48 search results for "Luna"

the Mountain Goats: April 12, 2015 City Winery – Flac/MP3/Streaming

April 16, 2015
By

Mountain Goats City Winery 2 (2)
[screen cap from capnkoons video here]

There are times when the people who book shows make the perfect pairing of a band and a venue and this weekend the Mountain Goats and City Winery were a marriage made in heaven. We caught both nights with two different NYCTaper contributors but we both were in complete agreement that these were outstanding shows in large part because of where they took place. City Winery prides itself on being a “listening room” — a place where people who come to see an artist perform respect the music. There is literally a pre-show message to refrain from talking during the music. For Mountain Goats fans however, the warning may not be actually necessary. They may sing along with the lyrics (all known by heart) and call out the most obscure requests in between songs, but when the band is playing, the listening is happening. And City Winery is both large enough to satisfy the two-night ticket demand for this band, and small enough to maintain a nice level of intimacy.

The Mountain Goats are currently on tour in support of Beat the Champ, which is ostensibly John Darnielle’s tribute to the early days of professional wrestling of the 1970s and early 80s. But as with the Mountain Goats music, there’s much going on beneath the surface of these songs. The basic routines that made wrestling attractive to suburban kids of the time — identifiable heroes and villains, fluid loyalties, physical comedy, and deception — are all themes that Darnielle is comfortable covering in Mountain Goats material as symbols of wider human truths. For example, the protagonist in “The Legend of Chavo Guerrero” (streaming below) becomes the “good guy” foil to Darnielle’s abusive stepfather and “Southwestern Territory” becomes a parable for the musician’s life on the road. In a lengthy show at City Winery, these and other Champ songs fit well within a career spanning setlist that offered a “gimmick” of its own. The band had played a pared-down “basement” set for the City Winery’s video series this week and enjoyed the experience so much that the actual stage plot on this night featured a small drum kit and Peter Hughes fretless bass — an “unplugged” set-up if you will. There were also some change-ups, as usual set-closer “This Year” appeared very early in the set, and “No Children” featured a complete-song vocal performance by the crowd while Darnielle led the chorus while standing on a table in the audience. Other highlights of this terrifically entertaining set included personal favorite “Up The Wolves” (also streaming below), “Foreign Object” with the outstanding horn work from new band member Matt Douglas, and a goofy acoustic cover of the Grateful Dead’s “St. Stephen” — and of course a significant amount of John’s usual humorous banter. While the Mountain Goats will not be back in NYC until next year — the current tour runs through June and then its off to Europe in the Fall — we expect that when they do the NYC shows will again be at City Winery. At least we hope they are, since this was one of my favorite tMG shows of the many I have seen.

I recorded this set with the Schoeps cards clamped to the same beam that acidjack used for the previous night’s show and mixed with a superb soundboard feed by longtime Mountain Goats FOH Brandon Eggleston. The sound quality is quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Up The Wolves”:

Stream “The Legend of Chavo Guerrero”

Mountain Goats
2015-04-12
City Winery
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Brandon Eggleston] + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:45:07]
01 [wrestling intro]
02 Get Lonely
03 [banter – basement]
04 Werewolf Gimmick
05 This Year
06 Animal Mask
07 Slow West Vultures
08 [banter – weapon]
09 Foreign Object
10 Luna
11 Deuteronomy 2:10
12 Shot in the Dark [Ozzy Osbourne]
13 [banter – audible]
14 Steal Smoked Fish
15 St. Stephen [Grateful Dead cover]
16 Cotton
17 The Ballad of Bull Ramos
18 Cry for Judas
19 Pigs That Ran Straightaway Into the Water, Triumph Of
20 Love Love Love
21 Choked Out
22 Up the Wolves
23 The Legend of Chavo Guerrero
24 [encore break]
25 The Diaz Brothers
26 [banter – fiefdoms]
27 Southwestern Territory
28 No Children
29 [second encore break]
30 Amy aka Spent Gladiator 1

If you download this recording from NYCTaper, PLEASE SUPPORT The Mountain Goats, visit their website, and purchase Beat the Champ from the Merge Records website [HERE].

The Mountain Goats: April 11, 2015 City Winery – FLAC/MP3/Streaming

April 12, 2015
By

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John Darnielle possesses the writer’s gift of universality. From his very specific songs come truths that touch the hearts of listeners who have never lived his life. You may never have felt the humiliation of being a burned out tweaker, sweating it out in a dingy hotel room, but you understand what it means to feel you’re at rock bottom. You know what it is to be dumb and wild and free. You know what it is to desperately, desperately, survive a year that hasn’t gone the way you hoped. In John’s quirky  new songs about wrestling from Beat the Champ there are classic themes about underdogs and alienation, themes that you don’t need to wear a mask to understand. The Mountain Goats built their fervent fan base not on the strength of riffs but on words. Listening to Darnielle’s stories, feeling the emotions he projects, his heart becomes your heart; his trials, yours.

