Posts Tagged ‘ acidjack ’

Acid Mothers Temple: April 30, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

May 2, 2012
By


[Photos by acidjack]

Acid Mothers Temple (well, the full name of this ensemble being Acid Mothers Temple & the Melting Paraiso U.F.O.) blew my mind the first time I saw them, back in 2010, and they did so again on this night at the Knitting Factory.  With two new studio albums under their belt from 2011, the band came out and delivered a mind-melting 104 minute performance that showed off the new tracks. Unconfined by the strictures of expectation or conventional song structure, each of this night’s songs was a study in improvisation. Rather than the wonky soloing that often typifies improvisational bands, the Mothers took their journey as a tight and focused unit, obviously cueing off of each other. This show had more vocal-heavy songs than the previous show, which gave some of the songs a more cohesive feel despite their even-more-extended jamming. As was the case even before its release, the instant-classic “Pink Lady Lemonade” with its Zeppelinesque main riff was the crowd favorite.  The show ended with the wallop of “Chinese Flying Saucer”, one of the tighter songs in the set, as the band continued to rock furiously, right until the last guitar hit the floor.

I recorded this set with AKG large-diaphragm cardiod microphones and a naturally “warm” handbuilt preamp, plus an excellent soundboard feed provided by the Knitting Factory FOH Devin. In retrospect, the choice of microphone and preamp was not ideal, as this combination is better suited to the fine detail of acoustic and less-bassy shows. Nonetheless, with a bit of editing, the resulting capture is excellent.  Further, please let me know of any tracking errors – I think I did better than last time, but there may still be mistakes in song names.  For convenient listening and breaking up into CDs, I broke up long improvisational pieces into multiple parts in order to make them a bit easier to navigate.

Brooklyn’s own Phantom Family Halo opened this show, and that recording will be posted soon.

Stream “Pink Lady Lemonade Pt. 1”
[audio:http://www.nyctaper.com/A0740AMT0210/05 Pink Lady Lemonade.mp3]

Stream “Chinese Flying Saucer”
[audio:http://www.nyctaper.com/A0740AMT0210/10 Chinese Flying Saucer.mp3]

This recording is now available to download as FLAC or MP3 at Archive.org [HERE].

Acid Mothers Temple
2012-04-30
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded and produced by acidjack

AKG C 414 B-XLS (cardiod, slightly ROC, at SBD, 7.5ft, POS)>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, harmonic exciter)>Audacity (set fades, tracking, additional EQ, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 1:44:26]
01 Space Ritual Jam
02 Shine On You Crazy Dynamite
03 Shine On You Crazy Dynamite Pt. II
04 Shine On You Crazy Dynamite Pt. III
05 Pink Lady Lemonade
06 Pink Lady Lemonade Pt. II
07 Pink Lady Lemonade Pt. III
08 Cometary Orbital Drive>Speed Guru
09 [encore break]
10 Chinese Flying Saucer

If you enjoyed this recording, please support Acid Mothers Temple, visit their website, and buy their records from your favorite retailer.

Noveller: April 19, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

May 1, 2012
By


[Photos by acidjack]

I have been a fan of the multi-talented guitarist and filmmaker Sarah Lipstate, aka Noveller, since seeing her open a slam-packed Bear In Heaven show at Glasslands back in 2010. Shortly thereafter, she released the EP Desert Fires, which at the time was the high watermark of her finely textured guitar compositions, especially the song “Three Windows Facing Three Doors”. Being a filmmaker, Lipstate’s songs have an abstract, cinematic quality to them; Lipstate carries you with her on her carefully constructed waves of sound. Although she was formerly with the bands Parts & Labor and Cold Cave, Lipstate is one of the few musicians who I would venture has more true potential on her own; her compositions feel complete without the trappings of a full band.

With her new eight-song LP Glacial Glow, Lipstate has 0nce again delivered compositions of layered, subtle beauty. She played two of those compositions – “Ends” and “Entering”, the bookends to Glacial Glow, on this night. Two new songs, “Cyanne” and “Darkheart”, joined “Starve” from her split LP with unFact (David Wm. Sims of the Jesus Lizard), to round out the set. Lipstate’s work continues to be absolutely mesmerizing – I can’t wait to hear what she comes up with next.

