Posts Tagged ‘ bell house ’

Luna: August 24, 2018 Industry City Brooklyn

October 7, 2018
By


[photo from Frank]

In the evolving story of Luna v2.0, the band continues to entertain in new ways. While last year it was the eclectic and meticulously curated covers album A Sentimental Education, this year’s tour seems to be an exercise in finding the deep cuts that haven’t been performed in more a decade. Its been three years now and as we’ve chronicled umpteen shows, but at this Industry City show in August we saw Luna perform four songs for the first time — “Math Wiz”, “I Can’t Wait”, “Broken Chair” and the Galaxie 500 number “Strange”. Overall, this show was one of the stronger performances we’ve seen from Luna, and it wasn’t just the ambitious selist. The band seems in particularly good form, tight, focused, and in great spirits. These days Luna shows are must see and we’re luck the band continues to faithfully play NYC shows when they do their mini tours.

While Luna currently does not have any shows scheduled (they just finished a tour of Europe), Dean Wareham has a new collaboration with Cheval Sombre and they will play NYC at Le Poisson Rouge on December 7. Tickets here.

I recorded this set with the outdoor-friendly Neumann large diaphragm cards blended with soundboard feed mixed with precision by Evan Player. Despite some minor noise from the windy evening, the mix worked quite well and the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Luna
2018-08-24
Industry City
Brooklyn NY

Digital Master Recording
Soundboard Audience Matrix

Soundboard [Engineer Evan Player] > Neumann TLM 102s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:30:48]
01 Twenty-Three Minutes in Brussels
02 Slide
03 Fire in Cairo [Cure]
04 Math Wiz
05 Sweetness [Yes]
06 I Can’t Wait
07 Lost in Space
08 Broken Chair
09 Chinatown
10 Malibu Love Nest
11 [banter]
12 Kalamazoo
13 Bewitched
14 Friendly Advice
15 [encore break]
16 Strange [Galaxie 500]
17 Lonesome Cowboy Bill [Velvets]
18 Indian Summer [Beat Happening]
19 [second encore break]
20 Car Wash Hair [Mercury Rev]

SUPPORT Luna:  Website | Bandcamp | Buy A Sentimental Education

Kevin Devine: August 23, 2018 Industry City Brooklyn

August 30, 2018
By


[photos by AJ Tobey]

There was a guy in the crowd at the Kevin Devine show at Industry City on Friday who was wearing a “STILL EMO” t-shirt. If by “Emo” we mean an artist who writes candidly about politics, chemical abuse, interpersonal struggles and triumphs, and love, then yeah I guess Devine’s music is technically “Emo”. But as we’ve witnessed in following this superb artist and person for a decade, Kevin Devine is a uniquely honest and passionate performer who makes his audience believe, and rightfully so, that’s he in it with us.

Industry City is essentially a series of re-purposed factories that now house a complex of shops, restaurants, bars, retail stores and offices. In the center is a huge courtyard where Bell House has chosen to host its first annual Summer concert series. This was our first visit to Industry City and we were quite impressed. The setting provided a relaxed vibe and pleasant surroundings for enjoying an early evening Summer concert from one of our favorite artists.

Kevin Devine was joined by two members of the Goddamn Band for this show and the three were in sync all night. Devine released his 9th and most recent studio album Instigator in 2016, but on this night he chose democratically from his deep catalog to provide a lengthy set of material that both opened and closed with Kevin playing intense solo numbers, the apt “Brooklyn Boy” to open and personal favorite “Ballgame” to close. As per usual, there was ample banter with the crowd including multiple references to this being the closest the artist has ever played to his home in Sunset Park. Perhaps buoyed by the surroundings or the fact that there hasn’t been a full Goddamn Band show in New York for quite some time, the trio delivered a memorable night of music that clearly made the fans wish for more of these perfect nights.

