Posts Tagged ‘ acidjack ’

Heartless Bastards: May 10, 2016 Music Hall of Williamsburg

May 20, 2016
By

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Our journey with the Heartless Bastards continued this year with this show at Music Hall of Williamsburg, part of a dual-headlining tour with the Old 97’s (unfortunately, not taped). Since we first started covering their shows seven years ago, the Bastards have proven over and over to be a consistent, happy go lucky gang of road warriors, churning out one high energy show after another. It’s a credit to them that over a career that spans numerous albums and more than a decade, there’s not a dud among the bunch. Like another Cincinnati band we like to gush about, this band trades flash for grit, quality for quackery. For this show, the second of theirs we’ve covered at this venue, there wasn’t a brand-new album to promote (Restless Ones came out last year) so we were treated to a hit parade of sorts, from “Blue Day” from All This Time, to some of my favorites from Arrow like “Down in the Canyon” and “Skin and Bone,” to the new stuff, including obvious road winner “Gates of Dawn.” As both bands played essentially headliner-length sets, this clocked in a touch shorter than some of the recent sets we’ve seen (though still well past an hour) but nobody left complaining. The band went on to swap places with the Old 97’s a couple nights later at Irving Plaza, but I have to believe the Music Hall crowd got the better end of the bargain. As Erika said, the band loves this club, and for good reason. Like the band themselves, it’s something familiar, and something good.

I recorded this set with Schoeps MK5 cardiod microphones in our usual spot, plus an Aeta PSP-3 preamp to provide optimum clarity. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Heartless Bastards
2016-05-10
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Live engineer: Ryan McHugh

Schoeps MK5c (at SBD, DFC, PAS bar)>KCY>Z-PFA>Aeta PSP-3>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, light compression)>Izotope Ozone 5
(EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 The Mountain
02 Gates of Dawn
03 Got To Have Rock N’ Roll
04 Black Cloud
05 Into the Light
06 Skin and Bone
07 Blue Day
08 Hold Your Head High
09 Hi-Line
10 Down In the Canyon
11 Gray
12 Only For You
13 Parted Ways
14 Sway
15 [encore break]
16 Low Low Low
17 Nothing Seems the Same

If you enjoyed this recording, PLEASE SUPPORT the Heartless Bastards, visit their website, and buy Restless Ones from Partisan Records.

FullSizeRender (2)

Woods: May 7, 2016 Music Hall of Williamsburg

May 9, 2016
By

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[photo courtesy of P Squared Photography]

At one point during this Woods show at Music Hall of Williamsburg, keyboard/sax player Kyle Forester remarked that North 6th Street in Brooklyn was like the “Broadway of shows.” Coming from the longtime New York musician, it was a statement both ironic and, weirdly, kind of true. It’s old news that what was once the epicenter of DIY has long-since ceded to luxury boutiques and corporate outposts, and, of course, Woods have been in the rotation at the city’s fancier clubs for some time now — we’ve covered them at Bowery Ballroom as far back as 2009, Music Hall as early as 2010. But there’s a message in there somewhere about the trajectory of this band versus their surroundings. Woods have never exactly been an overtly “anti-corporate” band — they simply haven’t played that game. Yet, to call them a “DIY” band understates the professionalism of what Jeremy Earl, as bandleader, has accomplished. If you compare the band that took the stage this Saturday to the one we saw at, say, Market Hotel in 2009, or now-defunct Monster Island in 2011, there is a “next level” that this band, and Earl’s vision, have reached without any of the negative trappings that tend to come with it. What you saw this past Saturday was a now-six-piece (seven when Cole Karmen-Green jumps in on trumpet) full-on spectacle of a rock band, creating some of the most musically complex work of their career.

