Posts Tagged ‘ acidjack ’

Doe Paoro: May 14, 2013 Glasslands – FLAC/MP3/Streaming

May 22, 2013
By

doepaoro2013-05-14-1
[Photos by acidjack]

We first caught Doe Paoro a year ago at Cameo Gallery, and she wowed us with her sincerity and her unique approach to pop music. Taking the stage at Glasslands, nominally as a support act but as the one with the largest crowd by far, Doe Paoro, showed added poise in her live performance and some subtle refinements to her sound. She also had two songs, “See Me Now” and “New Lows”, to share from a new 7″ release. Boasting a completely new look from last year’s more 90s-inspired digs, Sonia (her real name) came across as a more mature but equally strong performer, continuing to meld vocals that draw from a number of singing traditions with arrangements that draw from reggae, R&B, pop and rock. Along with her bouncier numbers like “Born Whole” and “I’ll Go Blind”, Sonia’s ballads shouldn’t be ignored, either. Both “New Lows”, the new song, and “Live Again” were particularly strong. We look forward to seeing what Sonia will do next.

I recorded this set with the installed Glasslands rig, combining the Naiant  X-R cardiod microphones with a soundboard feed by the Glasslands engineer Chris. To minimize distractions during the quieter songs, the recording favors the soundboard feed. Enjoy!

Stream “I’ll Go Blind”

Stream “New Lows”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Doe Paoro
2013-05-14
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Chris) + Naiant X-R (cardiod,ORTFish, DFC)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (tracking, fades, amplify, balance, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Give Give Give
03 Born Whole
04 I’ll Go Blind
05 Can’t Leave You
06 Live Again
07 Body Games
08 [banter]
09 See Me Now
10 New Lows

If you enjoyed this recording, PLEASE SUPPORT Doe Paoro, like her on Facebook, and purchase Slow to Love and her other records [HERE]

Grandchildren: May 15, 2013 Glasslands – FLAC/MP3/Streaming Full Show

May 20, 2013
By

grandchildren2013-05-15-1
[Photos by acidjack]

Grandchildren is hardly the only criminally underrated band out of Philadelphia right now (we’ve written about several of them) but they are one of the most compelling. This band has mastered the art of dense, lushly orchestrated rock music with a modern electronic twist — exactly the kind of current sound that screams for a wider audience. Here at Glasslands to celebrate the release of their third LP, Golden Age, the band showed the maturity, poise and musical prowess we first saw in them back in 2009, this time backed by their strongest and most consistent material of their career. Picking a “highlight track” for this show was almost impossible, as Golden Age serves up one good song after another, and the band has worked hard to make the big arrangements come across live. Songs like “No Way Out” excellently demonstrate the band’s refinement of their sound and their ability to write songs that can appeal across genres and generations of fans.

I recorded this set with Naiant X-X omnidirectional mics at the stage lip, plus the Naiant X-R house mics and a soundboard feed from the night’s hardworking engineer Jeremy. The sound quality is outstanding, and we are so pleased with it we are offering the entire set streaming below in addition to MP3 and FLAC downloads. Enjoy!

Stream the entire set:

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

grandchildren2013-05-15-3

Grandchildren
2013-05-15
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

[Naiant X-X (split omni, ROC stagelip, 3ft split) + Soundboard (engineer: Jeremy)>Edirol R-44 [OCM]] + [Naiant X-R (cardiod, DFC, ORTFish)>Sound Devices USBPre2 (clock sync to R-44)>Sony PCM-D50]>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (fades, tracking, amplify, balance, light parallel compression, tagging, downsample)>FLAC ( level 8 )

Tracks
01 Forward
02 Sunrise
03 Golden Age
04 [tuning]
05 End Times
06 No Way Out
07 Saturn Returns
08 Into Gold
09 Where’s the Knife
10 Everlasting
11 Rain Down

If you enjoyed this recording, PLEASE SUPPORT Grandchildren, like them on Facebook, and buy Golden Age directly from Ernest Jenning Record Co. [HERE]

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Rathborne: May 14, 2013 Glasslands – FLAC/MP3/Streaming

May 16, 2013
By

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[Photos by acidjack]

Luke Rathborne is young, has an LP and two EPs under his belt, and he’s just getting started. Rathborne’s 2011 record, After Dark, was recorded when he was a young man of 17; he came here at 18. We found him at Glasslands less than two years later celebrating the release of a new album, SOFT, that refines the sound of those rawer earlier experiments. Styling the performing band simply Rathborne, the group took the stage and kicked off the Replacements-esque “Wanna Be You” without a second’s hesitation. Rathborne is a natural presence onstage, with a refreshing kindness and innocence to go with his rock poise. He may not have even been born then, but Rathborne is clearly a student of the 80s, particularly New Wave acts like the Cars. Most of the songs played clocked in under three minutes and exuded fresh energy. Rathborne closed the set with “So Long NYC”, about the all-too-common story of your dreams washing out. But for Luke Rathborne, his own dreams are very much alive.