I recorded this set with the outdoor-friendly Neumann large diaphragm cards mounted at the soundboard. While the audio was not enhanced by the stage being in-between two large brick buildings, the excellent FOH work by Rob certainly made the “room” work well. The mics were mixed with a well-balanced feed to create an excellent mix and the result is a superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show (minus banter):

Kevin Devine
2018-08-23
Industry City
Brooklyn NY

Digital Master Recording
Soundboard Audience Matrix

Soundboard [Engineer Rob Sutton] > Neumann TLM 102s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:38:04]
01 [introduction]
02 Brooklyn Boy
03 Off Screen
04 The First Hit
05 Between the Concrete and Clouds
06 No Time Flat
07 No Why
08 Instigator
09 Magic Magnet
10 [yesterday’s bird]
11 Bubblegum
12 Bloodhound
13 I Can’t Believe You
14 [never bird]
15 Little Bulldozer
16 You Brushed Her Breath Aside
17 She Can See Me
18 [Bad Books]
19 Just Stay
20 I Could Be With Anyone
21 [band introductions]
22 No History
23 Redbird
24 Cotton Crush
25 Brother’s Blood
26 [MDA Dance]
27 I Was Alive Back Then
28 [thanks]
29 Ballgame

PLEASE SUPPORT Kevin Devine: Website | Buy Music | Bandcamp

SAVAK: April 20, 2018 The Bell House

May 10, 2018
By

There really isn’t a lot of good, original indie rock coming out these days. Sorry to be the bearer of that bad news. But lucky for all, SAVAK aren’t good, they’re great. No, really: I dug Best of Luck in Future Endeavors for sure, but on their second record, the recently-released Cut-Ups, the band has really taken it up a notch or four (or at least enough to warrant all my hyperbole). Cut-Ups features some songs we’ve been listening to on the live circuit for a while now, like “Sick of War,” “They Are Bones,” and “I Don’t Want to be Defended.” But the SAVAK-ery  doesn’t stop there: the band’s got two even-more-recent 7″s up on Bandcamp that in my opinion represent their best material yet. I’ve made a formal request that the band integrate these new tracks into their live sets so we’ll see what we can make happen there. In the meantime, if you need even more newness, this set from last month at the Bell House features the so-new-no-one’s-heard-it-yet “Door Deals” that will have you asking about LP number three.

I recorded this from dead center, with the MBHO’s in DIN stereo configuration, combined with board feed from the Bell House FOH Travis. Geoff Sanoff provided the mastering. The sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

SAVAK
2018-04-20
The Bell House
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Mastered by Geoff Sanoff

Soundboard (engineer: Travis) + MBHO MBP603/KA200N (DIN, FOB, DFC) > Roland R-26 > 2 x WAV (24/48) > Adobe Audition CC (align, balance, mixdown) > Mastering > Audacity 2.0.5 (fades, tracking, tagging) > FLAC (24/48, level 8)

Tracks [35:31]
01. Alive in Shadows
02. Christo’s Peers
03. Natural Light
04. I Don’t Want to Be Defended
05. This Currency Exchanged
06. They Are Bones
07. Loma Prieta
08. Drop the Pieces
09. Sick of War
10. Early Western Traders
11. Door Deals

Buy all things SAVAK via their Bandcamp page
• • Connect with the band at their Website and on Facebook

The Messthetics: April 20, 2018 The Bell House

April 22, 2018
By

I guess you can’t really talk about the Messthetics without mentioning that the band features Fugazi’s rhythm section of Joe Lally on bass and Brendan Canty on drums, joined by jazz/experimental guitarist Anthony Pirog. But if you’re showing up to a Messthetics show looking for the second coming of Fugazi, you won’t be so much disappointed as woefully uninformed. Instead, you’ll find yourself in the midst of wrench-tight math rock, emphasis on the rock. Lally and Canty have been playing together pretty much forever at this point, and those guys don’t miss a beat. Pirog, a youngster in comparison, adds a fresh guitar sound to the mix, playing sometimes rhythmically and sometimes wildly. Their self-titled Dischord release is only a month old, but already the band brought with them four new songs in addition to playing the entirety of the album. They continue touring the U.S. through May, followed up by some Japan dates. Scope all those dates at the Dischord site.

I recorded this from dead center, with the MBHO’s in DIN stereo configuration, combined with board feed from the Bell House FOH Travis. The sound is excellent. Enjoy!