I recorded this set in the same manner as the Lotus Plaza and Disappears sets, and the sound is outstanding.  Enjoy!

Stream “Cyanne”
[audio:http://www.nyctaper.com/N9041Noveller2012/01 Cyanne.mp3]

Stream “Ends”
[audio:http://www.nyctaper.com/N9041Noveller2012/02 Ends.mp3]

Direct download of MP3 files [HERE] |  Direct Download location of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Noveller
2012-04-19
Glasslands
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK5c (DFC, STC22g, 8ft)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity 2.0 (align, mixdown, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Cyanne
02 Ends
03 Entering
04 Darkheart
05 Starve

If you enjoyed this recording, PLEASE SUPPORT Noveller, visit her website, and buy her records from her store there.

Lucero: April 20, 2012 Webster Hall & October 17, 2009 Webster Hall – FLAC & MP3 Downloads + Streaming Songs

April 29, 2012
By


[Photos by acidjack and Johnny Fried Chicken Boy]

There are two main paths that bands take to success these days: There are the bands with instant buzz, who find themselves on the late night TV circuit and playing large venues instantly. (They tend to flame out quickly, too). Then there are the bands who earn it the hard way – playing 200-plus shows a year, gigging every goddamn festival and radio station and bar in every corner of the country, putting thousands of miles on a broke down van and doubly more miles on their livers and sanity, all for the love of music, sure, but also for a shot at success.

Success, for a rock band these days, is a bit redefined, but Lucero have achieved it, and they’ve achieved it the hard way. An unabashedly masculine band, whose hardscrabble tales ring with authenticity, Lucero sometimes seems to be of another era. It’s hard to argue otherwise about a band that titles their current release (their eighth record, but first on ATO Records) Women and Work. After all, for the early 21st century American man, work is something he hasn’t got, and women – well, they’re too busy doing all the work.

But that’s the beauty of Lucero – they remind you of better days, but they also remind you of the simple pleasures of the days you’re in. The boys themselves always look like they’re having fun. Frontman Ben Nichols’ most frequently-uttered phrase between songs is “hell yeah!”, and the band made quick work of a handle of Jameson onstage. Lucero’s music, even when tackling sadder subjects, has good cheer to go with its honest grit. Today we are presenting two recordings  from Webster Hall – the first from October of 2009, the second from April 20 (yes, that date) of this year. These two shows are perhaps more telling in their similarities than in their differences; the band may have continued to expand their sound and personnel, but the core of their music is consistent and strong. Maybe there’s a bit more gravel in Nichols’ pipes, but that doesn’t hurt a thing. And despite spending virtually the entire past decade on the road, they sound as fresh and hungry as ever. For example, with its early curfew, Webster Hall practically demands short sets – but Lucero played a two-hour set of nearly 30 songs. Nobody told these guys about lowering expectations.

The songs – well, there are those to talk about too. That word “honest” comes up again, when you think about a Memphis band whose sound pays homage to the country and blues and even R&B that fuel the town, but with a bit of a punk flavor thrown in. At the 4/20 show, the new songs were a blast; it’s hard to argue with the rocker “I Can’t Stand To Leave You” or the honky-tonk “Like Lightning”. A stripped-down group of personnel played “The War”, the World War II tale that could easily resonate with soldiers in Afghanistan and elsewhere today. And of course, Lucero played the favorites that the band is probably expected to play at every show, and why not? “Nights Like These” is one of those songs you never get tired of; same for the valedictory “Last Night In Town”.

