Posts Tagged ‘ bowery presents ’

Robyn Hitchcock: February 28, 2017 Rough Trade Brooklyn

March 5, 2017
By


[photo by nyctaper]

It was twenty years ago this month that I recorded Robyn Hitchcock at the old Knitting Factory on Leonard Street from the first row of the balcony when that venue still had seats upstairs. That recording has for years been one of my favorite Robyn recordings in large part because the banter is both hilarious and sublime in his very unique stream-of-consciousness manner. I saw Robyn Hitchcock many times in that era, mostly as a solo performer sometimes accompanied by the great Deni Bonet. It wasn’t until a decade later that I saw Robyn with a full band — that 2007 tour featured the Venue 3 (Peter Buck, Scott McCaughey, Bill Rieflin) — in the very same Leonard Street spot. The two shows were entirely different musical experiences and proved the versatility of this prolific performer.

It took another decade, and a completely different full band for me to experience Robyn again. This time it was in a two-set affair with the first session featuring a complete performance of his first solo album Black Snake Diamond Röle and a second act consisting of rare tracks, covers and a few familiar standards extending all the way back to the 1970s Soft Boys period. At Rough Trade on Tuesday night, the Brit ex-pat was less interested in monologues and more focused on the songs — many of which had not been performed in years and perhaps decades. The result was a stunning display of musical dexterity and proof positive that Hitchcock is perhaps the most overlooked living genius of the last half-century of modern music. The second set highlights included Robyn’s tribute to his Soft Boys bandmate Kimberly Rew in the performance of “Goin Down to Liverpool” and the a spot-on version of mega-influence Syd Barrett in Pink Floyd’s first album stand-out “Lucifer Sam”.

I recorded this set with the Schoeps mounted centered inside the soundboard booth. This straight audience recording accentuates the superb room mix of one the best FOH pros in the business, Mark Luecke, and the credit for the superb sound goes directly to him. This is truly one of the best audience recordings we’ve ever featured on this site. Enjoy!

Download the Complete Show in FLAC or MP3 at Archive.org [HERE]

Stream the Complete Show:

Robyn Hitchcock
2017-02-28
Rough Trade
Brooklyn NY

Digital Master Audience Recording
Recorded inside Soundboard Booth

Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:45:55]
Set 1 (Black Diamond Snake Role)
01 The Man Who Invented Himself
02 Brenda’s Iron Sledge
03 Do Policemen Sing
04 The Lizard
05 Meat
06 [band introductions]
07 Acid Bird
08 I Watch the Cars
09 Out of the Picture
10 City of Shame
11 Love
Set 2
12 [introduction]
13 Wey Wey Hep Uh Hole
14 All I Wanna Do Is Fall in Love
15 It’s a Mystic Trip
16 A Skull, a Suitcase, and a Long Red Bottle of Wine
17 I Got a Message for You
18 Ye Sleeping Knights of Jesus
19 Going Down to Liverpool [The Waves]
20 Run Run Run [Velvets]
21 Kingdom of Love
22 He’s a Reptile
23 [encore break]
24 Rock ‘n’ Roll Toilet
25 Lucifer Sam [Pink Floyd]
26 Airscape

PLEASE SUPPORT Robyn Hitchcock: Website | Twitter | Buy Official Releases

Ryley Walker: January 26, 2017 Rough Trade BK

January 30, 2017
By


[photo by nyctaper]

There’s a period in every premiere artist’s career when their prolific songwriting outpaces their ability to record their songs. Ryley Walker is currently in that kind of fruitful songwriting phase. A few months out from the release of his outstanding Golden Sings That Have Been Sung album, Ryley toured the East coast and arrived at Rough Trade on Thursday night. The set consisted of as many new songs as tracks from the album — three of the four new songs so fresh that Ryley doesn’t even quite have titles for them yet.

But first, there were the familiar ones. The set began with an extended guitar interplay that led into Golden’s “The Roundabout”, followed by another lengthy jam intro to the title track from 2015’s Primrose Green. Between the music was a nice dose of banter and give and take between the admiring audience and the modest troubadour. We saw how Ryley can morph a performance from a “show” to an event that feels like he’s hanging out in your living room at Market Hotel this past Spring. This night at Rough Trade had the same familiar feel — its one of Walker’s most endearing traits. But ultimately its about the songs and to finish the set we got two solo acoustic numbers that accentuated the unique talents of this performer.

