nyctaper Recordings

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Gun Outfit: August 19, 2017 Union Pool’s “Summer Thunder”

August 21, 2017
By


[Photo by Robert Mizaki, from his Instagram feed]

Originally from Olympia, WA, you could be forgiven for assuming Gun Outfit sprung fully-formed from their current home base of Los Angeles, California. Their Twitter feed describes their music as “western expanse music,” and that feels right. Their simple self-possession and confident, low-key forward motion are as West Coast as Pacific swells. Or, to put it differently, they brought the perfect vibe for a laid-back summer afternoon at Union Pool, which continues its “Summer Thunder” series of outdoor shows for just one more week.

This set was notable for a few points, including the participation of longtime noise/guitar hero Henry Barnes (currently touring with the band as his Amps for Christ project) and the wide berth of the setlist, which covered some of the band’s oldest songs like “The Lack” and “Southern Chill” as well as forthcoming tracks from the recorded-but-not-yet-released new album. If you were a fan of the band’s most recent full-length, the 2015 Paradise of Bachelors release Dream All Over, this set wasn’t as focused on that (excellent) material, but the band seems to be continuing in the strong, consistent direction established by that record.  Co-vocalists, -songwriters and -guitarists Dylan Sharp and Carrie Keith have an easy, relaxed interplay, and Barnes meshed perfectly, salting each composition with psychedelic guitar weirdness. If Gun Outfit are hard to pin down aesthetically — they’re punk but neither fast nor loud, they’re folk but not earnest, country but not not simple — their appeal, especially live under the sun, will be obvious to fans of all three. Look for that new record to arrive … sometime soon. ‘Til then, enjoy this little survey of this band’s career.

I recorded this set with head-mounted DPA 4061 microphones from the front of the audience near the stage. The sound quality is excellent. Enjoy!

Download the complete show: [FLAC] | [MP3] | [Apple Lossless]

Gun Outfit
2017-08-19
Union Pool (Summer Thunder Outdoor Series)
Brooklyn, NY USA

Recorded and produced by acidjack

DPA 4061 (HRTF, FOB, DFC)>DPA d:vice>iPhone 7>16/44.1 WAV>Adobe Audition CC (fades, amplify, compression)>Izotope Ozone 5 (image, EQ, exciter)>Audacity 2.0.3 (track, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time 44:48]
01 The Lack
02 Sally Rose
03 Clean Runs the Thread
04 Second Decade
05 Southern Chill
06 Primacy of Love
07 Background Deal
08 Gotta Wanna
09 Strange Insistence
10 Legends of My Own
11 Downtown LA [JJ Cale]

SUPPORT Gun Outfit: bandcamp | Facebook | Paradise of Bachelors

Creeper Lagoon: August 10, 2017 Mercury Lounge

August 15, 2017
By


[photo from Chris Quartly twitter]

The relative enjoyability quotient of a band reunion almost always depends upon the reason for the get together. When long-departed groups decide to get together and play shows for the simple fun of it, count us in. Creeper Lagoon had a brief but productive career that petered out in 2004. After being named Spin’s Best New Artist in 1998, the band went on to produce a couple of major label releases before splitting up after a difficult European tour. The 2001 release Take Back the Universe and Give Me Yesterday remains the peak of the Creeper Lagoon catalog and the music sounds as vibrant now as it did nearly two decades ago. After the split, all of the band members went on to successful careers and happy lives outside of the music industry. This excellent interview of band founder Sharky Laguana gives all the details, but suffice to say that all of the band member were in a good place when this reunion was contemplated and then announced late last year. After a couple of shows at the Noise Pop Fest’s 25th Anniversary in San Francisco in February, Creeper came to NYC for their first show in 16 years, a one-off at Mercury Lounge with no plans to return.

The excitement of the event was evident in the crowd from the outset as the band interactions will attest. Mercury was quite sold out and Creeper Lagoon’s energy reflected that fact throughout the night. The setlist was a lengthy run through the band’s back catalog with a nice cross-section of material. Universe was well represented as expected. The reality is that this night was exactly the reunion show you would have hoped for if you’re a Creeper Lagoon fan — fun, interactive, energetic, and well paced. If the reactions of the many fans who approached me after the show asking about the recording is any evidence, this document should also be exactly what the fans want.