Of the October 2009 show, JFCB said:

Lucero made quite the impression on me when I first saw them in early 2009. After the release of the excellent ‘1372 Overton Park’ album later that year, they embarked on a tour with fellow Memphis musician Amy LaVere and blues/rock duo Cedric Burnside & Lightnin’ Malcolm. Billed as the “Ramblin’ Roadshow and Memphis Revue”, it was also the first time the group ever toured with a horn section to mirror the sounds on their recent disc. Being on the road with this handpicked crew must’ve had a positive influence as both the band and the particularly boisterous crowd on this Saturday night seemed to have a great time. While drinking and fielding song requests, Lucero played the majority of ‘Overton Park’ and dug out a number of older nuggets that had the party whooping and hollering for more.

We can keep spilling words about them, but really, all you need to know about Lucero is contained in their sendoff to us at the 4/20 show: “We appreciate each and every one of y’all making dreams come true. Dreams do come true!” A lot of things about rock music have changed in the fourteen years of Lucero’s career; a lot of dreams have changed, many for the worst. We’re pleased to raise a glass to these guys realizing theirs – they deserve it.

I recorded the 4/20 show with Schoeps MK5 cardiod microphones in a wider NOS configuration from directly behind the soundboard in order to give the recording a spacious, open sound. Johnny Fried Chicken boy recorded the October 2009 show with AKG 414 large-diaphragm mics that are always great-sounding, but especially for this band. If this is your first time reading about Lucero, you might check out his recording of the band from Mercury Lounge last year first – it’s an instant classic. Enjoy these recordings, and support Lucero!

Thanks to Lucero and their management for their accommodating treatment of us at this show and many others. 

Stream “Like Lightning” from the 4/20/2012 show:
[audio:http://www.nyctaper.com/L2006Lucero9020/26 Like Lightning.mp3]

Stream “The Devil and Maggie Chascarillo” from the October 2009 show:
[audio:http://www.nyctaper.com/L2006Lucero9020/Lucero_-_The_Devil_and_Maggie_Chascarillo.mp3]

Stream “The War” from the 4/20/2012 show:
[audio:http://www.nyctaper.com/L2006Lucero9020/23 The War.mp3]

Download the April 2012 show: [MP3] | [FLAC]

Download the October 2009 show [MP3] | [FLAC]

Follow acidjack on twitter | Follow Johnny Fried Chicken Boy on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lucero
Friday, April 20, 2012
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, NOS)>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [Oade Concert Mod]>Izotope Ozone 5 (EQ, stereo image)>Audacity (set fades, additional EQ, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:54:33]
01 [intro]
02 That Much Further West
03 Downtown (Intro)>On My Way Downtown
04 Nights Like These
05 Kiss the Bottle [Jawbreaker]
06 Women & Work
07 Raising Hell
08 Hey Darlin’ Do You Gamble?
09 Juniper
10 Chain Link Fence
11 Sounds of the City
12 [banter]
13 It May Be Too Late
14 She’s Just That Kind Of Girl
15 Bikeriders
16 Slow Dancing
17 [banter]
18 I Can’t Stand To Leave You
19 Joining the Army
20 Last Night In Town

[Ben With Rick and Todd]
21 Mom
22 Hold Me Close
23 The War

[Full band]
24 [banter]
25 All Sewn Up
26 Like Lightning
27 My Best Girl
28 Tears Don’t Matter Much
29 [encore break]
30 Mine Tonight
31 Go Easy

——————————-

Saturday, October 17, 2009
Webster Hall
New York, NY, USA

Source: AUD > AKG C 414 B-XLS’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by Johnny Fried Chicken Boy

Tracks:
[Total time: 1:47:06]
01 intro (“Welcome to the Jungle”)
02 Sounds of the City
03 That Much Further West
04 Can’t Feel a Thing
05 The Devil and Maggie Chascarillo
06 Nights Like These
07 What Else Would You Have Me Be?
08 Joining the Army
09 Last Night in Town
10 Sixes and Sevens
11 Goodbye Again
12 Kiss the Bottle [Jawbreaker]
13 I’ll Just Fall
14 Johnny Davis
15 Raising Hell
16 Hey Darlin’ Do You Gamble?
17 banter 1
18 Chain Link Fence
19 Sixteen
20 Sweet Little Thing
21 banter 2
22 The Last Pale Light in the West
23 Mom
24 Smoke
25 I Can Get Us Out of Here
26 Darken My Door
27 Tears Don’t Matter Much
28 encore break
29 All Sewn Up

