Wussy: March 3, 2012 Cake Shop – Flac and MP3 Downloads + Streaming Song

March 8, 2012
By


[photo by nyctaper]

I can’t imagine that Robert Christgau gets out to many shows these days. But last Saturday at Cake Shop, there he was at Wussy‘s first NYC show in almost two years. I suppose its a bit of a novelty that one of the current favorite bands of a legendary music critic is a relatively obscure self-described “midwestern drone” outfit. But Christgau has it right. As the current band of Chuck Cleaver, the leader of 90s underground legends The Ass Ponys, Wussy is a solid guitar-bass-drums quartet with an excellent mix of male and female vocals and tremendous songcraft. For this tour, the band brought along another former Ass Ponys guitarist John Erhardt to play pedal steel. The Cake Shop show was perhaps a tad short because they were the third band in a four band bill (with a late show to follow), but Wussy worked through a mix of older and newer numbers, including songs from their recent release Strawberry. The band did not hold back for the set’s closer, a raging version of “Rigor Mortis” that concluded with a noisy guitar-drenched episode that left the packed crowd asking for more. We’re streaming that song below. Wussy will play several SXSW shows and we’re hoping to catch them, before they play more midwest shows, and then there is an anticipated Summer tour (with more East Coast dates).

I recorded this set in the same manner as the recent Old Monk recording, with the DPA 4021s on a mount on the low ceiling above the stage and the DPA 4061 omnis mounted in front of the PA. The sound quality is excellent except for a crackling (blown amp) sound which persists for several songs in the middle of the set. With that caveat, enjoy!

Stream “Rigor Mortis”:
[audio:http://www.nyctaper.com/W1604Wussy2211/11.%20Rigor%20Mortis.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wussy
2012-03-03
Cake Shop
New York, NY USA

Digital Master
Upfront Four Channel Audience Recording

DPA 4021s + DPA 4061s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95(tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-03-06

Setlist:
[Total Time 39:14]
01 Waiting Room
02 Pulverized
03 Grand Champion Steer
04 [banter – Wings]
05 Maglite
06 [banter]
07 Happiness Bleeds
08 Pizza King
09 Muscle Cars
10 Airborne
11 Rigor Mortis

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Wussy, visit their website, and purchase their official releases including Strawberry directly from the Music section of their website [HERE]

Old Monk: February 22, 2012 Cake Shop – Flac and MP3 Downloads + Streaming Song

March 7, 2012
By


[photo courtesy of Bleary Eyed Brooklyn]

Old Monk is a band from Brooklyn with the perfect self-description — indie-prog. The indie part is easy, as they write energetic and catchy guitar-trio indie-style rock. But the tag of “prog” doesn’t get thrown around much here. The time and signature changes, abrupt turns in melody and tendency to cram three songs into one characterize the progressive elements of pop music. Their debut album Birds of Belize has more “indie” than prog, as the songs are shorter and more straightforward. But live, Old Monk stretches it out a bit and the trio’s tight instrumentation allows for the twists and turns to flow more naturally. At Cake Shop a couple of weeks back, we caught the final night of Old Monk’s month-long February residency. The thirty minute set contain several Belize songs, but also quite a few new songs that indicate that the band isn’t shying away from more complicated material. At the show, I gravitated more towards the songs that I knew (“Warm Moustache” is streaming below), but after multiple listenings to this recording, the stronger material is perhaps the new songs that are challenging but ultimately more accomplished. It remains to be seen whether the fickle NYC indie crowd will exercise enough patience to appreciate Old Monk. If they do, they will be rewarded.

I recorded this show with a new method for this venue. The DPA 4021 cardioids were mounted above the stage for an “onstage” recording of the instruments, and the DPA 4061s were mounted in front of the PA speakers for a vocal-heavy signal. The two sources mixed produce a fine balanced recording. Enjoy!