The band was back in town after touring their latest and ninth album, City Sun Eater In the River of Light, and as tends to be the case with homecoming shows, they came ready to bring their best. The new material, with its sax, trumpets and Afro-Cuban style percussion, takes full advantage of the expanded band, with Aaron Neveu on main drums and John Andrews running a second kit and additional percussion. While this show reflected the new record’s relatively downshifted tempo and accessible, focused songwriting, Woods continued their tradition of adding new “jam songs” to the mix. In this case, that’d be “The Take,” which merge a 1970s Lauren Canyon vibe to the band’s trademark psychedelic sound. Likewise, “With Light and With Love,” from the band’s last album, continued its role as the band’s other longform offering, with a classic guitar freakout that gave Earl and Jarvis Taveniere the chance to fully stretch their wings. Not that the longtime fans weren’t taken care of by this set, either — among the band’s earlier tunes, the combo of “Suffering Season” and “Cali In A Cup” was there for the early decade stalwarts.

The band closed on the oldest number of the night, their cover of Graham Nash’s “Military Madness” from 2009’s Songs of Shame. We first recorded the band playing that song at that Market Hotel show in 2009, as ramshackle of an affair as this evening at Music Hall wasn’t. Since that time, that DIY club has closed and been reborn as a (mostly) grown-up venue, and Woods have produced an embarrassment of musical riches. In the end it isn’t the spaces in cities that matter, but what inhabits them. We continue to be grateful that Woods visits so many of ours.

I recorded this set from our usual spot in the venue, together with a direct feed of Kevin Mazzarelli’s flawless mix. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC/Apple Lossless]

Stream the complete show:

Woods
2016-05-07
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + Schoeps MK41V (at SBD, DFC, PAS)>KC5>CMC6>Aeta PSP3>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, light compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:16:57]
01 Morning Light
02 Politics of Free
03 Leaves Like Glass>
04 Hollow Home
05 Sun City Creeps
06 The Take
07 [banter1]
08 Shepherd
09 Suffering Season>
10 Cali In A Cup
11 [banter2]
12 Creature Comfort
13 With Light and With Love
14 [encore break]
15 Moving to the Left
16 Military Madness [Graham Nash]

Band:
Jeremy Earl – vox / guitar
Jarvis Taveniere- guitar
Aaron Neveu – drums
Chuck Van Dyck- bass
Kyle Forester – keys / sax
John Andrews- percussion/ drums
Cole Karmen-Green – trumpet

Support Woods: websiteFacebook | store

 

Nathan Bowles: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

May 5, 2016
By

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[photo courtesy of Eric PH]

Nathan Bowles has made in appearance in all kinds of bands connected to Three Lobed Recordings in one way or another, from Pelt to the Black Twig Pickers to Hiss Golden Messenger to Steve Gunn‘s band to his own fine work. And that’s not even solely as a banjo player, either; Bowles is an accomplished drummer, as his work with Gunn in particular has shown. As essential as he has been to the greater Three Lobed family, it was of course an honor to have him for the label’s sixteenth birthday party.

Originally slated to be a bit of a reprise of his 2014 duo performance with Daniel Bachman here at King’s in Raleigh, NC, this set ended up being a special kind of Bowles solo show, as he tried out some new material slated to appear on his forthcoming album on Paradise of Bachelors. The thirteen-minute “I Miss My Dog,” which Bowles recently performed at Pickathon, is as powerful a statement as he has made musically, and furthers the notion that his command of this instrument is not about some kind of “revival” but rather a true evolution. You have only to listen to the short and sweet “Burnt Ends Rag” that came after it to understand what a talent Bowles is, and why we’ll be so fortunate to see him in so many different settings in the years to come.

I recorded this set in the same manner as the other recordings of the day, with a soundboard feed from engineer Justin Perrachon and a combination of onstage and audience mics. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the set (minus banter tracks):

Nathan Bowles
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

2x Soundboard channels (engineer: Justin Perrachon) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Words Spoken Aloud
03 [tuning/banter]
04 I Miss My Dog
05 [banter2]
06 Burnt Ends Rag

If you enjoyed this recording, PLEASE SUPPORT Nathan Bowles, visit his website, and buy Nansemond from Paradise of Bachelors.