If you enjoyed these recordings, please support Lucero by visiting their website, attending their shows, and buying their official releases, including Women & Work, from their web store [HERE]

Disappears: April 19, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

April 27, 2012
By


[Photos by acidjack]

As one of the anchors of the current Chicago scene, Disappears are a hard band to outshine. They headlined this night’s Glasslands show featuring Lotus Plaza (that recording [HERE]) and the Brooklyn guitarist Noveller (that recording coming soon) the same way that they carried a previous show I attended with the startling Brooklyn band The Psychic Paramount: by being relentless, sharp and ready with an album’s worth of killer new songs. At that earlier show, the band’s new record Pre Language was unreleased. With the album now having been out for a little while, the already-tight band is completely dialed in on the new songs, which represent their best and most approachable material to date. Disappears deliver a dark, overdriven style of rock, with a Sonic Youth-reminiscent guitar squall backing the Mark E. Smith-reminiscent vocals of frontman Brian Case, processed through a megaphone-style effect. They’re the right band to propel the end of a night – and not just because it gave everyone confirmation that Steve Shelley has landed on his feet post-Sonic Youth.

Predictably, this set was heavy on Pre Language material, including “Replicate”, which we first experienced at the Union Hall show last year, and new favorites like the title track and “Hibernation Sickness”. The sound benefited heavily from the band’s touring engineer, who worked with them on the album and tuned the upgraded Glasslands sound system to perfection.

We recorded this set in the same manner as the Lotus Plaza recording, with Schoeps MK5 cardioid microphones and a soundboard feed.  The sound is even better than that recording due to the aforementioned engineer’s flawless mix. The sound is outstanding. Enjoy!

Stream “Hibernation Sickness”
[audio:http://www.nyctaper.com/D7026Disappears0211/06 Hibernation Sickness.mp3]

Stream “Pre Language”
[audio:http://www.nyctaper.com/D7026Disappears0211/03 Pre Language.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Disappears
2012-04-19
Glasslands
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK5c (DFC, STC22g, 8ft)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity 2.0 (align, mixdown, EQ, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Marigold
02 Replicate
03 Pre Language
04 Magics
05 Minor Patterns
06 Hibernation Sickness
07 Fear of Darkness
08 Era
09 Lux
10 Joa
11 Love Drug
12 Radiation
13 Brother Jolene

If you enjoyed this recording, PLEASE SUPPORT Disappears, visit their website, and purchase their records, including Pre Language, from Kranky [HERE]

Plants and Animals: April 18, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

April 26, 2012
By


[Photos courtesy of Patrick Proctor at Hippies Are Dead]

The Montreal band Plants and Animals has been at this for awhile now – they released their first EP in 2004 – and experience has clearly served them well, developing them into a band with considerable chops and obvious stage presence.  This show at Mercury Lounge came on the heels of the release of their third record, The End of That, a document of the three-piece’s continuing commitment to big, 70s-inspired rock. Big is a broad but appropriate word for the sound of a band whose songs routinely stretch beyond five or even six minutes – Plants and Animals take their time building their satisfying rhythmic structures on songs like “Mercy” and “Crisis”. While many bands use the excuse of being the fourth or fifth band of the night to wrap things up early-style, Plants and Animals anchored a long Thursday night of music at Mercury Lounge to deliver an 80-minute set that covered their three big releases and some deeper cuts from their with/avec EP like “Lola Who” and the set closer, a nine-minute version of “Faerie Dance”. The crowd was most pumped for the band’s latest single, “Lightshow”, and deservedly so – it’s an instantly memorable song with a loud/soft dynamic and a mind-glue riff.