I recorded this set with the Schoeps cards mounted in front of the Soundboard and mixed with a superb feed provided by the band’s FOH Kim Griess. This was a rambunctious and happy crowd, although there was a near-fight audible to my left during the encore break. Other than that and some other obvious chatter, the sound quality is quite excellent. Enjoy!

Download and Stream the Complete Show from our Bandcamp Page:

Creeper Lagoon
2017-08-10
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Kim Griess] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:32:34]
01 Chance of a Lifetime
02 Claustrophobia
03 Under the Tracks
04 Dead Man Saloon
05 Second Chance
06 [Tracy false start]
07 Tracy
08 [Patrick intro]
09 Dreaming Again
10 Sylvia
11 Empty Ships
12 Motor Away [Guided By Voices]
13 [banter – lawyer shit]
14 Hey Sister
15 Roman Hearts
16 Wrecking Ball
17 Bloodbuzz Ohio [National]
18 Sunfair
19 Keep from Moving
20 [encore break]
21 [Tonight long intro]
22 Tonight Was Fun
23 Wonderful Love
24 Dear Deadly

SUPPORT Creeper Lagoon: Website | Facebook

Parlor Walls: July 22, 2017 The Gutter

August 8, 2017
By

I was impressed, but not surprised, by the art-punk band Parlor Walls‘ first full-length, Opposites, released on Northern Spy earlier this year. If you’ve observed the output of Alyse Lamb, from her time in the more pop-driven EULA through Parlor Walls’ Cut EP through today, you observe a consistent upward refinement of craft and a broadening of musical palette. If EULA was the high-energy friend you want to party with, Parlor Walls is her darker, more mysterious older sibling, perhaps a little less approachable, but with more to offer when you do.

This set at the Gutter, hosted by Gimme Tinnitus, made a strong case for the powers of Lamb and her band, now a trio that consists of newest member Jason Shelton on clarinet and Chris Mulligan on drums/synth. If you compare the band’s second-ever show, which we covered, you’ll notice the tighter, more forceful quality of the newer songs right away. Lamb has always been a compelling stage presence, and Opposites provides her the material to let that shine, with songs that brim with a very current type of anxiety. Lamb’s use of repetition recalls some of the more straightforward punk that lives among her influences, but the brooding, barely-contained music behind her gives it a darker tone. You could argue that now is no time for party music, even if there’s a party. If that’s true, that makes Parlor Walls the right kind of guest.

I recorded this set with Schoeps MK4V microphones from an optimal spot in the room. The sound is excellent. Enjoy!

Download the complete set: [FLAC/ALAC/MP3]

Stream the complete set:

Parlor Walls
2017-07-22
The Gutter
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (at SBD, DFC, PAS)>KCY>Z-PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CC (compression, limiter)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Crime Engine Failure
02 Play Opposites
03 My Heart Already Knows
04 Cover Me
05 Me Me My
06 [tuning]
07 Mind Your Own Business [Delta 5]

PLEASE SUPPORT Parlor Walls: bandcamp | Northern Spy Records | Facebook

Phish: August 5, 2017 Madison Square Garden (Baker’s Dozen Night 12)

August 6, 2017
By


[This image from the Phish From the Road Instagram page. Photo by Rene Huemer]

Boston cream was the theme of this twelfth and penultimate night of the Phish “Baker’s Dozen” series at Madison Square Garden. And if that offered two all-too-obvious musical groups in one donut flavor, Phish couldn’t avoid taking that bait, making a mashup of Cream’s “Sunshine of Your Love” and Boston’s “More Than A Feeling” an early highlight of a show whose uneven moments were bested, in my view, by that ever-available fount of inspiration, the jams. If the first “Sloth” of 2017 excited more than a few heads, there was a killer “Gotta Jiboo” up next for the Saturday night crowd. That said, this was no Saturday night version–a sprawling jam that veered the song away from its upbeat, party vibe. If 2014’s “Plasma” isn’t the best-known song in the catalog, it certainly was one of the standouts of the first set, closing it out.

As has been the norm, the second set was where the fireworks were, virtuosity-wise. Kicking things off with a particularly languid version of “Ghost,” the band let that song take center stage as the night’s first huge jam song, followed by relative newcomer “Petrichor” and “Light.” After a “Lizards”>”The Horse”>”Silent In the Morning”>”Quinn the Eskimo” jam, there wasn’t much to be said. Nearing the end of curfew, the band wrapped with one of their more maudlin numbers “Joy.” If that song felt like a strange note to end on, with just one night of this epic MSG run left, it drove home the idea that with Phish, it’s best not to ask why.

