Posts Tagged ‘ acidjack ’

Dinowalrus: November 16, 2010 Knitting Factory – FLAC and MP3 Downloads + Streaming Song

December 5, 2010
By


[Photos by Johnny Leather]

The Brooklyn band Dinowalrus has executed a bit of a reboot lately, changing both their personnel and their approach. The former Titus Andronicus guitarist Pete Feigenbaum, the band’s frontman and guitarist, has added a new player on bass, Liam Andrew, as well as Depreciation Guild drummer Anton Hoccheim, and has sought to clarify some of the ideas explored on the band’s debut LP, %. One of the band’s goals, as they put it, is to be “structurally unorthodox,” but at times that led to performances that lacked focus – it could seem that one song was a jumble of concepts rather than a unified whole. This show at the Knitting Factory showcased both reworked arrangements of their older material as well as new songs that continue the band’s love affair with Krautrock, acid rock, noise, thrash punk and psychedelia, but have much more musical consistency and pop sensibility. Listen to “RICO” below and see if you agree. The band’s new approach has already received positive notice in several publications, and we expect that trend to continue in 2011. We still have no idea what the hell a “Dinowalrus” is, but now we can say that this musical creature is a strange beast with a purpose.

I recorded this set with the DPA microphones at the soundboard. They captured the excellent house mix by Rob of the Knitting Factory perfectly. Enjoy!

Stream “RICO”:
[audio:http://www.nyctaper.com/D2040Dinowalrus2211/Dinowalrus-RICO.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Dinowalrus
2010-11-16
Knitting Factory
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, ROC, 7.5″, pointed at stacks
Mastering: 24bit/48kHz WAV>Audacity (tracking, set fades, downsample)>FLAC ( level 8 )

Tracks
01 Phone Home From the Edge
02 The Gift Shop
03 What Now
04 Electric Car Gas Guitar
05 [new]
06 [banter]
07 RICO

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Dinowalrus, visit their website, visit their MySpace page, and purchase their official releases directly from the MERCH section of their website (here) or from Kanine Records [here].

Bardo Pond: November 20, 2010 Bell House, Brooklyn, NY – FLAC and MP3 Downloads + Streaming Song

December 2, 2010
By

Bardo Pond came to Brooklyn a couple Saturdays ago to headline an event at the Bell House appropriately titled the “Memory Burn Psych Fest.” If you have seen Bardo’s live show before, you know they picked the right event, as they have been known, at times, to sear one’s mind.  I cannot describe their sound any better than this article from Terrascope did:

Bardo Pond has the outward specifications of a rock band – guitars, bass, keyboards, drums, occasional but crucial flute and violin and vocals – but the rivers that converge into the band’s oneiric flow have their headwaters in the outlands of ecstatic jazz, free noise and the avant-garde. Their slow-motion avalanches of churning instrumentation and voice suggest drugged states but don’t necessarily require them. They alter brain chemistry by the alchemical effect of distressed sound alone, aspiring to become engineers of the soul’s passage to alternate states of consciousness. At the foundation of the pyramid, the drums of (originally) Joe Culver and (now) Ed Farnsworth and the bass of Clint Takeda lay down a sinewy, sexy and hypnagogic bottom end. At the centre of the pyramid, the twin guitars of John and Michael Gibbons send out emissaries of fire, flaying flesh from bone in a storm of holy liberation. Isobel Sollenberger inhabits the place where the pyramid meets the eye of their storm, weaving fibres of voice, flute and violin through the din. I heard someone comment recently that the limits of music have now been defined, bracketed by John Cage’s silence at one end and Merzbow’ss maximum noise at the other, leaving only the option of filling the spaces in between. Bardo Pond demonstrate how much scope there is to innovate within that continuum. If rock music is to have any relevance in the new millennium, it is bands like Bardo Pond that will make it so.