The Mountain Goats played NYC shows on this tour both at Webster Hall and two nights at City Winery, in lieu of a single large show at Terminal 5 or a similar venue. For that, we can be grateful, as City Winery — where as John said, he could actually see the back of the venue from the stage — vibed perfectly with what he wanted. For this tour, the regular trio of Darnielle, Jon Wurster and Peter Hughes is joined by the NC-based journeyman and Swiss army knife of a musician Matt Douglas, who has now appeared on this site with three different bands, if you count his solo show. The addition of Douglas on sax, guitar, horns and keys adds welcome texture and complexity to the full-band numbers, and takes some pressure off of Darnielle, whose massive catalog is always a challenge on tour. The intimate room amplified the songs’ emotional heft; it was a joy to see the rather well-heeled crowd of (probably) former nerds, geeks and rejects sing along to one of Darnielle’s most approachable verses:

people were mean to you
but i always thought you were cool
clicking down the concrete hallways
in your spiked heels
back in high school

That’s Darnielle’s magic, distilled: A song about a single person that many of us could see in ourselves, even if what made us different had nothing to do with spiked heels. If proof were ever needed of the value of being yourself, Darnielle and his slow-burning but runaway success would be the best of it. That he has created an entire community of people who feel the same way is his gift to all of us. Happiness isn’t conformity, or cowing to others’ idea of who you ought to be. It’s doing every stupid thing that makes you feel alive, and the joy you feel at coming out on the other side, still breathing. Long live The Mountain Goats.

I recorded this set with Schoeps MK41 supercardiod microphones in a position forward of the board, along with a stereo feed of The Mountain Goats’ engineer Brandon Eggleston’s excellent house mix. The sound quality is outstanding. Enjoy!

Download the complete show: [FLAC] | [MP3]

Stream the entire set:

The Mountain Goats
2015-04-11
City Winery
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (FOB, ROC, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Brandon Eggleston)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels, fades, downsample)>Izotope Ozone 5 (EQ, exciter, imaging)>Audacity 2.0.3 (track, amplify, dither)>FLAC ( level 8 )

Tracks [Total Time 1:33:56]
01 [intro]
02 Get Lonely
03 The Ballad of Bull Ramos
04 Love Love Love
05 [banter1]
06 Palmcorder Yajna
07 Animal Mask
08 [banter2]
09 Luna
10 Deuteronomy 2:10
11 [banter3]
12 Beyond the Mysterious Beyond
13 Raja Vocative
14 Woke Up New
15 Steal Smoked Fish
16 Never Quite Free
17 Song for Dennis Brown
18 Stabbed to Death Outside of San Juan
19 Foreign Object
20 This Year
21 The Legend of Chavo Guerrero
22 [encore break]
23 You Were Cool
24 Southwestern Territory
25 Amy aka Spent Gladiator 1
26 [encore break 2]/piano jam
27 No Children

Band:
John Darnielle – Vocals, guitar, keys
Matt Douglas – saxophone, guitar, keys, horns
Peter Hughes – Bass
Jon Wurster – Drums

If you enjoyed this recording, PLEASE SUPPORT The Mountain Goats, visit their website, and buy their records from their online store.

moe.: March 13, 2015 Best Buy Theatre – Flac/MP3/Streaming Full Show

March 14, 2015
By

moe Best Buy (2)

Last month we took a look back at some 1990’s classic moe. in tribute to our fallen friend. We have a lot of good memories from that period in moe.’s history, but rest assured they are still a very active and compelling live act. On Friday at the Best Buy Theatre in Times Square we experienced that first hand. moe. is in NYC for three shows in celebration of their 25th year of existence, the first of which was an intimate performance at Le Poisson Rouge, but this night was the first of two nights at Best Buy and the band was clearly on. The first set was nearly ninety minutes and contained just six “songs” — but plenty of outstanding jam sequences and extended work on some of their most classic material. “Meat” has always been a highlight song for me and this set-closing version was one for the ages. Al Schnier in particular was manic during the climax of the song and ended the set on a great high note. moe’s second set started with a very apt song, their classic tribute to “New York City”, played obviously as a dedication to the location of the show but also I suspect as a tribute to Eric and his wife who often requested this number. After a run through some of their newer songs, moe.’s second set ended with a lengthy and peak segue performance of “Akimbo” into “Rebubula”, which began with some nice interplay between the guitars that hinted several times at the Grateful Dead’s “Playing in the Band”. After an extended encore break, the band returned for an exceptional “The Road” before bidding goodnight. The band plays again at Best Buy tonight, and the tour continues through the Midwest and South, dates here. We will be catching up with moe. again at Mountain Jam in June.

I recorded this set with the Schoeps cards from a very advantageous location in a very well placed taper’s section — about 40 feet back and centered on the floor. I used hi and lo’s V3 pre-amp which really added some nice color to this prime Schoeps capture of a very nice sounding room. The result is a really superb recording. Enjoy!

