Posts Tagged ‘ bowery ballroom ’

Earthless: December 13, 2016 Bowery Ballroom

January 5, 2017
By


[photo by BevRock]

The music of Earthless is as if the climax instrumental portion of the best of early 70s head-rock became a single fifteen-minute song. In other words, there’s no filler in their music, just improvisational highlights. While Earthless has existed for fifteen years, the band’s recorded output consists of just four full-lengths. This is a band clearly comfortable as a live unit, despite that all three members of the trio play with significant other bands, including drummer Mario Rubalcaba in Rocket from the Crypt and Off!. The band doesn’t tour often, but in 2016 we got to see them twice, including our recording of their Mercury Lounge set in March.

At the Bowery Ballroom last month, the band played an hour-long set of three songs that was capped off by a relatively quick encore of the FM staple track from Led Zeppelin’s first album. Interestingly, the set did not include the band’s 2016 release “Acid Crusher”, half of a split release with their Tee Pee Records mates Harsh Toke. But the set was exactly what the crowd came to see — plenty of riffs, thumping bass and monster percussion. This was the art of stoner rock taken to its logical conclusion and Earthless nailed the set from start to finish.

I recorded this set with the Schoeps cards in our usual location in the balcony. The house mix was used to fortify the drums which did not carry up to the balcony as well as the stacks of guitar amps. The result is an excellent recording. Enjoy!

Download and Stream the Complete Show from our Bandcamp Page [HERE]

Earthless
2016-12-13
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny Lienhardt] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:07:14]
01 Uluru Rock
02 Violence of the Red Sea
03 Sonic Prayer
04 [encore break]
05 Communication Breakdown [Zep]

Support Earthless: Facebook | Bandcamp | Buy their records from Tee Pee Records

Ultimate Painting: December 7, 2016 Bowery Ballroom

December 12, 2016
By

Our own acidjack was early on the bandwagon for Ultimate Painting, as he captured the band back in 2014 and raved about their debut album. The British neo-psych quartet is now three records into their career and just completed a headlining tour with twelve US dates in support of their newest release, Dusk (Trouble In Mind Records). The tour’s final date was last week at Bowery Ballroom and if the crowd was not packed, it was notable for the music luminaries in attendance — Matador Records co-founder Gerard Cosloy, Rolling Stone’s senior editor David Fricke, Stereogum founder Scott Lapatine, and brooklynvegan’s Bill Pearis.

Ultimate Painting’s set was a seventy-minute exercise in precision and synchronicity. The band’s two protagonists, Jack Cooper and James Hoare share vocal and lead-guitar duties and both are superb performers. The other aspect of the band’s success is the songwriting. The songs can be tight and guitar driven psych-pop, but when the band wants to open up and explore, they remain focused and in synch. While Ultimate Painting does borrow stylistically from the mid-60s London scene, the music also shows influences from the US — the Velvets and Television in particular. Among contemporary comparisons, I hear similarities to White Fence and Courtney Barnett (“Central Park Blues” in particular). The band worked through a nice selection of numbers from all three of their albums before ending the set with a sixteen-minute extended version of “Ten Street” that capped off the show in fine fashion.

I recorded this set with the Schoeps cards in the balcony mixed with Kenny’s outstanding feed. The sound quality is superb. Enjoy!

Download and Stream this Recording at our Bandcamp Page:

Ultimate Painting
2016-12-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny Lienhardt] + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:07:14]
01 Ultimate Painting
02 Rolling in the Deep End
03 Riverside
04 Bills
05 Song for Brian Jones
06 (I’ve Got The) Sanctioned Blues
07 I’m Set Free
08 [banter – band intro]
09 Break the Chain
10 Lead the Way
11 Monday Morning Somewhere Central
12 Central Park Blues
13 Sweet Chris
14 Ten Street

If you enjoyed this recording, PLEASE SUPPORT Ultimate Painting, visit their website, and purchase Dusk from Trouble In Mind Records HERE.

