Posts Tagged ‘ brooklyn ’

Ryley Walker: December 14, 2018 Baby’s All Right

December 16, 2018
By

Ryley Walker has become something of a Renaissance man in 2018, with his highly-lauded album Deafman Glance, a full-album cover of an unreleased Dave Matthews Band LP, his endlessly entertaining Twitter account, and an ongoing series of Vice articles where Ryley’s just being Ryley. Listen to some of his between song banter and it’s clear Walker loves music and knows how to engage an audience. Yet for all his extracurricular antics, the tunes are nothing if not sincere.

Somewhat surprisingly given it’s high level of publicity, Walker and band are not touring Dave Matthews tunes, but instead continue touring this year’s excellent Deafman Glance—Walker’s best album yet. Especially great here is their rendition of “Spoil With the Rest” and a pair of tunes with trumpeter Jaimie Branch, “22 Days” and “Funny Thing She Said.”

I recorded this with a pair of MBHO cardioid mics on stage in stereo DIN configuration, combined with a soundboard feed courtesy of the Baby’s crew, Dan and Jesse. The sound is outstanding. Enjoy!

Downloads available at the Live Music Archive

Ryley Walker
2018-12-14
Baby’s All Right
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineers: Dan & Jesse) + MBHO KA200N/603A (on stage, DFC, DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [1:09:03]

01. [intro]
02. Telluride Speed
03. [who loves live music]
04. The Halfwit in Me
05. [capo jokes]
06. Spoil With the Rest
07. [banter]
08. 22 Days
09. [band intros]
10. Funny Thing She Said
11. [thanks]
12. The Roundabout

Ryley Walker: guitar, vocals
Brian Sulpizio: guitar
Andrew Young: bass
Ryan Jewell: drums
Jaimie Branch: trumpet on tracks 8 and 10

Buy Ryley Walker music on Bandcamp

Dirty Projectors: November 18, 2018 Elsewhere (Early Show)

November 20, 2018
By

If you ever doubt the reason to see live music, I’d refer you to the experience of watching Dave Longstreth on stage for eighty minutes with Dirty Projectors. There’s a particular joy to watching such complex, intellectual “rock” music brought to life by players of such immense talent, up close enough to see Longstreth’s fingers work the fretboard. If it’s at Elsewhere — a phenomenal-sounding club — and on a rather convenient late Sunday afternoon, all the better.

Among the waves of NYC/Brooklyn rock music in the first decade of this century, the Dirty Projectors always existed at some remove from even their mid-latter-decade contemporaries. Dirty Projectors is an unapologetically smart band, the work of a highly educated musician’s musician. It’s fitting that I last saw this band at Carnegie Hall in early 2013; if any “indie rock” band belongs there, it’s this one.

This set, the first of two the band performed at Elsewhere on Sunday, spanned the band’s five most recent albums (with Rise Above represented by the particularly affecting “Police Story” that led off the show), as well as two nuggets from the band’s Mount Wittenberg Orca collaboration with Björk. Likewise, this set represented a reasonable facsimile of Longstreth’s emotional states during the recent past, with songs like the joyous “I Found It In U” and “I Feel Energy” offset by the political rumination “It’s A Lifestyle” and the wistful “Little Bubble.” Longstreth has described Lamp Lit Prose and Dirty Projectors as a yin and yang album cycle, and that was evident here. But, while Lamp Lit is stylistically closer to the rest of the band’s recent material, there’s been a darkness in many of Longstreth’s songs before Dirty Projectors, and those, like “Gun Has No Trigger,” were well-represented here also.