For nearly twenty years, Bardo Pond has produced an ever-evolving series of sonic explorations, including the outstanding 2001 release, Dilate.  This show helped to celebrate, in part, the band’s eponymous new LP,  Bardo Pond, which drops next week on December 6 on the UK-based Fire Records.  In a tantalizing preview of what is to come, kicking off with “Limerick” and “Rumination” from Amanita and flowing into four songs of new material.  Although I had heard only one of the new songs before, they continue the band’s by-now-signature tradition of a massive, churning wall of guitars, with Sollenberger’s vocals seething in and out of focus.  When the show ended, we all had to stand there for a second and pause, ears ringing and minds blown.  Bardo’s mission was accomplished.

Stream and download this show in MP3/FLAC/Ogg on the Live Music Archive [HERE]

Stream one of the new songs:
[audio:http://bit.ly/fRhGCJ ]

Bardo Pond
2010-11-20
Bell House
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC6/mk41+Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)
Position: DFC, pole clamped to soundboard about 9ft from floor, pointed at stacks
Mastering: 2x24bit/48kHz WAV>Audacity (set fades, mixdown, track, amplify and balance, downsample to 16/44.1)>FLAC ( level 8 )

1. Limerick
2. Rumination
3. [new song]
4. [new song]
5. [new song]
6. [new song]
7. [banter]
8. Flux
9. [unknown]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Bardo Pond, visit their website, and purchase Bardo Pond from Fire Records here.

Radical Dads: November 9, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

December 1, 2010
By


[iPhone 4 photo by acidjack]

Radical Dads is a recent offshoot of our friends Uninhabitable Mansions, consisting of drummer/vocalist Robbie Guertin (also of Clap Your Hands Say Yeah), Chris Diken, and vocalist Lindsay Baker. The band is still in its early stages, but the musical talent they have behind them speaks well of their potential. The band’s music leans toward the more raw, lo-fi side of the spectrum, but the pop sensibility of their predecessor bands is also evident. “Recklessness” is a great introduction to the band, a two-minute blast of emotion backed by an instantly catchy beat. The band have already been playing a number of gigs around town, and you should take care not to miss them the next time they are on a bill near you.

I recorded this set with a soundboard feed and the Schoeps microphones. I am admittedly not as pleased as I usually am with the sound quality – the mics were placed somewhat poorly in the room and the board feed was not able to compensate for the deficiencies in mic placement. Nonetheless, I think it is worth sharing with our readers, and please don’t blame the band! Enjoy!

Stream “Recklessness”:
[audio:http://www.nyctaper.com/R6110RadicalDads0210/RadicalDads-Recklessness2010-11-09.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Radical Dads
2010-11-09
Glasslands
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard+Schoeps CMC641>Edirol R-44 (Oade Concert Mod)
Position: At soundboard, ROC, mics at 7′ pointed at stacks
Mastering 2x24bit/48kHz WAV>Audacity (compress SBD, mixdown, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Little Tomb
02 Don’t Wanna Go
03 New Age Dinosaur
04 Pink Flag
05 banter
06 Alondra Rainbow
07 Recklessness
08 Walking Wires
09 I Am the Father of Myself

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Radical Dads, visit their website, and download “Recklessness,” which is also available on their site.

ArpLine: November 17, 2010 Glasslands and October 21, 2010 Cake Shop – FLAC and MP3 Downloads + Streaming Songs

November 29, 2010
By


[iPhone4 photo by acidjack]

I can’t stop talking about ArpLine. Since I first saw the band back in January, they have played seemingly everywhere in town, and each time, they have made converts like me. As musicians, they are insanely consistent, able to blow the doors off of even the most difficult rooms with their layered, Krautrock-influenced songs. This was in full evidence at both the NYCTaper Unofficial CMJ Day Party at Cake Shop, and the band’s recent performance at Glasslands. Both shows featured their biggest crowd pleasers like “Parts Unknown” and “Fold Up Like A Piece of Paper”, but they also played a new number that I do not know the name of. But I think the most exciting moment for me at these shows came when the band busted out a live version of their new cover of Sade’s “No Ordinary Love,” turning the cheesy date night slow jam into a menacing industrial number. You can download the song from the band’s website, along with a number of excellent remixes by them of other bands, here. Also on the recorded front, ArpLine’s record, Travel Book, will finally see physical release soon, and it doesn’t have a weak number on it.

