Blog Archives

Cymbals Eat Guitars: April 3, 2012 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Song

May 14, 2012
By


[Photos by acidjack]

We have featured Cymbals Eat Guitars several times on this site (most recently, a headlining Bowery show from last year), and we have always found their willingness to take risks refreshing. Not content to simply rework the more poppy sound of their breakout album, Why There Are Mountains, the band remain unafraid to take things in a more caustic direction. This Bowery Ballroom show found the band opening for Cursive (which we recorded, and will post if the band gets back to us about approval…), but the packed house for their set suggested equal fervor for these Staten Island natives.  The set focused on material from their latest record, Lenses Alien, but this also included some earlier favorites like “Indiana” and of course, “And the Hazy Sea”.

We recorded this set with a four-mic setup, but I thought the Sennheiser MKH-8040 source was sufficiently good to stand on its own.  We hope you agree. Enjoy!

Stream “And the Hazy Sea”
[audio:http://www.nyctaper.com/C2140CEG2990/06 And the Hazy Sea.mp3]

Direct download of MP3 files [HERE] | Direct Download of FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cymbals Eat Guitars
2012-04-03
Bowery Ballroom
New York, NY USA

Recorded by nyctaper and acidjack
Produced by acidjack

Sennheiser MKH-8040>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Audacity (set fades, tracking, EQ, amplify and balance, downsample)>FLAC (level 8 )

Tracks
01 Definite Darkness
02 Another Tunguska
03 Rifle Eyesight
04 [unknown]
05 Indiana
06 And the Hazy Sea
07 [unknown]
08 Shore Points

If you enjoyed this recording, we expect that you will PLEASE SUPPORT Cymbals Eat Guitars, visit their website, visit their MySpace page, and purchase Lenses Alien and their other records from the links at their web store [HERE].

This Is the Kit: April 18, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

May 8, 2012
By


[Not very good iPhone photo by acidjack]

For obvious reasons, we end up promoting a lot of NYC-based bands on this site. But it is always a rare treat to get a chance to share a recording by a band from overseas, particularly one that is new to us. This Is the Kit is a Paris and Bristol, UK-based project of vocalist/guitarist/banjo player Kate Stables that produces a grown-up brand of acoustic, blues-influenced rock of timeless beauty and grace – think of Cowboy Junkies or Sharon Van Etten as a reference point. Her music isn’t gimmicky or loud, brash or lo-fi.  This is a type of band that you want to listen to, try and focus on what’s being said through the hush (if you’re lucky, and there is, in fact a hush). And sure, your Dad might dig it, but that doesn’t mean you shouldn’t – a great song is a great song, no?

Mercury Lounge late show can often be a challenge to a band, after the bar has been open a few hours and two other bands have already done their thing. This Is the Kit were opening for Plants and Animals, who themselves had a fairly rowdy crowd. Hearing the opening notes of the spare, magnificent banjo intro of “Easy Pickings”, I feared for the worst. But a funny thing happened- the crowd paid attention, throughout a set that showcased several of the band’s numbers from Wriggle Out the Restless, a record originally released on the UK imprint Brassland and about to be re-released stateside (you can grab it for a steal on bandcamp right now for $3 or more… I suggest more). Out of a uniformly excellent set, it’s hard to pick favorites, but I was partial to the bluesy “rocker” of the group, “Earthquake”, the quiet leadoff track “Easy Pickings”, and the frenetic cross-rhythms of “Spinney” (currently the free track on the bandcamp page). Each of the songs in this set felt distinct, and the band managed to show a lot of different sides during this short opening performance. The next time they’re headlining, I’m there.

I recorded this set in the same manner as the Plants and Animals recording, but the quality of both the house mix and soundboard feed were better for this performance. Given the quiet nature of the set, this recording favors the soundboard feed, and the result is an outstanding and crisp recording.  Enjoy!