To call the current band “new” is a bit of a stretch at this point; they’ve been touring this album as a unit for a while now, and it showed in their formidably well-rehearsed state. Give a quick listen to the soaring harmonies on “Cannibal Resource”, Kristin Slipp’s lead vocal on “The Socialites” or the incredible vocal precision on “When the World Comes To An End” (incidentally, the Mount Wittenberg songs strike me as particularly difficult musically) and you’ll be relieved of any concern that this band isn’t every bit the equal of the one that came before it. It wasn’t just because of Longstreth’s talent that I spent a good bit of these 80 minutes on a Sunday afternoon mouthing the word “wow.” It was hard to tell how serious Longstreth was about engaging a call-and-response situation during the final encore (“Right Now” from Lamp Lit Prose) but it soon became clear that even figuring out how to chant “right now” back at a Dirty Projectors song is a little tougher than usual singalong fare (“it loops unevenly…. that’s as well as I’ve figured out how to do it” a sheepish Longstreth said). “Right Now” proved a fitting end, encapsulating the yin and yang of the show in a single, dark but ultimately uplifting song (which Longstreth also identified as the most difficult to play in the set). The only part that wasn’t perfectly dialed in was the crowd singing “right now” — but that was kind of perfect, too.

I recorded this set with a feed of the house mix together with Schoeps MK4V microphones inside the soundboard cage. All credit for the sound of this belongs to the production team, both Dirty Projectors’ touring engineer, Teresa Murray, and the house team at Elsewhere. I hope you’re as impressed with it as I am — enjoy!

Thanks to Domino Records and Dirty Projectors for giving us permission to record the performance, along with the outstanding Elsewhere production crew.

Download the complete show: [MP3/FLAC/Apple Lossless]

Dirty Projectors
2018-11-18 (early show)
Elsewhere
Brooklyn, NY USA

Recorded and produced by acidjack for nyctaper.com

Soundboard (engineer: Teresa Murray + Tyler (house)) + Schoeps MK4V (FOB, DFC)>KC5>CMC6>>Sound Devices
MixPre6>24/48 polyWAV>Adobe Audition CC (align, mix down, fades, compression)>Izotope Ozone 5 (effects)>Audacity 2.1.0 (track, amplify,
balance)>FLAC ( level 8 )

Tracks [Total Time: 1:20:15]
01 Police Story
02 I Found It In U
03 Break-Thru
04 What Is the Time
05 Cannibal Resource
06 Temecula Sunrise
07 That’s a Lifestyle
08 The Socialites
09 Gun Has No Trigger
10 When the World Comes to an End
11 I Feel Energy
12 Cool Your Heart
13 Useful Chamber
14 [encore break]
15 Beautiful Mother
16 Little Bubble
17 [explanatory banter]
18 Right Now

Band:
Dave Longstreth
Matt Baldwin – bass, bass synth
Mike Johnson – drums
Felicia Douglass – vocals, keyboard, electronic percussion
Kristin Slipp – vocals, Wurlitzer, additional keys
Maia Friedman – guitar, vocals

PLEASE SUPPORT Dirty Projectors: web | facebook | buy Lamp Lit Prose

Garcia Peoples: September 28, 2018 Music Hall of Williamsburg

November 7, 2018
By

Garcia Peoples can’t/won’t stop—it seems like they’re on every good bill and making every good bill better. A couple of their most recent shows had them in opening slots at Music Hall of Williamsburg, first for Träd, Gräs och Stenar and next for Kikagaku Moyo. We caught a recording of the former and it’s one of the band’s best gigs yet (at least that I’ve seen). Opening up with the now-classic “One Step Behind” into “Hangin’ On,” they follow with a couple newer tunes, “Break Me Down” and “I Feel So Great.” Word is the next two(!) records are in the can, both to come out on the essential Beyond Beyond is Beyond label. Jesse Jarnow summed up the Garcias’ appeal nicely in this recent Relix review and I couldn’t agree more, calling their album Cosmic Cash “an underground musical cryptocurrency for our supremely fucked-up age.” I feel pretty great too now that you mention it.

Garcia Peoples have a bunch of shows coming up, including a year-end West Coast tour with Howlin’ Rain (attendance is mandatory folks), but if you’re in NYC your next chance to catch them in action is at Union Pool on November 14.