This Recording is available to Download in FLAC and MP3 format at Achive.org [HERE]

Stream the Complete Show:

moe.
2015-03-13
Best Buy Theatre
New York NY

Digital Master Recording
FOB Center Audience

Schoeps CCM4u Cardioids > Grade Design Lunatec V3 > Sound Devices 744t > 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:24:49]
01 Paper Dragon
02 Waiting For The Punchline
03 Darkness
04 Bring You Down
05 Annihilation Blues
06 Meat
Set 2
[Total Time 1:36:24]
07 New York City
08 Do or Die
09 Kyle’s Song
10 Same Old Story
11 Don’t Fear The Reaper
12 Spaz Medicine
13 Akimbo
14 Rebubula
15 [encore break – announcements]
16 The Road

If you download this recording, we expect that you will PLEASE SUPPORT moe., visit their website and purchase their official releases from the moe. store here.

A Place to Bury Strangers: February 17, 2015 Music Hall of Williamsburg – FLAC/MP3/Streaming

February 18, 2015
By

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[photos by acidjack]

A Place to Bury Strangers are one of several bands that incubated in the scene (and the sound) that grew up around Death By Audio and its line of effects pedals, making it fitting that they headlined Music Hall of Williamsburg just months after that venue’s untimely end. Though the band arrived on the scene just over ten years ago (in 2003), it feels like it’s been eons in musical terms. Today, their dark tone, blown out guitar sound, and relentless, ambitious live show feels vaguely foreign to the current indie mainstream, but that is as it should be. This kind of music may or may not always be a “trend”, but it will always have the ability to seize a crowd, and keep it.

It’s fitting that the band opened with “We’ve Come So Far”: The number comes from Transfixiation, the brand-new album whose release was being celebrated that night, and it also describes this band’s history. With only one consistent member throughout (frontman Oliver Ackermann), the now-trio has continued to hone a sound much more consistent than its personnel changes would suggest. From the obvious MBV homage of their self-titled 2007 debut, the band has both added layers and stripped them away, leaving them at the more tightly focused Transfixiation, which takes a few steps back from the wall of noise to find some new melodies — and a bit of extra weirdness — underneath.

Not that you’d have been able to tell at the album release show. From the first peals of guitar noise to the militaristic percussion of “So Far Away”, the band blanketed itself in noise, barely pausing between songs. Ackerman, drummer Robi Gonzalez and bassist Dion Lunadon were only intermittently visible in a sea of smoke, pierced by a frenetic light show and backed by abstract visuals. Ackermann and Lunadon hurled themselves around the stage as a mosh pit that churned below them; this was no polite Tuesday night show. It might be fair to say you can’t really get APTBS until you’ve seen them live, or at least, it’s very hard to convey the feeling of their music through a home stereo or some iPhone headphones. APTBS’ sound demands darkness, attention and crowd participation to fully land, and over and over on this night, it did.

Band and crowd literally became one during the encore portion of the set, when the band set up just in front of the venue’s soundboard to play three more songs as the audience closed in around them, the flashes of smartphone cameras replacing the strobe lights that had been up on the stage. If it didn’t quite replicate the intimacy of Death By Audio, it showed that this band deserved to grow to a level well beyond it, and to keep going. They’re the kind of band live music was made for, and they did right by us tonight.

I recorded this set with Schoeps MK41 supercardiod microphones set up inside the soundboard cage. APTBS’ FOH, Lex, was in charge of the house mix. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

A Place to Bury Strangers
2015-02-17
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, at SBD, PAS)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (effects, EQ, imaging)>Adobe Audition CS 5.5 (adjust levels)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 57:01]
01 We’ve Come So Far
02 I’m So Clean
03 Drill It Up
04 Fill the Void
05 Deadbeat
06 [instrumental]
07 Love High
08 Now It’s Over
09 I’ve Lived My Life to Stand In the Shadow of Your Heart
10 You Are the One [played from the floor]
11 Straight [played from the floor]
12 So Far Away [played from the floor]

If you enjoyed this recording, PLEASE SUPPORT A Place to Bury Strangers, visit their website, and buy Transfixiation from Dead Oceans here.

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Wormburner: September 26, 2014 Mercury Lounge – FLAC/MP3/Streaming

October 2, 2014
By

WBMerc1
[Photos courtesy of Patrick J. Eves]

Wormburner have been kicking around the New York scene here for a few years, making their first appearance on this site back in 2010, where they were rightly compared to a cross between the Hold Steady and Camper Van Beethoven, owing in no small part to frontman Hank Henry’s talking-style vocals. For my part, this record release show at Mercury Lounge for the band’s excellent third LP, Pleasant Living in Planned Communities, was my first with the band. In addition to those references, I caught a pretty strong whiff of some of the better post-grunge bands, especially the mostly-forgotten Harvey Danger. No surprise, then, than by the first chorus of the leadoff track “Drinks At the Plaza Hotel”, I was nodding my head.