I recorded this set with the Schoeps cards mounted at center of the Soundboard table and mixed with a board feed. The sound quality is quite excellent. Enjoy!

Download the Complete Show in FLAC and MP3 at Archive.org [HERE]

Stream the Complete Show:

Ryley Walker
2017-01-26
Rough Trade
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Leah Zipkin] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:20:04]
01 [introduction]
02 The Roundabout
03 [banter – mental breakdown]
04 Primrose Green
05 [banter – anytizers]
06 Sullen Mind
07 [banter – Bobo]
08 [new song 1]
09 [banter]
10 [new song – I Can’t Say Why]
11 [banter – thanks]
12 [new song 3]
13 [banter – New York]
14 Shaking Like The Others
15 The Halfwit in Me

SUPPORT Ryley Walker: Website | Facebook | Purchase Golden Sings

Earthless: December 13, 2016 Bowery Ballroom

January 5, 2017
By


[photo by BevRock]

The music of Earthless is as if the climax instrumental portion of the best of early 70s head-rock became a single fifteen-minute song. In other words, there’s no filler in their music, just improvisational highlights. While Earthless has existed for fifteen years, the band’s recorded output consists of just four full-lengths. This is a band clearly comfortable as a live unit, despite that all three members of the trio play with significant other bands, including drummer Mario Rubalcaba in Rocket from the Crypt and Off!. The band doesn’t tour often, but in 2016 we got to see them twice, including our recording of their Mercury Lounge set in March.

At the Bowery Ballroom last month, the band played an hour-long set of three songs that was capped off by a relatively quick encore of the FM staple track from Led Zeppelin’s first album. Interestingly, the set did not include the band’s 2016 release “Acid Crusher”, half of a split release with their Tee Pee Records mates Harsh Toke. But the set was exactly what the crowd came to see — plenty of riffs, thumping bass and monster percussion. This was the art of stoner rock taken to its logical conclusion and Earthless nailed the set from start to finish.

I recorded this set with the Schoeps cards in our usual location in the balcony. The house mix was used to fortify the drums which did not carry up to the balcony as well as the stacks of guitar amps. The result is an excellent recording. Enjoy!

Download and Stream the Complete Show from our Bandcamp Page [HERE]

Earthless
2016-12-13
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny Lienhardt] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:07:14]
01 Uluru Rock
02 Violence of the Red Sea
03 Sonic Prayer
04 [encore break]
05 Communication Breakdown [Zep]

Support Earthless: Facebook | Bandcamp | Buy their records from Tee Pee Records

Ultimate Painting: December 7, 2016 Bowery Ballroom

December 12, 2016
By

Our own acidjack was early on the bandwagon for Ultimate Painting, as he captured the band back in 2014 and raved about their debut album. The British neo-psych quartet is now three records into their career and just completed a headlining tour with twelve US dates in support of their newest release, Dusk (Trouble In Mind Records). The tour’s final date was last week at Bowery Ballroom and if the crowd was not packed, it was notable for the music luminaries in attendance — Matador Records co-founder Gerard Cosloy, Rolling Stone’s senior editor David Fricke, Stereogum founder Scott Lapatine, and brooklynvegan’s Bill Pearis.

Ultimate Painting’s set was a seventy-minute exercise in precision and synchronicity. The band’s two protagonists, Jack Cooper and James Hoare share vocal and lead-guitar duties and both are superb performers. The other aspect of the band’s success is the songwriting. The songs can be tight and guitar driven psych-pop, but when the band wants to open up and explore, they remain focused and in synch. While Ultimate Painting does borrow stylistically from the mid-60s London scene, the music also shows influences from the US — the Velvets and Television in particular. Among contemporary comparisons, I hear similarities to White Fence and Courtney Barnett (“Central Park Blues” in particular). The band worked through a nice selection of numbers from all three of their albums before ending the set with a sixteen-minute extended version of “Ten Street” that capped off the show in fine fashion.

I recorded this set with the Schoeps cards in the balcony mixed with Kenny’s outstanding feed. The sound quality is superb. Enjoy!

