Posts Tagged ‘ austin ’

Lucero: March 17, 2012 SXSW at Hotel Vegan Austin TX – Flac and MP3 Downloads + Streaming Song

March 25, 2012
By


[photo courtesy of Amanda Hatfield]

As John noted several years ago, Lucero is the quality of band that impresses you the very first time you can a chance to see them live. For John, that was in early 2009 (here) and again for a secret show at Mercury Lounge last Summer (here). So as far as the nyctaper staff goes, I was the newbie to Lucero. But John was right. Within the first song of their set on Saturday’s Hotel Vegan outdoor stage, I knew that this was a band for me. They are no-nonsense honest alt-country and boogie outfit from Memphis whose live performances are exercises in full commitment. Lead singer Ben Nichols noted that he was exhausted for this afternoon show on the final day of SXSW, but that was good because it meant he was “doing his job”. At Hotel Vegan, the Saturday outdoor show was a wealth of music riches, with outstanding bands before and after Lucero — but their set was certainly a highlight. Currently on tour in support of the new album Women & Work, Lucero’s set contained a few of the new numbers but also a nice selection of older songs. We’re streaming “Sixes and Sevens”, the show’s climax before a quiet number closed the set. Lucero will return to NYC for a show at Webster Hall on April 20, 2012.

I recorded this set in a similar manner to the previous Hotel Vegan set (Fanfarlo), by mixing the Sennheiser MKH-8040s with a board feed. For this particular set, the “noisy neighbors” did not have their system cranked, and our location was more centered. The result is a superb recording. Enjoy!

Stream “Sixes and Sevens:
[audio:http://www.nyctaper.com/L2006Lucero9020/10.%20Sixes%20and%20Sevens.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lucero
2012-03-17
Hotel Vegan – SXSW
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-03-23

Setlist:
[Total Time 36:15]
01 The Devil And Maggie Chascarillo
02 Downtown (Intro)
03 On My Way Downtown
04 Darken My Door
05 Women and Work
06 Raising Hell
07 Chain Link Fence
08 Sounds of the City
09 Summer Song
10 Sixes and Sevens
11 Fistful Of Tears

If you download this recording, we expect that you will PLEASE SUPPORT Lucero, visit their website, and purchase their official releases and merchandise [HERE].

Fanfarlo: March 15, 2012 SXSW at Hotel Vegan Austin TX – Flac and MP3 Downloads + Streaming Song

March 21, 2012
By


[photo courtesy of Amanda Hatfield]

NYCTaper went on the road to Austin last week for the annual SXSW Festival. As I tweeted at one point near the end of my trip, SXSW is kind of like CMJ on steroids. There are a ton of corporate-backed “scene” shows downtown that really don’t appeal to me. However, on the East side there was a series of unofficial showcases that featured just about every band you could see downtown, only under much better circumstances — a relaxed atmosphere not overrun by commercialization. That’s where we spent the Fest.

The best of these unofficial shows was the four-day afternoon showcases presented by brooklynvegan at the venue Hotel Vegas, rechristened “Hotel Vegan” for the week. Each afternoon eight or nine band played on an outside stage while inside there was additional bands on two other stages. We camped out on Thursday at noon at the outside stage and that’s where we stayed for the next three days. Each day’s afternoon showcases were recorded, and I’ll be featuring a large amount of those recordings over the next few weeks.

One of the highlights of Thursday’s show was the set by the British-based band Fanfarlo. They are currently in the US on tour to support their new album Rooms Filled With Light and based upon reviews, I expected the Fanfarlo to have a more pronounced electronic feel to their beautiful indie-folk. I had not seen the band since 2009 (here) and while its clear that their sound has changed, I find it more of an evolution than a departure. The focus remains on Simon Balthazar’s vocals and songwriting accompanied by a variety of instrumentations from the talented band. At this Hotel Vegan show, it was the horn playing that cut through the heat, chatter and outdoor sounds to propel the band forward. The set consisted of all but one song from Rooms, and we are streaming “Deconstruction”, a powerful song that builds in intensity to a stunning conclusion.

I recorded all of the Hotel Vegan outdoor sets with the assistance of my new Sennheiser MKH-8040 Cardioid microphones and they certainly proved up to the task. These recordings presented many challenges, the most pronounced of which was the persistent thumping of bass and drums from an adjacent competing stage (unaffiliated with brooklynvegan). Our “neighbors” seemed to feel the need to compensate for the poor attendance at their show by cranking their sound system. Some of this noise can be heard in between songs in many of the Hotel Vegan recordings. There was also the expected constant chatter and movement of the Festival crowd. I was also assisted with an excellent soundboard feed by the superb FOH technicians Toby and Taylor employed at the Festival by Miller Pro Audio. With all of these challenges (and caveats), I still feel that the sound quality of these recordings is excellent under the circumstances. Enjoy!