This is a very easy band to like, a group of obviously nice people who deploy big hooks and choruses, but don’t skimp on the lyrical concepts just because they know they probably could. To wit, you end up with songs about such things as, per the band’s website, “a downed airman in WWII Europe, a 21st Century soldier returning home from battle, and a transient gay hustler whose youthful looks are weathering with age”. The band’s delivery reflects the professionalism of eight years together as a going concern, and even as they played brand-new material for presumably the first time, Wormburner remained dialed in. The new album material comes across as some of the band’s strongest yet, in particular “Plaza Hotel”, “Catherine”, that WWII song “Hopscotch Gunner”, and “Somewhere Else to Be”. Sean Eden of Luna guested on Pleasant Living and was also on hand for the night’s proceedings, joining the band for two songs including Donovan’s “Seasons of the Witch”.  The Cult’s “She Sells Sanctuary” was the perfect big-rock way to end the show, setting the tone for the Wormburner shows to come in the next months.

I recorded this set with Schoeps MK41 microphones and head Mercury engineer Dave Lefcourt’s soundboard mix. The sound quality is excellent. Enjoy!

Catch Wormburner in New York again at the Tijuana Gift Shop showcase during CMJ on Wednesday, October 22 at Bowery Electric, and again at Mercury Lounge on December 18 for their annual Christmas show.

Stream “Hopscotch Gunner”

Stream “Season of the Witch” [Donovan]

Direct download of full set: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

WBMerc2

Wormburner
2014-09-26
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA + Soundboard (engineer: Dave Lefcourt)>>Roland R-26>x24bit/48kHz WAV> Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:07:14]
01 Drinks at the Plaza Hotel
02 Today Might be Our Day
03 Catherine
04 Peekskill
05 Little Things
06 Made-for-TV Movie
07 [tuning1]
08 A Standing Invitation
09 [banter2]
10 Somewhere Else To Be
11 Hopscotch Gunner
12 Pike City Proper
13 The Interstate
14 [banter3]
15 Parliaments on Sundays*
16 Season of the Witch* [Donovan]
17 [banter4]
18 She Sells Sanctuary [The Cult]

* Featuring Sean Eden of Luna

If you enjoyed this recording, PLEASE SUPPORT Wormburner, visit their website, and buy their releases directly from Dive Records.

Dean Wareham: April 5, 2014 Bowery Ballroom – Flac/MP3/Streaming

April 15, 2014
By

nyctaper - dean wareham-2
[photos by Jill from For The Love of Brooklyn]

Dean Wareham has created music for more than 25 years, but he’s always been part of a group — be it Galaxie 500, Luna or Dean & Britta. In the last year, Dean has released an excellent EP and his first true solo album, and the current tour in support of the March release of his self-titled album came to Bowery Ballroom last week. Bowery is a venue that holds a special place in the history of Luna, having hosted the band’s final shows (we recorded a recent one-off reunion) that became the Tell Me Do You Miss Me documentary. Dean’s set was a democratic run through a selection of material from throughout his career and included only four songs from the new album and just the title track from the EP. But the crowd was as we’d hope for this performer — reverent and respectful during the music and properly enthusiastic in between. And they were rewarded, as Dean Wareham continues to produce outstanding music on par with his entire career output. Dean’s current tour is over, but he’ll be in Europe in May.

This show was recorded with precision by hiandlo, who utilized his Schoeps cards in conjunction with a well-balanced board feed to create a truly superb recording. Enjoy!

Stream “Heartless People”

Stream “Ceremony” (New Order cover)

Download The Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dean Wareham
Bowery Ballroom
New York, NY, US
2014-04-05

Recordist : hi and lo
Source : Soundboard + Schoeps MK5c (DIN) > KCY > Naiant PFA > E.A.A. PSP-2 >> Sound Devices 744T @ 24 bit / 48 kHz
Edit : WaveLab V6 (mixdown/eq/gain/fades/dither/resampling)
Encoding : FLAC v1.2.1 Level 8 with TLH v2.6.0

Tracklist:

01. Emancipated Hearts
02. Heartless People
03. Tiger Lily
04. The Dancer Disappears
05. Holding Pattern
06. Temperature’s Rising
07. When Will You Come Home
08. Love Is Not a Roof
09. Blue Thunder
10. Moon Palace
11. Lost in Space
12. Babes in the Woods
13. Tugboat
14. (Encore Call #1)
15. Don’t Let Our Youth Go To Waste
16. Strange
17. (Encore Call #2)
18. Happy and Free
19. Ceremony

Running Time: 1:32:52

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Dean Wareham, visit his website, and purchase his self-titled album from links on his blog [HERE].

nyctaper - dean wareham-3

NYCTaper’s Favorite Concerts We Recorded in 2012 (w/ Streaming Songs)

December 27, 2012
By


[Photo by Geoffrey Dicker for According 2 G]

There is always more live music going on in New York than any one person (or four people) can see at one time, let alone record and share. Add to that the tradition of the summer road-trip (or flight to North Carolina) and we had a ton of shows to see, share and discuss. When you record this many shows, it’s pretty easy for your memory of individual ones to get hazy. Some you forget (or maybe want to forget) altogether. This list is not intended as a definitive “best of”, necessarily, but out of the hundreds of bands we saw take the stage, the moments represented here were the ones that not only stuck in our minds, but that we kept turning back to and listening to again and again. This was another tough year for New York and for this country in general, but that didn’t stop people from making great music, and we are thankful to have been there to witness it as often as we were. We hope that if you listened to any of our recordings this year that they brought you happiness, and wish you all the best for 2013.

