Posts Tagged ‘ bowery ballroom ’

Diet Cig: September 8, 2017 Bowery Ballroom

September 14, 2017
By


[photos by Joe Saturday]

Its hard for me to imagine that someone exists who actually doesn’t like Diet Cig. The duo exudes such positive energy and real enthusiasm for their music that it’s infectious in a live setting. This is not world-changing music, but two-minute pop song relatable slices of life. When Pitchfork assigned an intern whose last piece was likely in an Annandale creative writing class to review Diet Cig’s most recent album, the result was a tragically misdirected hit piece that managed to be both tone-deaf and indicative of a wider problem with publications like Pitchfork. Sometimes music doesn’t have to have a larger meaning and when the writer savages the musicians for failing to meet a false standard, it says more about the writer’s inadequacies than anything the music set out to achieve. To paraphrase Billy Bragg, Diet Cig don’t want to change the world, they’re just looking to sing some pop songs.

At Bowery Ballroom on Friday night, the band played to a sold-out crowd and all of the good vibes coming from the stage were returned all night. This was a crowd in love with the band for all the right reasons. Sure, lead singer Alex Luciano opened the set by declaring that all of the band’s show are safe spaces and later she gently chided the dancers in front to keep it fun and not too physical, but it was more than that. Luciano played a wireless guitar on a nearly bare stage — drummer Noah Bowman was set up to the far left — in order to be able to dance, run, jump and literally never stop moving throughout the set. Her unbridled ebullience drove the hour-long set from start to finish, to the point where the briefest of breaks were only to catch her breath. Diet Cig performed just about every song they’ve ever recorded — from their debut EP and a double-sided single on Father/Daughter Records, and all but one song from their first album I Swear I’m Good At This released this year on Frenchkiss. The show also featured the debut performance of the song the band wrote for the Amazon tv show “American Girl” called “Together We Can Conquer Whatever”. When the band returned to play their very first recorded track “Harvard” as an encore, it brought me back to the initial time I heard a pre-release promo of that very track. The song made me smile that day and a few years later, this Bowery show did it again many times over.

Diet Cig has a handful of US dates remaining before they spend much of the Fall touring throughout Europe, all dates here.

I recorded this set in our usual manner in this venue, Schoeps from the front of the balcony mixed with a board feed. Other than a few bits of static from Alex’s wireless guitar, the sound quality is very representative of the set with bundles of energy and non-stop movement. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Diet Cig
2017-09-08
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 51:00]
01 [introduction]
02 Sixteen
03 Bite Back
04 Leo
05 Dinner Date
06 [banter – slumber party]
07 Cardboard
08 Sleep Talk
09 Breathless
10 [banter – rollercoaster]
11 Scene Sick
12 Pool Boyz
13 Apricots
14 Maid of the Mist
15 [Tummy intro]
16 Tummy Ache
17 Blob Zombie
18 [Conquer intro]
19 Together We Can Conquer Whatever
20 Link in Bio
21 Bath Bomb
22 Barf Day
23 [encore break]
24 Harvard

PLEASE SUPPORT Diet Cig: Website | Frenchkiss Records Page | Father/Daughter Records Page | Bandcamp

Xenia Rubinos: April 13, 2017 Bowery Ballroom

April 26, 2017
By


[photo from Xenia Rubinos Twitter]

There’s no earthly reason why Xenia Rubinos should not be a household name in the very near future. She is an artist of immense talents as a writer, composer and performer and her art is true. The musical genres that are home to Xenia Rubinos’ exemplary music have been previously culturally appropriated by the likes of well-to-do Ivy League grads, a Smith grad from Connecticut, and a guy from Forest Hills. But as a person of color who has lived the bitter mistreatment of her protagonists, Xenia is in a position to present a necessary point of view at a troubling historical time when authenticity is crucial. The world needs more voices like Xenia Rubinos and her time is now.

In July Xenia Rubinos released Black Terry Cat, her first album for the Anti- label and second overall. The album received an 8.0 from Laura Snapes over at Pitchfork and pretty much universally positive reviews worldwide. In support, she’s toured tirelessly throughout the US and this month saw her triumphant return to NYC.