Stream “Deconstruction”:
[audio:http://www.nyctaper.com/F2010Fanfarlo2290/05.%20Deconstruction.mp3]

This recording is now available for download in FLAC or MP3 at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Fanfarlo
2012-03-15
Hotel Vegan – SXSW
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-03-21

Setlist:
[Total Time 32:15]
01 Feathers
02 Tightrope
03 Lenslife
04 Tunguska
05 Deconstruction
06 [banter]
07 Harold T Wilkins
08 Shiny Things

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Fanfarlo, visit their website, and purchase Rooms Filled With Light directly from the Fanfarlo webstore [HERE].

The Black Angels: July 15, 2011 Maxwell’s – FLAC and MP3 Downloads + Streaming Songs

July 22, 2011
By


[Photos by acidjack]

Shows at Maxwell’s are always a treat, in no small part because you get to spend quality time with a relatively “big” band in a venue much smaller than they normally play (we caught them at Bowery Ballroom not too long ago).  This show by The Black Angels – in town for a series of shows, including headlining the 4Knots Festival – fit that description.  Packing the 200-capacity room, the Angels blew out the room with their layered, reverb-heavy sound.  One could be forgiven for thinking they were a band out of Manchester or thereabouts rather than one of America’s top music towns, Austin, Texas – their baggy sound shares as much commonality with mid-90s UK rock as it does with the “psychedelic rock” tag the band usually finds stuck to them.  This set proved that the band could rock like a huge band even in a small room (and without the killer light show they had last time), with the big rockers like “Black Grease” getting obvious love from the Friday night crowd.  Unsurprisingly, the set focused heavily on their 2010 record, Phosphene Dream, which has earned them proper critical acclaim.  I could hope to see them again at Maxwell’s in the near future, but let’s face it, this band is probably headed for Terminal 5 (and good for them).

hi and lo and I recorded this set with a four-mic mix from our usual spot in the venue.  The band’s sound engineer would not permit us to utilize a soundboard feed, but the sound is nonetheless excellent.  Enjoy!

Stream “Entrance Song”:
[audio:http://www.nyctaper.com/B0904BlackAngels2101/04 Entrance Song.mp3]

Stream “Better Off Alone”:
[audio:http://www.nyctaper.com/B0904BlackAngels2101/10 Better Off Alone.mp3]

This recording is now available as FLAC or MP3 download at Archive.org [HERE].

Follow acidjack on Twitter

The Black Angels
2011-07-15
Maxwell’s
Hoboken, NJ USA

Recorded for nyctaper.com by acidjack and hi and lo
Produced by acidjack

Equipment: DPA 4021>EAA PSP2 + Schoeps mk41>CMR>tinybox >> Tascam DR-680 (24/48)
Position: LOC, clamp to right corner of soundboard booth, mics at 7.5ft, 4021’s PAS, mk41s DINa
Mastering: 2x24bit/48kHz WAV>Audacity (EQ DPA source, mixdown, set fades, EQ, smooth peaks, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 You On the Run
02 Bad Vibrations
03 The Prodigal Sun
04 Entrance Song
05 Doves
06 [tuning/crowd]
07 Black Grease
08 The Haunting at 1300 McKinley
09 The Sniper
10 Better Off Alone
11 Telephone
12 Science Killer
13 Young Men Dead
14 [encore break]
15 Bloodhounds On My Trail
16 Phosphene Dream

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Black Angels, visit their website, purchase Phosphene Dream directly from the band at the front page of their website [HERE].

…And You Will Know Us By the Trail of Dead: April 29, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Song

May 3, 2011
By


[Photo by EardrumNYC]

Starting with their band name, Austin’s …And You Will Know Us By the Trail of Dead have never been concerned with doing things the way that other bands do them. They are the kind of band that opens a co-headlining (yet nonetheless, technically opening) set at the Bowery Ballroom on a Friday night with a fifteen minute song (“Strange News From Another Planet”) from a new record (2011’s Tao of the Dead) that likely even the fans in attendance knew less well than their classic material. They are also the kind of band who, when they do that, cause the crowd to go apeshit.

Indeed, for the younger generation that was there to see the co-headliner Surfer Blood, this intense hour of no-compromise punk/art-rock may have been a departure from their usual Friday night fare. Surfer Blood is a great band, but Trail of Dead is many things they are not: loud, audacious, and visceral. But whether you came for Trail of Dead or not, they had to have won you over by the time they left the stage; frontman Conrad Keely bounced and pogo’d all over the stage while Jason Reece and Jamie Miller traded turns playing guitar and hammering the skins. With Autry Fulbright, also of Midnight Masses, joining on bass, the band has a killer lineup, even compared to the many variously-sized ones they have had. They were clearly enjoying themselves, as well as the energy from the crowd, which peaked in size during their set. The set covered a wide range of the band’s material, from the new material to classics such as “It Was There That I Saw You”, the leadoff track to their Pitchfork “perfect 10” album, Source Tags & Codes. The soaring song about intoxicating, damaged love is both jubilant and sad, a classic whether you’re hearing it for the first or fiftieth time. It also made for a tight under-four-minute contrast to some of the more epic numbers that bookended the set (including a 7+ minute “Perfect Teenhood” from Madonna to close out the set) …And You Will Know Us By the Trail of Dead don’t just defy expectations – they exceed them.

