Posts Tagged ‘ diy ’

Dylan Golden Aycock: October 21, 2016 The Schoolhouse

April 27, 2017
By

Dylan Golden Aycock’s 2016 effort, Church of the Level Track, earned deserved plaudits, so we were extra-excited to see him on this Avant Ghetto Presents bill at the end of last year to share his music with us. To quote NPR’s Lars Gotrich, who said it best: “Dylan Golden Aycock’s lineage is clear: the fingerpicked blues of John Fahey, the swirling compositions of Robbie Basho and the outward-looking Americana of Jim O’Rourke’s Bad Timing and The Visitor. That’s not a bad crossroads to meet your demons at, especially when so much of what we call American Primitive now is in a state of transformation. Church Of Level Track kicks up dream dust in a positively lush collection of cosmic rags, ambient country tunes and steel-string ragas.”

Indeed, when you hear Aycock perform live, you’re captured by the distinctiveness of his style. It’s psychedelic in a way that many of his peers aren’t, but there’s also a disorienting but pleasing quality to it beyond that that makes you sit up and pay attention. This set featured a number of Aycock’s new tunes, and “Red Oak Black” in particular was a standout, a pensive track that builds to a frenetic, captivating ending.

Aycock also helms a Tulsa-based label, Scissor Tail Editions, filled with like-minded artists and their work. We’d recommend you check that out as well.

I recorded this set with a soundboard feed and a pair of Schoeps MK4V mics right in front of Dylan. The sound quality is excellent. Enjoy!

Thanks to Avant Ghetto Presents for inviting us to this show.

Stream and download the complete set from our bandcamp page: 

Dylan Golden Aycock
2016-10-21
The Schoolhouse
Brooklyn, NY

Soundboard + Schoeps MK4V (onstage)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, align, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Golden Bough>Set Adrift
02 Red Oak Black
03 Red Bud Valley II
04 [banter]
05 Marked Tree
06 Lord it Over>Improv>Willow and the Dogwood

Support Dylan Golden Aycock: Website Scissor Tail Editions 

Bridget St. John: October 21, 2016 Schoolhouse

February 9, 2017
By

It was a rare treat when Avant Ghetto Presents brought the British folk legend Bridget St. John to Brooklyn, regaling a crowd of dedicated onlookers with tales from the center of the folk revolution and a compliment of her and others’ finest work. In today’s America, St. John may not be quite the household name of some of her best-known British folk peers, having largely withdrawn from the music scene after her fourth album, 1974’s Jumble Queen. But, for real aficionados of the modern folk tradition — this show’s sponsor among them — St. John is a leading figure.

This crowd, at the Schoolhouse in Brooklyn, treated St. John with the reverence she deserved. The space may not have been an actual Greenwich Village club circa 1970, of course, but the space and vibe felt like its obvious heir, a group of people bound by something more than inhabiting the same room, searching for the same enlightenment. As St. John covered songs from musical fellow-travelers of hers like John Martyn and Michael Chapman — with both of whom she has recorded — she transported us to a time that birthed a generation, one that feels increasingly distant. As she introduced “Just Like A Woman,” she said “it’s taken me a long time to find my space” in the work, but now, she has. The choice felt especially significant, pre-election, at a time when the role of women has been so much-discussed. Listening to it again now, its resonance is changed, perhaps more powerful.

Of her major period albums, St. John focused especially on her first and third, 1969’s Ask Me No Questions and 1972’s Thank You For in the setlist, but we also heard several numbers, like “Castaway,” “Mon Gala Papillons,” and “The Hole In Your Heart” that she recorded in connection with a tour of Japan in 2010. Seven years after that, and the re-release of her first three albums, we hope that St. John’s contributions will continue to receive the greater attention they deserve.

I recorded this set with a soundboard feed together with Schoeps MK4V microphones at the stage lip. The sound quality is excellent. Enjoy!

Thanks to Jeff Conklin of Avant Ghetto Presents for sponsoring and inviting us to the show. Check out Jeff’s WFMU radio show here.

Download the complete show: [MP3/FLAC]

Bridget St. John
2016-10-21
Schoolhouse
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK4V (onstage)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, align, compression)>Izotope Ozone 5 (EQ,
effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Castaway
02 [banter1]
03 Back to Stay [John Martyn]
04 Lizard-Long-Tongue-Boy
05 Nice
06 [banter2]
07 Just Like A Woman [Dylan]
08 [banter3]
09 Mon Gala Papillons
10 Hole In Your Heart
11 [banter4]
12 Rabbit Hills [Michael Chapman]
13 [banter5]
14 Fly High
15 [banter6]
16 Lazarus [traditional]
17 [banter7]
18 Ask Me No Questions

If you enjoyed this recording, please support Bridget St. John: Twitter | Buy Her Records

Nick Millevoi’s Desertion Trio: September 15, 2016 Silent Barn

September 21, 2016
By

img_1678

Since we sung the praises of guitarist Nick Millevoi and his Desertion Quartet after a show at Palisades earlier this year, Millevoi has not only been hitting the pavement with Chris Forsyth’s Solar Motel Band, but he’s been developing more of his own work as well. This show at Silent Barn (which has never looked or sounded better) gave us a taste of that new material as well as some of the songs we love from his current album, including the noise freakout “The Fire That Damaged City Hall.” This show was played as a trio, with Kevin Shea on drums and Johnny DeBlase helming the other guitar. Millevoi’s unique style is a joy to watch live, as it shifts effortlessly between choogling rock to free jazz, and it’s something that sets him apart in a more-than-worthy field of contemporaries. Being able to see Nick is still a too-rare treat, so we’re especially grateful to him for inviting us. We’re sure you’ll agree.

