nyctaper Recordings

concert discussion and free flac downloads

Avey Tare: October 23, 2017 The Bowery Ballroom

October 25, 2017
By


[photos by Will Oliver and We All Want Someone blog]

In stark contrast to Animal Collective’s frenetic Painting With, Avey Tare’s latest solo album Eucalyptus is a winding, intimate bedroom album. I’ve listened to it a few times since its July release and it’s certainly one of those records that opens up to you over time. For his short tour supporting the record, Avey seemed to acknowledge the difficulty of translating the Eucalyptus songs for a live performance. The songs take on their own live existences, heavily adapted from their recorded counterparts to be presented in front of an audience. Most of the songs he broke out Monday night at Bowery Ballroom, though, aren’t even on Eucalyptus. Like Animal Collective’s early years, rather than playing songs the audience already knows, Avey instead plays a new round of songs: “Enjoy the Change,” “Ono Lemonade,” “Saturdays,” “Eyes on Eyes,” “The Aging Heart,” and “Sew Happy” are all new compositions unheard until this tour. (That’s half the set if you did the math.) But that’s the great thing about the audience Avey has cultivated: they’re along for the ride whether it’s hits or songs they’ve never heard before. We were, however, rewarded with one special treat when Geologist came out the help Avey with the Animal Collective track “Man of Oil” from their recent Meeting of the Waters EP.

We recorded this set with the Schoeps mk22’s set up at our usual balcony location at Bowery, combined with a board feed from FOH Danielle. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Avey Tare
2017-10-23
The Bowery Ballroom
New York, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Danielle) + Schoeps mk22 > Zoom F8 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:19:15]
01. Enjoy the Change
02. PJ / DR aw one for J
03. Ms. Secret
04. Ono Lemonade
05. Saturdays
06. Eyes on Eyes
07. The Aging Heart
08. Selection of a Place
09. In Pieces
10. Man of Oil [Animal Collective] (w/Geologist)
11. Sew Happy
12. When You Left Me

AveyTare.comBuy Eucalyptus via Bandcamp

Robyn Hitchcock: March 24, 2017 Big Ears Festival (Early and Late Shows)

October 24, 2017
By


[Photo by Bill Johnson. From Robyn Hitchcock’s Facebook page]

Not long after we caught Robyn Hitchcock on two nights with Yo La Tengo as his backing band, Robyn made his way up to what is likely America’s most musically adventurous music festival, Big Ears, which has enthralled listeners down in Knoxville, Tennessee for the past few years. The independent festival has continued to grow in stature while retaining a unique musical character; there’s room in its lineups for rock, experimental noise, classical, folk, and more, but you’ll find an admirable absence of the Top 40-type bands that are now the main draws of almost every major U.S. festival. Robyn’s sets at this year’s festival were divided into an early and late show, and each has its pleasures. Both sets opened with Dylan covers (“Chimes of Freedom” and “Not Dark Yet”). The early set continued in the covers vein, with Robyn lighting up songs by the Beatles (“Dear Prudence”) and Syd Barrett (“Terrapin”) and closing with the Soft Boys’ “I Wanna Destroy You,” that last one being a particularly interesting feat for a solo singer/guitarist. As you might expect, the late show took on a more freewheeling character, with Robyn giving songs like “I Often Dream of Trains” and “Adventure Rocket Ship” extended and hilarious introductions.

As longtime Robyn fans, we’re thrilled that the Big Ears team provided us with access to these recordings. We look forward to partnering with the Big Ears crew in 2018.

The next Big Ears Festival begins on March 22, 2018. Watch for the lineup to be announced next week!

