Posts Tagged ‘ acidjack ’

Wilco: July 25, 2012 Terminal 5 – Flac and MP3 Downloads + Streaming Songs

July 27, 2012
By


[photos by JC McIlwaine]

A few hours after this post appears on the site, the entire NYCTaper crew will drive four hours up to Cooperstown to see Wilco again at the Ommegang Brewery. The reason why we will travel so far is essentially encapsulated in this recording. On Wednesday, we all saw Wilco at Terminal 5, and the band once again reminded us about why we’ll make sacrifices as fans to see them live. The meme of all the Wilco reviews on nyctaper (and there are a lot) is that this band is extremely good to its fans. The long sets, interesting song selections, lengthy encores and full dedication to the performance positions Wilco as the preeminent live band around today, and for the better part of the last two decades. On Wednesday, we were treated to a “deep cut” setlist where songs were performed that we haven’t seen very often or at all since the 1990s. “What’s The World Got in Store” is probably the rarest of the tracks — a song from the first record of the two-lp 1996 album Being There. We are streaming it below, along with “Passenger Side”, another early era nugget that has seen infrequent plays in recent years. The final treat was a heartfelt final encore (the 9th encore song) of “The Lonely 1”, another Being There song and one that I’m not sure that I’ve ever actually seen live. Its these kinds of treats that keep us coming back. I’m sure Cooperstown will yield the same kind of satisfaction.

I recorded this set along side the rest of the crew. For this recording, I’m using the Neumann and Sennheiser 4-mic rig and relying heavily on the hypercard Neumanns. I’ve also patched acidjack’s Schoeps recording for the first track since I experienced some technical issues during the first song. Overall it an excellent capture. Enjoy!

Stream “What’s The World Got In Store:”
[audio:http://www.nyctaper.com/W2238Wilco2297/09.%20What%27s%20The%20World%20Got%20In%20Store.mp3]

Stream “Passenger Side”:
[audio:http://www.nyctaper.com/W2238Wilco2297/21.%20Passenger%20Side.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wilco
2012-07-25
Terminal 5
New York, NY USA

Digital Master
Front of Board Four-Track Audience Recording

Sennheiser MKH-8040 Cardioids + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper, acidjack, hiandlo and johnnyfriedchickenboy
2012-07-26

Setlist:
[Total Time 2:14:29]
01 One Sunday Morning
02 Art Of Almost
03 I Might
04 At Least That’s What You Said
05 She’s A Jar
06 Kamera
07 Can’t Stand It
08 Too Far Apart
09 What’s The World Got In Store
10 Impossible Germany
11 Born Alone
12 Capitol City
13 Laminated Cat
14 Summer Teeth
15 Whole Love
16 Theologians
17 I’m The Man Who Loves You
18 Dawned On Me
19 A Shot in the Arm
20 [encore break]
21 Passenger Side
22 Casino Queen
23 Candyfloss
24 Hesitating Beauty
25 A Magazine Called Sunset
26 Kicking Television
27 [second encore break]
28 The Late Greats
29 Dreamer In My Dreams
30 The Lonely 1

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Wilco, visit their website, and purchase their official releases directly from their website [HERE].

Friend Roulette: May 6, 2012 Mercury Lounge – FLAC/MP3 Downloads + Streaming Songs

July 27, 2012
By

friend roulette
[photo by acidjack]

Friend Roulette are one of those complex, artsy, hard-to-categorize bands that prove their mettle live. This set is now a couple of months old, but on repeat listens, I kept coming back to it as something people needed to hear. At times, what comes off as lush, whimsical chamber pop on their available bandcamp releases comes across as a different animal live; songs like “I’m Sorry You Hit Your Head” come across heavy and dark, as frantic strings alternate with downbeat guitar riffs. Other concoctions like “Hi, Hello” – available (along with “I’m Sorry You Hit Your Head”) on a lovely 10″ vinyl EP from Goodnight Records – maintain more of their album sound, their many layers rendered expertly. As with a lot of bands with a more technical aspect to their sound, Friend Roulette rewards the dedicated listener. These songs ask you to dig deep, to pay attention.