The Bowery Ballroom show was a special night for Xenia. Not only was it her largest show to date, but it was also her mother’s birthday. Given that her first album was in part a tribute to her recently passed father, it was particularly moving that this performer had a close family connection on such an important career night. The other important participants at Bowery were the crowd, who were both voluminous and dancing throughout, and her two accompanying musicians — longtime collaborator and producer Marco Buccelli who played a variety of drums, keys and effects, and for this tour Jack Hill on bass, moog and guitar. The set began with the opening track from Cat before the trio blasted through a fifteen-song set that fully represented Xenia’s catalog thus far. There were multiple pockets of fans who literally did not stop dancing throughout the entire set and were engaged with the performer throughout. But it was Xenia who was the well-deserved center of attention as she pivoted from keys to bass to solo vocals as an unstoppable kinetic ball of energy. At the end of the hour-long set she was called back for multiple encores — a true affirmation that an artist with integrity and abundant talent will ultimately succeed.

Xenia Rubinos just began an extensive eleven-date tour of Europe in April and May before she returns to the US for a variety of Summer shows, dates [HERE].

I recorded this set with the Schoeps cards set up in our usual front balcony position and mixed with an excellent board feed. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Xenia Rubinos
2017-04-13
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:10:45]
01 Romeo
02 Lonely Lover
03 Just Like I
04 Help
05 Don’t Wanna Be
06 See Them
07 Right?
08 I Won’t Say
09 Whirlwind
10 Cherry Tree
11 Laugh Clown
12 Black Stars
13 [encore break – Happy Birthday]
14 Pan y Cafe
15 Hair Receding
16 [band introductions]
17 Mexican Chef

PLEASE SUPPORT Xenia Rubinos: Facebook | Bandcamp | Artist Page at Anti- | Purchase Black Terry Cat [HERE]

Chuck Prophet: March 29, 2017 Bowery Ballroom

April 19, 2017
By


[screen shot from this video]

neild reports:
Chuck Prophet is one of those musicians who went from barely-known to me to a perennial favorite in the course of a single song — or really a single riff, as all it took was hearing the opening guitar line from “Sonny Liston’s Blues,” off his terrific 2009 album Let Freedom Ring. Prophet gets described frequently as the “indie rock Tom Petty,” and it certainly fits his vocal style and commitment to old-school rock ’n’ roll, but if anything it sells him short: He combines a heart worn boldly on his sleeve with character observations that are by turns astute and hilarious, sometimes in the course of the same phrase.

This show at the Bowery Ballroom came toward the end of the tour for Prophet’s excellent new album Bobby Fuller Died for Your Sins. Live, not only is Prophet’s dry wit given free rein, but the Mission Express, consisting of guitar wizard James DePrato (here playing even more slide than usual), the superb rhythm section of bassist Kevin White and drummer Vicente Rodriguez, and the unbeatable keyboardist/vocalist (and Prophet’s wife) Stephanie Finch, can spread out songs like “Summertime Thing” and “You Did (Bomp Shooby Dooby Bomp)” into loping jams that would be rock radio staples in an alternate universe. I’ve never seen a bad Chuck Prophet and the Mission Express show, and this was among their best, charging along without letup for nearly two hours.

This recording was made with Church Audio CA-14 cardioid mics from lip of the Bowery Ballroom balcony, mixed with a soundboard feed provided by the Bowery’s supremely talented and helpful new soundperson Danielle.

Please pay what you wish for the download (all proceeds other than Paypal and Bandcamp fees go to the artist), and visit chuckprophet.com for all your merch and info needs — I highly recommend subscribing to his email newsletter, which is always a terrific read even if you’re not interested in finding out when he’s coming to your town (though if you’re not, I don’t know what’s wrong with you).