ArpLine plays Glasslands again on December 4, when they open for another of our CMJ Day Party acts, Diamond Rings. Get there early and don’t miss their set!

These recordings are far and away the finest recordings of ArpLine that we have featured on the site – both recorded with the DPA microphones from optimal positions in the venue with a soundboard feed to reinforce the vocals and keys. Some of our favorite songs from both shows are featured as samples below. Enjoy!

Stream “No Ordinary Love” from Glasslands:
[audio:http://www.nyctaper.com/A6030Arp2101/ArpLine-NoOrdinaryLove2010-11-17.mp3]

Stream “Make It Rain” from Cake Shop:
[audio:http://www.nyctaper.com/A6030Arp2101/ArpLine-MakeItRain.mp3]

Stream “Weekend In the Colonies” from Glasslands:
[audio:http://www.nyctaper.com/A6030Arp2101/ArpLine-WeekendInTheColonies.mp3]

Direct download of Glasslands MP3s [HERE]

Direct download of Cake Shop MP3s [HERE]

Download the Complete show in FLAC: [Glasslands] / [Cake Shop]

ArpLine
2010-11-17
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+soundboard>Edirol R-44 (oade concert mod) (24/48)
Position: Balcony, ROC
Mastering: 2x24bit/48kHz WAV>Audacity (set fades, tracking, mixdown, light EQ, downsample to 16bit/44.1)>FLAC ( level 8 )

Tracks
01 [new song]
02 Make It Rain
03 Parts Unknown
04 No Ordinary Love [Sade]
05 Fold Up Like A Piece of Paper
06 Rope
07 Weekend In the Colonies

ArpLine
2010-10-21
NYCTaper CMJ Day Party
Cake Shop
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021+soundboard>Edirol R-44 (oade concert mod) (24/44.1)
Position: Mount on ceiling directly in front of band, ORTF
Mastering: 2x24bit/44.1kHz WAV>Audacity (set fades, tracking, mixdown, light EQ, downsample to 16bit)>FLAC ( level 8 )

Tracks
01 [new song]
02 Fold Up Like A Piece of Paper
03 Make It Rain
04 Parts Unknown
05 [outro]

If you download these recordings from NYCTaper, we expect that you will PLEASE SUPPORT ArpLine, visit their website, go to their shows, and purchase Travel Book when it is released.

Bear In Heaven: November 19, 2010 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Song

November 21, 2010
By


[Photos by Keith Haskel]

There is now no denying it – Bear In Heaven have arrived. Since we first saw the band back in October of 2009, the band has seen their exposure surge and their live set finally get the treatment it deserves. Thanks to the always-helpful combination of Pitchfork accolades and a lot of touring, the rest of the world has come to love this Brooklyn band as much as we do. This set at Music Hall of Williamsburg closed out Bear In Heaven’s latest tour, and this homecoming was massive in every way. Music Hall was packed and there was a line down the street to get in. The sound was dialed in (finally – neither the sold-out Mercury Lounge or Glasslands shows we saw could boast the best house mixes we’ve heard), with Philpot’s vocals penetrating through and the bass rich, deep and tight. The band used a simple but mesmerizing light show that punctuated the hypnotic and often dark nature of their songs. And finally, and most importantly, the band clearly knew it was on tonight – knew that things were different now, and knew they ought to give this eager audience the Bear In Heaven show they would always remember. And indeed, for a solid hour, the band held us captive to their druggy sonic dreamscape, playing all of the highlights of their groundbreaking Beast Rest Forth Mouth as well as (I think) two new numbers. After their usual encore of “Casual Goodbye,” there was nothing more to say – Bear In Heaven may be of Brooklyn, but they are far beyond a mere “Brooklyn band” now. At one point, Philpot noted, “One year ago we were playing at [cozy Brooklyn venue] Zebulon.” For better or worse, Jon, those days are over.