Stream “Earthquake”
[audio:http://www.nyctaper.com/T1840ThisKit2012/Earthquake.mp3]

Stream “Spinney”
[audio:http://www.nyctaper.com/T1840ThisKit2012/Spinney.mp3]

Direct download of MP3 files [HERE] |  Direct Download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

This Is the Kit
2012-04-18
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>CMC6 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS5.5 (align, mixdown, balance)>Izotope Ozone 5 (EQ, harmonic exciter (gentle tube), imaging (add width)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Easy Pickings
02 White Ash Cut
03 Vitamins
04 Earthquake
05 Two Wooden Spoons
06 [banter]
07 See Here
08 [banter]
09 Misunderstanding
10 Spinney
11 Bashed Out

If you enjoyed this recording, please support This Is the Kit, like them on Facebook, and visit their bandcamp page to buy Wriggle Out the Restless.

Alcoholic Faith Mission: April 27, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

May 7, 2012
By


[Photos by acidjack]

The Danish band Alcoholic Faith Mission, like many of their Scandinavian peers, seems so full of ineffable friendliness and gratitude that they almost force you to be an instant fan. Equal parts whimsical Scandinavian indiepop and college rock earnestness, their sound benefits from their time spent both in their home country and in Brooklyn. Brooklyn has been an integral part of AFM from the beginning; it (and alcohol) not only inspired their band name, but it also was where they recorded their second record, 421 Wythe Avenue, using only the materials that could be found in that old factory space. They are now two more records in, with their latest, Ask Me This, seeing release this week. In part due to that aforementioned friendliness and familiarity, this Friday night show at Glasslands had the vibe of coming over to hear your friends debut their new record just for you.

Band co-founder Thorben Seiero Jensen (who founded the band along with Sune Solund) and Kristine Permild share vocal duties, and they respectively represent the yin and yang of the band’s sound. Jensen sings in the full-throated style often associated with American rock singers, and he voices the band’s frequently-dark and even brutal lyrics with a wounded-bird affect that gives them credibility. Permild’s voice is sweeter, lighter and (of course) feminine, and is the pixie dust that gives the band a tenderer core. If you pay close attention to Jensen’s lyrics, there is a strain of darkness and depravity you might not expect from a band with such a pleasant onstage demeanor. But it’s hard to miss that there is some heavy shit going on behind that exterior; songs about sexual malfeasance, addiction and pain abound.

In the live setting, with the band cheerily inviting us to share a beer post-show, it was easier to focus on the simpler and more immediate pleasures of their sound itself. The rocker “Alaska,” with its klaxon-like lead melody, kicked things off and was an instant highlight, with Jensen and Permild bearing equal weight on the vocals. I was also partial to “Into Pieces” which is on Ask Me This but first saw release on the Running With Insanity EP earlier this year. “Sobriety Up and Left” and “Nut In Your Eye” were older songs that I also took a newfound liking to in the live setting.

I recorded this set with Schoeps MK22 open cardioid microphones and a nicely-balanced soundboard feed from Josh at Glasslands.  Despite it being a bit of a chatty Friday night crowd, I am very pleased with the results. Enjoy!

Special thanks to Rob at Old Flame Records.

Stream “Alaska”
[audio:http://www.nyctaper.com/A0427AFM0212/01 Alaska.mp3]

Stream “Sobriety Up and Left”
[audio:http://www.nyctaper.com/A0427AFM0212/09 Sobriety Up and Left.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Alcoholic Faith Mission
2012-04-27
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (DFC, 7.5ft, DIN)>KCY>Z-PFA>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5.5 (effects, EQ)>Audacity (additional EQ, tracking, set fades, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Alaska
02 My Eyes To See
03 Running With Insanity
04 Into Pieces
05 Legacy
06 Ask Me This
07 We Need Fear
08 Honeydrip
09 Sobriety Up and Left
10 Nut In Your Eye

If you enjoyed this recording, please support Alcoholic Faith Mission, visit their website, go see them on tour, and buy Ask Me This from their online store [HERE].