Download and Stream the Complete Show from our Bandcamp Page [HERE]

Chuck Prophet
2017-03-29
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

CA=14 Cards + Soundboard [engineer Danielle] > Sony PCM-M10 > WAV (24/48) > Sound Studio (light dynamic compression and mixing) > FLAC (16/44.1) > Tag > FLAC

Recorded and Produced by
neild

Setlist:
01 Bobby Fuller Died For Your Sins
02 Ramona Say Yes [Chuck Berry]
03 Lonely Desolation
04 Bad Year for Rock and Roll
05 Temple Beautiful
06 Who Shot John
07 Barely Exist
08 Jesus Was a Social Drinker
09 You Did (Bomp Shooby Dooby Bomp)
10 In The Mausoleum
11 Ford Econoline
12 We Got Up and Played
13 Iodine [Leonard Cohen]
14 Summertime Thing
15 Countrified Inner City Technological Man
16 Wish Me Luck
17 Willie Mays Is Up At Bat
18 Let Her Dance [Bobby Fuller Four]
19 You And Me Baby (Holding On)

PLEASE SUPPORT Chuck Prophet: Website | Purchase Bobby Fuller Died for Your Sins from Yep Roc Records

Son Volt: April 7, 2017 Bowery Ballroom

April 16, 2017
By


[photo by Joe Kelly]

Son Volt is currently on tour in support of their new album Notes of Blue, the band’s ninth record in more than twenty years of work. Despite the early years as torch-carriers for the alt-country/No Depression movement, Son Volt has built a career on solid roots/Americana rock. Like band leader Jay Farrar, there’s nothing particularly flashy about the group, they’re just built on a consistent foundation of high quality music. The new album continues in that vein, if not a tad bit more focused on the “roots” sound more representative of the Son Volt’s recent output.

The Son Volt tour came through NYC last week for a few local dates, and we were fortunate to attend the Bowery Ballroom show which sold out months ago. Like the band, the fans of this band are consistent and faithful — members of our group for the Bowery night came from Ireland, Boston and Missouri to see this show. And the band did not disappoint. After the early set concentrated heavily on Blue material, Son Volt delivered a twenty-six song show with a setlist pulled democratically from all eras of the band. Indeed there were three Uncle Tupelo songs in the encore set, and the night ended with Keith Richards penned Stones cover. Son Volt will be on tour throughout the next two months mostly in the West and Midwest, dates here.

I recorded this set with room mics only, running the Schoeps from our traditional spot in the front center of the balcony. The sound quality reflects the show experience — excellent quality sound supplemented by some feisty fans. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Son Volt
2017-04-07
Bowery Ballroom
New York NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:26]
01 Cherokee St
02 Lost Souls
03 Buzz and Grind
04 Static
05 Damn Shame
06 The Picture
07 Dynamite
08 Tear-Stained Eye
09 Midnight
10 Sinking Down
11 Back Into Your World
12 Catching On
13 Cairo and Southern
14 Ten Second News
15 Promise the World
16 [band introductions]
17 Back Against the Wall
18 Bandages and Scars
19 Driving the View
20 Route
21 Drown
22 Afterglow 61
23 [encore break]
24 Still Be Around
25 Windfall
26 Graveyard Shift
27 Chickamauga
28 [second encore break]
29 Happy [Rolling Stones]

PLEASE SUPPORT Son Volt, visit their website, and purchase Notes of Blue and other official releases directly from the Official Son Volt store [HERE].

Lambchop: March 30, 2017 Bowery Ballroom

April 6, 2017
By


[photo by PSquared Photography]

In my not so humble opinion, Lambchop’s FLOTUS was the best album of 2016. In a similar regard, “In Care of 8675309” is the best song released this decade. What makes it more remarkable is that the album represents for Kurt Wagner a stylistic pivot from a twenty-five year career of eclectic americana. For FLOTUS, Wagner used modern technology juxtaposed with his intimate lyrics to create a masterpiece about the maintenance of an interpersonal connection in a world increasingly enslaved to machines.