In no particular order….

Bjork – February 25, 2012 Roseland and February 12, 2012 New York Hall of Science
[audio:http://www.nyctaper.com/B6591Bjork8793/18.%20Possibly%20Maybe.mp3]
We were lucky enough to catch two of the Biophilia: Live shows by Björk, an original and rare talent whose bizarre science-meets-music vision brought to life on a 360-degree stage was as electric as the giant Tesla coil onstage. The singer’s voice is without match, and the Icelandic choir that joined her made the material even better. These were some of the most popular recordings on the site this year, even if the sound alone could not quite do these staggeringly entertaining performances justice.

Hiss Golden Messenger – September 7, 2012 Hopscotch Festival, Raleigh, NC (day show and night show)

Other than that he isn’t in a major media market, is on a tiny, mostly reissue-based label, and has a challenging full-time day job, I can’t figure out why MC Taylor, who performs as Hiss Golden Messenger, isn’t more popular outside of North Carolina. I suppose those three are good reasons, but as this year’s Hopscotch Music Festival in Raleigh, NC reminded us, North Carolina is very much a musical hotbed right now. Taylor’s music is an approachable blend of rock, country, gospel and folk, with a timeless appeal that can span generations and earn Grammy awards. At these two shows – first the Three Lobed Recordings/’WXDU Day Show in a stripped-down setup, and then at night in a larger auditorium with a full band, Taylor performed songs that were flat-out heartbreakingly beautiful and just as equally memorable. The man’s performances are instant classics. If he comes to your town, drop what you’re going and go see what he’s about.

Akron/Family – January 21, 2012 at 285 Kent
[audio:http://www.nyctaper.com/A3030Akron1020/13.%20Light%20Emerges.mp3]
Akron/Family almost always put on a memorable show, but the freewheeling atmosphere of 285 Kent combined with A/F almost guaranteed one for this night. This manic, lengthy celebratory, show featured full crowd participation (audience drummers!) and an intense performance.

Dinosaur Jr. – December 1, 2012 Terminal 5
[audio:http://www.nyctaper.com/D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Dont.mp3]
Johnny Fried Chicken Boy and I had already nominated this show as one of the best of the year before we had even hit the post-show pavement. Celebrating the 25th anniversary of the album You’re Living All Over Me, the original lineup played that record and a slew of other favorites with special guests including Frank Black, Lee Ranaldo, Kim Gordon, Don Fleming, Johnny Marr, Tommy Stinson and NYC’s current favorite journeyman artist Fred Armisen. For me, the rendition of “Don’t” with Gordon on vocals  was the night’s absolute barnburner.


[Wilco at Brewery Ommegang]

Wilco – July 28, 2012 Brewery Ommegang
[audio:http://www.nyctaper.com/W2238Wilco2297/Wilco_-_Handshake_Drugs.mp3]
Thanks to the location and its signature product, I’m not sure how clearly most of us, er, actually remember this show. But the entire NYCTaper crew taking a roadtrip to one of New York’s best breweries to see one of our favorite bands had to mark a high point of the year for us. Wilco played an excellent set in at-times-torrential rain that included some rare numbers like “Laminated Cat” as well as a trio of Being There classics as part of the encore. At least, I think that’s what happened….

Ty Segall/Thee Oh Sees – September 24, 2012 Death By Audio

I didn’t have a better time at any other show this year.  Two big acts (one of whom we were writing about back in 2009) in small clubs playing their butts off is always a good combination.

Patterson Hood – July 23, 2012 Bell House
[audio:http://www.nyctaper.com/D8030DriveByTruckers3838/21%20Heat%20Lightning%20Rumbles%20In%20the%20Distance.mp3]
It’s easy to be cynical about a lead singer of a still-thriving band doing a solo album (this one his second). But Patterson Hood of Drive-By Truckers showed himself to be a musical force in his own right. Laughing and telling stories to the crowd in between numbers, this show gave us a window into the man’s soul in a way that you can’t get at the Truckers’ more big-time performances.

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[A reunited Luna at Mulcahy’s in Wantagh, NY]

Dean & Britta – July 21, 2012 Mulcahy’s, Wantagh
[audio:http://www.nyctaper.com/D1310DeanWareham2001/08.%20Tiger%20Lily.mp3]
An amazing story of how the original members of Luna decided to reunite with Sean Eden for a charity and play songs we’re not likely to ever hear again live in this configuration. And our pals The War on Drugs were there to play a set (and dedicate a song to us) as well!