Early Show: [LMA Page] | [Direct MP3] | [Direct FLAC]
Late show: [LMA Page] | [Direct MP3] | [Direct FLAC]

Early:

Late:

Robyn Hitchcock
2017-03-24 (early show)
Big Ears Festival
The Standard
Knoxville, TN USA

Produced by acidjack

Zoom H6>WAV (16/48)>Izotope Ozone 5 (EQ, effects)>Adobe Audition CC (compression, amplification)>Audacity 2.0.3 (track)>FLAC ( level 8 )

Tracks
01 Chimes of Freedom [Dylan]
02 Dear Prudence [Beatles]
03 Terrapin [Syd Barrett]
04 My Wife and My Dead Wife
05 [banter1]
06 Saturday Groovers
07 [banter2]
08 Fifty Two Stations
09 Full Moon In My Soul
10 Raymond Chandler Evening
11 I Want To Tell You About What I Want
12 I Wanna Destroy You [Soft Boys]

___________________________
Robyn Hitchcock
2017-03-24 (late show)
Big Ears Festival
The Standard
Knoxville, TN USA

Produced by acidjack

Soundboard + Zoom H6 (internal mics, at SBD)>WAV (16/48)>Izotope Ozone 5 (EQ, effects)>Adobe Audition CC (compression, amplification)>Audacity 2.0.3 (track)>FLAC ( level 8 )

01 Not Dark Yet [Bob Dylan]
02 I Pray When I’m Drunk
03 Madonna of the Wasps
04 [banter]
05 The Devil’s Coachman
06 Serpent at the Gates of Wisdom
07 N.Y. Doll
08 [banter2]
09 I Often Dream of Trains
10 [banter3]
11 Adventure Rocket Ship
12 [banter4]
13 I’m Only You
14 [banter5]
15 Mad Shelley’s Letterbox

PLEASE SUPPORT Robyn Hitchcock: Website | Twitter | Buy Official Releases

Clearance: October 13, 2017 Rough Trade NYC

October 20, 2017
By

The Chicago band Clearance have been at it for a few years now, having first gained broader notice with a track debut from their current full-length, Rapid Rewards, on Stereogum. Various corners of the Internet have compared them to Pavement, having more (to this listener) to do with their wry sense of humor than their exact musical style, which falls into the broad camp of “indie rock” or “alt-rock” or “garage-rock” or whatever you want to call guitar-driven music that isn’t made by meatheads these days, but is delivered, at this stage, with a certain professionalism that wasn’t Pavement’s stock-in-trade until career end.

This set at Rough Trade NYC represents a solid eleven (with one additional that was aborted) song introduction to the band, including “You’ve Been Pre-Approved.” But among the set, I was most taken with the band’s latest single, “Are You Aware,” an upbeat burst of optimism that might fit less within the “ironic slacker” framework, but is just the dash of musical Prozac you want on a Friday after a wearying week. By the time the song downshifts in its final segment, you’re feeling the relaxation wash over you. We also got some new songs in the mix, including “Chances Are” and “Haven’t You Got the Time,” the latter of which has a bit more of a 90s Britpop feel than some of the band’s other songs. The band closed with the short-burst anthem “She’s A Peach,” which ended abruptly in under two minutes. At first it seemed like a mistake or a joke, but then it became clear — the song had said all it needed to say. Clearance are that kind of band.

I recorded this set in the same manner as the Widowspeak set, with Schoeps MK5 microphones and a soundboard feed from Jeremy. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Clearance
2017-10-13
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com

Recorded and produced by acidjack

Soundboard (engineer: Jeremy) + Schoeps MK5 (DFC, at SBD, PAS)>KC5>CMC6>>Sound Devices MixPre6 (24/48)>polyWAV file>Adobe
Audition CC (align, mix down, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, dither, downsample)>FLAC ( level 8 )

Tracks
01 Had A Fantastic
02 The Prospect
03 Destination Wedding
04 Frozen Orange / No Wonder
05 Gallery Glare
06 Are You Aware
07 You’ve Been Pre-Approved
08 Owner/Operator
09 Chances Are
10 Haven’t You Got The Time?
11 Another Arrow [stops]
12 She’s A Peach

PLEASE SUPPORT CLEARANCE: bandcampFacebook 

Widowspeak: October 13, 2017 Rough Trade NYC

October 17, 2017
By


Widowspeak just released their fourth album, Expect the Best. It gave me a little jolt of nostalgia to see what’s now by any definition a veteran band taking the stage in Brooklyn again, six years after I caught one of their earliest shows at Glasslands. It also gave me hope: Here’s a band that has thrived from day one on the very simple proposition of writing good songs and performing them well, and continues to be well-received.