I recorded this set with our Glasslands house setup, including Naiant microphones and a mix provided by house engineer Chris. The sound is excellent. Enjoy!

Stream “Last Forgiven”:

Stream “Deal”

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

rathborne2013-05-14-1

Rathborne
2013-05-14
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (cardiod, DFC, ORTFish) + Soundboard (engineer: Chris)>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (fades, tracking, amplify, balance, light parallel compression, tagging, downsample)>FLAC ( level 8 )

Tracks
01 Wanna Be You
02 What More
03 I’m So Tired
04 [tuning/banter]
05 Eno
06 Last Forgiven
07 [banter1]
08 Nobody Knows
09 Soft
10 Why
11 Deal
12 Low!
13 Don’t Call Me Baby
14 So Long NYC

If you enjoyed this recording, please support Rathborne, visit their website, and pre-order SOFT [HERE]

rathborne2013-05-14-6

Lucius: April 10, 2013 Webster Hall – FLAC/MP3/Streaming

May 9, 2013
By


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[Photos courtesy of Dominick Mastrangelo Photography]

We were captivated by Lucius when they joined us for a Backyard Brunch Session last year, and since that time, their buzz has only grown. After being hailed as a “band to watch” by multiple outlets leading up to and after this year’s SXSW, the band landed a slot opening for Caveman on their headlining tour. This homecoming show at Webster Hall gave Lucius a chance to give it their all in front of the hometown fans. They showed off three new songs, in addition to some of the numbers we fell in love with during the session, like “Go Home”. One could be forgiven for mistaking Jess Wolfe and Holly Laessig for sisters; the pair sing their harmonies so tightly you might think they’d been doing it since childhood. With a full band behind them for this set, their sound was able to fill the big room without losing the delicacy that made it special for us in that backyard in East Williamsburg. Look for the band to have an LP to share soon.

I recorded this set with Schoeps MK41 supercardiod microphones from our usual spot in the venue, plus the soundboard feed used for the Caveman recording. There are a few trouble spots during the first song as the levels were getting dialed in by the engineer; otherwise the sound quality is excellent. Enjoy!

Stream “Genevieve”

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

lucius_websterhall-3

Lucius
2013-04-10
Webster Hall
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Schoeps MK41 (balcony, DFC, DINa)>KCY>Z-PFA>Sound Devices USBPre>Sony PCM-D50 + Soundboard>R-44 [OCM]>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape effect)>Audacity 3.0 (fades, tracking, amplify, balance, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 [new song 1]
02 Go Home
03 Don’t Just Sit There
04 Genevieve
05 [new song 2]
06 [new song 3]
07 Two Of Us
08 [banter]
09 Wildewoman

If you enjoyed this recording, PLEASE SUPPORT Lucius, visit their website, and purchase their EP from [HEREor on iTunes.

Disappears: April 25, 2013 Knitting Factory – FLAC/MP3/Streaming

May 7, 2013
By


disappears2013-04-25-2
[Photos by acidjack]

Chicago’s Disappears distinguish themselves by being both consistent and prolific. Since their 2010 full-length debut, Lux, they’ve cranked out one consistent release after another, from 2011′s Guider EP to 2012′s Pre-Language plus a live album. This year has already seen two more releases, the 12″ EP Kone and single-sided and limited 12″ EP A New House In A New Town. Each of these releases has offered incremental refinements to their dark post-punk sound. This show at the Knitting Factory Brooklyn was my first time seeing  Kone done live, and the title song and its b-side “Kontakt” offer some clues as to where the band’s sound is heading. Both those songs represent longer-form compositions than the tightly-paced stuff from Pre Language, but the new style works for the band, broadening their palette a bit. But fear not, this set still featured several of the band’s floor-fillers, including the one-two punch of “Replicate” and “Pre Language early in the set. There were also a handful of songs I could not identify that I believe were either new or from the A New House In A New Town EP, but any more information would be appreciated. The band also played three new songs — “Girl”, “Power” and “Elite Typical” — from their forthcoming new LP, expected late this summer. Thanks to Disappears for clearing that up, and here’s to that new record!