DIIV – June 8, 2012 285 Kent
[audio:http://www.nyctaper.com/D8600DIIV2012/11%20Bambi%20Slaughter.mp3]
As is so often the case, promoter ToddP got a crack at this band as a headliner before the hype machine had quite hit full steam.  Sure, 285 Kent isn’t Music Hall of Williamsburg size-wise, but there were more than enough in-the-know people to slam-pack this venue to its sweatiest capacity, as DIIV showed themselves to be one of this year’s best new bands (as many other sites would later acknowledge). Oh, and they covered an unreleased Nirvana b-side, too.

d40-nyctaper-oneida-0932-e1338817682145
[Oneida at 285 Kent, courtesy of Jill Harrison]

Oneida – May 12, 2012 285 Kent (NYCTaper 5th Anniversary Show)
[audio:http://nyctaper.com/O8020Oneida3329/03.%20Bad%20Habit.mp3]
Is it hard to overstate how fucking awesome it is to have one of our favorite bands playing one of our favorite sets of theirs ever at a show thrown to celebrate five years of this site’s existence? Why, yes it is.

Yo La Tengo – all of the 2012 Hanukkah shows at Maxwell’s, but particularly December 9, 2012, December 10, 2012 and December 14, 2012

At points this December it felt like the site should be called “YoLaTengoTaper” given the amount of time we were spending at Maxwell’s to see this year’s Yo La Tengo Hanukkah shows. Our obsession with these shows is well-justified;  the storyline is irresistible. A legendary local band, playing eight shows in a row from their tiny homebase venue to benefit Hurricane Sandy recovery, with special guests like the Sun Ra Arkestra, The Feelies, Devendra Banhart, Andrew Bird, Kid Millions of Oneida, and more is kind of the ultimate holiday gift from a band to its fans, no?

sharonve
[Sharon Van Etten at Bowery. Courtesy of Chris Gersbeck at Fucking Nostalgic]

Sharon Van Etten – February 26, 2012 Bowery Ballroom
[audio:http://www.nyctaper.com/S0606SharonVE8008/08.%20Give%20Out.mp3]
We have followed Sharon Van Etten for years and our respect for her is well-documented, but this homecoming show at Bowery Ballroom represented the full realization of Van Etten as a bona fide full band. The Tramp material in particular here was performed flawlessly, with the grace and intensity we’ve come to expect from her.

Lower Dens – May 2, 2012 Glasslands
[audio:http://www.nyctaper/nyctaper.com/L0052LowerDens0122/Brains.mp3]
I usually find it hard to narrow down the number of “favorite” shows I see at Glasslands, but this year, this Lower Dens show was a huge standout. With the Baltimore band touring behind their expansive new LP, Nootropics, they showed up in front of a maxed-out crowd and proved that their meditative, texture-heavy songs could also kill it live.

Kevin Devine – December 1, 2012 Webster Hall

December 1st must have been one of the best days for music all year. Two of our favorite shows – Dinosaur Jr. at Terminal 5 and this sprawling Kevin Devine show – happened on this date, and we missed at least two others that would have been must-sees on any other night. We’re not sure any contemporary artist has ever played three full albums on one date, but Kevin did it, and with exceptional grace. A night to remember.

alabama_shakes-5097_EG_650
[Alabama Shakes at Bowery Ballroom. Photo courtesy of Eric Groom Photography]

Alabama Shakes – April 11, 2012 Bowery Ballroom
[audio:http://www.nyctaper.com/A2210AlabamaShakes1410/Alabama_Shakes_-_Boys_and_Girls.mp3]
When you see a band on the night that they discover they’ve “made it” in New York, you usually see them at their best. After that moment, things will never be the same for them, internally or externally. From 2009 until this moment, Alabama Shakes was an at-best regionally known band from Athens, Alabama that had been gaining some post-CMJ buzz from 2011. After this Bowery Ballroom show, as I said to Johnny Fried Chicken Boy during the show, they were headed straight for a Grammy, which they now have a pretty good shot at earning. They were obviously humbled and amazed by what they saw in front of them – a slew of industry people and eager fans looking at the “next big thing”.  And they played that way.

Hurray For the Riff Raff – June 15, 2012 Mercury Lounge
[audio:http://www.nyctaper.com/H1208Hurray0022/12.%20Time%20Is%20On%20My%20Side%20(Irma%20Thomas).mp3]
Among several shows of theirs we saw this year (including our own CMJ show), this was the perfect example of a band finding its voice in the live setting at the same time as they released a fantastic album – in this case, the largely unheralded but outstanding Look Out Mama. 

Woods – November 3, 2012 Music Hall of Williamsburg

As many of us were just emerging from Hurricane Sandy hell (and many were still stuck in it), Woods gave Brooklynites a reason to leave the house for this outstanding show at Music Hall. Woods may be of the more recent vintage of Brooklyn bands, but their ability to stretch, bend and reshape a song is of another era. Their appropriately titled new record, Bend Beyond, is only a guidepost for what you get at one of their incredible live shows.

Olivia Tremor Control – June 16, 2012 Music Hall of Williamsburg
[audio:http://www.nyctaper.com/O6150OTC0212/03%20Can%20You%20Come%20Down%20With%20Us.mp3]
When I was at this show, I thought it heralded a comeback for the Athens, GA-based psychedelic wizards. Instead, this was the last time I would ever see Olivia Tremor Control. Founding member Bill Doss passed away scarcely a month later, and with him, this cherished cornerstone of the Elephant 6 collective. Rest in peace, Bill, and may your music live forever.