Long Ryders: November 10, 2016 Bowery Ballroom

November 17, 2016
By

long-ryders-psquared
[photo by PSquared Photography]

Any discussion about the beginnings of the “alt-country” or “no depression” movement needs to include the story of the Long Ryders. The band is linked with LA’s early 80s “Paisley Underground”, except that the Long Ryders added Americana to their sixties-influenced pop. The Long Ryders released an EP and three terrific albums before they broke up in 1987, just a few years before the emergence of bands like Uncle Tupelo, Jayhawks and Old 97s would be grouped in a “new” genre that owed much to the path laid out by the Ryders. I owned all of the Ryders releases on vinyl and they often made appearances on my many mixed tapes over the years, cementing the band’s influence in my own music journey.

Each of the four members of the Long Ryders found significant success in the 1990s. Sid Griffin moved to London, founded the great Coal Porters and became a music writer. Stephen McCarthy moved to Virgina and worked with Steve Wynn in Gutterball and in recent years spent time in the Jayhawks. Tom Stevens returned to Indiana and launched a successful solo career, played with Wynn in Danny & Dusty and earned a degree in Computer Science. Greg Sowders stayed in LA and became a music publishing executive as a senior VP of A&R at Warner Chappell. The band did have a couple of brief reunions last decade but for the most part have moved on from the Long Ryders.

This year finally saw the release of the ultimate Long Ryders box set Final Wild Songs (Cherry Red Records), which includes all 3 albums, the EP, a bunch of bonus tracks, and a full live set from 1985. This extraordinary collection of material made the current music press sit up and take notice. The Box Set received five stars from AllMusic, 8/10 from Popmatters, and four stars from UnCut. The band played some reunion dates in Europe in the Spring, and this Fall saw the Long Ryders visit NYC for the first time in 29 years.

We’ve acknowledged that these reunion shows can be a mixed bag. Generally speaking, the relative life situation of the members often dictates the quality of the return to the music. That is to say that if we’re dealing with folks who don’t need to revisit past glories, the performances tend to be more tight and focused. Given that all four Long Ryders have had significant success in their lives after the band’s demise, this group was among the category of folks who reunited for all of the right reasons — love of music, dedication to fans, and an opportunity to reach younger fans to cement their rightful place in music history.

Last week at Bowery Ballroom, the Long Ryders were clearly focused and fully in sync. The set began in earnest with the roots rock of Sid Griffin complimented by McCarthy’s sweet tenor country rock. Sowders and Stevens provided a precise rhythm section with Stevens stepping forward as the protagonist in two expert numbers. The setlist comprised exactly the songs you’d want the Ryders to play (“Lights of Downtown”, “State Of My Union”, “Looking for Lewis and Clark”), included some great covers that were part of their recorded output (“I Want You Bad”, “Masters of War”) and indeed one cover that I believe the band never laid down in a studio — Buffalo Springfield’s “On The Way Home”, which proved a perfect outlet for McCarthy. Sure the crowd was older — to the point where at least a dozen of them pulled out chairs onto the Bowery floor — but this music sounded as fresh and new as it did in the mid-1980s, in large part because the Long Ryders were a direct influence on bands still making music today.

The Long Ryders have completed their tour but just recently announced that they will appear at the Stagecoach Festival in California in April, along with dates in Santa Ana and Hollywood, info here.

I recorded this set in our standard location at Bowery with the Schoeps cards mixed with an excellent balanced feed from the band’s talented FOH Adrian. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Long Ryders
2016-11-10
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Adrian] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:29:31]
01 Tell It to the Judge on Sunday
02 Lights of Downtown
03 A Stitch in Time
04 Gunslinger Man
05 You Don’t Know What’s Right, You Don’t Know What’s Wrong
06 Years Long Ago
07 Run Dusty Run
08 Ivory Tower
09 [banter – Joshua Camp intro]
10 The Light Gets In The Way
11 Masters of War [Dylan]
12 Two Kinds of Love
13 [banter – dedication]
14 I Want You Bad [NRBQ]
15 I Had a Dream
16 [banter – chick on a horse]
17 And She Rides
18 Final Wild Son
19 Man of Misery
20 You Just Can’t Ride the Boxcars Anymore
21 (Sweet) Mental Revenge [Mel Tillis]
22 State of My Union
23 [encore break]
24 On the Way Home [Buffalo Springfield]
25 Looking for Lewis and Clark

SUPPORT Long Ryders: Website | Twitter | Merch! | Purchase Final Wild Songs from Cherry Red Records [HERE].