Lower Dens: May 2, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

May 3, 2012
By


[Photos by acidjack]

Before coming out for an almost-unheard-of-at-Glasslands three-song encore, frontwoman Jana Hunter of Lower Dens stepped out from behind the keys and mic stand to stand in front of the monitors, among the crowd, and close the main set with the Houston musician Arthur Bates’ “Hours”. And why the hell not? Though known for being a bit reserved onstage, Hunter has watched her Baltimore-based band be anointed an “It” band in the city that decides such things. She certainly has nothing to be self-conscious about, if she ever did.

Not that this extremely sold-out show, or the spate of overwhelmingly positive recent reviews, are the first time anyone noticed the band. Their first record, Twin-Hand Movement, had a lot to recommend it, and critics agreed. But Nootropics, which dropped this week, is the kind of record that takes the band’s sound and appeal to the proverbial “next level”. Rather than an excellent followup to a good start, Nootropics accomplishes the feat that bedevils many second records – evolving the band’s sound and broadening its sonic palette while retaining the core of what drew notice in the first place.

As to that palette, those of us who came of age in the eras of Luna or Galaxie 500 wouldn’t have had trouble finding the Dean Wareham influences all over the band’s early sound, with the fuzzed-out guitars forming the sea that bore along gentle but compelling melodies. The band’s first offerings from Nootropics, “Brains” and “Propagation”, continue that tradition, but also make it clear that there is more going on this time around, with Eno and Kraftwerk influences bubbling to the fore. Stripped of the album’s gauzy texture and replacing it with the raw immediacy (and minimal processing) of the intimate Glasslands stage, Lower Dens made the case for being able to carry well-produced album material in the live setting. It never hurts to have a sellout crowd, of course, and there were so many people crowding the stage there were practically people on top of the band. I won’t be surprised to find the same state of affairs at Bowery Ballroom in a couple months when they end their current tour.

Not only was this set long by Glasslands standards (71 minutes is practically a Springsteen concert in a venue where most sets clock in well under an hour), but the encore included a special cover of the Houston psych-rock pioneers Red Krayola’s “A Portait of V.I. Lenin in the Style of Jackson Pollock” – proving that the Texas-born Hunter, like any good musician, also has a great record collection.

I recorded this set with Schoeps MK5 cardiod microphones and a soundboard feed provided by Glasslands and the band’s FOH. The sound is excellent. Enjoy!

Lower Dens play Bowery Ballroom on Thursday, July 19. Tickets go on sale May 4 at noon.

Stream “Brains”
[audio:http://www.nyctaper.com/L0052LowerDens0122/07 Brains.mp3]

Stream “A Portrait of V.I. Lenin in the Style of Jackson Pollock [Red Krayola]
[audio:http://www.nyctaper.com/L0052LowerDens0122/16 Red Krayola.mp3]

Direct download of MP3 files [HERE] |Direct download of FLAC files [HERE]
If the FLAC link is not working,
email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lower Dens
2012-05-02
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, 8ft, DIN)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>Adobe Audition CS 5.5 (align, mixdown)>Audacity 2.0 (set fades, tracking, slight EQ, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:11:18]
01 I Get Nervous
02 Candy
03 Deer Knives
04 Alphabet Song *
05 Propagation
06 Blue & Silver
07 Brains
08 Completely Golden
09 Lion In Winter Pt. 1
10 Lion In Winter Pt. 2
11 Batman
12 Hospice Gates
13 Nova Anthem
14 Hours [Arthur Bates]
15 [encore break]
16 A Portait of V.I. Lenin in the Style of Jackson Pollock [Red Krayola]
17 [banter]
18 A Dog’s Dick
19 [instrumental]

If you enjoyed this recording, please support Lower Dens, like them on Facebook, buy tickets to the Bowery show or a show in your area, and purchase Nootropics from Ribbon Music [HERE]

Acid Mothers Temple: April 30, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

May 2, 2012
By


[Photos by acidjack]