As far as live shows in New York are concerned, a dedicated listener in this city can’t do much better than an early-side show at Mercury Lounge on a Sunday – the sound is always flawless, and the crowds are – well, let’s face it, they’re less drunk than average. Friend Roulette took the stage with absolute confidence and shined on both newer and older material from their catalog. With the band in the studio working on a full-length LP, we expect to see great things from them in the future. They have a number of other local shows on tap next month, including August 4 at Rippers (Rockaway Beach), August 5 at Cake Shop, and August 12 at Piano’s.

I recorded this set with Schoeps MK5 microphones, the classic EAA PSP2 preamp on loan from hi and lo, and a soundboard feed from the Mercury staff.  The results are excellent. Enjoy!

Stream “I’m Sorry You Hit Your Head”
[audio:http://www.nyctaper.com/F5006FriendRoulette2012/04 I’m Sorry You Hit Your Head.mp3]

Stream “Hi, Hello”
[audio:http://www.nyctaper.com/F5006FriendRoulette2012/06 Hi Hello.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Friend Roulette
2012-05-06
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>CMC6>EAA PSP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5 (EQ)>Audacity (adjust levels, set fades, tracking, amplify, downsample)>FLAC ( level 8 )

Tracks
01 Fucked Up [omitted at artist request]
02 On Her Own Tonight [omitted at artist request]
03 Golden
04 I’m Sorry You Hit Your Head
05 Or, Berlin
06 Hi, Hello
07 Lie

If you enjoyed this recording, PLEASE SUPPORT Friend Roulette, like them on Facebook, and buy/download their official releases from bandcamp and Goodnight Records.

Patterson Hood & the Downtown Rumblers: July 23, 2012 Bell House – FLAC/MP3 Downloads + Streaming Songs

July 25, 2012
By

Patterson
[still from this video]

Patterson Hood must be holding back his best material. Or, at least, the solo material on display at this appearance at The Bell House wowed both Johnny Fried Chicken Boy and me to a greater level than his most recent work with his main gig, the Drive-By Truckers, has. That’s not meant as a knock on the Truckers – that band is a collaborative effort, and Hood has never been the whole equation as far as songwriting for it goes. But he has always been, at least for me, the beating heart and mascot of that band, the friendly drunk with a wink in his eye, the one who reminds you of that reliably Southern buddy you wish you had.

Hood is also the band’s great storyteller. His honest, unvarnished tales manage to be universal, even if you don’t know jack shit about moonshine and pickup trucks. His new record is called Heat Lightning Rumbles in the Distance, and the title track is a tribute to Patterson’s recently deceased great uncle, who raised him for much of his childhood.  If you’ve seen actual heat lightning spread its electric fingers out over a black Southern sky, seemingly tousling the pines, you know what a majestic sight it is. And why it reminded Patterson of a loved one, about to be dearly departed. Because that image, like that person you love, will never leave you.

Many of his images don’t.  There’s Billy Ringo, the hapless stoner who nearly dies every day, nearly falling from a window but still keeping his hand on his bong. There are the liquor store fanboys of “12:01”, hanging outside the store on Sunday at midnight, fighting off the shakes until they can get their whiskey fix. There are the torn pages from the back of a Gideon Bible, scrawled with a love song of a moment’s inspiration.

Hood is a gifted songwriter, blessed with the common touch and an uncommon amount of insight. He’s a generous writer and performer, too; even by the standards of rock n’ roll, you can tell how much he loves doing both. Only somebody with that much love puts on a nearly two hour  performance of solo album material on a Monday night.  This show covered much of Heat Lightning, which will be released on September 11, but also offered some of his earlier favorites like “Pollyanna” was well as notable covers, including Big Star’s “September Gurls” and Todd Rundgren’s “The Range War”. Hood and this band, christened the Downtown Rumblers, were as free spirited and lively as ever, passing a bottle of Patron around as they dug deep into Hood’s catalog at a solid, but measured pace. Hood likes to take his time to cue up his songs, to put a frame around them, if you will, and that is one of the most rewarding aspects of his live show. By the time this one wrapped, it felt like we’d spent an evening with an old friend. The show ended, appropriately, with the Eddie Hinton song “Everybody Needs Love”, and we had felt plenty of it from Patterson tonight.

This set was recorded with Schoeps MK41 microphones, whose directionality helps to reduce some of the “boomy” nature of this room, and a soundboard feed. I think you will like the results. Enjoy!