We were fortunate to capture the live debut of the FLOTUS material at Hopscotch in September. Since that time Lambchop has toured the world and performed this material more than fifty times in a live setting, so that by the time they arrived at Bowery Ballroom last Friday, we were excited for the development of the songs. Our expectations were met early in the proceedings when Wagner sweetly crooned a subdued version of “NIV” that blended seamlessly into a guitar-driven truncated version of “The Hustle” that was transformed from the hypnotic electronic bifurcated melody on the album to a more unified alt-folk ballad live. “8675309” was placed in the middle of the set but Wagner’s intense vocal performance of the epic number was perhaps the highlight of the evening. The band’s setlist included a handful of older numbers and one cover, but this night was dedicated to FLOTUS and sans the title track, the album was nearly completely performed. The keyboardist Tony Crow provided several ace solos (and some hilarious banter) and the band also includes veteran bassist Matt Swanson and Wye Oak’s percussionist/electronic wiz Andy Stack, whose expert multitasking we’ve noted previously in this pages. But it was Wagner centerstage, and while his abundant use of vocals effects may have startled some of the old guard, the packed house was clearly on board for the FLOTUS sound and hovered on every note. Lambchop’s current tour comes to a close in the next few weeks, and they’re going back to Europe in the Summer festival season, but we expect that they will return to NYC in the Fall.

I recorded this set with the Schoeps mounted in our usual balcony spot and mixed with a flawless soundboard feed. The crowd’s great respect for this performer and this material permitted us to capture the often quiet moments of this set without distraction and as a result the sound quality of this recording is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Lambchop
2017-03-30
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:16]
01 NIV
02 The Hustle
03 Directions to the Can
04 Poor Bastard
05 Old Masters
06 Writer
07 [banter – physical comedy]
08 In Care Of 8675309
09 [band introductions]
10 The New Cobweb Summer
11 [banter – build character]
12 Howe
13 JFK
14 Relatives #2
15 Harbor Country
16 [encore break]
17 My Blue Wave
18 When You Were Mine [Prince]

PLEASE SUPPORT Lambchop: Website | Buy FLOTUS at Merge Records

Robyn Hitchcock: March 1, 2017 Bowery Ballroom

March 6, 2017
By


[photos by Ellen]

The night after Robyn Hitchcock’s very memorable Rough Trade show, the performer and backing band performed in Manhattan for what proved to be an entirely different experience from the the previous show. Aside from the fact that the venue is twice the capacity than in Brooklyn, a sold-out show at Bowery Ballroom tends to have a discernible buzz and an energetic crowd. And for this particular special event, many long-time fans and some industry folk were in attendance and let their voices be heard.

As a full album two-set show, it was in the second set where this night diverged from the previous show. After a set of Black Snake Diamond Role in which Robyn bantered more and dealt with some vocal microphone issues, the band returned for a second set that mixed it up quite a bit from the Rough Trade show. At Bowery we got a mini quiet set with “I Often Dream of Trains” as the highlight, a chugging version of Dylan’s “Obviously Five Believers” and a pretty rare Love cover in the encore set. These two nights of prime Robyn Hitchcock and band playing at the peak of their skills were best-of-year quality shows and I expect we will be revisiting them often.

I recorded this set with the Schoeps mounted next to the soundboard booth in the front of the balcony. The sound in the venue was again outstanding and other then some crowd rowdiness, this is another superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Robyn Hitchcock
2017-03-01
Bowery Ballroom
New York NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:46:52]
Set 1 (Black Diamond Snake Role)
01 The Man Who Invented Himself
02 Brenda’s Iron Sledge
03 Do Policemen Sing
04 The Lizard
05 [banter – chocolate]
06 Meat
07 [banter – precision]
08 Acid Bird
09 [banter – New York Rocker]
10 I Watch the Cars
11 [banter – grey dove]
12 Out of the Picture
13 City of Shame
14 Love
Set 2
15 Wey Wey Hep Uh Hole
16 It’s a Mystic Trip
17 Give Me a Spanner Ralph
18 [banter – British Rail]
19 I Often Dream of Trains
20 Winter Love
21 Let There Be More Darkness
22 Obviously Five Believers [Dylan]
23 Going Down to Liverpool [The Waves]
24 Kingdom of Love
25 [banter – thanks]
26 He’s a Reptile
27 [encore break]
28 Rock ‘n’ Roll Toilet
29 Stephanie Knows Who [Love]
30 Airscape