Downloads available at the Live Music Archive

Garcia Peoples
2018-09-28
Music Hall of Williamsburg
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + MBHO KA200N/603A (at SBD) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [33:46]
01. One Step Behind >
02. Hangin’ On
03. Break Me Down
04. I Feel So Great

Buy Cosmic Cash via Bandcamp

Träden (Träd, Gräs och Stenar): September 28, 2018 Music Hall of Williamsburg

October 30, 2018
By

The concentration of great psych bands coming out of Sweden these days is astounding: Dungen, Goat, Hills, Centralstödet, The Janitors. That’s just to name a few that are on my radar and I’m sure I’ve barely scratched the surface. But the most well-known psych band to come from Sweden  is almost certainly Träd, Gräs och Stenar (Trees, Grass and Stones) and they undoubtedly loom large for the younger generation.

Today they’re called Träden, but shifting band names and performers has always been part of the deal for the group that started off in 1967 as Pärson Sound, which became International Harvester, then just Harvester, before settling on Träd, Gräs och Stenar in about 1969. Despite their reputation as DIY hippies—or perhaps because they were just that—a wonderful amount of documentation survives, with recent archival releases highlighting how incredibly vital and popular their music still is today. Though Pärson Sound never released a proper album, a three-LP set documents their early experimentation. International Harvester/Harvester released two records, Sov gott Rose-Marie and Hemåt, both recently collected as part of the Remains box set. And more than six LP’s worth of live Träd, Gräs och Stenar material was collected in a box set from Anthology Recordings a few years ago (their studio albums from the 1970s remain sadly out-of-print).

Träden is just the latest iteration of this band, using both names interchangeably on tour (their first to hit the U.S. since 2004). The sole original member of the band is Jakob Sjöholm, who joined in 1970 (in time to play on the second studio album, Rock för Kropp och Själ). He’s joined by musicians from some of those great bands I mentioned above: Hanna Östergren (Hills) on drums, Sigge Krantz (Archimedes Badkar) on bass, and Reine Fiske (Dungen, The Amazing) on guitar and vocals. Their live repertoire includes songs from their new self-titled album, as well as older Träd, Gräs och Stenar songs like “Rock for kropp oct själ” and the well-known “Sanningens silverflod.” “När Lingonen Mognar” appears on Träden’s album, but was also originally released on Harvester’s Hemåt. Whether you call them Träden or Träd, Gräs och Stenar, the music itself is timeless.

Download: [MP3/FLAC]

Träden (Träd, Gräs och Stenar)
2018-09-28
Music Hall of Williamsburg
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + MBHO KA200N/603A (at SBD, DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [1:16:46]
01. Hymn
02. När lingonen mognar
03. Rock for kropp oct själ
04. Punkrocker
05. Tamburan
06. Tänkte bara undra
07. Sanningens silverflod
08. I ljuset av din dag
09. Hoppas du förstår

Buy Träden via Bandcamp

Tropical Fuck Storm: October 8, 2018 Elsewhere Zone One

October 10, 2018
By

If my memory is correct, it’s been nearly ten years since Gareth Liddiard and Fiona Kitschin were last in NYC with The Drones, having made stops at Union Hall and The Bell House in 2009. But good things come to those who wait and now the pair are back with their new mushroom cloud of a band, Tropical Fuck Storm. The album, A Laughing Death in Meatspace, is nothing less than the antidote to a twisted, doomed world, with song topics spanning chess to cell phones to nuclear weapons in as many moves. With bandmates Lauren Hammel and Erica Dunn, Tropical Fuck Storm have been touring the U.S. opening for Modest Mouse, only taking a break to play this headlining set at Elsewhere’s Zone One. Beyond playing most of the tracks from A Laughing Death in Meatspace, they play Lost Animal’s “Lose the Baby,” Kitschin sings The Divinyls’ “Back to the Wall” (which was released as a b-side to “You Let My Tyres Down”), and the band closes with The Drones song “Baby Squared.”