Download and Stream this Recording at our Bandcamp Page:

Ultimate Painting
2016-12-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny Lienhardt] + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:07:14]
01 Ultimate Painting
02 Rolling in the Deep End
03 Riverside
04 Bills
05 Song for Brian Jones
06 (I’ve Got The) Sanctioned Blues
07 I’m Set Free
08 [banter – band intro]
09 Break the Chain
10 Lead the Way
11 Monday Morning Somewhere Central
12 Central Park Blues
13 Sweet Chris
14 Ten Street

If you enjoyed this recording, PLEASE SUPPORT Ultimate Painting, visit their website, and purchase Dusk from Trouble In Mind Records HERE.

Long Ryders: November 10, 2016 Bowery Ballroom

November 17, 2016
By

long-ryders-psquared
[photo by PSquared Photography]

Any discussion about the beginnings of the “alt-country” or “no depression” movement needs to include the story of the Long Ryders. The band is linked with LA’s early 80s “Paisley Underground”, except that the Long Ryders added Americana to their sixties-influenced pop. The Long Ryders released an EP and three terrific albums before they broke up in 1987, just a few years before the emergence of bands like Uncle Tupelo, Jayhawks and Old 97s would be grouped in a “new” genre that owed much to the path laid out by the Ryders. I owned all of the Ryders releases on vinyl and they often made appearances on my many mixed tapes over the years, cementing the band’s influence in my own music journey.

Each of the four members of the Long Ryders found significant success in the 1990s. Sid Griffin moved to London, founded the great Coal Porters and became a music writer. Stephen McCarthy moved to Virgina and worked with Steve Wynn in Gutterball and in recent years spent time in the Jayhawks. Tom Stevens returned to Indiana and launched a successful solo career, played with Wynn in Danny & Dusty and earned a degree in Computer Science. Greg Sowders stayed in LA and became a music publishing executive as a senior VP of A&R at Warner Chappell. The band did have a couple of brief reunions last decade but for the most part have moved on from the Long Ryders.

This year finally saw the release of the ultimate Long Ryders box set Final Wild Songs (Cherry Red Records), which includes all 3 albums, the EP, a bunch of bonus tracks, and a full live set from 1985. This extraordinary collection of material made the current music press sit up and take notice. The Box Set received five stars from AllMusic, 8/10 from Popmatters, and four stars from UnCut. The band played some reunion dates in Europe in the Spring, and this Fall saw the Long Ryders visit NYC for the first time in 29 years.

We’ve acknowledged that these reunion shows can be a mixed bag. Generally speaking, the relative life situation of the members often dictates the quality of the return to the music. That is to say that if we’re dealing with folks who don’t need to revisit past glories, the performances tend to be more tight and focused. Given that all four Long Ryders have had significant success in their lives after the band’s demise, this group was among the category of folks who reunited for all of the right reasons — love of music, dedication to fans, and an opportunity to reach younger fans to cement their rightful place in music history.

Last week at Bowery Ballroom, the Long Ryders were clearly focused and fully in sync. The set began in earnest with the roots rock of Sid Griffin complimented by McCarthy’s sweet tenor country rock. Sowders and Stevens provided a precise rhythm section with Stevens stepping forward as the protagonist in two expert numbers. The setlist comprised exactly the songs you’d want the Ryders to play (“Lights of Downtown”, “State Of My Union”, “Looking for Lewis and Clark”), included some great covers that were part of their recorded output (“I Want You Bad”, “Masters of War”) and indeed one cover that I believe the band never laid down in a studio — Buffalo Springfield’s “On The Way Home”, which proved a perfect outlet for McCarthy. Sure the crowd was older — to the point where at least a dozen of them pulled out chairs onto the Bowery floor — but this music sounded as fresh and new as it did in the mid-1980s, in large part because the Long Ryders were a direct influence on bands still making music today.

The Long Ryders have completed their tour but just recently announced that they will appear at the Stagecoach Festival in California in April, along with dates in Santa Ana and Hollywood, info here.