Sloan: October 17, 2016 Bowery Ballroom

October 27, 2016
By

sloan-bowery
[photo by Jim Sharky]

Twenty years ago the end game in the script for success in the music industry was still a big record deal. But like most “sure things”, the big deal was often a big trap. For Sloan that meant signing with Geffen Records for their 1992 album Smeared, but by the time of the release of their second album their relationship with Geffen went sour. After 1994’s Twice Removed, Sloan left the label and rumors of their break-up began to circulate.

The reports of their death having been greatly exaggerated, Sloan recorded One Chord To Another in 1996 on a shoestring budget and with modest recording techniques. And not only were they not dead, One Chord ended up being Sloan’s best selling record and a Juno Prize winner. Twenty years later it was time to celebrate this pivotal point in the band’s long and illustrious career and in 2016 One Chord To Another got the box set treatment and a tour.

At Bowery Ballroom last week, the One Chord tour rolled into town and Sloan played a two-set show with the album played straight through as the first set, and an intentionally democratic selection of songs as the second set. The band specifically referenced trying to cover at least one song from every album for this show — and that they did. The two hours of music and full album play made this show an event, but what made the night even more special occurred with two fans in between sets. In 2011, a couple had their first date at the Sloan show at Bowery Ballroom and play our recording every year on their anniversary. Five years later, Bowery and Sloan was perfect time and place for Ben Lindbergh to propose — and she said yes!

I recorded this set in a slightly different manner from our usual way — the placement of Sloan’s touring soundboard moved our mounted room microphones a little to the left and our feed from the remote board came with some issues. It took me a while to sort everything out in editing this set, including trying to minimize the sonic issues that came with the amplifier that exploded at the end of the first set. But all in all, I feel like this is now a superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Sloan
2016-10-17
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:47:10]
Set One (One Chord To Another)
01 The Good in Everyone
02 Nothing Left to Make Me Want to Stay
03 Autobiography
04 Junior Panthers
05 G Turns to D
06 A Side Wins
07 Everything You’ve Done Wrong
08 Anyone Who’s Anyone
09 The Lines You Amend
10 Take the Bench
11 Can’t Face Up
12 400 Hundred Metres
Set Two
13 [Ben Lindbergh Proposal]
14 Deeper Than Beauty
15 Underwhelmed
16 C’mon C’mon
17 Money City Maniacs
18 So Far So Good
19 Unkind
20 Who Taught You to Live Like That
21 Sinking Ships
22 People of the Sky
23 Midnight Mass
24 I’m Not a Kid Anymore
25 I Can Feel It
26 Snowsuit Sound
27 The Rest of My Life
28 Losing California
29 [encore break]
30 The Marquee and the Moon
31 If It Feels Good Do It

SUPPORT Sloan: Website | Facebook | Buy One Chord To Another Box Set HERE

PUP: October 22, 2016 Bowery Ballroom

October 24, 2016
By

poooop-1
[photos by Amanda Fotes – follow her on Instagram]

PUP‘s latest album The Dream is Over (SideOneDummy) is on my short list of best albums of the year. The record captures the manic energy of this Toronto quartet with a collection of songs that exhibit the band’s ability to craft punk rock anthems of angst with a bit of excess and plenty of humor. Dream also brings out the deeper side of PUP with tracks such as “The Coast” and “Pine Point” that delve into that special brand of Canadian loneliness. The album has earned PUP a nomination for a Polaris prize, and universal praise worldwide.

