Posts Tagged ‘ AKG CK63 ’

Tortoise: March 15, 2017 (Le) Poisson Rouge

March 20, 2017
By


[Photo by David C/@castleone]

Almost exactly a year since we last saw Tortoise, the band rolled back into town for a two-night stand at (le) Poisson Rouge and the Hall at MP. The great thing about seeing Tortoise—and it’s why I come back year after year—is that they’ve got such a vast catalog that there’s always new material to hear along with a revolving cast of deep cuts the band brings out on tour. Like last year’s setlist, this one from (le) Poisson Rouge airs a batch of newer songs off last year’s The Catastrophist, including the title track, “Hot Coffee,” “Shake Hands With Danger,” and again brings out Georgia Hubley to sing on “Yonder Blue.” Adding a few songs we hadn’t heard last year like “Ten-Day Interval,” “Crest,” and “Dot/Eyes,” the band also goes super-deep with “Tin Cans & Twine” from the very first Tortoise album.

I recorded this set with the AKG hypercards clamped in front of the soundboard, combined with a board feed courtesy of the LPR crew. The sound quality is outstanding. Enjoy!

Download the complete show at the Live Music Archive.

Stream the complete show:

Tortoise
2017-03-15
(Le) Poisson Rouge
New York, NY

Recorded and produced by Eric PH for nyctaper.com

Tortoise’s engineer: Elliot Dicks
Venue engineers: Jay Eigenmann, Bernie Girman, and Gabe Montesi Garskoff
Photo: David C

Soundboard + AKG C480B/CK63 > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:25:27]
01. Gigantes
02. Hot Coffee
03. The Catastrophist
04. The Suspension Bridge at Iguazu Falls
05. Eros
06. Gesceap
07. Yonder Blue (with Georgia Hubley)
08. High Class Slim Came Floatin’ In
09. Tin Cans & Twine
10. [technical difficulties]
11. Ten-Day Interval
12. Shake Hands With Danger
13. Crest
14. [encore break]
15. Dot/Eyes
16. Seneca

Tortoise: Website | Facebook | Buy The Catastrophist and more via Thrill Jockey

Sunn O))): March 17, 2017 Knockdown Center

March 19, 2017
By

The visceral experience of seeing Sunn O))) is not readily expressible in words so I’m going to be brief. It’s two days later now, my ears still ringing despite the hearing protection. The Knockdown Center shook and rattled and groaned but contrary to its name was still standing after two hours of Sunn O))) doing their best to reduce it rubble with their low frequency assault. The four songs here are presented as a continuous piece. They have titles that I’m sadly not deft enough to know, though the second is “Aghartha” from Monoliths & Dimensions. No recording could do this experience justice but maximum volume will get you partway there.

I recorded this with the mics run high, set up at the soundboard. The results are stunning. Enjoy!

Thanks to the Knockdown Center, Tinnitus Music Series, and LPR Presents for all their assistance in making this happen.

Stream and download via Sunn O)))’s Bandcamp page:

SUNN O)))
Knockdown Center
Maspeth, NY
USA
2017.03.17 [Friday]

NORTHEAST USA & SOUTHEAST CANADA TOUR 2017 w/ B I G | B R A V E

Tinnitus Music Series & LPR presents…

SUNN O)))
ATTILA / THE LORD / SOMA / TOS / STEBMO
FOH : Mr Chris FULLARD / TM : Mr Peter STAHL / Legend : Mr. John PEREZ

01 [25’41]
02 [33’13]
03 [34’25]
04 [28′]

Total time: 2’01’19

Recording by Eric PH >> AKG C480B/CK63 > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (normalize, fades) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Live photos & cover shot by Eric PH

Buy Sunn O))) merch and records via Southern Lord
• • Buy and stream live recordings from the Sunn O))) live Bandcamp page

Tim Presley: January 26, 2017 The Bowery Ballroom

February 7, 2017
By


[photos courtesy of Will and We All Want Someone blog]

Though we’re well acquainted with White Fence, Tim Presley has for the time being shelved that band in favor of going solo under his own name. The first record to appear as such is the The Wink, a buzzed and jittery work which was produced by Welsh musician Cate Le Bon, also Presley’s touring partner. The album is a departure from the fuzzy garage psych of White Fence, as Le Bon’s presence pushes Presley into intimate and unexplored territory. As I mentioned in my review of her set from the same night, Le Bon and her band also backed Presley for his opening set. Listening to the two side-by-side, you’ll notice a cohesive presence and song structure between them. Presley and band played the entirety of The Wink, in order, save for “Moment,” from his experimental W-X side project. Incidentally, no White Fence tunes were played until Cate Le Bon’s encore when she and Presley did a duet on “Chairs in the Dark.”