This show at Rough Trade marked the end of the band’s recent tour in support of Expect the Best, and it had that triumphal homecoming feel about it, from the crowd of friends and showgoing regulars to the career-spanning setlist. After all, it’s not like Widowspeak need to hunt around Brooklyn for converts. Expect the Best feels like a darker, slightly less pop-driven record than 2015’s All Yours, as befits the times and singer Molly Hamilton’s recent decamping to her home in the Pacific Northwest. Likewise, the new record also has more of a “live” sound to it, a bit looser than the band’s recent efforts, and that also works to the advantage of these songs like, particularly the set opener, “Right On,” which reminded us that despite the association of this band with more of a hazy, laid-back sound, they are more than capable of rocking out. As noted, the set also reached back to the band’s first album for three of their best-loved numbers, the unforgettable “In the Pines,” “Gun Shy” and Hamilton’s Pacific Northwest in-joke “Harsh Realm.” Hearing those songs played by a tightly-knit four-piece — a much fuller sound than the trio had back in 2011 — only reminded me again that some things do improve with time. Widowspeak are one of those bands that has not only stayed consistent, but keeps putting out great new music. That album title they chose this time says it all.

I recorded this set with a soundboard feed from house engineer Jeremy combined with Schoeps MK5 microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Widowspeak
2017-10-13
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com

Recorded and produced by acidjack

Soundboard (engineer: Jeremy) + Schoeps MK5 (DFC, at SBD, PAS)>KC5>CMC6>>Sound Devices MixPre6 (24/48)>polyWAV file>Adobe
Audition CC (align, mix down, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify,
dither, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:13:35]
01 Right On
02 Perennials
03 Warmer
04 In the Pines
05 Narrows
06 All Yours
07 [banter1]
08 Ballad of the Golden Hour
09 The Dream
10 Expect the Best
11 Gun Shy
12 [banter2]
13 Dog
14 The Swamps
15 Harsh Realm
16 Fly On the Wall
17 [banter3]
18 Coke Bottle Green

PLEASE SUPPORT Widowspeak: Facebook | Captured Tracks | Bandcamp

 

Nathan Bowles Trio: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

October 16, 2017
By

It’s an article of faith that artists who are friends of Three Lobed Recordings always bring their best for the label’s annual Hopscotch day show showcase, co-sponsored with Durham’s WXDU. Nathan Bowles, a multi-year veteran of the event, outdid himself this year, choosing to use this platform to debut his new trio with Casey Toll on double bass and Rex McMurry on drums. Although this was the trio’s very first show, you wouldn’t necessarily have known it, as Bowles and the new band added new heft to what were originally his solo songs (“Blank Range”) as well as coming out strong with new ones (one untitled, one known as “Freshfaced”). Bowles’ current music has already redefined and expanded the notion of modern banjo music, but the trio promises to push things even further, offering the opportunity to head in directions he hasn’t yet contemplated in other groups in which he participates, such as the Black Twig Pickers. For one, these songs feel a bit more like rock songs, with McMurry’s drumming pushing a faster tempo and an overall heavier direction, particularly on the new song. “Freshfaced.” Seeing Nathan Bowles is always a treat — and it’s something we do as often as we can — and this trio only adds to the anticipation of what he’s up to next. Bowles has a few shows around the southern U.S. this month, so go have a listen if you can.

I recorded this set with Evan Lamb’s house mix, plus an additional soundboard feed of the banjo, together wtih Schoeps MK4V microphones onstage, and AKG 460 cardiod mics hung over the audience. The sound quality is excellent. Enjoy!