Sunburned Hand of the Man: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

May 3, 2016
By

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[photo courtesy of David Schwentker]

This was our second North Carolina journey with Sunburned Hand of the Man, having witnessed the awesome spectacle that was their 2014 Three Lobed Recordings / WXDU day show at Hopscotch. Like the recent show in New York City that we caught at Union Pool, this night at the Three Lobed Recordings Sweet Sixteen Spectacular found the out/noise collective taking more of a song-based approach. Which isn’t to say, in any way, that this was somehow a “traditional” performance; like anything Sunburned and many things Three Lobed, this performance celebrated the experimental and the expeditionary, with those American flags in the backdrop an ironic comment on the freak flags that these artists so willfully fly. Once again, we got to witness a furious version of “The Jaybird,” but other than that and “Double Purity,” this was an entirely different performance than at Union Pool. It meant something for a band of Sunburned’s underground stature to be here alongside such a diverse array of Three Lobed veterans, from Nathan Bowles’ forward-looking Appalachian banjo performance to Steve Gunn’s solo guitar set to Mary Lattimore and Elysse Thebner’s ambient harp and keyboard set. Among all that great music, perhaps nobody more than Sunburned (and OK, Bardo Pond) stood for all the heads in the audience, the unique gathering of the like-minded that this label has brought together. Once again, it was a divine thing.

I recorded this set in the same manner as the other performances of the day, with 8 channels of combined soundboard feed from engineer Brad Womack, onstage microphones, and audience microphones. The sound quality is outstanding. Enjoy!

Download the complete show: [FLAC/ALAC/MP3]

Stream the complete show:

Sunburned Hand of the Man
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 + MBHO 603a/KA200N (FOB, DFC, PAS)>> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Pail Thief
03 Double Purity
04 The Jaybird
05 Mistrial
06 Extraordinarily Heavy Heart

Support Sunburned Hand of the Man: Website | Buy Sunburned releases via Bandcamp

Chuck Johnson: March 24, 2016 Union Pool and March 29, 2016 Trans-Pecos

April 29, 2016
By

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We saw a lot of our friend Chuck Johnson lately, between his one-of-a-kind full band performance at the Three Lobed Sweet Sixteen Spectacular, to these two NYC shows, the latter of which we sponsored. Both of these performances — the first at Union Pool, the second at Trans-Pecos — showcased Chuck’s recent album on Trouble In Mind Records, Velvet Arc. It’s a more electric-focused project than some of his other recent work, but continues with their strong sense of narrative, and Chuck’s refreshing, ingenious phrasing. We were grateful that Chuck was able to make time for two New York performances — and that we were able to sponsor one of them. Chuck is back out west and off the tour trail for a bit, but we’ll be waiting for his return.

The Union Pool set was recorded by EricPH in our usual manner in the venue, with engineer Doug’s soundboard feed and AKG microphones. The Trans-Pecos show was recorded with Schoeps MK4V microphones at the stage lip only. The sound quality of both is excellent. Enjoy!

Download the Union Pool show: [MP3/FLAC]

Download the Trans-Pecos show: [MP3/FLAC/ALAC]

Stream the complete shows:

Chuck Johnson
2016-03-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Doug) + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:43]
01. Florets
02. [tuning]
03. Sail Away Ladies
04. [tuning]
05. Anamet
06. Middle Water
07. [tuning]
08. Velvet Arc

________________________

Chuck Johnson
2016-03-29
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>NBob Cables>PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Florets [fades in]
02 [tuning]
03 Sailaway Ladies
04 [tuning2]
05 Anamet
06 Middle Water
07 Velvet Arc