I recorded this set with Schoeps MK4V microphones in the center of the tapers’ section. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] [FLAC] [ALAC]

Stream the complete set: 

Phish
2017-08-05
Madison Square Garden
New York, NY

The Baker’s Dozen, Night 12

Recorded and produced by acidjack for nyctaper.com

Schoeps MK4V (PAS, OTS, DFC) > KC5>CMC6>Sound Devices MixPre6 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48 or 16/44.1, level 8 )

SET ONE
01 Soul Shakedown Party
02 Uncle Pen>
03 The Sloth
04 Gotta Jibboo
05 Fuck Your Face
06 “Sunshine Of Your Feeling” [Sunshine of Your Love -> More Than a Feeling > Sunshine of Your Love > Foreplay/Long Time]
07 Frost
08 Scent of a Mule
09 Fire
10 Alaska
11 Plasma

SET TWO
12 Ghost
13 Petrichor
14 Light>
15 The Lizards
16 The Horse>
17 Silent in the Morning>
18 Quinn the Eskimo>
19 Rocky Top
[encore break removed]
20 Joy

SUPPORT Phish: Website | Store

Phish: August 4, 2017 Madison Square Garden

August 5, 2017
By

Phish did it again last night. On the 11th night of the historic Baker’s Dozen shows at Madison Square Garden, this one themed on a Lemon donut, the band again delivered a unique set of breakouts, first-time covers, and surprisingly placed jams. You could excuse Phish for maybe missing the mark once on this run, but its clear that every single show has been an all-timer and this is why we continue to insist that this a bellwether stand for the band.

Last night’s set opened with a first-time cover of the blues standard “See That My Grave is Kept Clean” or “One Kind Favor”, performed by a litany of artists but first attributed to Blind Lemon (get it?) Jefferson. The set also featured stand-out performances of not-classics “Ocelot” and “Winterqueen”, two songs of recent vintage that got the full jam treatment at this show. The set finale of “First Tube” was truly remarkable, an intensely jammed version that ended with Trey literally waving his guitar around above his head in some sort of feedback devotional ritual.

The second set started off slowly with a puzzling silly acapella “Dem Bones” but quickly moved into jam mode. “No Man’s Land” is another new-y that got some peak extended play, before unfinished it quietly segued into a song that had some heads scratching and phones clicking. Radiohead’s “Everything In Its Right Place” fit the theme (“sucking a lemon”) but certainly seemed like “worlds colliding” of musical genres. But the band did a bang-up job on the number — if a bit spacier than the original. Moving forward, a sample of the “sucking a lemon” vocals would continue to pop up during the set. Phish continued this strong set with a “Scent and Subtle Sounds” which not only reached jammy peaks but also contained a neatly interposed reprise of “No Man’s Land” tucked into the jam. The set ended with crowd-favorites “Prince Caspian” and a now-infrequent visit with “Fluffhead” before the band returned with a non-unfamiliar cover of the Edgar Winter Group’s classic “Frankenstein”.

This was my own personal final show of this run — acidjack is scheduled to capture tonight’s show — but I have to remark that this was all-in-all clearly the highlight of my lengthy but limited relationship with Phish. I suspect its also a highlight of the long-time and truly dedicated Phishheads, and that’s saying something.

I recorded this show from the dead center area of the taper’s section on the rail behind the video cage. The sound in the venue was extraordinary this night and our centered position was advantageous. As a result, the sound quality is superb and I believe this is my best sounding recording of the three shows I attended. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Phish
2017-08-04
Madison Square Garden
New York NY

Digital Master Recording
Sixth Row Center Tapers Section

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:09:49]
01 See That My Grave Is Kept Clean [Blind Lemon Jefferson]
02 Punch You in the Eye
03 Party Time
04 Big Black Furry Creature From Mars
05 Dinner and a Movie
06 Ocelot
07 Poor Heart
08 Winterqueen
09 Bold as Love [Hendrix]
10 First Tube

Set 2:
[Total Time 1:24:19]
11 Dem Bones
12 No Men in No Man’s Land
13 Everything in Its Right Place [Radiohead]
14 What’s the Use
15 Scents and Subtle Sounds*
16 Prince Caspian
17 Fluffhead
18 [encore break]
19 Frankenstein [Edgar Winter]

*with No Man’s Land Reprise

SUPPORT Phish: Website | Store

Phish: July 29, 2017 – Madison Square Garden

August 3, 2017
By

While EricPH took less than twenty-four hours to post his recording of this show, I’ve taken way too long to make mine available and as a result I’m doing a new post and using the opportunity to gather some thoughts about these shows.