Minor assistance with the setlist would be appreciated. Also, the tag for the first track should be changed to “Depression Era”. Thanks to Patterson, the Bell House and Dave for their hospitality.

Stream “Heat Lightning Rumbles In the Distance”
[audio:http://www.nyctaper.com/D8030DriveByTruckers3838/21 Heat Lightning Rumbles In the Distance.mp3]

Stream “September Gurls [Big Star]”
[audio:http://www.nyctaper.com/D8030DriveByTruckers3838/11 September Gurls.mp3]

Stream “12:01”
[audio:http://www.nyctaper.com/D8030DriveByTruckers3838/03 12_01.mp3]

Download the MP3 and FLAC files and stream this entire show on the Live Music Archive [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Patterson Hood and the Downtown Rumblers
2012-07-23
Bell House
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>CMC6>Sound Devices USBPre2 + SBD >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ AUD)>Adobe Audition CS 5.5 (light DR compression on SBD, mixdown)>Izotope Ozone 5 (additional EQ)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:53:08]
01 Depression Era
02 Pride of the Yankees
03 12:01
04 [banter]
05 Leavin’ Time
06 Little Bonnie
07 [banter]
08 Billy Ringo
09 [banter]
10 Disappear
11 September Gurls [Big Star]
12 Old Timer’s Disease
13 (untold pretties)
14 The Range War [Todd Rundgren]
15 Betty Ford
16 Uncle Disney
17 Better Off Without
18 Pollyanna
19 After the Damage
20 Screwtopia
21 Heat Lightning Rumbles in the Distance
22 Come Back Little Star
23 15 Days
24 [encore break]
25 Back of a Bible
26 Everybody Needs Love [Eddie Hinton]

If you enjoyed this recording, PLEASE SUPPORT Patterson Hood, visit his website, and buy his official releases in the Drive By Truckers Online Store.

Field Report: July 21, 2012 Mercury Lounge – FLAC/MP3 Downloads + Streaming Songs

July 24, 2012
By

field report vid cap
[still from this video]

I got to around 100 concerts a year, and at those concerts, I probably see upwards of 300 bands or more. A lot of times I am less than satisfied, but I keep going, and going, and going – chasing the perfect sound. And every once awhile – just about often enough – I come a band that is jaw-droppingly great, that raises the bar for their own art form.

Christopher Porterfield of Field Report was only a few bars into “I Am Not Waiting Anymore” at this Mercury Lounge show when I knew this was one of those bands. Although it was a hot summer day, Porterfield and his Milwaukee-based bandmates took the stage in dark-colored suits, and in some cases, ties, perhaps with an eye toward the grander days of Nashville, perhaps as if to say with their clothing what was already obvious – these are serious musicians. Portfield’s rough-hewn vocals and the band’s country tinge will draw comparisons to bands like Partisan Records labelmates Deer Tick or other roots/Americana bands, but if you want to see where their real magic lies, listen more carefully or get out the lyric sheet (you can read all of Porterfield’s lyrics on their website). Porterfield brings an ample vocabulary to his verses, and an ear for the satisfying grit in individual words and passages.  On paper, many of the band’s lyrics don’t scan like song lyrics at all, like this beginning to “Route 18”:

Elizabeth said last night the lake roared like the ocean; I was landlocked under the orange-white solstice moon. Imagine: imagining a place meant to conjure up another. Three degrees of hometown disconnect in my unborn daughter’s room.

or this opening to “Circle Drive”

leftside sidewalk hospital circle drive walked this way twice a day, back the other way two times they got you wrapped up in guilt like an aftermarket cancer quilt and I don’t know the names of the people on the patches and they ground you down to calcium and road salt and pressed you into piles of pills they cut with ashes

The band’s delivery is every bit as confident as Porterfield’s well-illuminated songwriting, which likely played a role in their rapid signing to Partisan (their full-length LP comes out on September 11) as well as supporting slots this summer for Counting Crows and Emmylou Harris. This set covered material from the band’s current preview EP as well as the new record, and there wasn’t a lackluster number among them.  My favorite was probably the harrowing “Circle Drive”, about endurance in the face of pain, but the band’s initial push into the mainstream will probably be built on more uptempo numbers like “The Year Of I Got You Alone”, and “Chico the American”. One thing these songs are not is anthemic or upbeat; these are songs for deep contemplation, maybe a slug of whiskey or two.  Every press missive about this band will mention Porterfield’s prior relationship with Bon Iver (in precursor band DeYarmond Edison), but Field Report don’t need the boldface name hype.  This Mercury crowd must have felt the same way I was feeling; even on a Saturday night, the crowd remained whisper quiet during each number, to the point that Porterfield commented on how intently we listened. How couldn’t we?  It’s hard to tear yourself away from something so authentic, vital and honest.