I recorded this set from the center of the balcony with the Schoeps microphones aimed down at the stacks.  I am extremely pleased with the sound, which has virtually no crowd noise and has excellent clarity and detail.  Enjoy!

Stream “Lovesick Teenager”:
[audio:http://www.nyctaper.com/B1027BearHeaven1122/BearInHeaven-LovesickTeenager2010-11-19.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE]

Bear In Heaven
2010-11-19
Music Hall of Williamsburg
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC641>Naiant littlebox>Sony PCM-M10 (24/44.1)
Position: Balcony, center, mics pointed at stacks
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, amplify and balance, light EQ)>FLAC Level 8

Tracks [Total Time 59:17]
01 Wholehearted Mess
02 Ultimate Satisfaction
03 Dust Cloud
04 Lovesick Teenager
05 Beast In Peace
06 Deafening Love
07 Drug A Wheel
08 You Do You
09 [banter]
10 [unknown]
11 Fake Out
12 [unknown]
13 [encore break]
14 Casual Goodbye

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Bear in Heaven, visit their website, and purchase their official releases directly from the Hometapes Records’ site [HERE].

Pavement: September 24, 2010 Central Park Summerstage – FLAC and MP3 Downloads

September 27, 2010
By


[iPhone photo by acidjack]

Oh, Pavement, how we will miss you.  This final show of the band’s five-night NYC (four nights in Central Park) run had a very different vibe than the previous shows, with the band giving off a bit more of a subdued vibe.  The setlist emphasized the more melodic, slower songs from the catalog, and Malkmus in particular seemed intent on jamming and reinterpreting songs (leading to a hilarious “Pavement and the Jicks!!” comment by Bob).  At times the more laid back approach worked – such as on the epic “And Then (The Hexx)” and the extended “Heaven Is A Truck” that was a last minute substitution for “Fight This Generation” in the setlist.  At others, it seemed the band was a tad off their game, with a few false starts here and there.  The set closed out with “Range Life” featuring the recording engineer Bryce Goggin, who mixed both Wowee Zowee and Crooked Rain, Crooked Rain and played keyboards in the recorded version of “Range Life,” performing live with the band – undoubtedly a dream come true for anyone who spends most of their time behind the console!

Where do we go from here?  Fans can hope that the band decides to make new music or at least tour together again, but that seems less than likely at this point.  What we will have left will be our memories of these beautiful nights – which Bob himself acknowledged the band would never forget – and the music itself.  Having Pavement back was also a reminder of how dearly they were missed.  To quote the simple “Summer Babe” refrain, made all the more poignant now: “Don’t go.”

I recorded this set with the same mobile rig as the Williamsburg Waterfront show and Wednesday’s show.  There was almost no wind, and the crowd around me was enthusiastic but respectful.  As a result, the recording is excellent.   As someone who never got to see their favorite band perform (due in part to an untimely death in the band), I greatly appreciate Pavement giving fans who had not seen them before a second chance.  One of the main reasons that I record concerts is because I know how much I treasure the old recordings that people made of my favorite band, since they are the closest thing I have to the real live experience.  I hope that some people will feel the same way about these recordings.  Enjoy!