I recorded this set with the DPA microphones and a handmade analog preamp from my usual spot in the venue. The sound quality is excellent. Enjoy!

Please note that the Surfer Blood set was recorded, but per our agreement with Kanine Records, will not be posted until the release of Surfer Blood’s forthcoming EP.

Stream “It Was There That I Saw You”:
[audio:http://www.nyctaper.com/T2402TrailOfDead1122/09 It Was There That I Saw You.mp3]

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Follow acidjack on Twitter

And You Will Know Us By the Trail of Dead
2011-04-29
Bowery Ballroom
New York, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248>Sony PCM-M10 (24/44.1)
Position: Slightly LOC, clamp to balcony rail at engineers’ head level, pointed at stacks
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, amplify and balance, light EQ (-1dB at 150-200Hz), smooth peaks, downsample)>FLAC ( level 8 )

Tracks [Total Time 59:27]
01 [intro]
02 Strange News From Another Planet
03 Summer of All Dead Souls
04 [banter]
05 Ebb Away
06 Will You Smile Again
07 Caterwaul
08 [banter]
09 It Was There That I Saw You
10 [banter]
11 Relative Ways
12 Fake Fake Eyes
13 A Perfect Teenhood

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Trail of Dead, visit their website, and purchase Tao of the Dead at your favorite retailer, including here.

Explosions In the Sky: April 6, 2011 Radio City Music Hall – FLAC and MP3 Downloads + Streaming Song

April 11, 2011
By

EITS
[photo courtesy of Brian C. Reilly and Bowery Houselist]

It’s no longer news when an “indie” band sells out a mega-sized venue. But the story of Explosions In the Sky – an instrumental rock band on the tiny (and uniformly outstanding) label Temporary Residence Limited – has got to be one of the strangest of all. Sure, EITS are an absolutely killer live band, and their music is incredible – but that could also be said of their brethren in the instrumental rock scene, the next-most-popular of whom isn’t selling out venues one third this size. No, it was a bit of a quirk of fate that EITS’ music ended up becoming the soundtrack for the football movie Friday Night Lights and, perhaps more importantly, the surprisingly good TV series based on the movie that followed. Now, their eight-minute rock mini-symphonies may forever be associated with sandblown prairie, abandoned oil rigs, and of course, football fields set against the lonely Texas sky, but they are fitting-enough images for a style of music that is so grand in its sweep. In one song, EITS can be capture the mute pain of loneliness, the thrill of motion, and the ecstasy of victory. I don’t doubt that they take inspiration from the outsize land from which they came, from Friday night lights and the great swaths of darkness in between.

As to this set, its most exciting aspect was that it gave EITS a chance to debut songs from their forthcoming album, Take Care, Take Care, Take Care, which, if pre-release hype is any indication, will be their most massive yet. They led off with the new number “Postcard From 1952,” a classic slow-builder in the usual EITS style, that wraps up with cascading waves of feedback. Also on display were the mellower “Let Me Back In” and the closer, the short-burst rocker “Trembling Hands,” which may well end up being their bid for radio airplay. As EITS sets go, this one was a bit short, topping out at only 75 minutes, but the band made them count, adding to the new songs some of their biggest classics like “The Only Moment We Were Alone” and “Your Hand In Mine”. But perhaps the most moving part of the performance for me wasn’t what happened during the music, but the sincere gratitude the band showed both before and after the show in their thanks to the fans. A lot of bands can give the perfunctory “thanks for coming” etc. and you may or may not believe them; for EITS, it was evident how incredible this unlikely achievement was for them. As a truly great group of guys as well as outstanding musicians, this success couldn’t have happened to a better group of people. Good for them, and good for us.

I recorded this set with the DPA microphones. My location in the venue was not optimal, but Radio City is a beautiful-sounding venue, so the sound is still good after a bit of tweaking. The crowd was very respectful, and therefore crowd noise is minimal. I apologize in advance for any tracking errors. Enjoy!

Stream “Trembling Hands”:
[audio:http://www.nyctaper.com/E3060EITS9992/10 Trembling Hands.mp3]

Download the MP3 and FLAC files and stream the entire show on the Live Music Archive [HERE]

Follow acidjack on Twitter

Explosions In the Sky
2011-04-06
Radio City Music Hall
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Denecke PS/2>Sony PCM-M10 (24/44.1)
Mastering: 24bit/44.1kHz WAV>Audacity (EQ, set fades, tracking, amplify and balance, downsample to 16bit)>FLAC ( level 8 )

Tracks [Total Time 1:15:48]
01 Intro
02 Postcard From 1952
03 The Birth and Death of the Day
04 Yasmin the Light
05 Last Known Surroundings
06 The Only Moment We Were Alone
07 Catastrophe and the Cure
08 Let Me Back In
09 Your Hand In Mine
10 Trembling Hands

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Explosions in the Sky, visit their website, and pre-order Take Care, Take Care, Take Care directly from their online store [HERE]

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