I recorded this set with Schoeps MK41 microphones and a soundboard feed courtesy of the Mercury Lounge staff. Unfortunately, this being the Mercury “late show” and it being a popular drinking night here in NY (well, aren’t they all…), the crowd was very noisy, forcing me to mix in more of the soundboard feed than I otherwise would have preferred.  Although it is still a good capture, listeners on headphones may be distracted at times by the crowd chatter. With that  caveat, enjoy!

Stream “Lightshow”
[audio:http://www.nyctaper.com/P4018PlantsAnimals1220/13 Lightshow.mp3]

Stream “Crisis!”
[audio:http://www.nyctaper.com/P4018PlantsAnimals1220/02 Crisis!.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Plants and Animals
2012-04-18
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (PAS, 7.5ft)>CMC6 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (align, mixdown, tracking, amplify and balance, set fades)>FLAC ( level 8 )

Tracks [Total Time 1:21:17]
01 Bye Bye Bye
02 Crisis!
03 Good Friend
04 Control Me
05 Gameshows
06 No Idea
07 Lola Who?
08 The Mama Papa
09 Mercy
10 Why & Why
11 [banter]
12 Undone Melody
13 Lightshow
14 [encore break]
15 The End of That
16 Faerie Dance

If you enjoyed this recording, PLEASE SUPPORT Plants and Animals, visit their website, and purchase their official releases from their online store [HERE]

Conduits: April 2, 2012 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

April 24, 2012
By


[Photos by acidjack]

Conduits are a new band from the always-punching-above-its-weight music scene of Omaha, Nebraska, and we were fortunate enough to catch them right after the release of their promising self-titled debut on the label Team Love.  Conduits’ reference points include many bands I revere – Slowdive, My Bloody Valentine, Lush, Portishead and the underappreciated Irish band Scheer – so I was naturally taken with their sound. Lead singer Jenna Morrison, previously of another beloved Omaha band Son, Ambulance, is a commanding frontwoman and vocalist, with the sort of powerful but ethereal voice that works perfectly with the band’s layers of feedback-drenched sound. And far from affecting the distant posture of some of their sonic forebears, Conduits actually perform, again with Morrison and bandmates J.J. Idt (guitar), Nate Mickish (guitar), Mike Overfield (bass, keys), Roger L. Lewis (drums), and Patrick Newbery (synth, keys) sharing the intensity of the moment with the crowd. Knob-twiddlers and shoegazers they ain’t – this is a rock n’ roll band that, even at a young stage, looked and sounded totally comfortable on the relatively big Bowery stage.  Idt and Mickish, who founded the band, clearly assembled their fellow players wisely.

This opening set at Bowery Ballroom covered four of the eight tracks on Conduits, plus two other songs that were new to me. My personal favorites came back to back – the strong rocker “Blood” and the more dark, atmospheric “Last Dirge”. Although the set was brief, it established Conduits as a band to watch. We expect great things in the future.

nyctaper and I recorded this set with a combination of more directional Schoeps MK41 hypercardiod microphones and Sennheiser MKH-8040 cardiods.  While this was not my favorite house mix in this beautiful-sounding room, this remains a great capture and a worthwhile introduction to this band. Enjoy!

Stream “Blood”
[audio:http://www.nyctaper.com/C0042Conduits0212/02 Blood.mp3]

Stream “Last Dirge”
[audio:http://www.nyctaper.com/C0042Conduits0212/03 Last Dirge.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Conduits
2012-04-02
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Schoeps MK41>KCY>Z-PFA>SD USBPre2 + Sennheiser MKH-8040 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity (tracking, amplify and balance, downsample to 16bit)>FLAC ( level 8 )

Tracks
01 Top of the Hill>
02 Blood
03 Last Dirge
04 Misery Train
05 The Wonder
06 Crow

If you enjoyed this recording, please support Conduits by liking them on facebook and purchasing Conduits directly from Team Love [HERE]

Lotus Plaza: April 19, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

April 22, 2012
By


[Photos courtesy of Bleary Eyed Brooklyn]

There is a certain atmosphere that Glasslands has when the show you are attending has become a happening. The stage is swarmed by cameras; the AC unit is chugging to keep the room cool. The bar is slammed; the room is so packed there are people watching from the bathroom stairs. The anticipation is palpable; the night is electric. If there is something that can answer the question for you of why you are in this city, or why you “do this”, these nights are it. They don’t happen in other places; don’t feel the same, don’t smell the same, don’t sound the same. You know that as long as there are places like this in this city, as long as there are nights like this, you ought to be there. This Lotus Plaza show, following on the heels of the release of their critically-acclaimed second record, was one of those nights.