The concept of the album’s production was to bottle up the energy of a live PUP show and put that on a record. This is a band that is in the midst of playing 100 total shows in 2016 where the PUP magic takes place virtually on a nightly basis. But since the last time I saw PUP live was almost three years ago at a modestly attended show at Cameo Gallery before either of their records were released, I wasn’t quite keyed into the true contemporary live PUP experience. That is, until this past Saturday night at Bowery Ballroom.

From the very outset of the show’s opening number “If This Tour Doesn’t Kill You, I Will”, this very sold-out crowd at Bowery was one massive syncopated group of heads and arms and legs. From our usual vantage point at the front of the balcony, we get a clear bird’s eye view of the floor, and this PUP crowd never stopped dancing, surfing and singing along to every song. We haven’t seen a crowd this animated in a long time or a band as motivated to drive that energy. PUP’s set drew upon both of their albums pretty equally, with nine of the sixteen songs performed coming from Dream and the other seven songs from their self-titled debut album. The crazy energy culminated in lead singer Stefan Babcock literally crowd-surfing the entire floor to the back bar where, while elevated, he downed a shot of whiskey and returned surfing the entire crowd back onto the stage. It was an accomplishment only made possible by the sheer will of the fans and their utter faith in this band.

PUP’s current US and Canadian tour dates continue into mid-December, before the band goes to England in early 2017, all dates [here].

I recorded this set with the Schoeps cards in our usual location and mixed with Kenny’s excellent feed. There are some drum level adjustments in the first two tracks, but afterwards the sound is completely dialed-in and is quite an excellent capture of the amazing energy at this show. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

PUP
2016-10-15
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 59:53]
01 If This Tour Doesn’t Kill You I Will
02 DVP
03 Dark Days
04 Lionheart
05 My Life Is Over and I Couldn’t Be Happier
06 Doubts
07 Back Against the Wall
08 Guilt Trip
09 Can’t Win
10 Familiar Patterns
11 [banter – ex-punks]
12 Mabu
13 Sleep in the Heat
14 The Coast
15 [banter – tour]
16 Reservoir
17 [banter – Stefan stage dive]
18 Old Wounds
19 [encore break]
20 Factories

SUPPORT PUP: Website | Bandcamp | Buy The Dream is Over from SideOneDummy Records

nestor-1

Teenage Fanclub: October 15, 2016 Bowery Ballroom

October 16, 2016
By

teenage-fanclub-bowery-psquared
[photos by PSquared Photography]

The legend goes that in 1991, SPIN Magazine selected Teenage Fanclub’s album Bandwagonesque as its record of the year ahead of such luminaries as REM’s Out of Time, Nirvana’s Nevermind and My Bloody Valentine’s Loveless. Over the years, that choice has been ridiculed in certain circles, but twenty-five years later the selection is rather prescient. My Bloody Valentine didn’t make another album after Loveless until twenty-two years later, REM never made another album that approached the quality of Out of Time, and of course Nirvana was over less than three years later. As careers go, Teenage Fanclub has been the most consistent of the four bands and produced the largest quality catalog in the years since SPIN took heat for them.

This year Teenage Fanclub released their eleventh album and first since 2010. Here (Merge Records) is a record of significant maturity and focus — the band is producing songs as strong as ever and the group harmonies are as sweet as ever. The band has now embarked on a US tour in support of the album and NYC enjoyed two shows this weekend, including Brooklyn last night and the Bowery Ballroom show we caught on Saturday night. Teenage Fanclub live was as compelling and impressive as the new album. This is a band that is both fully committed and comfortable and the show was just one peak after another. The setlist drew fairly democratically from the band’s full catalog and with just five songs from Here, was not overly weighted to push new material. And twenty-five years on, the only two tracks from Bandwagonesque played were given center stage, with a perfect version of the classic “The Concept” closing the main set.

Teenage Fanclub plays Boston tonight and the tour continues through six more October US dates before the band returns to Europe in November, all dates here.