Support Chuck Johnson: Website | bandcamp | Trouble In Mind Records 

Lee Ranaldo: March 29, 2016 Trans-Pecos

April 28, 2016
By

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One of those only-in-New York things: you’re out in Ridgewood on a Tuesday night to see a solo guitar player (Chuck Johnson), and the opening act is freaking Lee Ranaldo. Since the demise of Sonic Youth, Lee has been a busy man, putting out two well-received solo records. If these new songs are any guide, there’s going to be a lot more where that came from. What’s striking about seeing Ranaldo in the many settings where we’ve seen him — from the Sonic Youth days to a mind-bending improv performance with Tim Barnes at the opening of Market Hotel, to this solo acoustic performance at Trans-Pecos — is the assuredness with which he plays, the singular dedication and quality that comes through in every single thing he does. The decades under his belt as a professional musician serve not to weigh him down, but as with the finest artists, to free him to do exactly what he chooses, when he chooses, and do it well. These new songs show Lee’s continuing development during the post-Sonic Youth Between the Times & the Tides and Last Night On Earth era, when Ranaldo first embraced more straight-ahead songwriting in the solo realm versus his previous experimental efforts. While we’ve heard “Let’s Start Again” before, at last year’s Trans-Pecos show, the rest of these songs were new numbers, some of which Lee has tried out sporadically at other appearances. Even in their stripped-down form, the complexity and strength of these songs was obvious, and Ranaldo’s vocals have never sounded better. This was a welcome burst of energy from a master of his craft; we can’t wait to see what comes next.

I recorded this set with Schoeps MK4V microphones at the stage lip near Lee and his guitar, coupled with a soundboard feed and Audio Technica 853 microphones in the audience to capture the ambiance of the room. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set: 

Lee Ranaldo
2016-03-29
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK4V (stage lip, DFC) + Audio Technica 853c>PFA (ROC, at SBD)>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 31:11]
01 [intro]
02 Let’s Start Again
03 Circular
04 Electric Trim
05 Last Looks
06 Thrown Over the Wall

SUPPORT Lee Ranaldo: Website | Store

Courtesy Tier: March 30, 2016 Trans-Pecos

April 22, 2016
By

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It took an impromptu interview with two of us and the band Courtesy Tier for me to realize that we had been following them for six years. Having first impressed at a Backyard Brunch Session, then at our CMJ show, we were struck early on by the easy interplay between Layton Weedeman and Omer Leibovitz who, being a duo who play blues-driven rock n’ roll, earn easy comparisons to The Black Keys. But at the 2015 Rough Trade show we wrote about recently, the band had expanded to a three piece, and with Alex Picca on bass, the three became more than the sum of their parts. The band is promoting their Little Rock EP, in anticipation of a full-length album they are hard at work on, and we were thrilled to have them join us to preview some of that material such as their new single, “When You Were Young.”

While they may share a gulf in years with Wussy, for whom they opened this Trans-Pecos show, Courtesy Tier share many good qualities with their stagemates that night: an unpretentious, quality-based approach to music; an ability to write distinct, memorable songs around a cohesive sound; and a general ability to grab control of a room. I’d hazard that much of the audience at this show was new to Courtesy Tier, so we knew we’d made the right pick for an opener as we watched the crowd grow throughout their set, rather than the all-too-common flight for the bar. But then, you’d have had to be crazy to bolt during any of these songs, from the propulsive kickoff track and longtime band favorite “Cold” to the lighters-in-the-air closeout singalong, “Home.”

As with the Wussy set, I recorded this with Schoeps MK4Vs at the stage lip, Neumann KM150s on the room, and a soundboard feed from David Fine. The quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Courtesy Tier
2016-03-30
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK4V>NBob Cables>PFA>Aeta PSP3 + Soundboard (engineer: David Fine) + Neumann KM150 (at SBD, ROC, PAS)>>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (EQ, compression, tube effect)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Cold
02 [removed]
03 [banter1]
04 Childish Blues
05 And We Don’t Know
06 [banter2]
07 When You Were Young
08 Jackson
09 Roll On
10 [banter3]
11 Home

SUPPORT Courtesy Tier: Website | Facebook | Get “When You Were Young”

The Mountain Goats: April 17, 2016 City Winery

April 18, 2016
By

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[photo courtesy of music_defined‘s instagram page]