Download the complete show: [FLAC/MP3]

The Messthetics
2018-04-20
The Bell House
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Travis) + MBHO MBP603/KA200N (DIN, FOB, DFC) > Roland R-26 > 2 x WAV (24/48) > Adobe Audition CC (align, balance, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:03:58]
01. Mythomania
02. Serpent Tongue
03. Quantum Path
04. Your Own World
05. The Inner Ocean
06. [New Song 1]
07. [New Song 2]
08. Once Upon a Time
09. Radiation Fog
10. Crowds and Power
11. The Weaver
12. [New Song 3]
13. [encore break]
14. [New Song 4]

Bandcamp

Ovlov: June 23, 2017 The Bell House

June 30, 2017
By


[Photos by Rocketman]

Just when you thought it couldn’t be salvaged, here comes Ovlov to rescue Emo from the clutches of the mainstream garbage bands these kids today are listening to. (I’ll refrain from naming names.) Ovlov take me back to the nineties Emo I love with reference points like Hum, The Promise Ring, Jawbreaker and Jets to Brazil, Nada Surf—all touchstones of my high school CD collection. Naturally, they’re doing it on Exploding in Sound Records, whose taste in quality young bands is unimpeachable. This set opening for Spiral Stairs at the Bell House captures the band playing songs off their EIS album, am, plus a few new ones. Considering Ovlov have broken up at least a couple times now, it’s not insignificant that they’ve got some new songs to play us—Ovlov still clearly still have a lot of music in them.

I recorded this with the mics set up at the board in DIN stereo configuration, which I then combined with a board feed from the Bell House’s FOH David Hurtgen. A special thanks goes out to David for loaning me a mic stand so I could make this recording for you all. The sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Ovlov
2017-06-23
The Bell House
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Photos by Rocketman

Soundboard (engineer: Dave) + AKG C480B/CK61 (DIN, ROC) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [34:21]
01. Grapes
02. Tru Punk
03. I’m Your Dini
04. Short Morgan
05. Half Way
06. Stick
07. Alligator
08. Where’s My Dini

Buy Ovlov music via Bandcamp
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Spiral Stairs: June 23, 2017 The Bell House

June 27, 2017
By


[Photos by Rocketman]

It’s been nearly a decade since we’ve had new music from Scott Kannberg/Spiral Stairs—but the long wait is justified as his new album Doris and the Daggers is his best since Preston School of Industry disbanded in 2004. We caught up with Spiral Stairs for the first of his two night NYC stand and were rewarded with eighty minutes of tunes off the new record, plus some Pavement and Preston School of Industry favorites. If you needed reminding of Spiral’s crucial contributions to the former, the song selection here—“Date with IKEA,” “Kennel District,” “Passat Dream,” “Hit the Plane Down,” and “Two States”—will emphasize that Pavement had two major songwriters. For my money, I enjoyed hearing a couple from the criminally underrated Preston School of Industry, the wonderfully-lackadaisical “Whalebones” (which ranks up there with his signature Pavement compositions) and “Caught in the Rain.” (As an aside, there are quite a few PSOI tracks I’d still like to hear the Spiral Stairs band play live, like “Somethings Happen Always” and “Falling Away.”) But back to Doris and the Daggers: so many reviews have focused on the maturity of the record, which makes it sound overly serious. Spiral Stairs may be older and singing about real life, but he’s still doing so with a wink and smile and his penchant for an opaque but resonant turn of phrase.

I recorded this with the mics set up at the board in DIN stereo configuration, which I then combined with a board feed from the Bell House’s FOH David Hurtgen. A special thanks goes out to David for loaning me a mic stand so I could make this recording for you all. The sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Spiral Stairs
2017-06-23
The Bell House
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com
Photos by Rocketman

Soundboard (engineer: David Hurtgen) + AKG C480B/CK61 (DIN, ROC) > Zoom F8 > 2 x WAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:18:31]
01. Flesh and Blood [Roxy Music]
02. Dance (Cry Wolf)
03. No Comparison
04. Exiled Tonight
05. Trams (Stole My Love)
06. Date with IKEA [Pavement]
07. Kennel District [Pavement]
08. Emoshuns
09. Dundee Man
10. Passat Dream [Pavement]
11. Hit the Plane Down [Pavement]
12. Whalebones [Preston School of Industry]
13. Caught in the Rain [Preston School of Industry]
14. Angel Eyes
15. Hypnotized
16. Two States [Pavement]

Buy Doris and the Daggers at the Spiral Stairs website
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• • • Facebook

Sebadoh: April 22, 2017 Bell House

April 30, 2017
By


[photo by nyctaper]

In the half-dozen times I’ve seen Sebadoh live, I had never experienced a performance as good as their set at the Bell House last week. The band seemed relaxed and focused and worked through an hour-long set of inspired music. Perhaps buoyed by the fact that in this “co-headline” show they were tasked with playing second of three bands, Sebadoh had a few moments of playful banter, but for the most part were all business.