Acid Mothers Temple (well, the full name of this ensemble being Acid Mothers Temple & the Melting Paraiso U.F.O.) blew my mind the first time I saw them, back in 2010, and they did so again on this night at the Knitting Factory.  With two new studio albums under their belt from 2011, the band came out and delivered a mind-melting 104 minute performance that showed off the new tracks. Unconfined by the strictures of expectation or conventional song structure, each of this night’s songs was a study in improvisation. Rather than the wonky soloing that often typifies improvisational bands, the Mothers took their journey as a tight and focused unit, obviously cueing off of each other. This show had more vocal-heavy songs than the previous show, which gave some of the songs a more cohesive feel despite their even-more-extended jamming. As was the case even before its release, the instant-classic “Pink Lady Lemonade” with its Zeppelinesque main riff was the crowd favorite.  The show ended with the wallop of “Chinese Flying Saucer”, one of the tighter songs in the set, as the band continued to rock furiously, right until the last guitar hit the floor.

I recorded this set with AKG large-diaphragm cardiod microphones and a naturally “warm” handbuilt preamp, plus an excellent soundboard feed provided by the Knitting Factory FOH Devin. In retrospect, the choice of microphone and preamp was not ideal, as this combination is better suited to the fine detail of acoustic and less-bassy shows. Nonetheless, with a bit of editing, the resulting capture is excellent.  Further, please let me know of any tracking errors – I think I did better than last time, but there may still be mistakes in song names.  For convenient listening and breaking up into CDs, I broke up long improvisational pieces into multiple parts in order to make them a bit easier to navigate.

Brooklyn’s own Phantom Family Halo opened this show, and that recording will be posted soon.

Stream “Pink Lady Lemonade Pt. 1”
[audio:http://www.nyctaper.com/A0740AMT0210/05 Pink Lady Lemonade.mp3]

Stream “Chinese Flying Saucer”
[audio:http://www.nyctaper.com/A0740AMT0210/10 Chinese Flying Saucer.mp3]

This recording is now available to download as FLAC or MP3 at Archive.org [HERE].

Acid Mothers Temple
2012-04-30
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded and produced by acidjack

AKG C 414 B-XLS (cardiod, slightly ROC, at SBD, 7.5ft, POS)>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, harmonic exciter)>Audacity (set fades, tracking, additional EQ, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 1:44:26]
01 Space Ritual Jam
02 Shine On You Crazy Dynamite
03 Shine On You Crazy Dynamite Pt. II
04 Shine On You Crazy Dynamite Pt. III
05 Pink Lady Lemonade
06 Pink Lady Lemonade Pt. II
07 Pink Lady Lemonade Pt. III
08 Cometary Orbital Drive>Speed Guru
09 [encore break]
10 Chinese Flying Saucer

If you enjoyed this recording, please support Acid Mothers Temple, visit their website, and buy their records from your favorite retailer.

Noveller: April 19, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

May 1, 2012
By


[Photos by acidjack]

I have been a fan of the multi-talented guitarist and filmmaker Sarah Lipstate, aka Noveller, since seeing her open a slam-packed Bear In Heaven show at Glasslands back in 2010. Shortly thereafter, she released the EP Desert Fires, which at the time was the high watermark of her finely textured guitar compositions, especially the song “Three Windows Facing Three Doors”. Being a filmmaker, Lipstate’s songs have an abstract, cinematic quality to them; Lipstate carries you with her on her carefully constructed waves of sound. Although she was formerly with the bands Parts & Labor and Cold Cave, Lipstate is one of the few musicians who I would venture has more true potential on her own; her compositions feel complete without the trappings of a full band.

With her new eight-song LP Glacial Glow, Lipstate has 0nce again delivered compositions of layered, subtle beauty. She played two of those compositions – “Ends” and “Entering”, the bookends to Glacial Glow, on this night. Two new songs, “Cyanne” and “Darkheart”, joined “Starve” from her split LP with unFact (David Wm. Sims of the Jesus Lizard), to round out the set. Lipstate’s work continues to be absolutely mesmerizing – I can’t wait to hear what she comes up with next.