I recorded this set from our usual location in the venue slightly to the left of soundboard in the balcony area, with a board feed from Bowery FOH Kenny. As usual for the venue, the sound is excellent. Enjoy!

Download: MP3/FLAC

Stream:

Tim Presley
2017-01-26
The Bowery Ballroom
New York, NY

Recorded and produced by Eric PH for NYCTaper.com
Photo by Will Oliver

Soundboard [engineer: Kenny] + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [49:17]
01. O’Guardian A
02. The Wink
03. Can You Blame
04. Solitude Cola
05. Goldfish Wheelchair
06. Long Bow
07. Morris
08. ER
09. Underwater Rain
10. Kerouac
11. Clue
12. Moment
13. Aura Aura

• Facebook
• • Buy The Wink and White Fence records via Drag City

Rhyton: December 3, 2016 Union Pool

December 18, 2016
By

I love catching bands with whom we have an ongoing relationship, getting to hear new material or the refashioning of older material—and there’s a rare intimacy that develops when you’ve recorded and mixed and mastered someone’s music. We’ve been following Rhyton for a while now, since way back in 2012 when they played our Northside Showcase at 285 Kent. Each time it’s something different, some shows tending towards the band’s improvisational side, others outing songs or trying out brand new material. This set from a couple weeks back at Union Pool—the first we’ve seen since this year’s Redshift was released—splits the difference with a few songs off that album combined with the jams. “Turn to Stone” is a Joe Walsh/Eagles cover made Rhyton’s own and there’s a plenty good chance the band will have you unwittingly enjoying an Eagles tune, so watch out.

I recorded this set from our usual location in the venue, with a board feed from Union Pool FOH, Doug. Despite some chatter in the quieter passages, the sound is excellent. Enjoy!

Download and Stream via Bandcamp:

Rhyton
2016-12-03
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for NYCTaper.com

Soundboard [engineer: Doug] + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:50]
01. Intro Jam
02. Redshift > Jam
03. The Nine
04. Turn to Stone [Joe Walsh]

Buy Rhyton’s Redshift (and other Rhyton records) via Thrill Jockey
• • Connect with the band on Facebook

Chris Forsyth & The Solar Motel Band: December 3, 2016 Union Pool

December 6, 2016
By

Chris Forsyth & The Solar Motel Band

We’re always happy to have a new Solar Motel Band tape to share; even more so when that tape features three brand new jams. Appearing this past Saturday night at Union Pool as a trio (that’s Chris Forsyth, Peter Kerlin, and Ray Kubian), the band came prepared with some previously unheard funk. Maybe it’s just because Forsyth has been soundtracking the Stones film Cocksucker Blues recently, but I couldn’t help but be reminded of later 70’s Rolling Stones—especially on the eighteen-minute closer, “American History & Science Fiction” (working title). But whatever far-out rock gods these guys are channelling these days, it sounds damn fine.

I recorded this from our usual location in the venue, with a board feed from Union Pool engineer Doug. The sound is excellent. Enjoy!

Stream and download via our new Bandcamp page:

Chris Forsyth & The Solar Motel Band
2016-12-03
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for NYCTaper.com

Soundboard [engineer: Doug] + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [43:10]
01. Dreaming In The Non-Dream, Parts I-II
02. Mistaken The Bottle
03. American History & Science Fiction

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Buy The Rarity of Experience from No Quarter

Hiss Golden Messenger – November 15, 2016 Music Hall of Williamsburg

November 20, 2016
By

Hiss Golden Messenger

Hiss Golden Messenger’s new album, Heart Like a Levee, is one for dark times—and dark times we’ve got in abundance. Still, last week’s tour stop at the Music Hall of Williamsburg was nothing if not uplifting. “Red Rose Nantahala,” normally dedicated to North Carolina’s horrid (and hopefully former) governor, is here dedicated to “a whole bunch of people,” and I think the whole room here in Brooklyn more than ever felt the import of those lyrics, “Well let me be the one I want / Well let me love the one I want.” On the lighter side, it was the band’s cover of the Grateful Dead’s “Brown-Eyed Women” that stole the show. Their version appeared originally on the Day of the Dead compilation and this was apparently the first time it had been attempted live. The epic, thirteen-minute closer “Brother, Do You Know the Road?” (a personal favorite among HGM tunes), fittingly performed to end a set of songs about finding your way home, and on one of the last dates of their tour, will send you off feeling pretty good.

