I recorded this set with a soundboard feed provided by the band’s longtime engineer Mark Luecke combined with Schoeps MK4V microphones. The sound quality is outstanding. Enjoy!

Nights 2, 3 and 4 will be posted in the coming days. Thanks, as always, to Yo La Tengo, Mark and their incredible crew, and to Jesse Jarnow for the setlist.

Stream “You Make Me Feel Good” [The Zombies] from the acoustic set:

Stream “Slow Death” [Flamin’ Groovies] from the electric set:

Download the complete show [MP3] or [MP3] | [FLAC]
Please notify us if the MP3 links are not working. If you just can’t wait, you could always try downloading and converting the FLAC with xAct (Mac) or Free Studio Manager.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_6347

Yo La Tengo
2013-12-13
The Bell House
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK4V (at SBD, PAS)>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (noise reduction on acoustic SBD, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Setlist courtesy of Jesse Jarnow

Set 1 (acoustic) [Time: 46:16]
01 Ohm
02 Two Trains
03 Periodically Double or Triple
04 Madeline
05 You Make Me Feel Good [The Zombies]
06 The Point of It
07 Cornelia and Jane
08 I’ll Be Around
09 Black Flowers

Set 2 (electric) [Time: 1:32:07]
10 Stupid Things
11 We’re An American Band
12 Stockholm Syndrome
13 Super Kiwi
14 If It’s True
15 Before We Run
16 The Story of Jazz
17 Tom Courtenay
18 Ohm
19 Pass the Hatchet, I Think I’m Goodkind
20 [encore break]
21 Can’t Seem To Make You Mine [The Seeds]*
22 Slow Death [Flamin’ Groovies]*
23 Luci Baines [Arthur Lee]*
24 [banter]
25 Big Day Coming

* With Bruce Bennett of The A-Bones on guitar and vocals.

If you download this recording from NYCTaper, PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade and its related special releases from Matador Records [HERE].

Yo La Tengo: June 22, 2013 Solid Sound Festival (North Adams, MA) – FLAC/MP3/Streaming Song

July 7, 2013
By


ylt2013-06-22-1
[Photo by P Squared Photography]

There’s not a ton more I can add about Yo La Tengo that hasn’t been said about them on this site already and recently, at that. Suffice it to say, they are a classic band who have only continued to grow and evolve with time, and any opportunity to see YLT is one worth taking. The band has been on an intense tour schedule for most of this year behind their latest, Fade, but they still sound as fresh as they did debuting the new material back in December at Maxwell’s. This one-hour set at the Solid Sound Festival is an abridged version of a full YLT show, but YLT still packed in a variety of great material, including the excellent combination of “Ohm” and “Blue Line Swinger” to close out the night. They will be hitting a number of other festivals and various shows in North America, the UK and Japan this summer, and we‘d recommend you not miss them if they’re in your city.

Site contributor Kubacheck recorded this set with MBHO cardiod microphones from near the soundboard. While the large room and the distance from the band were not ideal, the sound quality of the recording is nonetheless quite good. Enjoy!

Stream “Blue Line Swinger”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Yo La Tengo
2013-06-22
Solid Sound Festival
North Adams, MA USA

Download hosted at nyctaper.com
Recorded by kubacheck
Produced by acidjack

MBHO KA200N>MBP603a>Naiant adapter>Naiant Tinybox>Roland R-05 (24/48)>Izotope Ozone 5 (EQ, exciter)>Adobe Audition CS 5.5 (adjust levels)>Audacity 3.0 (tracking, amplify, additional EQ, additional level adjustments, parallel compression, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:00:19]
01 Stupid Things
02 Stockholm Syndrome / Autumn Sweater
03 The Point Of It
04 Decora [Acoustic]
05 I’ll Be Around
06 Before We Run
07 Nothing To Hide
08 Ohm
09 Blue Line Swinger

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade from Matador Records [HERE].