The set was structured to allow each song protagonist to play a mini-set of their material before a changeover. The show began with five Lou Barlow songs before Jason Loewenstein took over on the guitar at centerstage and played six of his songs, before Lou finished the set with four songs. The band released an album (Defend Yourself) and an EP early this decade after an extended hiatus, but this show was a fair representation of all of their material, newer and classic. This show was the last night of a brief five-city tour after the band played just three dates in 2016. If the Bell House set indicates the high quality of the band’s current performances, we hope that 2017 sees more dates for Sebadoh, particularly locally.

I recorded this set with the Neumann hypers mounted at the soundboard rail and mixed with an excellent feed by veteran house FOH Dave. There is one moment of feedback in the first minute, but overall the sound quality of this recording is superb — possibly the best recording we’ve ever made in this venue. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Set:

Sebadoh
2017-04-22
Bell House
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Dave] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 54:02]
01 Not a Friend
02 Homemade
03 State of Mine
04 Soul and Fire
05 Beauty of the Ride
06 [changeover]
07 Got It
08 It’s All You
09 Drag Down
10 Prince-s
11 Beat
12 [banter – pieces of meat]
13 My Drugs
14 [change back]
15 I Will
16 Rebound
17 Skull
18 Arbitrary High

PLEASE SUPPORT Sebadoh:  Facebook | Bandcamp

Steve Gunn: December 9, 2016 Bell House

December 11, 2016
By



Watching Steve Gunn and his latest band play this performance at The Bell House reminded me of the below Gunn performance with Alex Bleeker & the Freaks at the “Play Dead” show that we captured in 2015. Gunn’s music at the time — consisting of solo guitar records, his duo work in Gunn-Truscinski Duo, and his two Paradise of Bachelors LPs, Time Off and Way Out Weather — wasn’t necessarily the work of someone who revered the Dead. But as he and Bleeker’s band played “Wharf Rat” that night, it all clicked. Part of what continues to make the Grateful Dead so special is that there are multiple entry points to the band, a whole universe of styles and vibes contained within individual tours and individual shows and, even, individual songs. Gunn wasn’t a person who mimicked the band’s style(s), at all, but he had absorbed many of their lessons. And this show, more than most of his I have seen, proved it.

This show, the band’s final of the year after a long slog of touring and greatly increased exposure thanks to Gunn’s Matador Records debut, Eyes On the Lines, was my first time seeing most of Eyes On the Lines in the live setting, despite having seen Gunn several times this year. Maybe it was the hometown crowd, whose love is unconditional and the opposite of the “play the hits” mentality of the festival crowds, maybe it was the finely honed interplay among the musicians, maybe it was just them saying “fuck it” and doing things the way they wanted — whatever it was, Gunn and Co. came out and turned even some of the relatively concise material of Eyes On the Lines into life-affirming jams that both challenged and enlightened. What’s most gratifying about watching an artist that you’ve followed for a while keep doing this after achieving his greatest commercial popularity to date is to know how unafraid of it he is, how resolutely true to himself.

Gunn bookended the show with stripped-down songs, starting things off with a fourteen-minute solo acoustic “Old Strange” that was a classic mix of Gunn’s earnest lyrics and desert blues guitar, with the “Wildwood” encore with James Elkington on the electric and Steve on the acoustic. While hearing the new songs — especially a personal favorite, “Ancient Jules” — was a blast, what also stuck me was once again how the music cut through the heaviness of the political moment without flinching from it. Gunn’s impassioned intro to “Park Bench Smile” about inclusion and “fighting what the fuck’s happening” hit its mark, but the song, as rendered, spoke for itself. A noisy, messy, emphatic rendition of the song, it felt like so much of this moment, chaotic but, ultimately, resolved into something hopeful, defiant, and right. What a way to end a year.