I recorded this set with the mics set up at the soundboard combined with a board feed from the band’s touring engineer, Luke. The sound is excellent. Enjoy!

Download: MP3/FLAC

Stream:

Hiss Golden Messenger
2016-11-15
Music Hall of Williamsburg
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard [engineer: Luke] + AKG C480B/CK63 (DFC, PAS, at SBD) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [2:07:11]
01. As the Crow Flies
02. Biloxi
03. Saturday’s Song
04. Mahogany Dread
05. Red Rose Nantahala
06. Day O Day (A Love So Free)
07. [banter]
08. Heart Like a Levee
09. Tell Her I’m Just Dancing
10. O Happy Day
11. Like a Mirror Loves a Hammer
12. Call Him Daylight
13. I’ve Got a Name For the Newborn Child
14. [banter]
15. I’m a Raven (Shake Children)
16. [banter]
17. O Little Light
18. Flags and Banners [Faces]
19. Say It Like You Mean It
20. Cracked Windshield
21. Lucia
22. Southern Grammar
23. [encore break]
24. Brown-Eyed Women [Grateful Dead]
25. Brother, Do You Know the Road?

If you enjoyed this recording, PLEASE SHOW YOUR SUPPORT by buying Hiss Golden Messenger’s records from Paradise of Bachelors and Merge Records, as well as HGM’s online store.

Animal Collective: November 2, 2016 Terminal 5

November 6, 2016
By

Animal Collective
[photos courtesy of Will and We All Want Someone blog]

If you read this site frequently enough to discern a variety of personas behind the reviews and recordings, you may have noted that I usually don’t go out for the big shows. A dislike of crowds combined with a simple preference for many smaller acts in intimate venues informs most of my concert-going. I skipped Animal Collective’s two-night stand at Irving Plaza this past February for these very reasons; however, upon hearing NYCTaper’s recording of night two I was filled instantly with pangs of regret for having missed some clearly excellent Animal Collective shows. So when the band announced their November tour stop at Terminal 5, I cast aside my usual reservations about the venue and bought a ticket—and my faith was rewarded thoroughly. Terminal 5 is a cavernous room and as NYCTaper notes the last time we saw Animal Collective there, it has the capacity to swallow up the sound. But not on this night: the sound in the venue was dialed in perfectly and the quality of this recording is a reflection of that. I couldn’t be happier with how this recording turned out and I’m sure you’ll agree.

On to the music: now two albums past their breakout, Merriweather Post Pavilion, Animal Collective have made it quite clear that they won’t be content to remake versions of their most popular record over and over again. Instead they’ll push forward as they’ve been doing since the early aughts, always something new. Every tour for Animal Collective is different, but the trend for the last few years since Centipede HZ is towards their jammy side with lengthy transitions between songs (here including a nod to the Dead’s “The Other One” and also a short burst of Panda Bear’s “Drone”). Animal Collective has become of those bands you need to revisit each tour to hear the new arrangements of songs you’ve heard live before plus out-of-the-blue setlist additions you never would have imagined (like “Bees” on the last tour or “Kids on Holiday” here). This nearly two-hour show captures nearly all of the band’s current setlist and is a pretty much perfect document of the current tour. Speaking of which: the tour is still going on and you’d be a fool to miss out. Do it.

I recorded this set with the AKGs clamped at the lip of the balcony, directly over the sound engineer’s head. The quality of this recording is simply stunning. Enjoy!

Download the complete show in a variety of formats at the Live Music Archive.