Yo La Tengo: June 15, 2013 Maxwell’s – Flac/MP3/Streaming

June 19, 2013
By

YLT PP1
[photos by PSquared Photography – courtesy of brooklynvegan]

When I first began going to Maxwell’s back some 25 years ago, it was to me just another of the excellent NYC-area clubs that hosted the bands I preferred. Its been the last decade where the club began to mean much more to me. While I was somewhat late to the Maxwell’s admiration party, it still hit me like a punch to the stomach when the news broke that the club would be closing for good at the end of July. In recent years as is well documented on the pages of this site, we’ve taken many trips over to Hoboken for some of the best shows I’ve seen in my entire life. The club became a home away from home — when I came in through the side door often much earlier than the time for doors, I was certain that I had a night of great music, good food, fine beer and welcome company ahead of me. Going to Maxwell’s was an escape of sorts, but more importantly it was about people — those that make a night of entertainment enjoyable in all aspects. The refreshing thing about Maxwell’s was that it was entirely free of the venue politics that plague many local venues. When I came in the door, I was welcome. And since I came so often, the staff were all familiar and friendly faces. I didn’t know all of their names, but every server, bartender, and bouncer were all the kind of people that you’d hope would run a music venue. Of particular note for me was Mike the ticket/door man who often allowed me to enter the venue early to set up equipment, and of course Carson Kopp, the venue’s head sound technician whose sound talents are well documented on this site but whose generosity, patience and sense of humor were always second to none. I expect that all of the people involved in this special place with land on their feet wherever they go, but somehow it will never be the same.

A large reason why Maxwell’s was the locale for so many of the special nights we’ve experienced was the “house band” — Yo La Tengo. We’ve seen them at times other than Hanukkah, but the vast majority of our YLT shows were during the eight day holiday. Due to some unforseen circumstances, on Saturday night a show originally billed as “Condo Fucks” in an opening slot became a two-set Yo La Tengo Maxwell’s show, and will be the final show of the band at its home venue. With that knowledge, the band’s entrance on stage in front of the red velvet curtain was instantly emotional. It was both hard to fathom and hard to accept that the band’s familiar position was its final night on this stage. Yo La Tengo has always had a keen awareness of its circumstances and its surroundings, and the setlist seemed uniquely fashioned for this night. Indeed, as “Mr. Tough” was dedicated to venue manager Todd Abramson, it occurred to me that the lyrics “we’ll forget about our problems / Ignore them for a little while / And leave our worries in the corner” quite well summarized the feeling of entering Maxwell’s for a night of music. While the weird sense of current enjoyment and the dread of the ending of something magical permeated my feelings throughout the set, it wasn’t until a beautiful quiet version of “Tom Courtenay” that the lump in my throat evolved into real tears. Its hard to lose something this special, but Yo La Tengo’s quiet first set was the cathartic remedy that we needed to help us accept our fate. After a break, the band returned with a full electric “Condo Fucks” set of garage-rock covers. It was exactly what was necessary at the exact right time — the chance to celebrate what Maxwell’s was really all about, no frills and unpretentious rock and roll simply for its own sake. The band’s final song, a super quiet and oh so appropriate cover of the Kinks’ “This Is Where I Belong” wasn’t so much a crying song as it was a wave goodbye. Ira Kaplan introduced the song by humbly noting that “this band does not exist without this club.” Indeed, much of the most important alternative rock of the last 30 years doesn’t either, and for that we can always thank and remember fondly Maxwell’s in Hoboken.

I recorded this set in the manner we’ve always been lucky to be permitted to record in this venue, and the sound is excellent. Enjoy!

Yo La Tengo is going to be on tour for the next several months and the dates are [HERE].

Stream “Tom Courtenay”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Yo La Tengo
2013-06-15
Maxwells
Hoboken NJ

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-06-19

Setlist:
[Total Time 1:35:17]
Set One [Acoustic YLT]
01 [introduction]
02 Big Day Coming
03 The Point Of It
04 [3 Blocks intro]
05 Three Blocks From Groove Street
06 [banter – libretto]
07 Mr. Tough
08 Swing For Life
09 Speeding Motorcycle [Daniel Johnston]
10 I’ll Be Around
11 Tom Courtenay
12 Ohm

Set Two [Condo Fucks]
13 [introduction set two]
14 Outrage [Booker T]
15 The Last Time [Rolling Stones]
16 Last Time Around [The Del-Vetts]
17 Frenzy [The Fugs]
18 Mystery Action [The Rezillos]
19 Whatcha Gonna Do About It [Small Faces]
20 Right Side of My Mind [Angry Samoans]
21 I Want You To Be My Boy [The Exciters]
22 I’m Your Man [Richard Hell]
23 Accident [Electric Eels]
24 With A Girl Like You [The Troggs]
25 Tiger In Your Tank [Muddy Waters]
26 Dog Meat [Flamin Groovies]
27 Get Down [Half Life]
28 Come On Up [Young Rascals]
29 Gudbuy T’Jane [Slade]
30 [encore break]
31 This Is Where I Belong [The Kinks]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade from Matador Records [HERE].