The Mountain Goats – October 13, 2012 Music Hall of Williamsburg

Those in the know called this Mountain Goats show the best of the latest tour. We’re here to give you the audio evidence that they’re right.

Gov’t Mule (w/ the Levon Helm Band) – June, 2012 Mountain Jam, Hunter, NY
[audio:http://www.nyctaper.com/M9999MountainJam9999/20%20Birth%20of%20the%20Mule.mp3]
Set against a backdrop of the Catskill Mountains, Gov’t Mule and the Levon Helm Band paid one hell of a tribute to one of music’s most dearly departed this year, Levon Helm. As if the idea that music has the power to transcend even death needed affirming, these guys did it with this performance.

HONORABLE MENTIONS
Frank Turner – September 30, 2012 Webster Hall
The Soft Moon – September 20, 2012 Glasslands
Lucero – April 20, 2012 Webster Hall

Special thanks to all of the artists, management, labels, photographers and other music sites that have supported NYCTaper this year and in the past five years.  And of course, a huge thank you to our readers, who we hope to continue to provide with high-quality, artist-sanctioned recordings, reviews and photos throughout 2013 and beyond.  Happy New Year!

softmoon

[Soft Moon at Glasslands, courtesy of Eric Groom Photography]

Frank Turner & The Sleeping Souls: September 30, 2012 Webster Hall – FLAC / MP3 Downloads + Streaming Songs

October 18, 2012
By


[Photos courtesy of Nicole C. Kibert.  See more of her excellent work HERE]

For a few years now, I’ve had several people telling me that I must go see a Frank Turner concert.  After listening to a few of his studio releases, I put him on my short-list of performers to catch.  With lyrics that spoke to the common man and woman about dealing with everyday problems and extolling life’s simple pleasures, accompanying generally upbeat, ear-catching song structure, I easily saw the appeal of his music.  What I wasn’t prepared for was the complete and utter adulation of the folks at the show.  Shortly after arriving, I met one girl who had seen him a dozen times and several others who claimed to have nearly as many Turner performances or more under their belts.  Hitting the stage for the second, and sold-out, night of a pair at Webster Hall, Frank and his excellent band, The Sleeping Souls (with guitarist Ben Lloyd, bassist Tarrant Anderson, keyboardist Matt Nasir and drummer Nigel Powell), had the majority of the crowd singing every word to the songs right from the start and, basically, at their beck and call.  Clap your hands?  No problem.  Play air harmonica?  We’re on it.  Dance around like lunatics?  Just watch us.  Thankfully, the artists and attendees encouraged the uninitiated and welcomed us with open arms.  Delivering songs from most of his albums, the bulk of 2011’s ‘England Keep My Bones‘ and even a few new tracks, there seemed to be something for everyone.  Suffice to say, I had a blast.  The only downside to the evening is that this was the last show of the band’s tour before they go into the studio to record their next album.  While I greatly anticipate the disc that Frank Turner & The Sleeping Souls will be releasing next year, I have to admit that I am just as excited looking forward to the next time I can see them play again.

With Webster Hall’s top-notch FOH, Creegan, on the controls and joined by the band’s equally superb engineer, Casey, at the helm, the sound was just about perfect for this night.  We were able to get a board feed to accompany our microphones and the resultant recording is excellent.  We hope you like what you hear as much as we did, and even sing, clap and dance to it if you want to.  Enjoy!

Special thanks to Frank Turner & The Sleeping Souls for making this recording possible, and to Creegan and the staff at Webster Hall for their courtesy and cooperation.

Stream “Peggy Sang the Blues”:

[audio:http://nyctaper.com/F9021FrankTurner2030/Frank_Turner_and_The_Sleeping_Souls_-_Peggy_Sang_the_Blues.mp3]

Stream “I Knew Prufrock Before He Got Famous”:

[audio:http://nyctaper.com/F9021FrankTurner2030/Frank_Turner_and_The_Sleeping_Souls_-_I_Knew_Prufrock_Before_He_Got_Famous.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Frank Turner & The Sleeping Souls
Sunday, September 30, 2012
Webster Hall
New York, NY, USA
(openers: Larry and His Flask / Jenny Owen Youngs)

Source: SBD + Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Frank Turner’s sound engineer: Casey
Webster Hall house engineer: Creegan
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:29:27]
01. Eulogy
02. The Road
03. Peggy Sang the Blues
04. Long Live the Queen
05. Glory Hallelujah
06. Reasons Not to Be an Idiot
07. One Fine Day
08. Wessex Boy
09. Substitute
10. Wherefore Art Thou Gene Simmons?
11. [banter]
12. Dan’s Song
13. I Knew Prufrock Before He Got Famous
14. I Am Disappeared
15. One Foot Before the Other
16. [banter]
17. Four Simple Words
18. Try This at Home
19. I Still Believe
20. [encore break / banter]
21. St. Christopher Is Coming Home
22. If Ever I Stray
23. Photosynthesis

If you download this recording, we expect that you will PLEASE SUPPORT Frank Turner & The Sleeping Souls, visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.  And go see their shows.  Yes, most definitely do that.