I recorded this set in the same manner as the Lotus Plaza and Disappears sets, and the sound is outstanding.  Enjoy!

Stream “Cyanne”
[audio:http://www.nyctaper.com/N9041Noveller2012/01 Cyanne.mp3]

Stream “Ends”
[audio:http://www.nyctaper.com/N9041Noveller2012/02 Ends.mp3]

Direct download of MP3 files [HERE] |  Direct Download location of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Noveller
2012-04-19
Glasslands
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK5c (DFC, STC22g, 8ft)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity 2.0 (align, mixdown, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Cyanne
02 Ends
03 Entering
04 Darkheart
05 Starve

If you enjoyed this recording, PLEASE SUPPORT Noveller, visit her website, and buy her records from her store there.

Lucero: April 20, 2012 Webster Hall & October 17, 2009 Webster Hall – FLAC & MP3 Downloads + Streaming Songs

April 29, 2012
By


[Photos by acidjack and Johnny Fried Chicken Boy]

There are two main paths that bands take to success these days: There are the bands with instant buzz, who find themselves on the late night TV circuit and playing large venues instantly. (They tend to flame out quickly, too). Then there are the bands who earn it the hard way – playing 200-plus shows a year, gigging every goddamn festival and radio station and bar in every corner of the country, putting thousands of miles on a broke down van and doubly more miles on their livers and sanity, all for the love of music, sure, but also for a shot at success.

Success, for a rock band these days, is a bit redefined, but Lucero have achieved it, and they’ve achieved it the hard way. An unabashedly masculine band, whose hardscrabble tales ring with authenticity, Lucero sometimes seems to be of another era. It’s hard to argue otherwise about a band that titles their current release (their eighth record, but first on ATO Records) Women and Work. After all, for the early 21st century American man, work is something he hasn’t got, and women – well, they’re too busy doing all the work.

But that’s the beauty of Lucero – they remind you of better days, but they also remind you of the simple pleasures of the days you’re in. The boys themselves always look like they’re having fun. Frontman Ben Nichols’ most frequently-uttered phrase between songs is “hell yeah!”, and the band made quick work of a handle of Jameson onstage. Lucero’s music, even when tackling sadder subjects, has good cheer to go with its honest grit. Today we are presenting two recordings  from Webster Hall – the first from October of 2009, the second from April 20 (yes, that date) of this year. These two shows are perhaps more telling in their similarities than in their differences; the band may have continued to expand their sound and personnel, but the core of their music is consistent and strong. Maybe there’s a bit more gravel in Nichols’ pipes, but that doesn’t hurt a thing. And despite spending virtually the entire past decade on the road, they sound as fresh and hungry as ever. For example, with its early curfew, Webster Hall practically demands short sets – but Lucero played a two-hour set of nearly 30 songs. Nobody told these guys about lowering expectations.

The songs – well, there are those to talk about too. That word “honest” comes up again, when you think about a Memphis band whose sound pays homage to the country and blues and even R&B that fuel the town, but with a bit of a punk flavor thrown in. At the 4/20 show, the new songs were a blast; it’s hard to argue with the rocker “I Can’t Stand To Leave You” or the honky-tonk “Like Lightning”. A stripped-down group of personnel played “The War”, the World War II tale that could easily resonate with soldiers in Afghanistan and elsewhere today. And of course, Lucero played the favorites that the band is probably expected to play at every show, and why not? “Nights Like These” is one of those songs you never get tired of; same for the valedictory “Last Night In Town”.