I recorded this set with my usual combination of Schoeps MK41 microphones and a soundboard feed from Kevin, the head engineer at Mercury Lounge.  The house mix, even by Mercury Lounge’s high standards, was flawless, and the respectful crowd only makes the recording sound even better.  Enjoy!

Field Report will continue touring the U.S. with Counting Crows into the month of August.  Thanks to Partisan Records for inviting us to the show.

Stream “Chico the American”
[audio:http://www.nyctaper.com/F1270FieldReport0212/05 Chico the American.mp3]

Stream “Fergus Falls”
[audio:http://www.nyctaper.com/F1270FieldReport0212/11 Fergus Falls.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Field Report
2012-07-21
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>CMC6>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity (mixdown)>Izotope Ozone 5 (EQ, exciter, limiter)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 I Am Not Waiting Anymore
02 The Year of I Got You Alone
03 [tuning]
04 Evergreen
05 Chico the American
06 Taking Alcatraz
07 Incommunicado
08 [banter]
09 Circle Drive
10 [banter]
11 Fergus Falls
12 Route 18

If you enjoyed this recording, PLEASE SUPPORT Field Report, visit their website, buy their 3-song EP on bandcamp, and like them on Facebook.

Jeff Beam: June 19, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

July 22, 2012
By

jeff beam
[still from this video]

I had not heard of Jeff Beam before receiving his gracious invitation to check out his recent Knitting Factory show in Brooklyn, but I am glad that I did. The Maine-based artist has been recording and self-releasing records since 2008, but his recent release, Be Your Own Mirror, is his most fully-realized creation yet. Although his record is a patchwork of found sounds, casio and other keyboards, and various similar flourishes, this live performance with a full band showed off a different side of Beam’s talents. The more stripped-down style brought Beam’s guitar skills to the forefront, which was all to the good as he jammed heavily on the opening number, “Congratulations On Your Latest Achievement”.  His love of 60s psychedelia and power pop is evident on many of his songs, but Beam occasionally veers into prog and folk territory as well – one thing Beam doesn’t lack for is ideas. The set closer, “Now”, is one of the strongest tracks on the new record, and evokes the 2000 Belle and Sebastian classic, “Don’t Leave the Light On Baby”.

I recorded this set with Schoeps MK5 microphones and a soundboard feed from the Knitting Factory house engineer.  The sound is excellent.  Enjoy!

Stream “Now”
[audio:http://www.nyctaper.com/J6190JeffBeam0212/07 Now.mp3]

Stream “Successful People Who Never Existed”
[audio:http://www.nyctaper.com/J6190JeffBeam0212/05 Successful People Who Never Existed.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Jeff Beam
2012-06-19
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, slightly ROC, 7.5ft, DIN)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5 (EQ)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Congratulations on Your Latest Achievement
02 Whispering Poison in his Ear
03 Currently, A Currency Urgency!
04 Knock Yrself Out
05 Successful People Who Never Existed
06 Venus Flying Trapeze
07 Now

If you enjoyed this recording, PLEASE SUPPORT Jeff Beam, like him on Facebook, and buy his music directly from his bandcamp page.

Soft Bullets: June 19, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

July 19, 2012
By

soft bullets screen
[still from this video]

Soft Bullets are a very, very new band consisting of the transatlantic (NYC and London) duo of Christopher Wall (keys, vocals) and Dan Capaldi (drums, vocals). This show at the Knitting Factory represented their first-ever U.S. gig, though you wouldn’t have known it from the level of polish and originality on display. With keys and drums only, the pair manage to make complex, dynamic songs that offer hints of Britpop, jazz, and krautrock. Wall’s vocals give an undeniable nod to Thom Yorke, but the band’s overall vibe is less dark and a bit more jazz-oriented. The band has a tremendous amount of promise, and we look forward to their future efforts.