I recorded this set in our standard location at Bowery with the Schoeps cards mixed with an excellent balanced feed from the band’s talented FOH Adrian. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Long Ryders
2016-11-10
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Adrian] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:29:31]
01 Tell It to the Judge on Sunday
02 Lights of Downtown
03 A Stitch in Time
04 Gunslinger Man
05 You Don’t Know What’s Right, You Don’t Know What’s Wrong
06 Years Long Ago
07 Run Dusty Run
08 Ivory Tower
09 [banter – Joshua Camp intro]
10 The Light Gets In The Way
11 Masters of War [Dylan]
12 Two Kinds of Love
13 [banter – dedication]
14 I Want You Bad [NRBQ]
15 I Had a Dream
16 [banter – chick on a horse]
17 And She Rides
18 Final Wild Son
19 Man of Misery
20 You Just Can’t Ride the Boxcars Anymore
21 (Sweet) Mental Revenge [Mel Tillis]
22 State of My Union
23 [encore break]
24 On the Way Home [Buffalo Springfield]
25 Looking for Lewis and Clark

SUPPORT Long Ryders: Website | Twitter | Merch! | Purchase Final Wild Songs from Cherry Red Records [HERE].

Sloan: October 17, 2016 Bowery Ballroom

October 27, 2016
By

sloan-bowery
[photo by Jim Sharky]

Twenty years ago the end game in the script for success in the music industry was still a big record deal. But like most “sure things”, the big deal was often a big trap. For Sloan that meant signing with Geffen Records for their 1992 album Smeared, but by the time of the release of their second album their relationship with Geffen went sour. After 1994’s Twice Removed, Sloan left the label and rumors of their break-up began to circulate.

The reports of their death having been greatly exaggerated, Sloan recorded One Chord To Another in 1996 on a shoestring budget and with modest recording techniques. And not only were they not dead, One Chord ended up being Sloan’s best selling record and a Juno Prize winner. Twenty years later it was time to celebrate this pivotal point in the band’s long and illustrious career and in 2016 One Chord To Another got the box set treatment and a tour.

At Bowery Ballroom last week, the One Chord tour rolled into town and Sloan played a two-set show with the album played straight through as the first set, and an intentionally democratic selection of songs as the second set. The band specifically referenced trying to cover at least one song from every album for this show — and that they did. The two hours of music and full album play made this show an event, but what made the night even more special occurred with two fans in between sets. In 2011, a couple had their first date at the Sloan show at Bowery Ballroom and play our recording every year on their anniversary. Five years later, Bowery and Sloan was perfect time and place for Ben Lindbergh to propose — and she said yes!

I recorded this set in a slightly different manner from our usual way — the placement of Sloan’s touring soundboard moved our mounted room microphones a little to the left and our feed from the remote board came with some issues. It took me a while to sort everything out in editing this set, including trying to minimize the sonic issues that came with the amplifier that exploded at the end of the first set. But all in all, I feel like this is now a superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Sloan
2016-10-17
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:47:10]
Set One (One Chord To Another)
01 The Good in Everyone
02 Nothing Left to Make Me Want to Stay
03 Autobiography
04 Junior Panthers
05 G Turns to D
06 A Side Wins
07 Everything You’ve Done Wrong
08 Anyone Who’s Anyone
09 The Lines You Amend
10 Take the Bench
11 Can’t Face Up
12 400 Hundred Metres
Set Two
13 [Ben Lindbergh Proposal]
14 Deeper Than Beauty
15 Underwhelmed
16 C’mon C’mon
17 Money City Maniacs
18 So Far So Good
19 Unkind
20 Who Taught You to Live Like That
21 Sinking Ships
22 People of the Sky
23 Midnight Mass
24 I’m Not a Kid Anymore
25 I Can Feel It
26 Snowsuit Sound
27 The Rest of My Life
28 Losing California
29 [encore break]
30 The Marquee and the Moon
31 If It Feels Good Do It

SUPPORT Sloan: Website | Facebook | Buy One Chord To Another Box Set HERE

Teenage Fanclub: October 15, 2016 Bowery Ballroom

October 16, 2016
By

teenage-fanclub-bowery-psquared
[photos by PSquared Photography]

The legend goes that in 1991, SPIN Magazine selected Teenage Fanclub’s album Bandwagonesque as its record of the year ahead of such luminaries as REM’s Out of Time, Nirvana’s Nevermind and My Bloody Valentine’s Loveless. Over the years, that choice has been ridiculed in certain circles, but twenty-five years later the selection is rather prescient. My Bloody Valentine didn’t make another album after Loveless until twenty-two years later, REM never made another album that approached the quality of Out of Time, and of course Nirvana was over less than three years later. As careers go, Teenage Fanclub has been the most consistent of the four bands and produced the largest quality catalog in the years since SPIN took heat for them.

