Posts Tagged ‘ Dead Oceans Records ’

A Place To Bury Strangers: July 16, 2017 Out In The Street Festival

August 28, 2017
By


[photo by nyctaper]

It was ten years ago when A Place To Bury Strangers broke. It was during that small window of time when blogs were tastemakers and willy-nilly determined random band flavors of the month. Except when it came to APTBS, their talent and depth were hard to get wrong. This was a band whose intensity was clear and whose ability to project a wall of sound was magnified by Oliver Ackermann’s world class pedal business. The Death By Audio pedal company pre-dated and survived the venue of the same name and the electroncic wizardry and meticulous and inventive craft propelled noise makers of all shapes and sizes, but none more directly than APTBS.

The second day of the annual Out In The Streets Fest was headlined by APTBS and the band came prepared. Before doors even opened for the day, Oliver spent several minutes playing with gadgets in the middle of the floor and he and bassist Dion Lunadon did some neat improv. Hours later in the pitch dark APTBS began their sonic assault and did not let up for the better part of an hour. The band last released an album in 2015 (Transfixiation on Dead Oceans) and several of those songs were featured in the set. But there also seemed to be a handful of newer songs that may feature on an upcoming release. At least it seems that APTBS is gearing up for recording and working out the material on the road — their packed tour schedule cuts through most of Europe through September, October and part of November (dates here). This band still very much has the intensity that first brought them into prominence and this set was our confirmation of that fact. We’ll be back when they return to the US.

I recorded this set with the Neumann large diaphragm cardioids mounted in the center of the floor in front of the soundboard and mixed with an excellent feed from the board. This set was intensely loud and the band was plentiful in its use of effects, so there are some moments where the mix is rough, but overall this is an excellent representation of a tremendous set. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

A Place To Bury Strangers
2017-07-16
Out in the Streets Fest
The Well
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Cliff Ribeiro] + Neumann TLM-102s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 42:44]
01 [intro]
02 We’ve Come So Far
03 [unknown 1]
04 Deadbeat
05 Drill It Up
06 [unknown 2]
07 Situations Change
08 Ocean
09 Never Hold Back
10 [unknown 3]
11 [unknown 4]
12 [unknown 5]

(Any help with titles of songs marked unknown would be much appreciated)

PLEASE SUPPORT A Place To Bury Strangers: Website | Dead Oceans Page | Store

Ryley Walker: January 26, 2017 Rough Trade BK

January 30, 2017
By


[photo by nyctaper]

There’s a period in every premiere artist’s career when their prolific songwriting outpaces their ability to record their songs. Ryley Walker is currently in that kind of fruitful songwriting phase. A few months out from the release of his outstanding Golden Sings That Have Been Sung album, Ryley toured the East coast and arrived at Rough Trade on Thursday night. The set consisted of as many new songs as tracks from the album — three of the four new songs so fresh that Ryley doesn’t even quite have titles for them yet.

But first, there were the familiar ones. The set began with an extended guitar interplay that led into Golden’s “The Roundabout”, followed by another lengthy jam intro to the title track from 2015’s Primrose Green. Between the music was a nice dose of banter and give and take between the admiring audience and the modest troubadour. We saw how Ryley can morph a performance from a “show” to an event that feels like he’s hanging out in your living room at Market Hotel this past Spring. This night at Rough Trade had the same familiar feel — its one of Walker’s most endearing traits. But ultimately its about the songs and to finish the set we got two solo acoustic numbers that accentuated the unique talents of this performer.

I recorded this set with the Schoeps cards mounted at center of the Soundboard table and mixed with a board feed. The sound quality is quite excellent. Enjoy!

Download the Complete Show in FLAC and MP3 at Archive.org [HERE]

Stream the Complete Show:

Ryley Walker
2017-01-26
Rough Trade
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Leah Zipkin] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:20:04]
01 [introduction]
02 The Roundabout
03 [banter – mental breakdown]
04 Primrose Green
05 [banter – anytizers]
06 Sullen Mind
07 [banter – Bobo]
08 [new song 1]
09 [banter]
10 [new song – I Can’t Say Why]
11 [banter – thanks]
12 [new song 3]
13 [banter – New York]
14 Shaking Like The Others
15 The Halfwit in Me

SUPPORT Ryley Walker: Website | Facebook | Purchase Golden Sings

Ryley Walker: May 13, 2016 “A Day at the Market” (Market Hotel)

July 15, 2016
By

ryley-walker-6
[photos by PSquared Photography]

“A Day at the Market” is really a simple concept for an intimate performance in a quintessential setting. Some of our favorite performers will play the Market Hotel during the daylight with unamplified acoustic guitars in front of a select audience. The first installment of what we anticipate will be a long-running series featured the inimitable Ryley Walker.