Of the October 2009 show, JFCB said:

Lucero made quite the impression on me when I first saw them in early 2009. After the release of the excellent ‘1372 Overton Park’ album later that year, they embarked on a tour with fellow Memphis musician Amy LaVere and blues/rock duo Cedric Burnside & Lightnin’ Malcolm. Billed as the “Ramblin’ Roadshow and Memphis Revue”, it was also the first time the group ever toured with a horn section to mirror the sounds on their recent disc. Being on the road with this handpicked crew must’ve had a positive influence as both the band and the particularly boisterous crowd on this Saturday night seemed to have a great time. While drinking and fielding song requests, Lucero played the majority of ‘Overton Park’ and dug out a number of older nuggets that had the party whooping and hollering for more.

We can keep spilling words about them, but really, all you need to know about Lucero is contained in their sendoff to us at the 4/20 show: “We appreciate each and every one of y’all making dreams come true. Dreams do come true!” A lot of things about rock music have changed in the fourteen years of Lucero’s career; a lot of dreams have changed, many for the worst. We’re pleased to raise a glass to these guys realizing theirs – they deserve it.

I recorded the 4/20 show with Schoeps MK5 cardiod microphones in a wider NOS configuration from directly behind the soundboard in order to give the recording a spacious, open sound. Johnny Fried Chicken boy recorded the October 2009 show with AKG 414 large-diaphragm mics that are always great-sounding, but especially for this band. If this is your first time reading about Lucero, you might check out his recording of the band from Mercury Lounge last year first – it’s an instant classic. Enjoy these recordings, and support Lucero!

Thanks to Lucero and their management for their accommodating treatment of us at this show and many others. 

Stream “Like Lightning” from the 4/20/2012 show:
[audio:http://www.nyctaper.com/L2006Lucero9020/26 Like Lightning.mp3]

Stream “The Devil and Maggie Chascarillo” from the October 2009 show:
[audio:http://www.nyctaper.com/L2006Lucero9020/Lucero_-_The_Devil_and_Maggie_Chascarillo.mp3]

Stream “The War” from the 4/20/2012 show:
[audio:http://www.nyctaper.com/L2006Lucero9020/23 The War.mp3]

Download the April 2012 show: [MP3] | [FLAC]

Download the October 2009 show [MP3] | [FLAC]

Follow acidjack on twitter | Follow Johnny Fried Chicken Boy on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lucero
Friday, April 20, 2012
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, NOS)>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [Oade Concert Mod]>Izotope Ozone 5 (EQ, stereo image)>Audacity (set fades, additional EQ, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:54:33]
01 [intro]
02 That Much Further West
03 Downtown (Intro)>On My Way Downtown
04 Nights Like These
05 Kiss the Bottle [Jawbreaker]
06 Women & Work
07 Raising Hell
08 Hey Darlin’ Do You Gamble?
09 Juniper
10 Chain Link Fence
11 Sounds of the City
12 [banter]
13 It May Be Too Late
14 She’s Just That Kind Of Girl
15 Bikeriders
16 Slow Dancing
17 [banter]
18 I Can’t Stand To Leave You
19 Joining the Army
20 Last Night In Town

[Ben With Rick and Todd]
21 Mom
22 Hold Me Close
23 The War

[Full band]
24 [banter]
25 All Sewn Up
26 Like Lightning
27 My Best Girl
28 Tears Don’t Matter Much
29 [encore break]
30 Mine Tonight
31 Go Easy

——————————-

Saturday, October 17, 2009
Webster Hall
New York, NY, USA

Source: AUD > AKG C 414 B-XLS’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by Johnny Fried Chicken Boy

Tracks:
[Total time: 1:47:06]
01 intro (“Welcome to the Jungle”)
02 Sounds of the City
03 That Much Further West
04 Can’t Feel a Thing
05 The Devil and Maggie Chascarillo
06 Nights Like These
07 What Else Would You Have Me Be?
08 Joining the Army
09 Last Night in Town
10 Sixes and Sevens
11 Goodbye Again
12 Kiss the Bottle [Jawbreaker]
13 I’ll Just Fall
14 Johnny Davis
15 Raising Hell
16 Hey Darlin’ Do You Gamble?
17 banter 1
18 Chain Link Fence
19 Sixteen
20 Sweet Little Thing
21 banter 2
22 The Last Pale Light in the West
23 Mom
24 Smoke
25 I Can Get Us Out of Here
26 Darken My Door
27 Tears Don’t Matter Much
28 encore break
29 All Sewn Up