I recorded this set with MBHO KA200N cardiod microphones and an excellent soundboard feed of the house mix by the Knit engineer Rob and Disappears’ traveling FOH. The sound quality is excellent. Enjoy!

Stream “Kone”

Direct download of the entire show [MP3] | [FLAC]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

disappears2013-04-25-4

Disappears
2013-04-25
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Aerco MP-2 + Soundboard (engineer: Rob)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [unknown1] Girl
02 Replicate
03 Pre Language
04 [unknown2] Power
05 [unknown3] Elite Typical
06 Minor Patterns
07 Kone
08 Love Drug
09 Joa
10 Kontakt

If you enjoyed this recording, PLEASE SUPPORT Disappears, visit their website, and purchase their records, including Kone, from their online store [HERE]

Paul Damian Hogan the Third: April 5, 2013 The Bushwick Starr – FLAC/MP3/Streaming

May 1, 2013
By


d40 - paul damian hogan the third-4
[Photos by Jill Harrison at For the Love of Brooklyn]

Paul Damian Hogan The Third (if you wonder why the full name, Google “Paul Hogan” — he’s Crocodile Dundee, in case you’re wondering) is one of those artists that doesn’t slow down. Visit his website and you’ll find links to no less than eight albums, film scores, compositions, production (Friend Roulette’s EP, strings on Passion Pit’s Manners), and a few TV commercials — oh, and he’s also in the bands Frances and Ta Da, in his spare time. I was lucky enough to be invited to this special event at The Bushwick Starr, a comfortable DIY theater and event space on Starr Street near the Jefferson L, which Paul had rented out for the night to debut his latest record, The House, which appropriately enough is the successor to The Hut from 2009. Surrounded by friends and joined by a number of special guests, Hogan played The House for us straight through, with several songs transitioning seamlessly into the others. Hearing him live, it’s no surprise that he spends significant time as an arranger and producer — or that he has a Ph.D. in music — as his compositions and arrangements are dense, varied and surprising, never going quite where you expect. This debut of the new record in this unique and intimate space was the perfect way to introduce us to Hogan’s latest effort.

I recorded this set with Schoeps MK5 microphones in the center of the room with a wide pattern to capture the way it sounded live. Other than some PA hiss and occasional distortion, the sound is excellent. Enjoy!

Stream “Fooled”

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

d40 - paul damian hogan the third-2

Paul Damian Hogan the Third
2013-04-05
The Bushwick Starr
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, ORTF, DFC, FOB)>KCY>Z-PFA>Roland R-26>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (fades, tracking, amplify, balance, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro] (Matt Meade of Friend Roulette)
02 California Sands
03 Golden Cactus
04 Constellation
05 The Heat Stroke Song
06 The Really Really Long Road
07 Evil Wheel
08 Fooled
09 Cosmic Walkabout
10 The Fort

Players:
Paul Damian Hogan the Third (keys, vocals)
Matt Meade (guitar)
Kyle Olson (drums)

Guest appearances by:
John Stanesco (sax, bass clarinet)
Julia Tepper (violin, vox)
Stephanie Skaff (vox)

Live slide show by Brighid Greene and Stephanie Gould

If you enjoyed this recording, PLEASE SUPPORT Paul Damian Hogan, visit his website, and purchase The House directly from him [HERE], including the limited vinyl edition.

Goat: April 23, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

April 28, 2013
By


GOAT-3
[Photos courtesy of P Squared Photography]

The impenetrable Swedish collective Goat became a lot better known in the gap between when PopGun Booking announced their U.S. debut at Glasslands and when the show finally happened — by then at a sold-out Music Hall of Williamsburg. Their first proper release World Music is exactly that — European psych-rock mated to the sounds of the Western Sahara. Shocking Blue meets Group Doueh. Made up of a rotating cast of villagers from the Swedish town of Korpilombolo who have been playing together for several decades (or so the story goes), the current players in Goat would seem to manage the rare feat of being a holy trifecta of mysterious, entertaining and authentic. Even if the Swedish psych rock tag is the easiest, Goat is hardly mystical stoner music, with a heavy, danceable backbeat. Their stage presence is geared to that, as well as maintaining their mystique. All of the players appear in masks and tribal costumes, and two dancer/singers perform up front. The result is a swirling, colorful fantasia of sound and positive rock and roll unlike anything else I’ve seen. Even if the band’s shadowy origins turn out to be less fanciful than they originally appear, this will still be a band to have on your list for the festival circuit this summer and beyond.

I recorded this set with MBHO KA200N cardiod microphones and a custom made analog preamp for a warm, natural sound. The result is excellent. Enjoy!