In terms of popularity, Lotus Plaza has the built-in advantage of being in an already-famous band – Lockett Pundt is the second half of the brilliant songwriting team that makes up Deerhunter – the McCartney to Bradford Cox’s Lennon (or is it the other way around?). Still, Lotus Plaza’s second record, Spooky Action at a Distance, stands on its own.  While the hilarious Pitchfork review included sentences like this gem – “Moreover, along the lines of Real Estate and especially the War On Drugs, Pundt embodies a wakeful, meditative state associated with various forms of transit: your physical being stays relatively still while being in motion, a symbiosis between human and mechanical effort” – fundamentally the site got it right in anointing the record with “Best New Music” status. The songwriting is sharper than on The Floodlight Collective; where that album felt more like a solo album, Spooky Action is loaded with standout tracks. “Eveningness” was a highlight in the live setting just as it is on the album, as was the set opener of “Untitled” into “Strangers”. But just so you won’t completely forget Pundt’s connection to Deerhunter, Pundt threw in a sprawling nine-minute track mid-set, “Come Back” from the band’s recent split 10″ single. Pundt may not be known for stage antics the way Cox is, but he more than holds his own as a frontman, not least because his music creates such immediate and powerful connections with his listeners. Most shows by recently-hyped bands draw a listless “see and be seen” crowd that ignores most of the music; Lotus Plaza held us all in thrall.

I recorded this set with Schoeps MK5 cardiod mics and a soundboard feed from Josh, the head FOH at Glasslands. The sound quality is excellent.  Enjoy!

This show was also recorded by Pitchfork.tv, and you should be able to see clips of it on Pitchfork soon. Thanks to the Pitchfork crew for their hospitality and sharing the recording area with us.

Stream “Eveningness”
[audio:http://www.nyctaper.com/L4019LotusPlaza2012/07 Eveningness.mp3]

Stream “Come Back”
[audio:http://www.nyctaper.com/L4019LotusPlaza2012/04 Come Back.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lotus Plaza
2012-04-19
Glasslands
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK5c (DFC, STC22g, 8ft)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mixdown, balance, compression on SBD)>Izotope Ozone 5 (EQ, harmonic exciter (crisp rock), hard limit)>Audacity 2.0 (set fades, tracking, additional EQ, amplify)>FLAC ( level 8 )

Tracks
01 Untitled
02 Strangers
03 White Galactic One
04 Come Back
05 [unknown 1]
06 [unknown 2]
07 Eveningness
08 Remember Our Days
09 Jet Out of the Tundra

If you enjoyed this recording, please support Lotus Plaza by liking them on Facebook and purchasing Spooky Action at a Distance directly from Kranky [HERE].

Sleepy Sun: April 9, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

April 20, 2012
By


[Photos by acidjack]

The San Francisco band Sleepy Sun brought the full force of their West Coast style of pscyh rock to bear last Monday night, an ideal counterpoint to the darker, heavier style of Brooklyn’s White Hills, who preceded them on the bill (that recording [HERE]).  Playing this show at Glasslands plus a second NYC show at Mercury Lounge the following night to celebrate the release of their third full-length Spine Hits and in an obviously good mood, the band came with amps cranked and ready to rock n’ roll.  From the first notes of the show opener, the chugging “Martyr’s Mantra” Sleepy Sun concocted a dialed-in wall of sound that shook the club to its foundations. Fortunately, the band also knows when to slow things down; tempo changes like “Siouxsie Blaqq” and “Sandstorm Woman” show off a different side of the band and give the band’s songwriting a chance to shine.