Its pretty amazing watching musical history in the making — as it happens. Now that the “Baker’s Dozen” Phish run at Madison Square Garden is more than halfway done, it has become apparent that this isn’t just a big run of shows at one venue but an event never quite seen before in musical history. The band has dedicated to making sure that no song is repeated during the entire run, created themes for each night, and playing against all of the expectations that come with a band that’s existed for longer than some of its fans have been alive. The first sets aren’t just single song play-throughs, the shorter songs can now be jam vehicles, and there’s no predictable place for a song in the setlist. Add to that a bunch of break-outs, rare numbers and first-time covers, and Phish has pretty much committed themselves to “Baker’s Dozen” perhaps becoming the bell-weather upon which to measure their lengthy career. And as this Uproxx article from earlier today notes, Phish has created a model for fan-friendly artist presentation that most bands with significant fan-bases should follow.

This Saturday night show had some serious highlights as noted by Eric’s review. There was the surprise first set closer of “Walrus”, the twenty-three minute second set opener “Blaze On” that might be the best version of that song the band has ever played, and the set closing Hood. I’ve also always been partial to the band’s goofy anthem “Meatstick” and this version was a hoot. Overall, it was just another prime show in a classic run and we’re lucky to be capturing two more of these nights this coming weekend. Stay tuned.

I recorded this in the exact same place and manner as the July 22 recording (first row taper’s section with cards) and the sound is equally excellent. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Phish
2017-07-29
Madison Square Garden
New York NY

Digital Master Recording
First Row Tapers Section

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:16:54]
01 Llama
02 Wilson
03 Stealing Time From the Faulty Plan
04 Ya Mar [Cyril Ferguson]
05 Tela
06 The Birds
07 The Line
08 Water in the Sky
09 Vultures
10 Train Song
11 Horn
12 I Am the Walrus [Beatles]

Set 2:
[Total Time 1:21:51]
13 Blaze On
14 Twenty Years Later
15 Alumni Blues – Letter to Jimmy Page – Alumni Blues
16 Meatstick
17 Dirt
18 Harry Hood
19 [encore break]
20 Cinnamon Girl [Neil Young]

SUPPORT Phish: Website | Store

Phish: July 29, 2017 Madison Square Garden

July 30, 2017
By

Night seven of the Baker’s Dozen was dubbed the cinnamon donut night. And while there are an overwhelming number of obvious and not-so-obvious songs that fit thematically, the band didn’t go overboard with cinnamon references aside from the semi-predictable Neil Young cover (which they pulled off perfectly). Otherwise it’s a varied set—at least for this Phish newbie—that has them jamming on a (pardon me) blazing “Blaze On” to open the second set, a first-set closing “I Am the Walrus,” and a killer “Alumni Blues” with the “Letter to Jimmy Page” bridge. While nothing could hold a candle to the previous night’s “Chalk Dust Torture,” this is no doubt a solid set throughout.

Eric PH recorded this set with the Schoeps MK41V’s mounted in the official taper’s section, from row 1 seat 1. NYCTaper will follow up with his Schoeps source shortly. Enjoy!

Download the complete show (Schoeps MK41V source): [MP3 / FLAC16 / FLAC24]

Stream the complete show (Schoeps MK41V source):

Phish
2017-07-29
Madison Square Garden
New York, NY

Baker’s Dozen #7

Recorded and produced by Eric PH for nyctaper.com

Schoeps MK41V (OTS, LOC) > Aerco MP-2 > Zoom F8 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01. Llama
02. Wilson
03. Stealing Time From the Faulty Plan
04. Ya Mar [Cyril Ferguson]
05. Tela
06. The Birds
07. The Line
08. Water in the Sky
09. Vultures
10. Train Song
11. Horn
12. I Am the Walrus [The Beatles]