This year Teenage Fanclub released their eleventh album and first since 2010. Here (Merge Records) is a record of significant maturity and focus — the band is producing songs as strong as ever and the group harmonies are as sweet as ever. The band has now embarked on a US tour in support of the album and NYC enjoyed two shows this weekend, including Brooklyn last night and the Bowery Ballroom show we caught on Saturday night. Teenage Fanclub live was as compelling and impressive as the new album. This is a band that is both fully committed and comfortable and the show was just one peak after another. The setlist drew fairly democratically from the band’s full catalog and with just five songs from Here, was not overly weighted to push new material. And twenty-five years on, the only two tracks from Bandwagonesque played were given center stage, with a perfect version of the classic “The Concept” closing the main set.

Teenage Fanclub plays Boston tonight and the tour continues through six more October US dates before the band returns to Europe in November, all dates here.

I recorded this set in our usual manner in this venue, with the Schoeps mounted at the balcony rail mixed with a fine feed from the band’s touring FOH. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Set:

teenage-fanclub-44

Teenage Fanclub
2016-10-15
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:30:23]
01 Start Again
02 I Need Direction
03 Verisimilitude
04 I Don’t Want Control of You
05 [tuning music]
06 Sometimes I Don’t Need to Believe in Anything
07 Hold On
08 It’s All in My Mind
09 Thin Air
10 About You
11 The Darkest Part of the Night
12 Don’t Look Back
13 Can’t Feel My Soul
14 I Have Nothing More to Say
15 I’m In Love
16 Star Sign
17 [banter – thanks]
18 The Concept
19 [encore break]
20 Did I Say
21 Radio
22 Your Love Is the Place Where I Come From
23 Everything Flows

SUPPORT Teenage Fanclub: Website | Facebook | Purchase Here from Merge Records

teenage-fanclub-32

Heartless Bastards: May 10, 2016 Music Hall of Williamsburg

May 20, 2016
By

IMG_0210

Our journey with the Heartless Bastards continued this year with this show at Music Hall of Williamsburg, part of a dual-headlining tour with the Old 97’s (unfortunately, not taped). Since we first started covering their shows seven years ago, the Bastards have proven over and over to be a consistent, happy go lucky gang of road warriors, churning out one high energy show after another. It’s a credit to them that over a career that spans numerous albums and more than a decade, there’s not a dud among the bunch. Like another Cincinnati band we like to gush about, this band trades flash for grit, quality for quackery. For this show, the second of theirs we’ve covered at this venue, there wasn’t a brand-new album to promote (Restless Ones came out last year) so we were treated to a hit parade of sorts, from “Blue Day” from All This Time, to some of my favorites from Arrow like “Down in the Canyon” and “Skin and Bone,” to the new stuff, including obvious road winner “Gates of Dawn.” As both bands played essentially headliner-length sets, this clocked in a touch shorter than some of the recent sets we’ve seen (though still well past an hour) but nobody left complaining. The band went on to swap places with the Old 97’s a couple nights later at Irving Plaza, but I have to believe the Music Hall crowd got the better end of the bargain. As Erika said, the band loves this club, and for good reason. Like the band themselves, it’s something familiar, and something good.

I recorded this set with Schoeps MK5 cardiod microphones in our usual spot, plus an Aeta PSP-3 preamp to provide optimum clarity. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Heartless Bastards
2016-05-10
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Live engineer: Ryan McHugh

Schoeps MK5c (at SBD, DFC, PAS bar)>KCY>Z-PFA>Aeta PSP-3>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, light compression)>Izotope Ozone 5
(EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 The Mountain
02 Gates of Dawn
03 Got To Have Rock N’ Roll
04 Black Cloud
05 Into the Light
06 Skin and Bone
07 Blue Day
08 Hold Your Head High
09 Hi-Line
10 Down In the Canyon
11 Gray
12 Only For You
13 Parted Ways
14 Sway
15 [encore break]
16 Low Low Low
17 Nothing Seems the Same

If you enjoyed this recording, PLEASE SUPPORT the Heartless Bastards, visit their website, and buy Restless Ones from Partisan Records.