Nathan Bowles Trio
2017-09-08
Three Lobed / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+Schoeps MK4V (onstage)>KCY>Z-PFA>AKG 460/CK61 (FOB, DFC)>(24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 Blank Range
02 [untitled for now]
03 Freshfaced

SUPPORT NATHAN BOWLES: Pay to download this recording | Website | Bandcamp | Paradise of Bachelors

Songs: Molina: September 8, 2017 Hopscotch Music Festival (Raleigh, NC)

October 12, 2017
By

After attending one of the four 2014 Jason Molina tributes put on by his former bandmates and special guests, I wasn’t sure whether the tradition would continue. Thankfully, many of those same former Magnolia Electric Co. bandmates (as well as Mike Taylor of Hiss Golden Messenger) were on hand for this extremely special evening at Hopscotch Music Festival (you can see the full lineup of people below). It’s not possible to replicate what Molina had, that injured moan of a voice with such depth behind it, but as these folks have proven, it is possible for his indelible songwriting to live on through others. Molina was much more than a performer or songwriter; he was a poet of the human condition and a penetrating chronicler of his own struggles.

Though a different vibe than the intimate Hideout in Chicago, this set established its own tension between celebration and mourning. Each musician onstage was connected with Molina in some way, and the set spanned several of Molina’s projects, from Songs: Ohia and Magnolia Electric Co. to his solo work. No matter what flavor or style of Molina’s work you enjoyed most, there was something for you, from the countrified “Old Black Hen” and “Hope Dies Last” to more rocking numbers like “Hot Black Silk” and the “The Dark Don’t Hide It.” But as is so often the case for me personally, it was the two closing songs from 2003’s landmark Magnolia Electric Co. that got to me most — the impeccable, powerful statement of endurance and resurrection that is “Farewell Transmission,” followed by the elegiac “Hold On Magnolia,” an anticipation of an eventual end, abetted by its desperate plea to hold on a bit longer. Molina’s music is eternal, whether or not it continues to be performed live, but my hope is that it continues to be, by this cast of characters or a similar one. He was a singular presence in music, worthy of paragraphs (and indeed, an excellent bio). But really, his music speaks for itself. So go enjoy it.

I recorded this set with Schoeps MK4V microphones from the floor, together with a soundboard feed. The sound quality is excellent. Enjoy!

Download the complete show from its Live Music Archive page: [MP3] | [FLAC]

Songs: Molina
2017-09-08
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK4V (LOC, PAS)>KCY>Z-PFA + Soundboard>>Zoom F8 (24/48 WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:37:54]
01 Whip-Poor-Will
02 Hammer Down
03 Just Be Simple
04 Old Black Hen
05 O! Grace
06 North Star
07 Cross the Road
08 [banter1]
09 Leave the City
10 Alone With the Owl
11 Hard to Love A Man
12 Shenandoah
13 What Comes After the Blues
14 Hope Dies Last
15 31 Seasons In the Minor Leagues
16 Northstar Blues
17 The Dark Don’t Hide It
18 Two Blue Lights
19 Hot Black Silk
20 Lioness
21 [banter2]
22 Farewell Transmission
23 Hold On Magnolia

Band:
Wallace Cochran – vocals
Jason Evans Groth – guitar and vocals
Skylar Gudasz – vocals
Michael Kapinus – keyboard and vocals
Joseph O’Connell – guitar, bass, vocals
Mark Rice – drums and vocals
Pete Schreiner – bass, guitar, vocals
MC Taylor – vocals and guitar
Casey Toll – bass

If you enjoyed this recording, you ought to purchase the music by many of these fine musicians, including Songs: OhiaMagnolia Electric Co., Hiss Golden Messenger.

Tom Petty and The Heartbreakers: September 6, 2014 Lockn Festival

October 11, 2017
By


[screen shot from this video]

Since the sad and untimely death of the great Tom Petty, the tributes and remembrances have come in from all corners. Of those I was fortunate to read, the first-person tribute from Lucinda Williams seemed particularly heartfelt and authentic. Of the “fan” tributes, the writing of Patterson Hood from the Drive By Truckers seemed to mostly mirror my own personal experiences. Petty’s music provided a soundtrack of sorts for multiple periods of my life — from his early power-pop hits to his mid career LA-based American folk. He produced songs that instantaneously transport the listener back to that time in their life that the song represents. For me, the Full Moon Fever album represented my return to NYC to live full time and those songs bring me back to my first apartment in Sheridan Square. Oh, the days.