Thanks to Danato and the rest of the Music Hall team for their hospitality and assistance, and to Goat’s team for permitting the recording.

Stream “Disco Fever”

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

GOAT-4

Goat
2013-04-23
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Aerco MP-2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (light EQ and effects)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks Tracks [Total Time 1:04:54]
01 Diarabi
02 Golden Dawn
03 [tuning]
04 Disco Fever
05 Stone Goat
06 Let It Bleed
07 Dream Building
08 Run To Your Mama
09 Goathead
10 [tuning2]
11 Goatman
12 Goatlord
13 Det Som Aldrig Förändras / Diarabi
14 [encore break]
15 [unknown] The Sun the Moon

If you enjoyed this recording, PLEASE SUPPORT Goat, visit their website, and buy World Music wherever you can find it on vinyl, or digitally from Amazon or iTunes.

GOAT-2

The Men: March 7, 2013 Bowery Ballroom – Streaming Full Set

April 25, 2013
By


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[Photos courtesy of David Andrako]

The Men are one of those bands that have earned their critical darling status, not only by being a great live act, but by never standing still. Their 2012 effort on Sacred Bones Records, Open Your Heart, deservedly earned “Best New Music” status, softening some of the hard edges of the previous year’s dirge-y (if solid) effort Leave Home.  With 2013′s New Moon, the band didn’t abandon their original sound, but they certainly took it in a rootsier direction, willing to indulge their Neil Young and Americana influences to a greater degree than ever before.

This show at Bowery Ballroom not only found the Brooklyn band delivering on the promise of New Moon live, but it also represented a further expansion of The Men’s horizons. Showing up armed with a horn section, they played a 17-song set that featured three new songs, plus some incredible versions of material from their three current releases. The beginning of the set was a three-song summary of the band’s output to date: A lengthy guitar intro turned into “(  )” from Leave Home was followed by a searing Without A Face from Open Your Heart, and then the rootsier “The Seeds” from New Moon. The new material suggested that the band won’t stop expanding their horizons; those horns, which particularly complemented the new numbers, might have looked out of place at a 285 Kent show, but totally worked with the evolution of their sound. As if to drive home the point that they have no intention of staying within genre confines, the band played an extra-long nearly 90 minutes, each of them worth it. The Men are going to keep taking chances, and I’m looking forward to seeing where they head next.

I recorded this set with Schoeps MK41 supercardiod microphones and a soundboard feed from the Bowery house engineer, Kenny. The sound quality is excellent. Enjoy!

Thanks to Sacred Bones Records and The Men for permitting this recording. At the band’s request, this is being offered streaming-only and will not be available for download.

2013_03_07_TM_42

The Men
2013-03-07
Bowery Ballroom
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK41 (DINa)>KCY>Z-PFA + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape exciter, imaging)>Audacity 3.0 (fades, tracking, amplify, balance, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 ( )
03 Electric
04 Without A Face
05 The Seeds
06 I Saw Her Face
07 Open Your Heart
08 [new song 1]
09 Candy
10 Turn It Around
11 [new song 2]
12 [new song 3]
13 The Brass
14 Night Landing
15 [encore break]
16 Bird Song
17 Freaky

If you enjoyed this recording, PLEASE SUPPORT The Men, visit their website, and buy New Moon and their other records from Sacred Bones Records.

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Frank Turner & the Sleeping Souls: March 4, 2013 Bowery Ballroom – FLAC/MP3/Streaming

April 23, 2013
By

frankturner2013-03-04-1
[Photos by acidjack]

It’s possible to forget the point of why people go to concerts. We have music at our fingertips at all times — studio releases, live stuff (sites like this don’t hurt), comps, outtakes — it’s all out there. We don’t really need to go to concerts to hear what a band sounds like live, anymore. YouTube and LiveStream and other streaming services promise to beam The Concert Experience right to your laptop.

Enter Frank Turner, and his band he calls the Sleeping Souls. What they do at a live show can’t be fully replicated by a download or a stream; it can’t even be replicated one night to the next. Every crowd is different, and so is every night’s vibe. Turner’s live show puts the fans first, and makes getting them involved a priority. He has that rare knack for creating instant community, the kind where even emo-ish numbers can churn up a mosh pit, where people don’t dance or clap along because they’re asked to, but because they want to.