I recorded this set in our usual manner in this venue, with the Schoeps mounted at the balcony rail mixed with a fine feed from the band’s touring FOH. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Set:

teenage-fanclub-44

Teenage Fanclub
2016-10-15
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:30:23]
01 Start Again
02 I Need Direction
03 Verisimilitude
04 I Don’t Want Control of You
05 [tuning music]
06 Sometimes I Don’t Need to Believe in Anything
07 Hold On
08 It’s All in My Mind
09 Thin Air
10 About You
11 The Darkest Part of the Night
12 Don’t Look Back
13 Can’t Feel My Soul
14 I Have Nothing More to Say
15 I’m In Love
16 Star Sign
17 [banter – thanks]
18 The Concept
19 [encore break]
20 Did I Say
21 Radio
22 Your Love Is the Place Where I Come From
23 Everything Flows

SUPPORT Teenage Fanclub: Website | Facebook | Purchase Here from Merge Records

teenage-fanclub-32

Dungen: June 17, 2016 The Bowery Ballroom

June 19, 2016
By

tinnitus photography: Dungen &emdash; Dungen in concert
[photo by Tim Bugbee/Tinnitus Photography]

Everyone’s favorite Swedish psych band, Dungen, made it to town recently for a couple shows opening for Tame Impala in Prospect Park, plus a headlining set at the Bowery Ballroom. It had been a while since I’d seen the band live—that was ATP Festival (R.I.P.) 2010—and their Bowery gig found them at the top of their game. Besides drawing from your favorite Dungen records, including Ta Det Lugnt, 4, Skit I Allt, and last year’s Allas Sak (many of which have recently been reissued by Mexican Summer by the way), the band broke out a new song “Häxan,” which has been the talk of their recent tours. The band promised that they’ve approved the test pressing of their followup to Allas Sak and I know at least a few fans are frothing at the mouth for a studio version of this one. The band wraps up their U.S. tour tonight in Philadelphia, but hopefully with a new album on the way we won’t have to wait very long for their next tour.

I recorded this set from our usual location at The Bowery Ballroom with a board feed from FOH Kenny. The sound, as usual, is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Dungen
2016-06-17
The Bowery Ballroom
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kenny) + AKG C480B/CK61 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:18:13]
01. Intro
02. Fredag
03. Marken Låg Stilla
04. En Gång Om Året
05. Åkt Dit
06. En Dag På Sjön
07. Frank’s Kaktus
08. Blandband
09. Det Tar Did
10. Bandhagen
11. C Visar Vägen
12. Så Blev Det Bestämt
13. Panda
14. Häxan
15. Ta Det Lugnt
16. [encore break]
17. Sova
18. Dü Är För Fin För Mig

Buy Dungen records via Mexican Summer
• • Check out their website

• • • Connect with the band on Facebook

Soldiers of Fortune: January 7, 2016 Bowery Ballroom

January 26, 2016
By

IMG_1267

Soldiers of Fortune have marketed themselves at various points as an “anti-band” — one that never writes music, practices, or records. Of course, given the cast of players (Brad Truax (Interpol, others)), Kid Millions (Man Forever, Oneida), Barry London (Oneida), Matt Sweeney (Chavez, many others), Jesper Eklow (Endless Boogie, others), Mike Bones, and Papa Crazee (Oneida)), that’s hardly a disqualification from being a “band.” These are folks whose improvisational turns regularly outshine their recorded output. This show at Bowery Ballroom comes on the heels of the release in November 2015 of their record Early Risers, a more song-based affair, but of course that didn’t stop the crew from delving in one long, multi-movement sustained jam (which, I confess, may or may not include actual songs from the record). Though Cass McCombs was the night’s headliner, you might not have known it from looking at the packed floor of the venue, where it seemed an entire crew of heads were there just for this set, ultimately being replaced by yet-more people for Cass’s set. As with our excellent recent spate of Oneida shows, this was an experimental music fan’s dream, a can’t-miss experience from an outfit that you don’t see around here too often.

I recorded this set with Schoeps MK5 cardiod microphones in our usual spot together with a soundboard feed from Bowery legend Kenny. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Soldiers of Fortune
2016-01-07
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c>KC5>CMC6 + Soundboard (engineer: Kenny)>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Part I
02 Part II
03 Part III

If you enjoyed this recording, please check out Soldiers of Fortune on bandcamp and buy their latest album, Early Risers, there.