Set 2:
13. Blaze On
14. Twenty Years Later
15. Alumni Blues > Letter to Jimmy Page > Alumni Blues
16. Meatstick
17. Dirt
18. Harry Hood
19. [encore break]
20. Cinnamon Girl [Neil Young]

SUPPORT Phish: Website | Store

Phish: July 28, 2017 Madison Square Garden

July 29, 2017
By

The sixth night of Phish’sBaker’s Dozen” shows at Madison Square Garden was thematically the “double chocolate” donut show. This presented some challenges for song selection as Phish’s vast catalog does not contain a song with the word “chocolate” in its title. But ultimately, in a run of never-ending surprises and first-time covers, Phish chose to open with the 2007 novelty one-hit wonder “Chocolate Rain” by Tay Zonday. The balance of the first set was comprised of fairly short dips through some obscure numbers (“Destiny Unbound”) and the classic material (“Divided Sky”), with the set-closing “Sand” perhaps the highlight of the eleven-song set.

The second set began with another acapella number (The Might Diamonds’ “Have Mercy”) before Phish launched into the first serious jam of the night—a tremendous “Chalkdust Torture.” The chocolate theme appeared again with a cover of Hot Chocolate’s “You Sexy Thing” with Mike on vocals. The second chance to jam was the segues between “Mercury,” “Sexy Thing Reprise” and an extended “Backwards” that ended the set in fine fashion. The encore segment closed with another acapella number, this time an inventive and entertaining version of Bowie’s “Space Oddity.”

Eric PH recorded this set with the AKG CK61’s mounted in the official taper’s section, while acidjack recorded with Schoeps MK4V on the same stand. The sound quality of both is excellent. Enjoy!

Download the complete Show [Schoeps source] [MP3/ALAC/FLAC16/FLAC24]

Download the Complete Show [AKG source] [MP3 / FLAC16 / FLAC24]

Stream the complete show (Schoeps source):

Stream the Complete Show (AKG Source):

Phish
2017-07-28
Madison Square Garden
New York, NY

The Baker’s Dozen

Recorded and produced by Eric PH for nyctaper.com

AKG C480B/CK61 (DIN, OTS, DFC) > Aerco MP-2 > Zoom F8 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01. Chocolate Rain [Tay Zonday]
02. Ass Handed
03. Free
04. Weigh
05. Undermind
06. The Oh Gee Pa Ceremony
07. The Dogs
08. Destiny Unbound
09. The Divided Sky
10. Things People Do
11. Sand

Set 2:
12. Have Mercy [The Mighty Diamonds]
13. Chalk Dust Torture
14. You Sexy Thing [Hot Chocolate]
15. Mercury > You Sexy Thing
16. Backwards Down the Number Line
17. Rock & Roll [The Velvet Underground]
18. [encore break]
19. Fee
20. Space Oddity [David Bowie]

______________________

Phish
2017-07-28
Madison Square Garden
New York, NY

The Baker’s Dozen

Recorded and produced by acidjack for nyctaper.com

Schoeps MK4V (PAS, OTS, DFC) > Sound Devices MixPre6 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01 Chocolate Rain [Tay Zonday]
02 Ass Handed
03 Free
04 Weigh
05 Undermind
06 The Oh Kee Pah Ceremony
07 The Dogs
08 Destiny Unbound
09 The Divided Sky
10 Things People Do
11 Sand

Set 2:
12 Have Mercy [The Mighty Diamonds]
13 Chalk Dust Torture
14 You Sexy Thing [Hot Chocolate]
15 Mercury > You Sexy Thing
16 Backwards Down the Number Line
17 Rock & Roll [The Velvet Underground]
[encore break clipped]
18 Fee
19 Space Oddity [David Bowie]

SUPPORT Phish: Website | Store

Oneida: July 14, 2017 Secret Project Robot

July 26, 2017
By

Since our last encounter with the band at the former Secret Project Robot space nearly a year ago, Oneida has released a stellar live album (of a different Secret Project Robot show), Secret Project Robot has become a slightly-less DIY, fully licensed, and even-more-enjoyable artist-run venue, drummer Kid Millions put out the best Man Forever release of … forever, and Oneida has nearly completed a brand-new album. Not a bad year’s work for guys who still have day jobs.