Yo La Tengo: December 13, 2012 Maxwell’s (Hanukkah Night 6) – FLAC/MP3/Streaming

December 23, 2012
By

ylt2012-12-13-2
[Photos courtesy of P Squared Photography]

Donate to the Ali Forney Center [HERE]

This will be our final post of Yo La Tengo shows this year.  With eight nights to cover, plus opening band recordings still to come, you might start wondering why this site didn’t just change its name to “YoLaTengoTaper” at some point. But the fact is, the live experience of rock music is all about surprise, virtuosity and connection, and if any band can do those three things over the course of eight nights in the same venue better than Yo La Tengo, I haven’t seen it. They’ve been various hailed (or mocked, depending on your perspective) as a rock critic’s type of band – earnest record collectors themselves whose vast knowledge of the music they like influences and changes the music they play. Over these eight nights, you get the feeling that you’re getting a look into their no-doubt-massive record collection. You see the band cover every manner of obscure tune to big rock anthem, with artists that have affected their careers and that still inspire them taking the stage as openers. These Hanukkah shows are a distillation of all that makes this band great. And for many of us, this band represents so much of what makes music great. To really appreciate how true that is, I recommend that you read Jesse Jarnow‘s painstakingly researched and endlessly entertaining biography of the band and the era they came up in, Big Day Coming: Yo La Tengo and the Rise of Indie RockThen listen to these shows again, and see how much Jesse has opened up the world of this band to you.

Neither of us from NYCTaper were able to actually attend this show, so we would like to extend our thanks to a fellow taper who has flown to New York from Portland to share the section with us for the last several years for allowing us to post his recording. He goes, appropriately enough, by the moniker “yltfan”, and I think anyone who would fly across the country to see and record the band deserves that title. He has done an amazing job capturing this show, and like the rest of you, I’m going to enjoy giving it a full listen to get the full feel of its greatness (including the band playing with guest vocalist Barbara Manning, and a killer version of “Five Cornered Drone (Crispy Duck)”).

yltfan used Audio Technica 4053 hypercardiod microphones and a soundboard feed from Mark, the band’s engineer, and Carson, Maxwells’ longtime engineer. Like the rest of the YLT Hanukkah recordings, this one is is outstanding. Enjoy!

This show was a benefit for the Ali Forney Center, which provides housing for homeless LGBT youth, and was severely damaged in Hurricane Sandy. Yo La Tengo asked repeatedly during these shows for fans to consider the low ticket price and to give additional funds to the causes they chose. As we are offering the download for free and without any requirement to donate to the charity, we ask that you please do so.  

Stream “Five-Cornered Drone (Crispy Duck)”

Download the complete show: [MP3] | [FLAC]
Due to high download volume, we are hosting these files off-site. The off-site host has a maximum download limit of 500, which will periodically be reached. Please let us know if the download limit is reached and we will re-upload the files in a new location.  

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

ylt2012-12-13-1

Yo La Tengo
2012-12-13
Hanukkah Night 6
Maxwell’s
Hoboken, NJ USA

Hosted at nyctaper.com
Recorded by yltfan
Produced by acidjack

Audio Technica 4053 (inside SBD cage, PAS) + Soundboard (engineer: Mark) >> Tascam DR-680>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (EQ, exciter, adjust stereo image)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Setlist courtesy of Jesse Jarnow (www.jessejarnow.com)

Tracks [Total Time 1:34:15]
01 Big Day Coming (quiet)
02 Evanescent Psychic Pez Drop
03 Frenzy [The Fugs]
04 Let’s Save Tony Orlando’s House
05 Five-Cornered Drone (Crispy Duck)
06 Winter A Go Go
07 [banter1]
08 I’m On My Way
09 [banter2]
10 I’ll Be Around
11 Cherry Chapstick>
12 Styles of the Times>
13 Sugarcube
14 Little Honda [The Hondells] (no noise jam)
15 Blue Line Swinger
16 [encore break]
17 Christmas Is Lonely (When You’re A Jew) [The Yule Logs] *
18 [banter3]
19 B4 We Go Under [Robert Scott] *
20 Tried So Hard [Gene Clark]

* With Barbara Manning on guitar and vocals and Dan Vargas on vocals

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and pre-order the new album Fade from Matador Records [HERE].

Support nyctaper

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

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