As noted in our review of the New Haven show, the concept of this Mountain Goats tour grew up around the band’s City Winery gigs of last year, of which we recorded both. That the band found inspiration in this particular room isn’t surprising; while some younger fans may not be used to seeing bands in more sedate environments, this venue must be an absolute dream for any performer who plays a wide dynamic range of music and whose fans hang on every word. The Mountain Goats took the stage at one of last year’s shows not with the type of upbeat number you’d need to launch a typical club gig, but with the gorgeous “Get Lonely,” which set the tone for an evening of wide-ranging sounds and deep catalog dives. Yes, the pro-wrestling-themed Beat the Champ made a few appearances, including a stripped-down take on “Foreign Object” and an inspired “Werewolf Gimmick,” and an encore of “Southwestern Territory,” but the deep dives were the real meat of the evening. John Darnielle reached all the way back to 1993 for “Water Song II,” followed by “Horseradish Road,” from 2000’s Coroner’s Gambit, played so rarely of late that Darnielle skipped a verse. Not that a rough spot here or there matters; only the hardest heart wouldn’t have wept at the night’s fragile, emotional peak, from “Steal Smoked Fish,” followed by “Black Pear Tree,” to “Lakeside View Apartments Suite” to “Ezekiel 7 and the Permanent Efficacy of Grace,” the night’s most musically dense number, and a note of hope.

Among many gifts, Darnielle’s ability to swing from spinning metaphors about wrestling to such deep emotional fare, and back to lighter-hearted territory like “Damn These Vampires.” Despite the seriousness of the material, Darnielle’s freewheeling, conversational style with his audience makes the show itself intimate and light; especially in this seated, dinner situation, it feels like being part of a very large living room show. And, as we’ve noted before, Jon Wurster’s drums, Peter Hughes’ bass and multi-instrumentalist Matt Douglas give Darnielle a backdrop that adds discipline and welcome twists to both new and old songs.

Darnielle closed with one of the band’s most poignant recent numbers, “Spent Gladiator 2.” As with “No Children,” the closer of the 4/12/15 City Winery show, Darnielle performed most of the song in the audience,  circling through the crowd, singing the lyrics without amplification. That refrain, to stay alive, just stay alive, felt like both the universal plea that it is and a personal one to each of us. If you were lucky enough to be sitting there, having taken in this exceptional hour and a half, you knew life was worth living.

I recorded this set with a feed of engineer Brandon Eggleston’s live mix, together with Schoeps MK41V microphones mounted on a post forward of the board. The sound quality, as with all of our City Winery recordings of this band, is exceptional. Enjoy!

Download the complete show from its page on the Live Music Archive: [MP3] | [FLAC]

The Mountain Goats
2016-04-17
City Winery
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brandon Eggleston) + Schoeps MK41V (FOB, ROC, PAS)>KC5>CMC6>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix
down, adjust levels, light compression)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC (
level 8 )

Tracks [Total TIme: 1:32:53]
01 Woke Up New
02 Until I Am Whole
03 Maize Stalk Drinking Blood
04 [banter1]
05 Werewolf Gimmick
06 Get Lonely
07 [banter2]
08 Foreign Object
09 [banter3]
10 Water Song II
11 Horseradish Road
12 Steal Smoked Fish
13 Black Pear Tree
14 Lakeside View Apartments Suite
15 Ezekiel 7 and the Permanent Efficacy of Grace
16 Wild Sage
17 Damn These Vampires
18 Game Shows Touch Our Lives
19 See America Right
20 The Young Thousands
21 Liza Forever Minnelli
22 [encore break]
23 Southwestern Territory
24 Up the Wolves
25 [banter4]
26 No Children
27 [banter5]
28 Spent Gladiator 2

SUPPORT the Mountain Goats: Website | Twitter | Buy Official Releases | Tour Dates

tmg-JLB

Acid Mothers Temple: April 6, 2016 Knitting Factory

April 14, 2016
By

IMG_2341

Each Acid Mothers Temple performance is special in some way, but this year’s New York jaunt was notable for the arrival of a greater-than-usual number of new songs. In the case of this Knitting Factory show, after a wild “Dark Star Blues in the Dazzling Sky” came the first of those new jams, “Wizard,” a psycho-blues number whose harmonica intro hurtles into a spasm of guitars.