This performance at the second annual Lockn Festival is vintage Petty. The nearly two-hour Fest set draws from all periods in his career and while the tour was ostensibly to promote his then-new album Hypnotic Eye, which would sadly be his last album with The Heartbreakers, he didn’t rely heavily on new material performing just four songs from the record. The rest were the hits and some moderately deep cuts that had the crowd singing, swaying and cheering. This recording is our way to remember this truly great artist who left us all too soon.

The “legality” of NYCTaper hosting this recording is quite simple. The Lockn Festival is an open taping Festival, and indeed in 2014 the Fest’s website contained language that taping was “encouraged” and recordings could be distributed through free channels. With a written clear policy, Lockn Festival undoubtedly contracted with the artists who consented through their concert riders.

This excellent recording was captured by Kubacheck with the same equipment and location from the Wilco recording from this Festival posted on this site three years ago. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream “Runnin’ Down A Dream”:

Tom Petty and The Heartbreakers
2014-09-06
Lockn Festival
Arrington VA

Digital Master Audience Recording
Recorded at Taper’s Section

MBHO 603a – KA-500 > Naiant Tinybox > Roland R-05 > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac
(320 MP3 and tagging via Foobar)

Recorded by Kubacheck
Produced by nyctaper

Setlist:
[Total Time 1:43:21]
01 So You Want to Be a Rock N Roll Star [Byrds]
02 Mary Jane’s Last Dance
03 American Dream Plan B
04 Into the Great Wide Open
05 Forgotten Man
06 [banter – happy birthday]
07 I Won’t Back Down
08 Free Fallin
09 [band introductions]
10 A Woman in Love
11 U Get Me High
12 Rebels
13 Yer So Bad
14 Learning to Fly
15 Shadow People
16 I Should Have Known It
17 Refugee
18 Runnin Down a Dream
19 [encore break]
20 You Wreck Me
21 American Girl

SUPPORT the legend of Tom Petty: Website | Store

Kevin Morby: September 9, 2017 Hopscotch Music Festival, King’s (Raleigh, NC)

October 10, 2017
By

Kevin Morby’s star continues to rise, and deservedly so, with his latest album City Music continuing the confident vein of his previous work. Like most of Kevin’s recent shows that I’ve attended, this headlining night at King’s during Hopscotch Music Festival was packed. I’m not sure how much of a contribution the Volvo commercial has made to Kevin’s popularity, but anything that gets more people in the door for him, I’ll take it. Certainly, Morby is now far beyond the “formerly of Woods” label; he’s a big deal in his own right.

This being the end of the night, the crowd was fired up and rowdy, and Morby and his band handled that gamely, putting on a loose-but-rocking set to go with the overall mood. Morby kept the set focused on the new record, while sprinkling it with some of his best-loved songs, including “Harlem River” from Kevin’s first album, of the same name, plus “I Have Been to the Mountain,” “Dorothy,” and “Destroyer” from Singing Saw. But it was the “encore” portion of this show that will probably be best remembered, as Morby took us through his version of reggae-rockers Sublime’s mid-90s classic, “What I Got,” followed by his special version of the Velvet Underground’s “Rock & Roll.” It was the perfect kind of end-of-festival show, with a meeting of the minds between performer and audience that benefited both.

I recorded this set with our friend Randy’s installed AKG 460 microphones in the “FOB/DFC” position, plus a feed of Evan Lamb’s house mix. The sound quality is excellent. Enjoy!

You can catch Kevin on his fall tour of Europe right now. See the dates on his website here.