If you enjoyed these recordings, please support Lucero by visiting their website, attending their shows, and buying their official releases, including Women & Work, from their web store [HERE]

Disappears: April 19, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

April 27, 2012
By


[Photos by acidjack]

As one of the anchors of the current Chicago scene, Disappears are a hard band to outshine. They headlined this night’s Glasslands show featuring Lotus Plaza (that recording [HERE]) and the Brooklyn guitarist Noveller (that recording coming soon) the same way that they carried a previous show I attended with the startling Brooklyn band The Psychic Paramount: by being relentless, sharp and ready with an album’s worth of killer new songs. At that earlier show, the band’s new record Pre Language was unreleased. With the album now having been out for a little while, the already-tight band is completely dialed in on the new songs, which represent their best and most approachable material to date. Disappears deliver a dark, overdriven style of rock, with a Sonic Youth-reminiscent guitar squall backing the Mark E. Smith-reminiscent vocals of frontman Brian Case, processed through a megaphone-style effect. They’re the right band to propel the end of a night – and not just because it gave everyone confirmation that Steve Shelley has landed on his feet post-Sonic Youth.

Predictably, this set was heavy on Pre Language material, including “Replicate”, which we first experienced at the Union Hall show last year, and new favorites like the title track and “Hibernation Sickness”. The sound benefited heavily from the band’s touring engineer, who worked with them on the album and tuned the upgraded Glasslands sound system to perfection.

We recorded this set in the same manner as the Lotus Plaza recording, with Schoeps MK5 cardioid microphones and a soundboard feed.  The sound is even better than that recording due to the aforementioned engineer’s flawless mix. The sound is outstanding. Enjoy!

Stream “Hibernation Sickness”
[audio:http://www.nyctaper.com/D7026Disappears0211/06 Hibernation Sickness.mp3]

Stream “Pre Language”
[audio:http://www.nyctaper.com/D7026Disappears0211/03 Pre Language.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Disappears
2012-04-19
Glasslands
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK5c (DFC, STC22g, 8ft)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity 2.0 (align, mixdown, EQ, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Marigold
02 Replicate
03 Pre Language
04 Magics
05 Minor Patterns
06 Hibernation Sickness
07 Fear of Darkness
08 Era
09 Lux
10 Joa
11 Love Drug
12 Radiation
13 Brother Jolene

If you enjoyed this recording, PLEASE SUPPORT Disappears, visit their website, and purchase their records, including Pre Language, from Kranky [HERE]

Plants and Animals: April 18, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

April 26, 2012
By


[Photos courtesy of Patrick Proctor at Hippies Are Dead]

The Montreal band Plants and Animals has been at this for awhile now – they released their first EP in 2004 – and experience has clearly served them well, developing them into a band with considerable chops and obvious stage presence.  This show at Mercury Lounge came on the heels of the release of their third record, The End of That, a document of the three-piece’s continuing commitment to big, 70s-inspired rock. Big is a broad but appropriate word for the sound of a band whose songs routinely stretch beyond five or even six minutes – Plants and Animals take their time building their satisfying rhythmic structures on songs like “Mercy” and “Crisis”. While many bands use the excuse of being the fourth or fifth band of the night to wrap things up early-style, Plants and Animals anchored a long Thursday night of music at Mercury Lounge to deliver an 80-minute set that covered their three big releases and some deeper cuts from their with/avec EP like “Lola Who” and the set closer, a nine-minute version of “Faerie Dance”. The crowd was most pumped for the band’s latest single, “Lightshow”, and deservedly so – it’s an instantly memorable song with a loud/soft dynamic and a mind-glue riff.