PLEASE SUPPORT Robyn Hitchcock: Website | Twitter | Buy Official Releases

Tim Presley: January 26, 2017 The Bowery Ballroom

February 7, 2017
By


[photos courtesy of Will and We All Want Someone blog]

Though we’re well acquainted with White Fence, Tim Presley has for the time being shelved that band in favor of going solo under his own name. The first record to appear as such is the The Wink, a buzzed and jittery work which was produced by Welsh musician Cate Le Bon, also Presley’s touring partner. The album is a departure from the fuzzy garage psych of White Fence, as Le Bon’s presence pushes Presley into intimate and unexplored territory. As I mentioned in my review of her set from the same night, Le Bon and her band also backed Presley for his opening set. Listening to the two side-by-side, you’ll notice a cohesive presence and song structure between them. Presley and band played the entirety of The Wink, in order, save for “Moment,” from his experimental W-X side project. Incidentally, no White Fence tunes were played until Cate Le Bon’s encore when she and Presley did a duet on “Chairs in the Dark.”

I recorded this set from our usual location in the venue slightly to the left of soundboard in the balcony area, with a board feed from Bowery FOH Kenny. As usual for the venue, the sound is excellent. Enjoy!

Download: MP3/FLAC

Stream:

Tim Presley
2017-01-26
The Bowery Ballroom
New York, NY

Recorded and produced by Eric PH for NYCTaper.com
Photo by Will Oliver

Soundboard [engineer: Kenny] + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [49:17]
01. O’Guardian A
02. The Wink
03. Can You Blame
04. Solitude Cola
05. Goldfish Wheelchair
06. Long Bow
07. Morris
08. ER
09. Underwater Rain
10. Kerouac
11. Clue
12. Moment
13. Aura Aura

• Facebook
• • Buy The Wink and White Fence records via Drag City

Cate Le Bon: January 26, 2017 The Bowery Ballroom

January 31, 2017
By


[photos courtesy of Will and We All Want Someone blog]

Cate Le Bon’s been awfully busy since we last saw her in 2014: in 2016 she released her fourth (and excellent) LP, Crab Day; she produced Tim Presley’s (also excellent) LP, The Wink; and last Friday she put out a followup to Crab Day, the companion EP Rock Pool. Fittingly, on her current tour with Tim Presley, Le Bon is pulling a double shift, contributing guitar and vocals in Presley’s backing band before playing her own headlining set. I’ll talk more about Presley’s set when we post it shortly, but the music on The Wink is so informed by Le Bon’s production that the night felt less like two co-headlining sets and more like a conjoined, ongoing collaboration between the two musicians. Later on in Le Bon’s set, Presley joined in on guitar for “What’s Not Mine,” a cover of Presley’s White Fence tune “Chairs in the Dark,” and “Are You With Me Now?” While Le Bon and Presley were obviously the focus of the evening, it would be criminal not to mention their crack shot backing band featuring JT, Stephen Black, and Daniel Ward. This set showcases mostly songs from the off-kilter Crab Day, two new ones from Rock Pool (“Aside From Growing Old” and “I Just Wanna Be Good”), plus a few older tracks like “No God,” “Greta,” “Sisters,” and the fan-favorite “Are You With Me Now?” The Le Bon/Presley tour soldiers on for a few more dates (here) and if you have the chance I highly recommend you not miss out on this one.

I recorded this set from our usual location in the venue slightly to the left of soundboard in the balcony area, with a board feed from Bowery FOH Kenny. As usual for the venue, the sound is excellent. Enjoy!

Download: MP3/FLAC

Stream:

Cate Le Bon
2017-01-26
The Bowery Ballroom
New York, NY

Recorded and produced by Eric PH for NYCTaper.com
Photos by Will Oliver

Soundboard [engineer: Kenny] + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:07:11]
01. Crab Day
02. Love is Not Love
03. Wonderful
04. No God
05. Aside From Growing Old
06. I’m a Dirty Attic
07. I Was Born on the Wrong Day
08. How Do You Know?
09. I Can’t Help You
10. I Just Wanna Be Good
11. Greta
12. Sisters
13. We Might Revolve
14. What’s Not Mine
15. [encore break]
16. Chairs in the Dark [White Fence]
17. Are You With Me Now?