Download the complete show: [MP3/FLAC/ALAC]

Kevin Morby
2017-09-09
Hopscotch Music Festival
King’s
Raleigh, NC USA

Recorded and produced by acidjack for nyctaper.com

Soundboard (engineer: Evan Lamb) + AKG 460/CK61>Zoom F8>24bit/48kHz WAVs>Adobe Audition CC (align, mix down, compression, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks [Total Time 1:01:00]
01 intro>City Music
02 Crybaby
03 [banter1]
04 Aboard My Train
05 Harlem River
06 Destroyer
07 I Have Been to the Mountain
08 [banter2]
09 Dry Your Eyes
10 Dorothy
11 What I Got [Sublime]
12 Rock & Roll [Velvet Underground]

PLEASE SUPPORT Kevin Morby: Facebook | Website | Store

Chris Forsyth & the Solar Motel Band: September 21, 2017 Union Pool

October 9, 2017
By

No matter how many times we see Chris Forsyth & the Solar Motel Band, we always have something new to look forward to. This set celebrated the official release on No Quarter records of Dreaming In the Non-Dream, whose material we had heard live in various stages of completion over the past year. The outstanding final album versions are a can’t miss, so it was interesting for us to see how they’ve evolved live since the album’s release. This show at Union Pool covered three quarters of the album (meaning, three out of four songs) as well as two favorites from The Rarity of Experience, “High Castle Rock” and set-closer “The First Ten Minutes of Cocksucker Blues.” Forsyth broke this show into three parts, which he characterized as the “high-impact instrumental section, the singing section, and the long section.” As Forsyth regulars, we were jazzed to get a rare cover — Neil Young’s “Don’t Be Denied” as part of the vocal portion. But really, any appointment with Chris and his excellent band is one worth keeping. Catch them out on the road stateside for a few November shows, including November 18 at Brooklyn Steel with Luna.

I recorded this set with MBHO cardiod microphones, together with Doug’s house. The sound quality is excellent. Enjoy!

Chris Forsyth & the Solar Motel Band
2017-09-21
Union Pool
Brooklyn, NY USA

MBHO MBP603/KA200N (at SBD, PAS) + Soundboard (engineer: Doug)>Sound Devices MixPre6 (24bit/48kHz WAV)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 History & Science Fiction
02 High Castle Rock
03 Have We Mistaken the Bottle for the Whiskey Inside
04 Don’t Be Denied [Neil Young]
05 Dreaming In the Non-Dream
06 The First Ten Minutes of Cocksucker Blues

SUPPORT Chris Forsyth: Website | Bandcamp

Nest Egg: September 7, 2017 Hopscotch Music Festival (Raleigh, NC)

October 6, 2017
By

Like any well-curated music festival, Hopscotch is very much an national and even global gathering, bringing in bands who otherwise might not make Raleigh, North Carolina one of their tour stops. But as much as Hopscotch should be celebrated for the riches it brings to the hometown crowd, it’s equally if not more responsible for giving a bigger platform to local and regional talent. To wit, on a stage that found Oh Sees and The Brian Jonestown Massacre headlining the night, the festival placed one of my favorite new bands of the festival, Asheville, North Carolina’s Nest Egg. With a dark, krautrock-inspired sound, Nest Egg went perfectly with the spooky light show and the “basement” (the giant bottom floor of the Raleigh Convention Center) setting. It’s hard to fully capture the effect of seeing this band live, but in person, the difference between them and the “merely OK” was evident; their sound is driving and delivered with precision, and that amplifies the already-considerable intensity of their music. In that respect, they remind me in a good way of the recently-disbanded Disappears, a longtime favorite of ours. Have a look at Nest Egg’s current material, and be on the lookout for future stuff from this outstanding band.

I recorded this set with Schoeps MK41V microphones inside the soundboard cage, coupled with a soundboard feed. The sound quality is excellent. Enjoy!

Nest Egg
2017-09-07
Hopscotch Music Festival
“The Basement”
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Schoeps MK4V (at SBD, DFC)>KCY>Z-PFA + Soundboard>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 Eraser
02 Smgfx
03 Booze Your Illusion
04 Gore ’92
05 Nfo
06 Gocg
07 Dmtiv

SUPPORT NEST EGG: Pay to download this recording, and buy their records on bandcamp

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.