Direct download of MP3 files [HERE]
Direct download of FLAC files [HERE]

Pavement
2010-09-24
Central Park Summerstage
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Audix 1280c>Church Audio Active Cables>SPSB-10>Sony PCM-M10 (24/44.1)
Position: Mobile rig, near left stack
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, compress wind noise, compress/hard limit clapping, EQ, amplify and balance)>FLAC ( level 8 )

01 Heckler Spray
02 In the Mouth of A Desert
03 Frontwards
04 Spit On A Stranger
05 banter
06 Shady Lane
07 Date With Ikea
08 Grounded
09 Cut Yr Hair
10 Perfume-V
11 Conduit for Sale!
12 Father to a Sister of Thought
13 Stereo
14 Starlings of the Slipstream
15 Gold Soundz
16 banter
17 And Then (The Hexx)
18 We Dance
19 Silence Kit
20 Unfair
21 No Life Singed Her
22 banter
23 Stop Breathin
24 banter
25 Elevate Me Later
26 banter/jamming
27 Here
28 encore break 1
29 Rattled by the Rush
30 Heaven Is A Truck
31 Summer Babe
32 encore break 2
33 Kennel District
34 banter
35 Debris Slide
36 banter
37 Range Life

If you download this recording from NYCTaper, we expect that you will continue to support Pavement, visit their official website, go to shows on this tour, and purchase the records and merch you don’t already own from the band’s official store or Matador Records.

Pavement: September 22, 2010 Central Park Summerstage – FLAC and MP3 Downloads

September 25, 2010
By


[photo courtesy of Music Snobbery]

Night three of Pavement’s New York run was a wet one.  After the clear skies and perfect temperatures of Sunday’s Williamsburg Waterfront show, and the previous night at Central Park Summerstage, Wednesday night was a hot, wet mess.  Shortly into the show, the skies opened up and we all got soaked, but even with a delay for lightning, Pavement managed to play their entire planned set, and a killer one at that, closing out the proceedings with a thunderous “Conduit for Sale!” in which Bob Nastanovich pulled out absolutely all the stops on the vocals.  Drenched but happy, the still-strong crowd returned the favor, singing along to the chorus and giving Pavement another triumphant notch in their belt.

This show was tough to record, given that it was pouring rain, but despite the shirt on my head covering my mobile rig, the recording came out quite nicely.  Enjoy!

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Pavement
2010-09-22
Central Park Summerstage
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Audix 1280c>Church Audio Active Cables>SPSB-10>Sony PCM-M10 (24/44.1)
Position: Mobile rig, near right stack
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, compress wind noise, compress/hard limit clapping, EQ, amplify and balance)>FLAC ( level 8 )

01 intro/banter
02 Heckler Spray>
03 In the Mouth of a Desert
04 Perfume V
05 Trigger Cut
06 Unfair
07 Range Life
08 Starlings of the Slipstream
09 Spizzle Truck
10 Shady Lane
11 Fight This Generation
12 Summer Babe
13 Cut Yr Hair
14 Kennel District
15 Gold Soundz
16 Zurich Is Stained
17 Stereo
18 set break for lightning
19 The Hexx
20 Two States
21 Spit On A Stranger
22 Grounded
23 Silent Kid
24 Father To A Sister of Thought
25 banter
26 Stop Breathin
27 encore break
28 Date With Ikea
29 banter
30 Lions (Linden)
31 Here
32 Conduit For Sale!

If you download this recording from NYCTaper, we expect that you will continue to support Pavement, visit their official website, go to shows on this tour, and purchase the records and merch you don’t already own from the band’s official store or Matador Records.

Pavement: September 21, 2010 Central Park Summerstage – FLAC and MP3 Downloads + Streaming Song

September 23, 2010
By


[iPhone photo by threelobed]

Pavement put the tickets for the Central Park Summerstage shows in Manhattan on sale about a year ago.  The resulting advanced planning (or lack of skill at planning/holding onto tickets) of indie fans was even the subject of a recent New Yorker piece.  The good news about doing things this way was that (a) Pavement sold the shows out and (b) cheap tickets were available for fans day-of.