I recorded this set with Schoeps MK5 microphones and an excellent soundboard feed from the Knitting Factory team.  The sound is flawless.  Enjoy!

Stream “Posterity”
[audio:http://www.nyctaper.com/S9610SoftBullets2012/07 Posterity.mp3]

Stream “Untitled #1”
[audio:http://www.nyctaper.com/S9610SoftBullets2012/untitled 1.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE]

Soft Bullets
2012-06-19
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, slightly ROC, 7.5ft, DIN)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5 (EQ)>Audacity (set fades, light additional EQ, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [new1]
02 [new2]
03 [new3]
04 [new4]
05 [new5]
06 [new6]
07 Posterity
08 [new7]
09 [new8]

If you enjoyed this recording, PLEASE SUPPORT Soft Bullets, like them on Facebook, buy their single in their online store, and visit their website to find their tour dates in your area.

Amen Dunes: June 17, 2012 Glasslands and June 24, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

July 13, 2012
By


[Photos by acidjack]

The Sacred Bones Records showcase was the last show I saw at the Northside Festival, and it was also one of the ones I anticipated the most. First, because I try to never miss a chance to see bands I like at Glasslands, and second, because it was a stellar lineup from beginning to end. Of the bands playing, Amen Dunes were one I had not seen before, but they won me over early with their hypnotic, dark sound that recalls Syd Barrett, the Velvet Underground, Suicide and 13th Floor Elevators, among others. Founder and frontman Damon McMahon has claimed that he gets nervous performing live, but you wouldn’t have known it during this confident, if too short, set. Of course, it’s unlikely that McMahon could see us any more clearly than we could see him given the huge clouds of man-made fog he played in. If nothing else, the fog gave the show even more of a narcotic vibe.

This set gave us a taste of some of McMahon’s best songs from his recent record, Through Donkey Jaw. McMahon’s songs, now produced by a three-man band, tend to be downtempo affairs, but they held this crowd rapt, especially on numbers like the opener to Donkey Jaw, “Baba Yaga”.  We were fortunate enough to catch a second, slightly longer Amen Dunes show on the following Sunday at the Knitting Factory when nyctaper saw Amen Dunes opened for another of our favorite bands, the Wooden Shjips (that recording [HERE]). McMahon is one of those artists whose integrity and brilliance you recognize instantly, and we both felt that way when we caught our respective sets.

I recorded the Glasslands set with a soundboard feed and Schoeps MK5 microphones; the Knitting Factory set was similarly recorded with Sennheiser MKH-8040 microphones and a soundboard feed. Both are outstanding, with excellent house mixes. The Glasslands recording favors the soundboard more, while the Knitting Factory recording favors the sound from the Sennheiser microphones.  Enjoy!

Stream “Lower Mind” from the Knitting Factory:
[audio:http://www.nyctaper.com/A1706AmenDunes0212/02 Lower Mind.mp3]

Stream “Baba Yaga” from Glasslands:
[audio:http://www.nyctaper.com/A1706AmenDunes0212/05 Baba Yaga.mp3]

Download the MP3s: [Glasslands] | [Knitting Factory]

Download the FLACs: [Glasslands] | [Knitting Factory]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Amen Dunes
2012-06-24
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper
Produced by acidjack

Sennheiser MKH-8040 + Soundboard>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Diane
02 Lower Mind
03 Swim Up Behind Me
04 Bedroom Drum
05 Not A Slave
06 Baba Yaga
07 [unknown]
_____________________________
Amen Dunes
2012-06-17
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (cardiod, DFC, DIN, 8ft)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown, balance)>Izotope Ozone 5 (EQ, analog effects)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Diane
02 Lower Mind
03 Swim Up Behind Me
04 Bedroom Drum
05 Baba Yaga

If you enjoyed these recordings, PLEASE SUPPORT Amen Dunes, like them on Facebook, and buy their records directly from Sacred Bones Records.