Stream “Warm Moustache”:
[audio:http://www.nyctaper.com/O1202OldMonk1220/02.%20Warm%20Moustache.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Old Monk
2012-02-22
Cake Shop
New York, NY USA

Digital Master Recording

DPA 4021s + DPA 4061s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-02-23

Setlist:
[Total Time 30:30]
01 Butter and Toast
02 Warm Moustache
03 Napoleon’s Wife
04 Volcanic Prisons
05 Running Boards/Promethea
06 Art Heist
07 Wimpy Olympians
08 Skullsplitter
09 Attica

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Old Monk, visit their website, and purchase Birds of Belize directly from Eenie Meanie Records [HERE]

Widowspeak: March 3, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

March 5, 2012
By


[Photos by acidjack]

Since we last checked in with Widowspeak at our CMJ Day Party, their star has only continued to rise.  It’s always a good sign when, months after a band’s initial record release (and therefore, the peak in the PR hype cycle) their shows are more crowded than they were then.  This Saturday night, Glasslands was completely packed-to-the-rafters sold out, which always gives this venue great energy.  Clearly, Widowspeak has been busy since the release of their eponymous debut album on Captured Tracks.  This show found the band leading off with a new song, “Camel” and playing a number of other new numbers, including some played for the first time.

While vocalist Molly Hamilton’s style has earned a few comparisons to artists like Cat Power, fortunately, her stage persona does not.  Since the first time I saw the band, Hamilton has gained scads of confidence and poise – she smiles quite a lot onstage now, and her playing and delivery benefit from her positive attitude. Widowspeak are what I think of as a winter band – their downbeat sound is practically a touchstone of several of the members’ roots in the Pacific Northwest – but it’s a sound that, paradoxically, makes me happy.  There’s the nostalgia aspect, sure, but there’s also the patient songcraft, the authenticity, and the strength of the band and its sound.  Pretty much everything about Widowspeak is something I can pull for.

The band played on this night with a second guitarist, which gave songs like “In the Pines” (perhaps my favorite of all the band’s songs) new density and heft.  Of the new material, the standout for me was “7 Minutes”, a slightly more upbeat guitar-driven track that is one of the most anthemic songs the band has attempted to date.  The set closed with the band’s biggest song to date, “Harsh Realm”, another excellent song that is always a crowd pleaser.

In a collaboration with the new management team at Glasslands (also the team behing PopGun Booking), I recorded this set with a newly-installed recording rig provided for the club by nyctaper.  Overall I am pleased with the results, with the caveat that you can hear some issues with one of the kick drum mics and one of the guitar amps at a few points in the recording.  Enjoy!

Stream “7 Minutes”
[audio:http://www.nyctaper.com/W3030Widowspeak0211/11 7 Minutes.mp3]

Stream “In the Pines”
[audio:http://www.nyctaper.com/W3030Widowspeak0211/10 In the Pines.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Widowspeak
2012-03-03
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Studio Projects LSD2 (XY cardiod, DFC)>Sound Devices USBPre2 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (Izotope Ozone effects, balance, downsample)>Audacity (set fades, tracking)>FLAC ( level 8 )

Tracks
01 Camel
02 Gun Shy
03 Hard Times
04 Burnout
05 Puritan
06 Fun
07 Half Awake
08 Nightcrawlers
09 In the Pines
10 7 Minutes
11 Harsh Realm

If you download this recording from NYCTaper, PLEASE SUPPORT Widowspeak, visit their Facebook page, visit their Bandcamp page, and purchase their newly-released eponymous LP from Captured Tracks.

Soulive: March 1, 2012 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Songs

March 4, 2012
By


[Photos by Jill at For the Love of Brooklyn]

In what has now become a tradition, Soulive are currently taking over Brooklyn Bowl for a series of shows filled with special guests and blow-the-doors-off playing.  Billed as “Bowlive III”, these shows highlight the band’s efforts to move forward with a jazz/funk genre that all too often seems content to rest on its laurels.  This show, for example, had almost nothing in common with the final night of Bowlive II that we covered last year.  While that show seemed to emphasize the soul elements of the band, this performance made the guitar skills of the band’s virtuosic regular Eric Krasno its focus.  The show opened with several extended numbers with just the trio before the band was joined by a rotating cast that included Karl Denson, regular guest Nigel Hall, and Sam Williams of Big Sam’s Funky Nation. While the guests added some range to the band’s sound, for this set, it was the trio numbers like “Aladdin” that kicked it off that I appreciated most – reminders that even with all the hoopla of the guests at these shows, this is one incredible band on its own.

After about 75 minutes of inspired playing, the band took a break during an appearance by special guest Rahzel, who gave a 25-minute beatbox performance that challenged the limits of the physically possible with his ability to essentially play, and sing, an entire song using only his mouth.  He joined the band for “I Am the Magnificent” before exiting the stage.  The crowd, already partying like madmen, was fully loaded for what was to come.