Those who weren’t daunted by the advanced planning were rewarded by what I believe to have been the best of the three Pavement shows I had (to this point) seen this year.  The band was in a jokey mood, the weather was perfect (about the opposite of Wednesday’s experience), and the set was loose, jammy and ten minutes longer than the already very long Williamsburg Waterfront show.  This show saw the band bust out several tunes not played at the Williamsburg show, including “In the Mouth of a Desert”, “Debris Slide,” “Shoot the Singer”, “Heaven Is A Truck” and the rarest inclusion (which was not on the official setlist), “Perfect Depth.”  Expectations could not have been higher for a show that went on sale a year ago, but Pavement still gave us more than we could ever have hoped.

This set was recorded with DPA 4021 mics mounted 12 feet in the air at the soundboard next to the JetBlue VIP area, unlike the mobile rig that I “stack taped” with on Sunday.  The sound is therefore more stereo balanced, but reflects that the recording was made at a much greater distance from the source.  There are also a couple of short spots of wind noise.

Wednesday’s show was also recorded using the mobile rig upfront and, miraculously (given the rain), sounds excellent.  We expect to post that recording, along with recordings of Thursday and Friday’s shows, to the site later this week or early next week.

Direct download of MP3 files [HERE]

PLEASE RESPECT THE LIMITS OF THE NYCTAPER SERVER AND DO NOT REPOST DIRECT LINKS

Direct download of FLAC files [HERE].

Pavement
2010-09-21
Summerstage
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Naiant littlebox>Sony PCM-M10 (24/44.1)
Position: At soundboard booth, ORTF, 12? up
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, hard limit/compress clapping, EQ, amplify and balance, downsample to 16bit)>FLAC (level 8 )

Tracks [Total Time 1:53:39]
01 Shady Lane
02 Frontwards
03 Heckler Spray>Elevate Me Later
04 Starlings of the Slipstream
05 Stereo
06 Kennel District
07 Grounded
08 Rattled by the Rush
09 We Dance
10 In the Mouth of a Desert
11 Perfume V
12 Unfair
13 Fin
14 Gold Soundz
15 banter
16 Debris Slide
17 Range Life
18 Trigger Cut
19 banter
20 Cut Yr Hair
21 Perfect Depth
22 Fight This Generation
23 Box Elder
24 encore break
25 Date With Ikea
26 Shoot the Singer
27 Conduit For Sale
28 Silence Kid
29 Heaven Is A Truck
30 Stop Breathin

If you download this recording from NYCTaper, we expect that you will continue to support Pavement, visit their official website, go to their shows, and purchase the records and merch you don’t already own from the band’s official store or Matador Records.

Pavement: September 19, 2010 Williamsburg Waterfront – FLAC and MP3 Downloads + Streaming Song

September 20, 2010
By


[Photo courtesy of fakebook. See his Flickr stream here]

Pavement returned to New York City after a hiatus of more than 10 years. For those of us who grew up worshipping the band in the 90s, this was a jaw-dropping, tears-streaming moment. There once was a world where, far from all things, but a hell of a lot more things were right, and one of those things was Pavement, avatars of a time when being a “slacker” was a choice rather than an economic reality. Insouciant, wry and at times impenetrable, they were not all things to all people – but they were all things to a certain kind of person, the right kind of person some (particularly a certain vintage of indie snob) might say. Beyond all doubt time has been kind; since I last saw them take the stage in Raleigh, NC in 1999, sloppy as hell and evidently sick of it all, these guys have grown as musicians immensely, as evidenced by the more intricate solos and the swagger with which they dispatched a nearly two hour (!!) set before a crowd that, as I saw it, included a fair number of people who were in elementary school when Terror Twilight closed out their recorded history. Listen to the 7+ minute “Fight This Generation” and see if you agree. Fittingly, the show took place outdoors, facing Manhattan from the teeming Williamsburg Waterfront. Were Pavement a young band today, there is little doubt what side of the East River they would spend their time on.

These songs have worn well – with nearly every song a classic, it is hard to pinpoint highlights. Suffice it to say, for those of us who will be catching the next four shows at Rumsey Playfield in Central Park from Tuesday through Friday, this is going to be a memorable week.