Sleepy Sun are easily lumped into the ever-broadening “psych rock” category (I think if you’re on ATP Recordings, like they are, it’s almost a given) on the basis of their love of effects pedals and obvious stylistic nods to the late 60s/early 70s San Francisco sound. But live, it’s hard to miss a more mainstream reference – the mighty Led Zeppelin. Drummer Brian Tice is ferocious on the kit, and his playing gives the swirling guitars a backbone of pure power, such as on “Stivey Pond” and “She Rex”. This band also clearly believes in rocking as a concept; frontman Bret Constantino is an intense frontman (so intense that he nearly destroyed one of the club’s high quality monitors in the process!) and he and his bandmates are the kind of band that could easily command a much bigger room. They’re also much more focused on strong songwriting and pop hooks than some of their contemporaries; Spine Hits could easily be an FM radio favorite, if rock radio still existed, and I’m sure it’ll be in rotation on the appropriate SiriusXM/streaming channels, as it’s one of the band’s best albums to date.  Here’s to hoping we see them in New York again soon… at this year’s ATP NY, perhaps?

I recorded this set with an excellent soundboard feed from the Glasslands head FOH Josh, plus Schoeps MK22 microphones and a very warm Aerco preamp that captured the sound perfectly. Enjoy!

Thanks as always to the Glasslands team and PopGun Booking for their hospitality.

Stream “Martyr’s Mantra”
[audio:http://www.nyctaper.com/S0049SleepySun2201/01 Martyr’s Mantra.mp3]

Stream “Siouxsie Blaqq”
[audio:http://www.nyctaper.com/S0049SleepySun2201/06 Siouxsie Blaqq.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Sleepy Sun
2012-04-09
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22>CMC6>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (effects, mixdown, EQ)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks
01 Martyr’s Mantra
02 Stivey Pond
03 Wild Machines
04 V.O.G.
05 She Rex
06 Siouxsie Blaqq
07 Creature
08 Boat Trip
09 Pigs On L
10 Sandstorm Woman

If you enjoyed this recording, PLEASE SUPPORT Sleepy Sun, visit their website, and purchase Spine Hits and their other official releases from their online store [HERE]

White Hills: April 9, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs [Plus Northside Festival Announcement]

April 18, 2012
By


[Photos by acidjack]

It is a distinct pleasure to finally present a recording of the stellar Brooklyn heavy psych rock act White Hills. We have been following the Hills for a few years now, and have recorded them a few times, but in the past things never quite worked out. This show at Glasslands – also filmed for future release by the professional video production team PanopticonNYC – exceeded everyone’s expectations.

White Hills are a prolific band – so much so that even though I’ve seen them in each of the past four years, they’ve never been promoting the same album twice. The last time I saw them, they were touring behind H-p1, a 72-minute opus of deep psychedelic riffage. Their new record, Frying On this Rock, mostly continues H-p1’s traditions, and like that record, its improvisation-baiting material is best experienced in the live setting, where frontman Dave W. and bassist Ego Sensation never hold back. This show was a veritable tour of the band’s last several records, kicking off with “Oceans of Sound” from their 2009 Thrill Jockey debut, Heads On Fire, and jamming straight into the monster “Three Quarters” off of the eponymous White Hills, arguably their best record to date. True to form, the set gave Dave and Ego Sensation plenty of room to delve into their deepest space rock, including the new number “Pads of Light” and this night’s take on another classic from White Hills, the set closer “Dead”.

I recorded this set with a soundboard feed provided by the head Glasslands FOH Josh, and Schoeps MK22 microphones to capture the full force of the band.  The recording is excellent and we are pleased to finally have White Hills on the site!

White Hills will be co-headlining our 2012 Northside Festival showcase on Thursday, June 14 at 285 Kent.  Also on the bill will be NYCTaper favorites and co-headliners Pontiak along with Thrill Jockey bandmates Rhyton and one of our favorite new Brooklyn bands, EULA.