The band’s most recent recorded output is a record of Beatles covers called Rubber Soulive that highlights the shared heritage of jazz and rock n’ roll, so it came as no surprise when the band performed a mini-Beatles set of “Come Together,” “Eleanor Rigby” and “I Want You (She’s So Heavy)”.  While the heavily-covered “Come Together” (you may have heard the Aerosmith version) was probably the biggest crowd-pleaser, I was most impressed with the extended jamming on “Eleanor Rigby”, which turned that two-minute gem of a vocal performance into an extended guitar meditation.  Rather than being a real “cover” version, the original was merely a starting point for what followed.  “Too Much”, one of few repeats from the show we saw last year, came next, before Brooklyn Bowl regular Questlove took the stage with Hall, Williams and Lenesha Randolph for a series of songs, including Stevie Wonder’s “Signed, Sealed, Delivered”.   With four more Bowlive shows on the way next week (Tuesday, Wednesday, Thursday and Friday), Soulive are sure to have more tricks up their sleeves.  Don’t miss out.

Thanks to the Brooklyn Bowl staff for their hospitality to us at this show, and to the band for continuing to allow fan audio taping.  

hi and lo and I recorded this set with Schoeps MK21 wide cardiod microphones onstage, combined with Schoeps MK22 open cardiod microphones on the left side near one of the speakers to pick up some vocals and room ambiance.  The result is an incredible recording that truly feels like you are watching the band from the stage lip – which is an amazing experience.  There may be some tracking errors here and there – feel free to send corrections.

Stream “Eleanor Rigby [Beatles]”:
[audio:http://www.nyctaper.com/S1302Soulive1021/14 Eleanor Rigby.mp3]

Stream “Aladdin”
[audio:http://www.nyctaper.com/S1302Soulive1021/04 Aladdin.mp3]

Download the FLAC and MP3 files and stream the entire show at the Live Music Archive [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Soulive
2012-03-01
Brooklyn Bowl
Brooklyn, NY USA

Download hosted at nyctaper.com
Recorded by hi and lo and acidjack
Produced by acidjack

Schoeps MK21 (onstage, NOS)>KC5>PFA>SD USBPre2 + Schoeps MK22 (A-B, 3ft split, 15 ft back, left stack)>CMC6 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (Izotope Ozone limiter, EQ), resample to 44.1kHz>Audacity (tracking, downsample to 16bit)>FLAC ( level 8 )

Set I [1:13:26]
01 [intro]
02 Steppin’
03 Uncle Junior
04 Aladdin
05 The Swamp
06 [banter]
07 Shaheed^
08 Rudy’s Way
09 [banter]
10 Leave Me Alone #

Rahzel [26:36]
11 improv

Set II [1:25:12]
12 I Am the Magnificent %
13 Come Together [Beatles]
14 Eleanor Rigby [Beatles]
15 I Want You (She’s So Heavy) [Beatles]
16 Too Much $
17 [banter]
18 Signed, Sealed, Delivered [Stevie Wonder] $&
19 [banter]
20 Tuesday Night Squad> $
21 Bewildered #
22 Tuesday Night Squad
23 [farewell]

^ with Karl Denson
# with Nigel Hall and Sam Williams
% with Rahzel
$ with Karl Denson, Nigel Hall, Sam Williams and Lenesha Randolph
& with Questlove

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Soulive, visit their website, and purchase their official releases and merchandise directly from the band’s online store [HERE].  You can also stream these shows live on iClips [HERE].  It’s also not too late to get tickets to the last four nights from Brooklyn Bowl.

Craig Finn: February 29, 2012 Mercury Lounge (Early Show) – Flac and MP3 Downloads + Streaming Song

March 2, 2012
By


[photo courtesy of Geoffrey at According to G]

Craig Finn’s first solo album Clear Heart Full Eyes is a significant departure from his eight years in The Hold Steady. Its a relaxed country album produced in Texas that has a demo feel. Finn’s storyteller style fits well in this genre, and as a result the new record has been well received. For the tour in support, Finn has put together a band of ringers that he has labeled “Some Guns”, after his song of the same title (streaming below). While the band includes a lead guitar and a lap-steel guitar, the live performance has a greater rock feel than the album. At Mercury Lounge on Wednesday night, Craig Finn played two shows and we caught the early one. Late in the tour and back home, the band was both tight and celebratory. As is his live tradition, Finn spoke candidly to the crowd and his between song stories and banter were compelling and entertaining. Also familiarly, the reworked full band rock versions of the Clear Heart songs have a Hold Steady feel to them, although the three-song solo acoustic mini-set was a new experience. Craig Finn has promised a new Hold Steady album later this year, but given the number and quality of the unreleased songs featured in this set, we would venture to say that he has enough strong material for a second solo album. Craig will be touring throughout March. While tour ends in Europe, there is another NYC date coming soon, at Music Hall of Williamsburg next week.