Crystal Stilts: June 17, 2012 Glasslands [Northside Festival] – FLAC and MP3 Downloads + Streaming Songs

July 11, 2012
By


[photos by acidjack]

As noted in our post back in May about the band, this site has followed Crystal Stilts from early on in their career. In my times seeing the band, I have watched them grow from at-times diffident live performers into a dialed-in act whose performances retain the ramshackle greatness of their earlier shows, but deliver a polish on their instruments and a solidity to their sound that was missing in some of those earlier shows. The band closed out the stellar Northside Festival showcase put on by Sacred Bones Records in real style, keeping Glasslands filled to capacity even though it was well after midnight on a Sunday. This set went everywhere in their catalog, from their latest LP In Love With Oblivion, to their current Radiant Door EP, and all the way back to their 2008 breakout LP Alight of Night.  They also served up a relatively rare track, “Love Is A Wave” from a 2009 7″, as well as a new number that I am calling “Delirium” for now. This set was completely different than the one we saw back in May

I recorded this set with Schoeps MK5 microphones and a soundboard feed from the Glasslands staff.  Like many of our Crystal Stilts recordings, this one is excellent. Enjoy!

Stream “Delirium [new song]”
[audio:http://www.nyctaper.com/C1207CrystalStilts2220/07 Delirium.mp3]

Stream “Love Is A Wave”
[audio:http://www.nyctaper.com/C1207CrystalStilts2220/11 Love Is A Wave.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

 

Crystal Stilts
2012-06-17
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (cardiod, DFC, DIN, 8ft)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown, balance)>Izotope Ozone 5 (EQ)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Invisible City
03 Half A Moon
04 Shattered Shine
05 Sycamore Tree
06 Blood Barons
07 “Delirium” [new]
08 [interlude]
09 Shake the Shackles
10 Still As the Night
11 Love Is A Wave
12 Prometheus At Large

If you enjoyed these recordings, PLEASE SUPPORT Crystal Stilts, visit their website and purchase In Love With Oblivion from Slumberland Records [HERE] and the Radiant Door EP from Sacred Bones Records [HERE].

Starlight Girls: June 16, 2012 Spike Hill [Northside Festival] – FLAC and MP3 Downloads + Streaming Songs

July 9, 2012
By


[Photos by acidjack]

At this Northside Festival day show meant to showcase four of the “8 Bands You Need to Hear” (as determined by the L Magazine), Starlight Girls drew a crowd. As the first act on the bill, taking the stage during what most festivalgoers probably thought of as “recovery time” could have been a challenge. But by about the middle of  “Try”, the third song in their set, the Spike Hill show room was packed. The band serves up an addictive sound that references lounge music, 60s girl groups, soul and lo-fi indie rock – a perfect antidote to a hung over afternoon. The show began on a mellow note, but quickly ramped up the energy as the crowd (and the band’s confidence) grew. By the time the band tore into “Lion In A Cage,” my favorite number of the day, they had won over all doubters. I was also a big fan of one of the earlier, more lounge-y numbers, “$9,000,000” in particular.

I recorded this set with Schoeps MK5 cardioid microphones and a soundboard feed from the Spike Hill engineer.  The sound quality is excellent. Enjoy!

Thanks to Spike Hill and Starlight Girls.

Stream “$9,000,000”
[audio:http://www.nyctaper.com/S6016StarlightGirls2102/05 9M.mp3]

Stream “Lion In A Cage”
[audio:http://www.nyctaper.com/S6016StarlightGirls2102/08 Lion In A Cage.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Starlight Girls
2012-06-16
Spike Hill
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, slightly LOC, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity (set fades, tracking, amplify and balance)>FLAC (level 8 )

Tracks
01 La La Lune
02 [tuning]
03 Gossip
04 Try
05 $9,000,000
06 Wasteland
07 Wallflower
08 Lion in a Cage
09 Nomad
10 Inhibitionist
11 Like a Movie
12 The Hunch

If you enjoyed this recording, PLEASE SUPPORT Starlight Girls, visit their website, and download their EP FOR FREE on bandcamp.

Sam Prekop & Archer Prewitt: June 30, 2012 Mercury Lounge – FLAC/MP3/Streaming + Bonus Download of April 7, 1999 Local 506, Chapel Hill, NC

July 8, 2012
By

Sam Prekop
[still from this video]

A Sam Prekop show changed my life. I was nineteen years old, set up to record in the center of a tiny venue in Chapel Hill, North Carolina. Halfway through the set, a guy came up to me who turned out to be my college newspapers music editor. Impressed that I was one of only two people from our school (not UNC) who bothered to come to see acts like this (Sam was touring behind his self-titled 1999 solo debut), he more or less offered me the job. My relationship with music, and with writing, was never the same hence.