Stream “Pads of Light”
[audio:http://www.nyctaper.com/W0049WhiteHills2012/03 Pads of Light.mp3]

Stream “Dead”
[audio:http://www.nyctaper.com/W0049WhiteHills2012/08 Dead.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

White Hills
2012-04-09
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (DFC, PAS, 7.5ft)>CMC6 + Soundboard >> Edirol R-44 [Oade Concert Mod]>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, tube warmth, boost and hard limit)>Audacity (set fades, tracking, slight additional EQ)>FLAC ( level 8 )

Tracks
01 Oceans of Sound>
02 Three Quarters
03 Pads of Light>
04 Radiate
05 You Dream You See
06 I Write A Thousand Letters (Pulp On Bone)
07 Condition of Nothing
08 Dead

If you enjoyed this recording, PLEASE SUPPORT White Hills, like them on Facebook, and purchase their records including Frying On This Rock directly from Thrill Jockey [HERE]

Alabama Shakes: April 11, 2012 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

April 17, 2012
By


[Photo courtesy of Eric Groom.  See more of his excellent work HERE.]

Alabama Shakes recent rise in popularity can be described as nothing short of meteoric.  Less than a year ago, they were virtually unknown outside of a handful of bars in the southeastern United States.  Getting a push via the internet, word of mouth and their Alabama brethren, Drive-By Truckers, the group began to blow up, playing gigs with DBT and flooring attendees at their NYC debut this past October as part of the CMJ Music Marathon.  After a follow up at the intimate Mercury Lounge in December, Alabama Shakes blitzed our city again with sold out, back-to-back shows at the Studio at Webster Hall, Bowery Ballroom and Music Hall of Williamsburg to coincide with the release of their first full-length album, ‘Boys & Girls‘.

The band took the stage of Bowery Ballroom to an exuberant crowd that was practically humming with anticipation.  And frontwoman Brittany Howard, bassist Zac Cockrell, guitarist Heath Fogg, drummer Steve Johnson, and keyboardist Ben Tanner brought their A-game.  With their blistering mix of soul, R&B and good old fashioned, kick-ass rock ‘n’ roll, the house was treated to a nearly non-stop set that left us smiling and wishing there were more songs for them to play.  On their current trajectory, I suspect that Alabama Shakes won’t be playing small venues for too much longer.  Definitely check them out when you can.

At the great sounding Bowery Ballroom, Alabama Shakes engineer Shane and house engineer Kenny had the sound perfectly dialed in on this night.  Set up in our usual balcony spot, we had a board feed to combine with our microphones and it has resulted in an excellent recording.  We hope you like what you hear as much as we did.  Enjoy!

Stream “Hang Loose”: [audio:http://www.nyctaper.com/A2210AlabamaShakes1410/Alabama_Shakes_-_Hang_Loose.mp3]

Stream “Boys & Girls”: [audio:http://www.nyctaper.com/A2210AlabamaShakes1410/Alabama_Shakes_-_Boys_and_Girls.mp3]

Download the MP3 / FLAC files and stream this entire show on the Live Music Archive [HERE]

Follow Johnny Fried Chicken Boy on Twitter.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Alabama Shakes
Wednesday, April 11, 2012
Bowery Ballroom
New York, NY, USA

Source: SBD + Audio-Technica AT3031’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Alabama Shakes’ sound engineer: Shane
Bowery Ballroom house engineer: Kenny
Recorded by: acidjack and Johnny Fried Chicken Boy
Produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:06:00]
01. Goin’ to the Party
02. Hang Loose
03. Hold On
04. I Found You
05. Always Alright
06. Boys & Girls
07. Be Mine
08. Hurricane Strut
09. Mama
10. Making Me Itch
11. You Ain’t Alone
12. On Your Way
13. Rise to the Sun
14. Heavy Chevy
15. encore break
16. I Ain’t the Same
17. Heat Lightning

If you download this recording, we expect that you will PLEASE SUPPORT Alabama Shakes, go see their shows, visit their website, visit their Facebook and MySpace pages, and purchase their album, ‘Boys & Girls’, and merchandise [HERE].

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.