I recorded this set with the new Sennheiser MKH-8040s from the front of the soundboard in the center of the room. The three quiet songs suffer from some ambient noise (door, cups), but overall the sound is crisp and meaty. Enjoy!

Stream “Some Guns”:

[audio:http://www.nyctaper.com/H6589HoldSteady1192/09.%20Some%20Guns.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Craig Finn
2012-02-29
Early Show
Mercury Lounge
New York, NY USA

Digital Master
Front of Board Audience Recording

Sennheiser MKH-8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-03-01

Setlist:
[Total Time 1:13:17]
01 [introduction]
02 Apollo Baby
03 Keep On Running
04 Balcony
05 Jackson
06 No Future
07 When No One’s Watching
08 [banter – band theme songs]
09 Some Guns
10 Western Pier
11 New Friend Jesus
12 Sarah, I’m Surrounded
13 Jeremiah’s Blues
14 Dennis and Billy
15 Going To A Show
16 Honolulu Blues
17 Not Much Left

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Craig Finn, visit his website, and purchase Clear Heart Full Eyes directly from Vagrant Records [HERE]

Snowmine: February 16, 2012 Pianos – FLAC and MP3 Downloads + Streaming Songs

February 29, 2012
By


[photo by acidjack]

For those who like melodic, somewhat anthemic, approachable rock music, it probably hasn’t been a great last few years for you.  Making fun of the banality of bands like Coldplay isn’t even fun anymore; sure you’ve got your Bon Iver types out there, but they won’t exactly whip crowds into a frenzy. Younger bands are doing a whole range of things, but it seems too often that gimmickry, rather than greatness, wins the day.  Surely there’s a place for good music in this style that doesn’t sound like it’s trying too hard, or bored with itself.

Enter Snowmine to cure what ails you.  With their style of music – lush soundscapes, soaring vocal runs, atmospheric samples – words like “beautiful” or “pleasant” don’t have negative or ironic connotations.  Frontman Grayson Sanders has a sweet voice with range to spare, and he puts it to good use on songs like “Rome”, which has a similarly uplifting vibe to some of the better stuff in the Yeasayer catalog. Sanders lends the band’s songs some lovely vocal runs, but without the bombast that afflicts some of his peers.  Snowmine are still a young band, and this show was part of that rite of passage any New York band is familiar with, the Pianos residency.  The band took over the incubator-style room with a level of effort that suggests they have a real shot, bringing to bear a full-on stage setup with video projections, and even playing an (gasp!) encore.  Their fully-realized sound seems more than up to the task of taking down venues ten or a hundred times this size.  My money’s on that they make it.

hi and lo and I recorded this set with Schoeps MK5 cardioid microphones and a stereo soundboard feed.  While Pianos crowds are notoriously chatty, the soundboard feed’s excellent balance allowed the mics to remain in the background, and as a result, we have an excellent recording.  Enjoy!

Thanks to Teen Wolf Management for inviting us to the show!

Stream “Rome”
[audio:http://www.nyctaper.com/S1602Snowmine1202/Rome.mp3]

Stream “Let Me In”
[audio:http://www.nyctaper.com/S1602Snowmine1202/Let Me In.mp3]

Direct download of complete show in MP3 files (HERE) |  Direct Download location of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Snowmine
2012-02-16
Pianos
New York, NY, USA

Exclusive download hosted at nyctaper.com
Recorded and produced by hi and lo

Source : Soundboard + Schoeps MK5c > Nbox Cables > Naiant PFA > EAA PSP-2 >> Tascam DR-680 @ 24 bit / 48 kHz
Edit : WaveLab V5.01b (fades/gain/eq/dither/resmpaling)
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)

Tracklist (total time 43:38)
01 Plans
02 Rome
03 Curfews
04 [Banter]
05 Further Along, Further Away
06 Let Me In
07 Silver Sieve
08 Cutting Canyons
09 Beast in Air, Beast in Water
10 The Hill

If you enjoyed this recording, PLEASE SUPPORT Snowmine, like them on Facebook, and purchase their music on their bandcamp page on a “pay what you will” basis.

SUPPORT NYCTaper




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