Since then, Prekop has continued to make his own unique brand of jazz-and-lounge-inflected rock, both as a solo act and with the better-known Sea and Cake, still considered his primary gig. A recent Sea and Cake show at Bowery Ballroom confirmed the continuing vitality and appeal of that band, who have a new record coming out. But Prekop, who for years has incorporated African and Brazilian rhythms into his guitar work, has more ideas than one band can handle. So, while continuing to record with Sea and Cake, he has put out a diverse range of solo records, from his eponymous 1999 effort that was essentially Sea and Cake-style material, to his latest, Old Punch Card, which finds Prekop taking a radical, ambient turn with his sound. This show at Mercury Lounge, featuring Prekop and fellow Sea and Cake bandmate Archer Prewitt (also a great solo artist in his own right), gave fans a miniature retrospective of Prekop’s career. Kicking off with a new, untitled ambient jam reminiscent of Old Punch Card, the set then evolved into a mix of Prekop solo songs from the last twelve years, as well as Sea and Cake classics like “Do Now Fairly Well” and “The Staircase”. Prekop and Prewitt played with the easy rapport of long-time collaborators, and even without any particular stage adornments or a backing band, the pair held the attention of the packed house for the full hour.

Along with the Mercury Lounge recording, which is my usual mix of Schoeps MK41 microphones and a soundboard feed, I am offering the Sam Prekop show from North Carolina, which has not been distributed (at least by me) since the year 2000, as a bonus download.  The North Carolina recording, while made with a decent rig, is not comparable in quality to the Mercury Lounge show (in large part due to the jackasses talking in the audience), but features Sam playing with a full band, and is more focused on material from Sam Prekop.  Enjoy!

Stream “The Staircase [Sea and Cake]” from Mercury Lounge:
[audio:http://www.nyctaper.com/S0811SeaandCake0211/03 The Staircase.mp3]

Stream “The Company” from Mercury Lounge:
[audio:http://www.nyctaper.com/S0811SeaandCake0211/07 The Company.mp3]

Stream “The Shadow” from Local 506 in Chapel Hill, NC:
[audio:http://www.nyctaper.com/S0811SeaandCake0211/05 The Shadow.mp3]

Direct download of MP3 files: [Mercury Lounge] | [Local 506]

Download the Mercury Lounge FLAC files [HERE]

Download the Local 506 FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Sam Prekop & Archer Prewitt
2012-06-30
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>CMC6>Aerco MP-2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5 (light EQ)>Audacity (set fades, mild DR compression and additional EQ, tracking, amplify and balance, downsample)>FLAC (level 8 )

Tracks
01 ambient jam
02 Something [Sam Prekop]
03 The Staircase [Sea and Cake]
04 On A Letter [Sea and Cake]
05 Between Outside [Sam Prekop]
06 [banter]
07 The Company [Sam Prekop]
08 Showrooms [Sam Prekop]
09 Don’t Bother [Sam Prekop]
10 On Such Favors [Sam Prekop]
11 Coconut [Sea and Cake]
12 Do Now Fairly Well [Sea and Cake]
__________________

Sam Prekop
1999-04-07
Local 506
Chapel Hill, NC USA

Recorded and produced by acidjack

Nakamichi CM300/cp1 (XY, DFC, 7ft)>Zefiro InBox>TCD-D8>DATM>CDRM>xAct>16bit/44.1kHz WAV>Audacity (set fades, tracking, adjust levels)>FLAC ( level 8 )

Tracks
01 The Company
02 Practice Twice
03 Smaller Rivers
04 Don’t Bother
05 The Shadow
06 On Such Favors>Faces and People
07 Showrooms
08 So Shy
09 [encore break]
10 Do Now Fairly Well [Sea and Cake]
11 Parasol

If you enjoyed this recording, PLEASE SUPPORT Sam Prekop, visit the Sea and Cake’s website, and purchase Sam’s records from Thrill Jockey [HERE]

SUPPORT NYCTaper




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