In fact, a majority of this set was built around new material, though of course the usual standouts “Pink Lady Lemonade” and “Cometary Orbital Drive” also made an appearance. If you checked out our recording of the Mercury Lounge show from the day before this one, you were turned on to “Another Nanique Dimension” and “Blue Velvet Blues” as well as the aforementioned “Wizard,” but this show closed on an even more usual note, with a new, chant-driven number that has not made an appearance (at least in recorded fashion) at any other time so far on this tour. The song highlighted the value of the two female vocalists who joined them on this tour, providing a distinctly Eastern, spiritual slant to the end of the show. The band will wrap up this U.S./Canada jaunt on April 18th in Los Angeles, but we can guarantee they’ll be back next year.

nyctaper and I recorded this set with a combination of Neumann KM150 hypercardiod mics and Schoeps MK4V cardiod mics, combined with a soundboard feed from house engineer Rob. The sound quality is excellent. Enjoy!

Download the complete show from its page on the Live Music Archive: [MP3] | [FLAC]

Stream the complete show:

Acid Mothers Temple
2016-04-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Neumann KM150 (ROC, PAS) + Soundboard (engineer: Rob) + Schoeps MK4V (ROC, PAS)>Aeta PSP3>>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:20:50]
01 intro jam>Dark Star Blues in the Dazzling Sky
02 [tuning]
03 Wizard>
04 Pink Lady Lemonade>
05 IAO Chant>
06 Pink Lady Lemonade
07 [tuning2]
08 Blue Velvet Blues
09 Another Nanique Dimension>
10 Cometary Orbital Drive
11 [new song 2]

If you enjoyed this recording, PLEASE SUPPORT Acid Mothers Temple, visit their website, and buy their records here.

Steve Gunn: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

April 8, 2016
By

gunn-schwentker
[photo by David Schwentker]

In case you live under a rock, Steve Gunn is a pretty big deal in the independent music world. Along with working with Kurt Vile, he’s released a sprawl of killer records, from his duo work with John Truscinski, to his collaborations with Hiss Golden Messenger, Mike Cooper and the Black Twig Pickers, to his work with GHQ, to his singer/songwriter solo work. There is no version of Steve Gunn that isn’t great, that isn’t able to worm its way into your brain and stick there, and maybe make you think in the process.

Like Bardo Pond, Gunn is another artist that Three Lobed Recordings has been aligned with for a long time, and the fact that Steve would take the stage twice at the Three Lobed Sweet Sixteen Spectacular, in celebration of the label’s sixteenth anniversary, says what you need to know about his commitment right back. If (as it would seem) Gunn will prove to be one of the Three Lobed alumni with the greatest popular appeal, it won’t be because he’s abandoned the spirited, inventive and challenging style of playing that early fans have always cherished. The proof of that lies in this single set from King’s, as Steve closed out the morning portion of the day with just three long songs. Sure, “Old Strange” is a bit easier to hum along to than GHQ’s “Four Trees,” but it’s still fifteen freaking minutes long, as played here, with the lyrics and the chorus almost afterthoughts amidst the guitar work that almost makes you forget there’s just one of him up there. That doesn’t discount one of Gunn’s other most-loved and longest epics, “The Lurker (Extended),” which graced the Not the Spaces You Know, But Between Them boxed set on Three Lobed, and arrived in stunning form here. He closed with “Mr. Franklin,” another relatively uncommon number in his current tour repertoire, and readied himself for the second half of this day, when he would join John Truscinski for their first duo set in several years (that recording coming soon).

You owe it to yourself to hear where Steve is going next — preorder Eyes on the Lines here, and check out the new single “Conditions Wild” on YouTube.

I recorded this set in the same manner as the other recordings from the day, with Schoeps MK22 open cardiod microphones onstage, MBHO microphones in the audience, and a multichannel soundboard feed from Justin Perrachon. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Steve Gunn
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

2x Soundboard channels (engineer: Justin Perrachon) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro-Cory Rayborn and Steve Gunn]
02 Old Strange
03 [banter/tuning]
04 The Lurker (Extended)
05 [banter/tuning2]
06 Mr. Franklin

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