This show took place on a Friday afternoon, and as you can tell from the rumbling train and siren audible early in this recording, the Market Hotel’s unique location was very much a part of the proceedings. And that’s how it was intended. One of the charms of this unique venue is the placement of the huge window behind the stage that makes the audience feel as if the performer is playing virtually on the J/M Myrtle-Broadway subway platform. And the intimate nature of the event made it easy to understand why we selected Ryley Walker for the debut of A Day at the Market — his immense talents and likeability are quite intense when it feels like its just you and him in the room.

Ryley played all new songs at this event, offering us a preview of his new album Golden Sings That Have Been Sung, which will be released on August 19 on Dead Oceans Records. Of the nine songs on the album, six were performed (along with one unreleased track). Ryley was accompanied only by stand-up bass player Anton Hatwich, so that these are pared-down versions of the new album and this recording is a fine accompaniment to the official release.

More great news to report — Ryley Walker will return (with full band) to the Market Hotel for a proper night time show on November 3 and tickets are now available [HERE].

I recorded this set with four strategically placed microphones. I utilized the installed audio technica cards mounted in the center of the room combined with two schoeps cards on a stand in the front of the stage. While obviously the wholly acoustic setting allowed for the ambient sounds to be heard, overall this recording is exactly how it should be — full spectrum clear sound of a special event in a special setting. Enjoy!

ryley-walker-9

At some point, when we can figure out how to properly edit it, we will have a complete upfront video from this show.

Sorry no downloads of this one.
This recording is now available to Download in FLAC or MP3 or to Stream at Archive.org [HERE].

Stream the Complete Show:

Ryley Walker
2016-05-13
Market Hotel
Brooklyn NY

Digital Master Recording
Four Channel Audience Matrix

Schoeps CCM4u Cardioids + Audio Technica 4051 > Roland R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 46:11]
01 The Halfwit In Me
02 Shaking Like The Others
03 The Great And Undecided
04 Grand Old Trout – Age Old Tale
05 The Roundabout
06 Sullen Mind
07 Funny Thing She Said

SUPPORT Ryley Walker: Website | Facebook | PreOrder Golden Sings

ryley-walker-12

Akron/Family: February 17, 2011 Knitting Factory – Flac and MP3 Downloads + Streaming Song

February 20, 2011
By


[photos courtesy of John Ruscher at Eardrum NYC]

Akron/Family live shows are always tribal full participation events. The band encourages others to become involved with the show, but at Thursday night’s show at Knitting Factory it became part of the performance. After an absolutely raging sixty-minute main set, the forty-minute encore/second set began with artist Aki Sasamote decorating the stage and when the band returned, she rapped them in tape and painted on Seth Olinsky’s back. While the art was performed, the band played an alternatively quiet and noisy jam segment while accompanied by a three-piece horn section. The horn players seemed to be following a choreographed dance around the stage while they played. The set then segued nearly into a four song segment that began quietly (“Fuji II”, “We All Will” and “Dylan Pt. 1”) before crashing into the finale with rousing eight-minute version of “Light Emerges”. Two of those songs appear on the band’s outstanding new album S/T II: The Cosmic Birth and Journey of Shinju TNT (Dead Oceans). The first set of Thursday’s show was dominated by songs from Shinju, including highlights “So It Goes” and “Another Sky” (streaming below). But the peak performance of the first hour was the remarkable A/K staple “Raising The Sparks” which endured for eighteen jam-filled minutes, and presaged the wonderful strangeness to come. The Knitting Factory show was the first date in Akron/Family’s extended tour which returns to NYC for a March 5 date at Bowery Ballroom.

I recorded this set with the four microphone rig from our standard location in the venue, and the sound quality is quite excellent. There are segments when the band is extremely quiet on stage (often off-mic), and during those points the noise in the venue (bar, audience, etc) can be heard. Enjoy!

Stream Complete Show:

This Recording is now available for Download in FLAC and MP3 at Archive.org [HERE].

Akron/Family
2011-02-17
Knitting Factory
Brooklyn, NY USA

Four-Track Digital Master Recording
Recorded from Front of Soundboard Booth

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-02-19

Setlist:
(thanks Jesse and Seth for setlist help)
[Total Time 1:40:13]
01 [introduction/Ain’t Nothing Like the Real Thing]
02 Island
03 A AAA O WAY
04 So It Goes
05 [banter]
06 Another Sky
07 Raising The Sparks
08 Say What You Want To
09 Silly Bear
10 [encore break]
11 {bmbz}
12 Fuji II (Single Pane).
13 We All Will
14 Dylan, Pt. 1
15 [banter2]
16 Light Emerges

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Akron/Family, visit their website, and purchase Shinju TNT from the Dead Oceans Records website [HERE].

Support nyctaper

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