The Tropical Fuck Storm tour with Modest Mouse continues in Montclair tonight (October 10)—tickets are still available and you’ve definitely got time. Go on down early to catch TFS. Check the TFS website for further dates.

Download: MP3/FLAC

Tropical Fuck Storm
2018-10-08
Elsewhere Zone One
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + MBHO KA200N/603A (at SBD) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [1:00:41]
01. Chameleon Paint
02. Lose the Baby [Lost Animal]
03. Antimatter Animal
04. Soft Power
05. You Let My Tyres Down
06. Back to the Wall [The Divinyls]
07. The Future of History
08. Rubber Bullies
09. Two Afternoons
10. Baby Squared [The Drones]

Buy A Laughing Death in Meatspace via Joyful Noise

Luna: August 24, 2018 Industry City Brooklyn

October 7, 2018
By


[photo from Frank]

In the evolving story of Luna v2.0, the band continues to entertain in new ways. While last year it was the eclectic and meticulously curated covers album A Sentimental Education, this year’s tour seems to be an exercise in finding the deep cuts that haven’t been performed in more a decade. Its been three years now and as we’ve chronicled umpteen shows, but at this Industry City show in August we saw Luna perform four songs for the first time — “Math Wiz”, “I Can’t Wait”, “Broken Chair” and the Galaxie 500 number “Strange”. Overall, this show was one of the stronger performances we’ve seen from Luna, and it wasn’t just the ambitious selist. The band seems in particularly good form, tight, focused, and in great spirits. These days Luna shows are must see and we’re luck the band continues to faithfully play NYC shows when they do their mini tours.

While Luna currently does not have any shows scheduled (they just finished a tour of Europe), Dean Wareham has a new collaboration with Cheval Sombre and they will play NYC at Le Poisson Rouge on December 7. Tickets here.

I recorded this set with the outdoor-friendly Neumann large diaphragm cards blended with soundboard feed mixed with precision by Evan Player. Despite some minor noise from the windy evening, the mix worked quite well and the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Luna
2018-08-24
Industry City
Brooklyn NY

Digital Master Recording
Soundboard Audience Matrix

Soundboard [Engineer Evan Player] > Neumann TLM 102s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:30:48]
01 Twenty-Three Minutes in Brussels
02 Slide
03 Fire in Cairo [Cure]
04 Math Wiz
05 Sweetness [Yes]
06 I Can’t Wait
07 Lost in Space
08 Broken Chair
09 Chinatown
10 Malibu Love Nest
11 [banter]
12 Kalamazoo
13 Bewitched
14 Friendly Advice
15 [encore break]
16 Strange [Galaxie 500]
17 Lonesome Cowboy Bill [Velvets]
18 Indian Summer [Beat Happening]
19 [second encore break]
20 Car Wash Hair [Mercury Rev]

SUPPORT Luna:  Website | Bandcamp | Buy A Sentimental Education

Mountain Movers: July 28, 2018 Union Pool

September 10, 2018
By

So much goodness lately from Mountain Movers: the recently-released “New Jam” EP, the forthcoming LP Pink Skies on Trouble in Mind, this smoking set from their hot summertime Union Pool stop… When I saw the band back in June at Wonders of Nature, Dan promised that by their next visit they’d be a well-oiled machine. No kidding, this show is something like their 18th of a 17-day tour supporting Howlin’ Rain. Mountain Movers don’t so much find their groove here as dig deeper into one they’ve been excavating for a couple weeks. Wild.

Download: [MP3/FLAC]

Mountain Movers
2018-07-28
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Robert) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [41:42]
01. New Jam
02. Snow Drift
03. I Could Really See Things
04. Angels Don’t Worry
05. Unknown Hours

Band:
Dan Greene: guitar, vocals
Rick Omonte: bass
Kryssi Battalene: lead guitar
Ross Menze: drums

Buy Pink Skies and Mountain Movers via Bandcamp | Buy “New Jam” via Midheaven

Howlin’ Rain: July 28, 2018 Union Pool

August 16, 2018
By

July sure felt like the month of Howlin’ Rain: I caught them twice at Brooklyn Bowl opening for Grateful Shred, and then a couple weeks later this headlining set at Union Pool. Whew! But what a tour finale we have here. The guys sharpened their axes in the two weeks they toured between Brooklyn appearances and it shows. Dig this bawling rendition of “The Wild Boys”—which we hadn’t heard at Brooklyn Bowl—and an extra jammy “Death Prayer.” More Rain! More Rain!