We’ve seen as many Oneida performances, collectively, as just about any band, so it’s hard to make a claim about one without offending one’s memory of another. So, I won’t throw inadvertent shade on those many other performances by saying this was the very best Oneida performance, but it was easily the very best I’ve seen in the recent past, made doubly exciting by the high volume of new tuneage (owing to that new album and all). The band has worked out many of these jams live at various other shows, but we haven’t been to one where they ripped through so many at once. Further, several of these were brand-new to us, including the one title-not-known-by-me song, “It Was Me,” “All In Due Time,” and “Lay of the Land.” A couple of those new songs offer a somewhat softer vibe than Oneida jams of recent past, with one of those unnamed numbers even billed as a “love song.” Just in case you thought they might go soft, Oneida made sure to play the storming “Cock Fight” next. By the time they made it to the final song, a nearly fifteen-minute “Cedars,” all I could think about was exactly how soon I could get my hands on that new record, and see Oneida next.

I recorded this set with Schoeps MK4V microphones at the stage lip, together with a soundboard feed provided by our friends at punkcast. Other than a couple of occasional technical glitches in the vocal parts from the board feed, the sound quality is excellent. Enjoy! (By the way, if you want to hear an amazing, perfect-sounding Oneida live show, don’t be a cheapskate and go buy their live album. Trust us.)

Download the complete set: [MP3/Apple Lossless/FLAC]

Oneida
2017-07-14
Secret Project Robot
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Onstage recording by acidjack
Soundboard recording courtesy of punkcast
Produced by acidjack

Schoeps MK4V (Stage lip, DFC)>KCY>Z-PFA + SBD (engineer: Eric)>>Zoom F8>24bit/48kHz WAV>Adobe Audition CC (fades, align, mix down, compression, limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 You Get Brighter
02 Economy Travel
03 All In Due Time
04 Bad Habit
05 Reputation
06 [tuning]
07 [new1 – “love song”]
08 Cock Fight
09 It Was Me
10 Lay of the Land
11 Cedars

SUPPORT Oneida: bandcamp | Buy Live at Secret Project Robot | Man Forever

Waxahatchee: July 15, 2017 Warsaw BK

July 25, 2017
By


[photos by Joe Saturday – courtesy of We All Want Someone blog]

Last September, Katie and Allison Crutchfield’s first major band PS Eliot reunited for a brief tour and the results were quite impressive. The show we captured at Market Hotel was one of the best nights of last year. Ten months later, Katie’s main band Waxahatchee has released its latest album and it appears that last year’s return to the earlier emo/punk of her career influenced the sound of the new album. Out In the Storm (Merge Records) was produced by the great John Agnello whose credits include Dinosaur Jr. and Sonic Youth, and it comes as no surprise that this is the most guitar-centric Waxahatchee album. That being said, its also undoubtedly the best sounding album in the band’s catalog and the song-writing fits perfectly with the production. The record chronicles the inner conflict of a person going through a difficult break-up and the anger and aggression and the power production matches perfectly.

Waxahatchee is currently on tour and the Brooklyn show was advertised as an album release show. Katie and Allison are originally from Alabama and currently live in Philadelphia, but each have great affection for Brooklyn. And as became obvious at this sold out Warsaw show, the borough loves them too. This was the largest show in the band’s history and they certainly rose to the occasion. With a crack band behind them, the sisters played a powerful set of material from the the last three albums mixed pretty evenly, but it was the newer tracks that brought the energy. If music is the universal emotional healing elixir, then whatever damage was suffered by the protagonist of Out In The Storm should have been thoroughly exorcised by the close of this outstanding show.

Waxahatchee is on an extensive world tour that last through November. Their many dates on posted on their Facebook page [here].

I recorded this set with the Neumann hypercardioids mixed with and board feed, and the sound is excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Waxahatchee
2017-07-15
Warsaw
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:07:55]
01 Recite Remorse
02 Silver
03 Poison
04 Misery Over Dispute
05 The Dirt
06 Sparks Fly
07 Eight Ball
08 Brother Bryan
09 Lively
10 Never Been Wrong
11 Hear You
12 Air
13 Waiting
14 Coast to Coast
15 Brass Beam
16 A Little More
17 [band introductions]
18 No Question
19 Peace And Quiet
20 [encore break]
21 La Loose
22 Fade
23 Under a Rock

SUPPORT Waxahatchee:  website | Purchase Out In The Storm

Support nyctaper

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.