Stream:

Animal Collective

Animal Collective
2016-11-02
Terminal 5
New York, NY

Recorded and produced by Eric PH for NYCTaper.com
Photos by Will Oliver

AKG C480B/CK63 (DFC, at SBD, PAS) > Roland R-26 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:52:26]
01. Recycling
02. Lying in the Grass
03. Golden Gal
04. Summing the Wretch
05. Loch Raven
06. On Delay
07. Jimmy Mack [Martha Reeves and The Vandellas]
08. Water Curses
09. FloriDada
10. The Burglars
11. Kids on Holiday
12. [encore break]
13. Hocus Pocus
14. Guys Eyes
15. Summertime Clothes

SUPPORT ANIMAL COLLECTIVE: Website | Buy Painting With | Facebook

Matt Valentine: August 14, 2016 Union Pool

August 24, 2016
By

Matt Valentine

Any Matt Valentine or MV/EE tour poster will tell you that tapers are welcome; and we’ve never been shy about taking him up on the invitation. We caught up with Valentine earlier this year for his solo release Midden Mound. And now a few months later, we returned to Valentine’s space homestead for this Sunday night space folk set highlighting his new record, Blazing Grace. As usual, you’ll find Valentine’s signature blend of noisy folk songs and trippy jams here. Meanwhile, Valentine wrapped up his tour last night, but he’ll no doubt be hitting that golden road again soon so keep an eye out for next time—we’ll see you in the taper’s pit.

I recorded this set from our usual location at the venue combined with a board feed from Union Pool FOH, Doug. The results are excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Matt Valentine
2016-08-14
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Doug) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [48:16]
01. Boo Woe (When It’s All Gone)
02. Jeremiah Red
03. [banter]
04. Shine a Light
05. [banter]
06. Anji Variations
07. Now I Have Everything (version) > P.K. Dick

Buy Blazing Grace via Time-Lag
• • Connect with Matt Valentine via Facebook
• • • Buy MV/EE and MV solo records from their blog

SAVAK: June 11, 2016 Union Pool (Unblinking Ear Northside Showcase)

July 19, 2016
By

SAVAK

Local favorites SAVAK just released their excellent first LP, Best of Luck in Future Endeavors. We had seen a preview back in January and thankfully Unblinking Ear brought them back to Union Pool for their Northside showcase. This afternoon set literally picks up where the album leaves off with a few new songs like “They Are Bones,” “I Don’t Want To Be Defended,” “Loma Prieta,” and “Sick of War.” Like in January, Greg Vegas joins in on saxophone for a few numbers and I’m honestly surprised we didn’t hear cries of “more saxophone!” from the crowd. No further dates currently scheduled for SAVAK, but I’m sure we’ll likely see them again soon promoting this record that will justifiably end up on some 2016 best-of lists.

I recorded this set from our usual location at Union Pool, the room mics combined with a board feed from FOH Kevin. I mixed those down and then Sohrab provided some additional mastering. The results are excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

SAVAK
2016-06-11
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH
Additional mastering by Sohrab Habibion

Soundboard (engineer: Kevin) + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [33:01]
01. Alive in Shadows
02. Drop the Piece
03. Reaction
04. They Are Bones
05. Knock Don’t Run
06. I Don’t Want To Be Defended
07. Loma Prieta
08. This Currency Exchanged
09. Sick of War
10. Early Western Traders

Buy Best of Luck in Future Endeavors via Comedy Minus One
• • Connect with the band at their Website and on Facebook

Matchess: June 10, 2016 Union Pool (Monofonus Press Northside Showcase)

June 30, 2016
By

Matchess
[Photos By Rocketman]

You may have not heard of Matchess before, but chances are you’ve listening to music from Whitney Johnson for a while now. She’s accumulated some impressive credits playing with her like-minded Chicago neighbors Ryley Walker, Circuit Des Yeux, and Bichin Bajas, not to mention her band Verma who have got a few records out on Trouble in Mind. Meanwhile, Johnson has been releasing a steady stream of solo work under the alias Matchess: Seraphasta was released in 2013 on highly respected tape label Digitalis and was then reissued by Trouble in Mind, who also put our her second record Somnaphoria. Just this past May, she switched to Austin label Monofonus Press for her latest album, The Rafter. Matchess combines vocals, synthesizers, tape loops, and live viola into textural, ambient songs. Her compositions are anything but grounded, sounding more like something sighted or visited in outer space. Among other appearances at Northside Festival, including one with Grouper, Matchess joined in for the Monofonus Press showcase, giving us all a respite from the heavier fare with her quieter, but challenging, set.

I recorded this set from our usual location in Union Pool with a board feed from FOH Robert. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Matchess
2016-06-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [24:42]
01. Mi Ti Ra
02. The Need of the Greatest Wealth
03. But Their Chains
04. Aweh
05. Melts Into Air

Buy The Rafter via Monofonus Press
• • Buy Somnaphoria via Trouble in Mind
• • • Check tour dates, etc. at the Matchess Tumblr

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