Downloads available at the Live Music Archive.

Howlin’ Rain
2018-07-28
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Robert) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [50:07]
01. Missouri
02. Rainbow Trout
03. Death Prayer in Heaven’s Orchard
04. Alligator Bride
05. The Wild Boys
06. [banter]
07. Coming Down

Band:
Ethan Miller: guitar/vocals
Jeff McElroy: bass, backing vocals
Dan Cervantes: guitar, backing vocals
Justin Smith: drums, backing vocals

Website | Facebook | Buy The Alligator Bride and other Howlin Rain records via Silver Current

Chris Forsyth & The Solar Motel Band: July 28, 2018 Union Pool (Summer Thunder)

August 13, 2018
By

After playing as a trio for the last couple-ish years, the Solar Motel Band is back to a quartet, having debuted their new dual-drummer lineup last month with shows at Monty Hall and Union Pool. Ryan Jewell (re-)joins the so-called “Sunwatchers Motel Band” lineup of Forsyth, Peter Kerlin, and Jason Robira. We caught the daytime set at Union Pool’s Summer Thunder outdoor stage, where the band played three new songs and more to a good-size crowd of folks willing to brave the heat. I’m never one to scoff at new Solar Motel tunes, but the real gem here is this ripping, sixteen-minute performance of “Dreaming in the Non-Dream.” Can’t wait to hear more from this lineup!

Downloads available at the Live Music Archive.

Chris Forsyth & The Solar Motel Band
2018-07-28
Union Pool (Summer Thunder)
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Doug) + MBHO KA100N/603A (on stage) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (mixdown, compression, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [46:40]
01. Techno Top
02. The Past Ain’t Passed
03. Paranoid Cat
04. Tomorrow Might As Well Be Today
05. Dreaming in the Non-Dream

Band:
Chris Forsyth: guitar
Peter Kerlin: bass
Jason Robira: drums
Ryan Jewell: drums

Website | Facebook | Buy Dreaming in the Non-Dream from No Quarter

Grateful Shred: July 14, 2018 Brooklyn Bowl

July 26, 2018
By

Time for everybody to take a step back and give the folks up front some room. Better? Alright then. We’re back with night two of Grateful Shred at Brooklyn Bowl. Saturday picks up after an energetic second set from Friday, with terrific outings of “Cumberland Blues” to start, “Mississippi Half-Step,” and the classic Scarlet>Fire pairing. But the second set is where things really cook, with an epic “Truckin'” > Space > “St. Stephen” > “Not Fade Away” > “St. Stephen” suite that’ll have you lose time. And while you’re enjoying that, check in on some Grateful Shred tour dates and see if they’re coming your way—it’s wayyyyyyy better in person.

Downloads available at the Live Music Archive

Grateful Shred
2018-07-14
Brooklyn Bowl
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

MBHO KA200N/603A (FOB, ROC, PAS) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC (balance, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks: [2:05:47]

Set 1
01. Cumberland Blues
02. Feel Like a Stranger
03. Mississippi Half-Step Uptown Toodeloo
04. Love in the Afternoon
05. Scarlet Begonias >
06. Fire on the Mountain

Set 2
07. Crowd
08. Mexicali Blues
09. Terrapin Station
10. The Wheel
11. Truckin’ >
12. Space >
13. St. Stephen >
14. Not Fade Away >
15. St. Stephen
16. The Stranger
17. Shakedown Street
18. Encore Break
19. One More Saturday Night

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