• Website
• • Facebook
• • • Buy Crab Day and Rock Pool via Drag City

Earthless: December 13, 2016 Bowery Ballroom

January 5, 2017
By


[photo by BevRock]

The music of Earthless is as if the climax instrumental portion of the best of early 70s head-rock became a single fifteen-minute song. In other words, there’s no filler in their music, just improvisational highlights. While Earthless has existed for fifteen years, the band’s recorded output consists of just four full-lengths. This is a band clearly comfortable as a live unit, despite that all three members of the trio play with significant other bands, including drummer Mario Rubalcaba in Rocket from the Crypt and Off!. The band doesn’t tour often, but in 2016 we got to see them twice, including our recording of their Mercury Lounge set in March.

At the Bowery Ballroom last month, the band played an hour-long set of three songs that was capped off by a relatively quick encore of the FM staple track from Led Zeppelin’s first album. Interestingly, the set did not include the band’s 2016 release “Acid Crusher”, half of a split release with their Tee Pee Records mates Harsh Toke. But the set was exactly what the crowd came to see — plenty of riffs, thumping bass and monster percussion. This was the art of stoner rock taken to its logical conclusion and Earthless nailed the set from start to finish.

I recorded this set with the Schoeps cards in our usual location in the balcony. The house mix was used to fortify the drums which did not carry up to the balcony as well as the stacks of guitar amps. The result is an excellent recording. Enjoy!

Download and Stream the Complete Show from our Bandcamp Page [HERE]

Earthless
2016-12-13
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny Lienhardt] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:07:14]
01 Uluru Rock
02 Violence of the Red Sea
03 Sonic Prayer
04 [encore break]
05 Communication Breakdown [Zep]

Support Earthless: Facebook | Bandcamp | Buy their records from Tee Pee Records

Ultimate Painting: December 7, 2016 Bowery Ballroom

December 12, 2016
By

Our own acidjack was early on the bandwagon for Ultimate Painting, as he captured the band back in 2014 and raved about their debut album. The British neo-psych quartet is now three records into their career and just completed a headlining tour with twelve US dates in support of their newest release, Dusk (Trouble In Mind Records). The tour’s final date was last week at Bowery Ballroom and if the crowd was not packed, it was notable for the music luminaries in attendance — Matador Records co-founder Gerard Cosloy, Rolling Stone’s senior editor David Fricke, Stereogum founder Scott Lapatine, and brooklynvegan’s Bill Pearis.

Ultimate Painting’s set was a seventy-minute exercise in precision and synchronicity. The band’s two protagonists, Jack Cooper and James Hoare share vocal and lead-guitar duties and both are superb performers. The other aspect of the band’s success is the songwriting. The songs can be tight and guitar driven psych-pop, but when the band wants to open up and explore, they remain focused and in synch. While Ultimate Painting does borrow stylistically from the mid-60s London scene, the music also shows influences from the US — the Velvets and Television in particular. Among contemporary comparisons, I hear similarities to White Fence and Courtney Barnett (“Central Park Blues” in particular). The band worked through a nice selection of numbers from all three of their albums before ending the set with a sixteen-minute extended version of “Ten Street” that capped off the show in fine fashion.

I recorded this set with the Schoeps cards in the balcony mixed with Kenny’s outstanding feed. The sound quality is superb. Enjoy!

Download and Stream this Recording at our Bandcamp Page:

Ultimate Painting
2016-12-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny Lienhardt] + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:07:14]
01 Ultimate Painting
02 Rolling in the Deep End
03 Riverside
04 Bills
05 Song for Brian Jones
06 (I’ve Got The) Sanctioned Blues
07 I’m Set Free
08 [banter – band intro]
09 Break the Chain
10 Lead the Way
11 Monday Morning Somewhere Central
12 Central Park Blues
13 Sweet Chris
14 Ten Street

If you enjoyed this recording, PLEASE SUPPORT Ultimate Painting, visit their website, and purchase Dusk from Trouble In Mind Records HERE.

Support nyctaper

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