I recorded this set with engineer David Hurtgen’s house mix combined with Schoeps MK41V hypercardiod microphones. David’s regular work with the venue shows here, as the sound is dialed in and excellent. Enjoy!

Download the complete show: [FLAC/ALAC/MP3]

Stream the complete show:

Steve Gunn
2016-12-09
The Bell House
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: David Hurtgen) + Schoeps MK41V (at SBD, PAS)>KC5>CMC6>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (align, mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:26:57]
01 [intro]
02 Old Strange [solo acoustic]
03 Way Out Weather
04 Conditions Wild
05 [banter]
06 Ancient Jules
07 Night Wander
08 Full Moon Tide
09 [banter2]
10 Ark
11 [banter3]
12 Park Bench Smile
13 [encore break]
14 Wildwood [duo w/ Elkington]

Band:
Steve Gunn
James Elkington – Guitar
Jason Meagher – Bass
John Truscinski – Drums

PLEASE SUPPORT STEVE GUNN: Go to matadorrecords.com or your local record store and buy Eyes On the Lines. 

And then, please consider donating to local organizations that support freedom and fair treatment for all, such as the New York Civil Liberties Union and the New York Immigration Coalition.

Freakwater: February 16, 2016 Bell House

February 23, 2016
By

freakwater
[photo by Neil deMause]

Correspondent Neil D writes:

If you Google around a bit, you’ll find a typically snotty Pitchfork review of Freakwater‘s 2005 album “Thinking of You” that says, in essence, “Sure, Catherine Irwin and Janet Bean may be brilliant lyricists and sing incredible harmonies, but when are they going to show us something new in their bag of tricks?”

Ten years and change later, Pitchfork can officially STFU. “Scheherazade,” the first Freakwater album since “Thinking of You,” maintains the singular harmonies and mind-bending lyrical twists that have come to typify Freakwater — there are even plenty of the band’s patented dead-baby references, though if I’m doing my textual analysis right, the “baby” thrown down the well in the leadoff track may not be what it at first seems. But musically it strikes out in unexpected directions, with one track (“Down Will Come Baby”) pairing Irwin’s banjo with a psychedelic guitar rave-up, while others seem to owe a debt to the carefully calibrated dissonance of Bean’s other band, Eleventh Dream Day.

The current Freakwater tour takes that spirit of experimentation out on the road, bringing along slide guitarist Morgan Geer (Drunken Prayer, The Unholy Trio), fiddle player Anna Krippenstapel, and drummer Neal Argabright(Jaye Jayle) to augment the core trio of Bean (guitar, vocals), Irwin (guitar, banjo, vocals), and David Wayne Gay (bass). Their set at Bell House — where they last previously appeared in 2013 performing their classic LP “Feels Like The Third Time” for its 20th anniversary — featured nine of the eleven tracks from “Scheherezade” (Geer performed another, his own “Missionfield,” during his opening set), including subtle gems like “Skinny Knee Bone” and “Velveteen Matador” (speaking of songs in need of deeper textual analysis); plus several Freakwater classics (highlighted by the chill-inducing “Cloak of Frogs”) and a Fairport Convention cover to close out the show. They still have a couple of weeks left on the road, so if they’re coming through your town, be sure to catch them before they disappear again — hopefully not for ten years this time.

This recording was mixed from a soundboard feed provided by the Bell House soundfolk (Nick and, um, I really need to start writing these names down), along with AT-853 cardioid mics mounted at the front of the soundboard. Feel free to re-edit the tracking to separate out several long sections of banter into your own Freakwater comedy album.

Download the complete show: [MP3/FLAC]

Freakwater
2016-02-16
Bell House
Brooklyn, NY

Soundboard > Sony PCM-M10 (line in)> WAV (24/48) + AT853 cardioid mics > SP-SPSB-1 battery box > Sony PCM-M10 (mic in) > WAV (24/48) > Sound Studio > FLAC (16/44.1) > Tag > FLAC

Recorded and mastered by neil d

Tracks
01 [intro]
02 What the People Want
03 The Asp and the Albatross
04 Buckets of Oil
05 Wound Up
06 Bolshevik and Bollweevil
07 Binding Twine
08 Velveteen Matador
09 Number One With A Bullet
10 Skinny Knee Bone
11 Falls of Sleep
12 Good For Nothing
13 Cloak of Frogs
14 Hero_Heroine
15 Down Will Come Baby
16 Take Me With You
17 My Old Drunk Friend
18 Come All Ye Rolling Minstrels [Fairport Convention]

More Freakwater news, tour dates, and other stuff at: http://www.freakwater.net/  Like Freakwater on Facebook.