Frank came to the Bowery Ballroom on a pre-release tour for his new record Tape Deck Heart, a more intimate performance to follow-up his sold-out show at Webster Hall that we covered last year. On this night, Frank previewed a number of new songs from the new record, which came out today. From the opening one-two punch of “I Am Disappeared” into “The Road” came one highlight after another; the first of the new songs, the Tape Deck Heart kickoff track, “Recovery” showed all the promise of the new record. Turner has earned his hard-core fan base the natural way: by being open and genuine, by remembering why he is here and where he came from. Frank sent us out into the night with a three-song medley of “If I Ever Stray”, “Photosynthesis” and “Dan’s Song”, each delivered with a youthful exuberance that can’t be imitated, or faked. But really, it was the speech in the middle of “Photosynthesis” that told it all:

“What we’re doing is, we’ve got a couple of hundred people who left their bullshit and their differences at the door this evening — myself included — and we came in here to be friends, and equals, just for a few hours. And to sing, to dance, and to have a good fucking time!”

So maybe you don’t need to go to concerts anymore. But you ought to.

I recorded this set from our usual spot in the Bowery Ballroom with Schoeps MK5 cardiod microphones and a soundboard feed provided by the band’s sound engineer and tour manager Casey. As agreed with the band, we have waited until the record’s release day to offer up this live set. If you don’t already have enough reasons, I hope this recording inspires you to buy Tape Deck Heart, go to Frank’s shows, and support what he’s doing. Enjoy!

Stream “Recovery”

Stream “Photosynthesis”

Direct download of the complete show: [MP3] | [FLAC]    

If the first FLAC link has expired, please use this alternate, permanent link: [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

frankturner2013-03-04-2

Frank Turner & the Sleeping Souls
2013-03-04
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Casey) + Schoeps MK5 (DIN, slightly LOC)>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (EQ, exciter)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Setlist courtesy of Dry Paint Signs

Tracks [Total Time: 1:31:49]
01 I Am Disappeared
02 The Road>
03 Peggy Sang the Blues
04 [banter1]
05 Recovery>
06 Glory Hallelujah>
07 Reasons Not to Be an Idiot
08 [banter2]
09 Losing Days
10 [banter3]
11 Wessex Boy
12 Substitute
13 The Real Damage
14 Good & Gone
15 Chelsea Hotel #2 [Leonard Cohen]
16 [banter4]
17 I Knew Prufrock Before He Got Famous
18 One Foot Before the Other
19 Long Live the Queen
20 [banter5]
21 Four Simple Words>
22 Try This at Home>
23 I Still Believe
24 [encore break]
25 If Ever I Stray>
26 Photosynthesis>
27 Dan’s Song

If you enjoyed this recording, PLEASE SUPPORT Frank Turner & The Sleeping Souls, visit their website and their Facebook page, and purchase their official releases and merchandise including Tape Deck Heart [HERE], at Amazon and at iTunes.  And go see their shows!

 frankturner2013-03-04-3

Acid Mothers Temple: April 19, 2013 Mercury Lounge – FLAC/MP3/Streaming

April 21, 2013
By

amt2013-04-19-2
[Photos by acidjack - sorry they aren't very good]

Seeing Acid Mothers Temple has become a bit of a yearly tradition for me, and it’s one worth keeping. No two shows by the legendary Japanese psych-rock band are alike, and this one at the Mercury Lounge on Friday night was extra-special due to the introduction of two as-yet-untitled songs from the band’s forthcoming album. The rest of the set was the usual dazzling display of the band’s improvisational talent, with this tour’s version of “Pink Lady Lemonade” jamming into “Om Riff” and back into “Pink Lady Lemonade” anchoring the middle of the set, plus a killer rendition of “Cometary Orbital Drive”. As with the Knitting Factory show I captured last year, the band ended this 90-minute set with “Chinese Flying Saucer”, sending the exhausted late-night crowd home happy. Until next year, enjoy this dose of Acid Mothers Temple!

I recorded this set with Schoeps MK41 supercardiod microphones in our usual spot in the venue, plus a soundboard feed from a longtime Mercury house engineer. The sound is excellent. Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below.

Direct Download: [MP3] or [FLAC


amt2013-04-19-1
Acid Mothers Temple
2013-04-19
Mercury Lounge
New York, NY USA

Recorded and produced by acidjack

Schoeps MK41 (PAS, slightly ROC)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard)>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:30:55] (Thanks to the band for the corrected song titles)
01 [new song 1] Space Speed Suicide
02 [banter1]
03 Dark Stars In the Dazzling Sky In Search of Lost Divine Ark
04 [banter2]
05 Pink Lady Lemonade>
06 Om Riff>
07 Pink Lady Lemonade
08 Cometary Orbital Drive
09 [encore break]
10 Chinese Flying Saucer

If you enjoyed this recording, please support Acid Mothers Temple, visit their website, and buy their records from your favorite retailer.

Support nyctaper