FullSizeRender (2)

The Rooks: December 5, 2015 Mercury Lounge

February 18, 2016
By

The Rooks Mercury
[screen shot from this video]

The indie-soul crossover movement of the last decade that included the likes of Sharon Jones and Raphael Saadiq was admirable but would only be truly meaningful if it led to young bands taking up the mantle. This is where The Rooks come in. The band was formed at Wesleyan College in Connecticut. The Rooks moved to NYC in 2013 and began to play gigs that were immediately lauded — their residency at Pianos in January of 2014 is on record as one of the most highly-attended runs that venue has produced. We caught the band during those shows and acidjack noted the band’s obvious talent, appeal and predicted future success. We’re still sticking with that story. In December, I captured The Rooks in a double bill with their friends Lawrence, and the packed sold-out Mercury Lounge confirmed that we’d been right. The band is bigger than ever and with the crowds bursting at the seams, they are poised to move up the ladder to bigger venues and more high profile gigs. The band’s set included tracks from their 2015 EP Wires, a couple of unreleased songs, and three neat covers, including the closing song from an unmentionable artist that tore down the house. Catch The Rooks on tour this Spring including a show at Rough Trade BK on February 27.

I recorded this set with the Schoeps mounted next to the soundboard and mixed with an excellent feed from Mercury’s FOH Alex. Other than a boisterous crowd somewhat noticeable during quieter moments, the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

The Rooks
2015-12-05
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Alex] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 45:47]
01 Intermission (Wires)
02 Doubt
03 Nothing Wrong
04 [Lawrence intro]
05 Gin and Juice [Snoop Dogg]
06 Secrets
07 You’re the One
08 Kiss From a Rose [Seal]
09 May Care
10 Bury Me Deep
11 Purple Reign [Prints]

SUPPORT THE ROOKS: Website | Bandcamp | Facebook

Shearwater: February 6, 2016 Mercury Lounge

February 10, 2016
By

shearwater-1
[photos by PSquared Photography]

I’m a big fan of intelligent and accomplished musicians — the type of people who don’t just play music but thrive at other vocations. Recently we enjoyed the music of fashion icon Preetma Singh, mathematics whiz Kiran Gandhi, composing genius Owen Pallett, award-winning novelist John Darnielle, and others. On Friday at Mercury Lounge, it was Jonathan Meiburg of Shearwater, who besides fronting an outstanding band is also a renowned ornithologist, or a bird expert, who has been profiled in Scientific American.

Meiburg’s dual expertise results in some consistent themes in Shearwater’s music. The lyrical content includes many references to nature, with two of the albums actually called Animal Joy and The Golden Archipelago. Last month, Shearwater released their eighth full-length record Jet Plane and Oxbow and its been described as a “protest album” which given current climate science, would seem to be an instinctual reaction for someone in tune with the natural world. At Mercury, the band played eight of the eleven songs on the new album (along with three classics and one cover) and the entire event was truly breathtaking. The show began with a single white light illuminating Jonathan’s face as the band began the set with the album’s opening track “Prime”, a song that offers dual themes of tragic love and a natural world on the precipice of danger. The set continued in dramatic fashion until book-ended by the album’s closing track the somber “Stray Light at Clouds Hill”, a song that shares a lyrical refrain with “Prime” but mourns both human and natural death. For an “encore” (the band never actually left the stage), Meiburg offered a heartfelt tribute to the late David Bowie by pointing out that the album Lodger helped him through some difficult times, before the band broke into a powerful version of “Look Back in Anger”. It was a compelling and appropriate end to what was most certainly one of the best shows we will see all year. Shearwater is currently on tour in Europe but will return to the US in March, including a show back in NYC at Bell House on March 12. Our local readers would be wise to attend that show.

I recorded this set with the Schoeps mounted at the soundboard booth and mixed with an extraordinarily well-mixed board feed by the band’s very talented touring FOH (whose name I did not get, please provide if you know ). The sound quality is superb. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set [banter tracks removed]:

Shearwater
2016-02-06
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:02:44]
01 Prime
02 Filaments
03 [banter – crows]
04 A Long Time Away
05 Rooks
06 [banter – uncomfortable dislocation]
07 Quiet Americans
08 You As You Were
09 Wildlife in America
10 [banter – louder]
11 Pale Kings
12 [band introductions]
13 Backchannels
14 [banter – Lodger]
15 Stray Light at Clouds Hill
16 [banter – thanks]
17 Look Back in Anger [Bowie]

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