Cass McCombs: January 7, 2016 Bowery Ballroom

January 11, 2016
By

IMG_0433
[photos by Will Oliver]

The timing was excellent. My first show of the new year took place at the legendary Bowery Ballroom and featured one of my favorite artists. And did Cass McCombs ever deliver. We’ve seen Cass perform intense shows, fun shows, and even split shows with the Meat Puppets. But what Cass and his band did on Thursday night was one for the ages — an over two-hour epic night that featured a nice cross-section of material from his healthy catalog. Ostensibly Cass is on tour in support of his new album A Folk Set Apart: Rarities, B-Sides & Space Junk, Etc., which as its title makes clear, is a compilation. But the band only played a couple of songs from the new album, instead treating us to some inspired versions of older Cass material. Of note were the last two songs played — a huge thirteen-minute version of “County Line” and the finale, a fourteen minute take on “Dreams Come True Girl”, which also included a dual drum solo. The band this time out included the addition of two drummers (Jesse Lee and Ryan Sawyer) to replace Joe Russo (currently on tour with JRAD), and Cass regulars Dan Iead on guitar and Jon Shaw on bass. With several years together, the unit was both tight when necessary and also capable of letting loose for extended segments (see above) which ultimately provided us with a lengthy show that literally never lagged and was chock full of highlights.

I recorded this set from our usual location in this venue and the sound quality is excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show [minus banter tracks]:

Cass McCombs
2016-01-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 2:02:28]
01 [intro]
02 Night Of The World
03 Big Wheel
04 [new song – River of Blood]
05 Brighter
06 [band introductions]
07 Name Written In Water
08 My Sister My Spouse
09 [new song – I Want to Know]
10 Robin Egg Blue
11 Aeon of Aquarius Blues
12 I Cannot Lie
13 Morning Star
14 Prima Donna
15 [new song – Why Does it Rain]
16 Home on the Range
17 County Line
18 [band intro – encore break]
19 Dreams Come True Girl

If you download this recording from NYCTaper, PLEASE SUPPORT Cass McCombs, visit his website, and purchase A Folk Set Apart: Rarities, B-Sides & Space Junk, Etc. from the Domino Records website [HERE].

IMG_0447

Holly Miranda: December 18, 2015 Bowery Ballroom

January 6, 2016
By

12357595_1652135838385403_1522107260_n
[photo courtesy of Gina Garcia]

We’ve followed Holly Miranda for more than the last half decade, and she’s never let us down. Whether it was at the legendary Maxwells, headlining gig at Bowery, a private show at a wine bar, a night at Glasslands, or a show among friends at Zebulon, Holly Miranda has consistently delivered outstanding performances. Her latest record is a self-titled album that was recorded a couple of years ago after Holly moved to LA and parted ways with XL Recordings. As we noted in 2013, the new album and the artist would find a new home quickly and sure enough Dangerbird Records did just that. Last month at Bowery Ballroom, Holly brought together some old friends (including friend of the site Tim Mislock) and played a too brief support set which included much of the new album, a couple of older tracks and one sublime cover. As always, ultimately the set left us satisfied but wanting more. So, tomorrow night Holly Miranda will join forces with the excellent Hypnocraft and play a show at Manhattan Inn. Don’t miss it.

I recorded this set with the Schoeps cards mounted in our usual location in this venue. The sound quality is excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show [minus banter tracks]:

Holly Miranda
2015-12-18
Bowery Ballroom
New York NY

Digital Master Recording
FOB Audience

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 38:48]
01 Mark My Words
02 Desert Call
03 Waves
04 No One Just Is
05 All I Want To Be Is Your Girl
06 Come On
07 [band introductions]
08 Mary Won’t You Call My Name [Morphine]
09 [Kyp Malone intro – Everlasting false start]
10 Everlasting

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Holly Miranda, visit her website, and purchase her official releases from the Music link at her website [HERE] or directly from Dangerbird Records [HERE].

Support nyctaper

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