I recorded this set with Schoeps MK41 microphones and a soundboard feed courtesy of the Mercury Lounge staff. Unfortunately, this being the Mercury “late show” and it being a popular drinking night here in NY (well, aren’t they all…), the crowd was very noisy, forcing me to mix in more of the soundboard feed than I otherwise would have preferred.  Although it is still a good capture, listeners on headphones may be distracted at times by the crowd chatter. With that  caveat, enjoy!

Stream “Lightshow”
[audio:http://www.nyctaper.com/P4018PlantsAnimals1220/13 Lightshow.mp3]

Stream “Crisis!”
[audio:http://www.nyctaper.com/P4018PlantsAnimals1220/02 Crisis!.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Plants and Animals
2012-04-18
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (PAS, 7.5ft)>CMC6 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (align, mixdown, tracking, amplify and balance, set fades)>FLAC ( level 8 )

Tracks [Total Time 1:21:17]
01 Bye Bye Bye
02 Crisis!
03 Good Friend
04 Control Me
05 Gameshows
06 No Idea
07 Lola Who?
08 The Mama Papa
09 Mercy
10 Why & Why
11 [banter]
12 Undone Melody
13 Lightshow
14 [encore break]
15 The End of That
16 Faerie Dance

If you enjoyed this recording, PLEASE SUPPORT Plants and Animals, visit their website, and purchase their official releases from their online store [HERE]

Conduits: April 2, 2012 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

April 24, 2012
By


[Photos by acidjack]

Conduits are a new band from the always-punching-above-its-weight music scene of Omaha, Nebraska, and we were fortunate enough to catch them right after the release of their promising self-titled debut on the label Team Love.  Conduits’ reference points include many bands I revere – Slowdive, My Bloody Valentine, Lush, Portishead and the underappreciated Irish band Scheer – so I was naturally taken with their sound. Lead singer Jenna Morrison, previously of another beloved Omaha band Son, Ambulance, is a commanding frontwoman and vocalist, with the sort of powerful but ethereal voice that works perfectly with the band’s layers of feedback-drenched sound. And far from affecting the distant posture of some of their sonic forebears, Conduits actually perform, again with Morrison and bandmates J.J. Idt (guitar), Nate Mickish (guitar), Mike Overfield (bass, keys), Roger L. Lewis (drums), and Patrick Newbery (synth, keys) sharing the intensity of the moment with the crowd. Knob-twiddlers and shoegazers they ain’t – this is a rock n’ roll band that, even at a young stage, looked and sounded totally comfortable on the relatively big Bowery stage.  Idt and Mickish, who founded the band, clearly assembled their fellow players wisely.

This opening set at Bowery Ballroom covered four of the eight tracks on Conduits, plus two other songs that were new to me. My personal favorites came back to back – the strong rocker “Blood” and the more dark, atmospheric “Last Dirge”. Although the set was brief, it established Conduits as a band to watch. We expect great things in the future.

nyctaper and I recorded this set with a combination of more directional Schoeps MK41 hypercardiod microphones and Sennheiser MKH-8040 cardiods.  While this was not my favorite house mix in this beautiful-sounding room, this remains a great capture and a worthwhile introduction to this band. Enjoy!

Stream “Blood”
[audio:http://www.nyctaper.com/C0042Conduits0212/02 Blood.mp3]

Stream “Last Dirge”
[audio:http://www.nyctaper.com/C0042Conduits0212/03 Last Dirge.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Conduits
2012-04-02
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Schoeps MK41>KCY>Z-PFA>SD USBPre2 + Sennheiser MKH-8040 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity (tracking, amplify and balance, downsample to 16bit)>FLAC ( level 8 )

Tracks
01 Top of the Hill>
02 Blood
03 Last Dirge
04 Misery Train
05 The Wonder
06 Crow

If you enjoyed this recording, please support Conduits by liking them on facebook and purchasing Conduits directly from Team Love [HERE]

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.