Kevin Devine: December 11, 2015 Bell House (Devinyls Splits Show)

December 15, 2015
By

kd-1267
[photos courtesy of Sean O’Kane]

We always knew Kevin Devine was one of the nicest guys around — what I didn’t know was how ubiquitous is that opinion. Kevin’s current project is the Devinyls Splits, a six-volume series released in semi-monthly intervals by Bad Timing Records where Devine pairs with another performer on a double-sided 7″. The roster of artists who have joined in this project is both impressive and eclectic — from indie-vet Matthew Caws (Nada Surf) to new punk frontperson Meredith Graves (Perfect Pussy) to neo-folk hero Mike Kinsella (Owen). Kevin’s ability to attract such a variety of artists is admirable, but it was astounding that when he planned a tour for the series and invited all six of the artists — every single one of them agreed to play the three-show run. The opening night of the tour was Friday at Bell House and if the Kevin Devine three-album show from a few years ago (recording here) was a wealth of riches, this year’s event was even more fan-friendly. In the end, the show featured two lengthy sets that lasted over four hours, offered seven guests including mini-sets from Laura Stevenson, Tigers Jaw, Cymbals Eat Guitars, Owen, and Matthew Caws, many collaborations between the artists, some neat covers, and interspersed within it all, twenty-four Kevin Devine (either solo or with The Goddamn Band) performances. But somehow the night never seemed to lose any momentum despite many stage changes. Ultimately, it was Kevin at the center of it all, and as his fans intrinsically trust him, on this night he and his friends delivered in spades.

I recorded this set with the Schoeps cardioids clamped to the front rail of the soundboard and blended with a superbly mixed soundboard by Bell House FOH Dave. The sound quality is quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Cotton Crush”:

Stream “In Between Days” (Cure cover):

Kevin Devine
2015-12-11
Devinyls Split Series
Bell House
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Dave] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:23:20]
01 [introduction]
02 Ballgame
03 Cotton Crush
04 Noose Dressed Like a Necklace
05 No Time Flat
06 [Laura Stevenson intro]
07 The Move
08 Angel in the Snow [Elliot Smith]
09 Barnacles
10 Bubblegum
11 Private First Class
12 Little Bulldozer
13 She Can See Me (Bubblegum version)
14 [Tigers Jaw introduction]
15 For Eugene
16 Teen Rocket
17 Plane vs Tank vs Submarine
18 In Between Days [Cure]
19 Cool
20 [banter – splits theme]
21 Lovesong [Cure]
22 Buried By the Buzz
23 Carnival
24 Another Bag of Bones
25 [outro – Food Bank]

Set 2
[Total Time 1:55:40]
26 [Cymbals Eat Guitars intro]
27 Aerobed
28 Warning
29 Jackson
30 I Was Alive Back Then
31 Magic Magnet
32 A Story a Sneak
33 11-17
34 [Mike Kinsella intro]
35 No One Says You Have To
36 Where Do I Begin
37 Love is Not Enough
38 [new song – Quiet Like an Island]
39 [Meredith Graves intro]
40 [new song – People Like Me]
41 Took the Ghost to the Movies
42 Giessen
43 [Carey Brandenburg intro]
44 Lonesome Town [Ricky Nelson]
45 Trouble
46 [Matthew Caws intro]
47 Brooklyn Boy
48 Blizzard of 77
49 [banter – Fiscal Cliff intro]
50 Fiscal Cliff
51 Inside of Love
52 See These Bones
53 [band introductions]
54 I Could Be With Anyone
55 Yr Husband
56 My Brother’s Blood

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Kevin Devine, visit his website, Support the Guest Artists at this show, and purchase the Devinyls Splits Series from Bad Timing Records [HERE].

Support nyctaper

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