Vetiver: September 21, 2012 Glasslands – FLAC/MP3/Streaming

October 15, 2012
By


[Photos by acidjack]

Vetiver aren’t the kind of band you usually find at the top of the bill on a Friday night at Glasslands. The Williamsburg club is best known for cutting-edge young rock and wild DJ nights – all good things, but not exactly this band’s style. Vetiver, on the other hand, seems at times to come from a different era, with a measured, melodic 60s-inspired sound that has more to do with Simon and Garfunkel and the Grateful Dead than what’s is trending in Brooklyn right now. They are a grown-up style of band in sound, style and sentiment, and they are outstanding at what they do. It’s a testament to the good taste of both the PopGun Booking team (who run Glasslands) and that of the ATP Festival, where the band was playing the following night, that quality counts for more than trend-following. Like fellow travelers and Sub Pop labelmates Fruit Bats, Vetiver’s music transcends trends and era-specific fixations; while there’s a strong vein of the late 60s going on with the San Francisco band, their melodic, lightly psychedelic sound doesn’t simply stay there. The leadoff track to their 2011 album and current release, The Errant Charm, was one of my favorites of last year, a slow-builder whose anthemic acoustic guitar riff combines with frontman Andy Cabic’s sweet, soothing vocal to create a six-and-a-half minute slice of blissed-out perfection. This show found the band playing to a fully-packed house, and despite the early set time (Friday nights at Glasslands means late-night DJs) they gave us a fantastic 13-song set into the 65 minutes they had. The set focused on Errant Charm material, but they did reach all the way back to their 2005 debut to give us “Luna Sea” and to its 2006 double LP followup, To Find Me Gone for “Idle Ties”.  The band made the most of their encore, too,firing off a faithful rendition of Townes Van Zandt’s “Standin'”.

I recorded this set with Berliner CM-33 cardiod microphones and a soundboard feed provided by Josh Thiel, the head engineer at Glasslands.  The sound quality is excellent.  Enjoy!

Stream “Standin'”[Townes Van Zandt]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Vetiver
2012-09-21
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Berliner CM-33 (DFC, ORTF)>Aerco MP-2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity 3.0 (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total time approx 64 min.]
01 It’s Beyond Me
02 Strictly Rule
03 [banter]
04 Hard to Break
05 Streets of Your Town
06 Wonder Why
07 Can’t You Tell
08 [banter]
09 Pay No Mind
10 Idle Ties
11 You May Be Blue
12 Luna Sea
13 Another Reason To Go
14 Ride Ride Ride
15 [encore break]
16 Standin’ [Townes Van Zandt]

If you enjoyed this recording, PLEASE SUPPORT Vetiver, visit their website, and purchase The Errant Charm and their other excellent releases directly from Sub Pop.

The War On Drugs: July 21, 2012 Mulcahy’s Wantagh NY – Flac/MP3/Streaming

August 13, 2012
By


[photo by Patrick Barthel]

The Shine A Light Music Festival took place a few weeks back, and we’ve already posted the Luna reunion (here). As our regular readers are aware, The War On Drugs is one of my favorite current bands. The addition of this set to the site is by no means an afterthought, but the result of a discovery. Due to technical problems, I had written this recording off as a non-post, but after a re-listen and re-evaluation this week, the sound quality is far above what I expected. The show was also something special. The War On Drugs arrived early at the gig and had already soundchecked by the time I got there and set up. The band was interacting and mingling with all of the members of the Tommy Brull Foundation for several hours before their set, so that by the time they took the stage The War On Drugs felt like they were playing to friends. The show contained a nice mix of their material, but also some entertaining banter, a “guest” guitarist, and even some gentle ribbing of nyctaper.

I recorded this show with the Sennheiser 8040’s on-stage and running through the snake and mixed with a board feed. Unfortunately, there was a problem with the phantom power of the mics, so this set is the straight board feed. Its not optimal for sound quality, but its certainly a good listen. Enjoy!

Stream “Coming Through”:

This recording is now available for download in FLAC and MP3 at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

War On Drugs
2012-07-21
Shine A Light Festival
Mulcahy’s
Wantagh, NY USA

Digital Master Soundboard Recording

Soundboard > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-08-11

Setlist:
[Total Time 1:16:58]
01 Best Night
02 Coming Through
03 [banter – Dylan email]
04 Baby Missiles
05 Your Love Is Calling My Name
06 The Animator
07 Come To The City
08 [banter – Chris Mullin]
09 I Was There
10 [banter]
11 Brothers
12 [banter – Neil]
13 Taking the Farm
14 Black Water Falls
15 A Needle in Your Eye No 16

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The War On Drugs, visit their website,  and purchase their latest album Slave Ambient from Secretly Canadian Records [HERE].

SUPPORT NYCTaper




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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

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