I recorded this set with a mobile rig in the audience very close to the sound source. Although there is occasional wind noise that I have mostly processed out, and the expected excitement of the crowd, the sound is overall extremely clear. Enjoy!

Stream “Fight this Generation”:
[audio:http://www.nyctaper.com/P9910Pavement0210/Pavement-FightThisGeneration_nyctaper.mp3]

Stream “Spit on a Stranger”:
[audio:http://www.nyctaper.com/P9910Pavement0210/Pavement-SpitOnAStranger_nyctaper.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Pavement
2010-09-19
Williamsburg Waterfront
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Audix 1280c>Church Audio Active Cables>SPSB-10>PCM-M10 (24/44.1)
Position: Mobile, near right stack
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, hard limit/compress clapping, EQ, amplify and balance, downsample to 16bit)>FLAC (level 8 )

Tracks [Total Time 1:43:59]
01 intro banter
02 Cut Yr Hair
03 Date With Ikea
04 Rattled by the Rush
05 banter
06 Elevate Me Later
07 Grounded
08 Frontwards
09 Shady Lane
10 Unfair
11 Perfume V
12 Fight this Generation
13 Silence Kid
14 Box Elder
15 banter
16 Stop Breathin
17 Two States
18 Father to a Sister of Thought
19 banter
20 Heckler Spray>In the Mouth of a Desert
21 banter
22 We Dance
23 Summer Babe
24 Fin
25 Stereo
26 encore break
27 Spit on a Stranger
28 Trigger Cut
29 banter
30 Starlings of the Slipstream
31 Gold Soundz
32 Kennel District
33 Range Life

If you download this recording from NYCTaper, we expect that you will continue to support Pavement, visit their official website, go to shows on this tour, and purchase the records and merch you don’t already own from the band’s official store or Matador Records.

Lymbyc Systym: September 18, 2010 Studio BPM – FLAC/MP3/Streaming

September 19, 2010
By


[iPhone photo by acidjack. Conditions were very dark and flash was not an option.  Photo is not great; recording is]

Brothers Jared and Michael Bell of Lymbyc Systym have had the advantage of making music together since they were preteens, sure, but still, the synergy and skill they brought to this DIY show at Studio BPM was startling.  Their sound, a blend of electronic music, jazz and experimental rock, evinces such diverse acts as Tortoise and Explosions in the Sky.  What is remarkable about the brothers Bell, though, is that they sound like a five-man band using only two players: Mike on the drums and Jared on the various keys.   Originally from Tempe, AZ, since their founding in 2001, the band has traveled the country with a wide array of like-minded acts such as The Album Leaf and Broken Social Scene, and recently completed a monthslong tour of Asia.  This set included two of the band’s contributions to their recent Field Studies split EP with This Will Destroy You, “Narita” and “Notations”.  Studio BPM made an ideal setting for this music, with an intimate atmosphere, high quality sound system, and rapt crowd.

I recorded this set with a stereo soundboard feed blended with the DPA mics on a stand on the floor.  The sound quality is outstanding.  Enjoy!

Stream and download this show in MP3 and FLAC on the Live Music Archive [HERE]

Lymbyc Systym
2010-09-18
Studio BPM
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced for nyctaper.com by acidjack

Equipment: Stereo soundboard feed + DPA 4021>Edirol R-44 (24/44.1)
Position: Slightly ROC, FOB, mics at 7.5ft
Mastering 2×24bit/44.1kHz WAV>Audacity (mixdown, EQ audience recording, set fades, tracking, amplify and balance, smooth peaks, downsample to 16bit)>FLAC (level 8 )

Tracks [Time 33:29]
01 Birds
02 Truth Skull
03 Fall Bicycle
04 Love Your Abuser
05 Selamat Pagi
06 Bedroom Anthem
07 Notations
08 Narita

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Lymbyc Systym, visittheir website, and purchase their official releases from them here.

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.