I recorded this set with Schoeps MK5 microphones split wide onstage (as you can see above) in the omnidirectional pattern. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Stream the complete set:

Nick Millevoi’s Desertion Trio
2016-09-15
Silent Barn
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5o (stage lip, DFC, 3’ split A-B)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades, normalize)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, downsample, dither)>FLAC ( level 8 )

Tracks
01 Desertion and the Arsonist’s Match
02 [banter]
03 [new]
04 [new2]
05 The Big Moment Is Always Out There Waiting
06 The Fire That Partially Damaged City Hall

Band
Nick Millevoi – Guitar
Johnny DeBlase – Bass
Kevin Shea – Drums

Support Nick Millevoi’s Desertion Quartet: Website | Order Desertion via Bandcamp

People of the North: August 10, 2016 Secret Project Robot

September 1, 2016
By

IMG_1155

Our lovefest with all things Oneida and Oneida-related continued earlier this month when, on the heels of the final Oneida set at Secret Project Robot, we caught People of the North in the same venue. While POTN shares personnel with Oneida (regulars Kid Millions and Bobby Matador, plus Barry London for this set), the band’s vibe is distinct, with an even-more fluid and keyboard-driven approach. The band has a new album, The Caul, on its way from Thrill Jockey, but who knows whether this material is reflective of that, or just the bandmembers’ mind-state at showtime. Whatever the reason, this 45-minute improv was yet another reminder that with this group of musicians, you can always count on an interesting trip.

I recorded this set with a pair of Schoeps MK4V microphones at the stage lip. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Stream the complete set:

People of the North
2016-08-10
Secret Project Robot
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip, DFC, PAS)>KCY>Z-PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

If you enjoyed this recording, PLEASE SUPPORT People of the North by buying their records from Thrill Jockey.

Colin Fisher, Mike Pride, Carl Testa Trio: August 10, 2016 Secret Project Robot

August 25, 2016
By

IMG_1139

On a night that included incredible experimental music of many stripes — including Chris Forsyth’s set with Loren Connors, and the last Secret Project Robot set ever from People of the North (coming soon), it made perfect sense that the evening’s middle act was a free jazz trio of some of the most interesting and well regarded players we’ve seen in a while. The trio of Colin Fisher, Mike Pride and Carl Testa added a different and welcome dimension, their all-improvisational jam’s headier aspects brought to the fore by the light show behind them. Each of these musicians has a deep resume of appearances with luminaries that cross the jazz and experimental rock realms, and you could feel the breadth of that experience at work in this piece. Anyone who reads our too-infrequent jazz posts on this site knows that our enthusiasm for the genre far outstrips our ability to comment on it, so don’t take my word for it — hear this one for yourself.

I recorded this set with Schoeps MK4V microphones at the stage lip (per the picture). The sound quality is outstanding. Enjoy!

Download the complete set: [FLAC/ALAC/MP3]

Stream the complete set:

Fisher-Pride-Testa Trio
2016-08-10
Secret Project Robot
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, DFC, PAS)>KCY>Z-PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Musicians (in alphabetical order)
Colin Fisher – sax
Mike Pride – drums
Carl Testa – bass

Support these musicians: Colin Fisher | Mike Pride | Carl Testa

Oneida: July 30, 2016 Secret Project Robot

August 2, 2016
By

IMG_1024

Oneida used to share a building in Williamsburg with the DIY art institution Secret Project Robot — a relationship we documented both at the band’s private studio space, and at a series of farewell shows for the group at that location. While the band and SPR physically went their separate ways, the two remained united in ethos, and Oneida have remained a fixture at SPR events since. This summertime performance — held indoors because of rain — was yet another farewell to Secret Project Robot, which will be relocating from its Melrose Street location in Bushwick to a new frontier this fall. It was fitting, then, that Oneida helmed the sendoff, joined by some of the strongest local bands going, including Guerilla Toss and Honey.

This set was dominated by the band’s “Preteen Weaponry” three-part song, as well as fairly concise versions (by Oneida standards) of “Bad Habit” and “Economy Travel.” As the band’s cryptic sounds filled the repurposed warehouse space, walls covered in trippy 90s-referencing images (Bart Simpson, Ninja Turtles), it was yet another reminder of what spaces like Secret Project Robot mean to the people who frequent them, and what they mean to cities in general. Even if you’re not one of the proud freaks and weirdos (I don’t think of those as insults) who hangs out there, even if you’ve never set foot in a place like it, Secret Project Robot has had an effect on your city, and in a sense, on who you are. Spaces like this are for the true creators, the ones whose utter abandonment of the expected opens up whole new zones of the possible. And as long as there are these spaces, and the people in them, we will be a better place for it.

But a space like Secret Project Robot isn’t a warehouse or an address — it’s an idea. And we look forward to what they will do next.

I recorded this set with Schoeps MK4V microphones and an Aeta PSP3 preamp way up front. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Stream the complete set:

Oneida
2016-07-30
Secret Project Robot
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, ROC, PAS)>KCY>Z-PFA>Aeta PSP3>Roland R-26>24bit/48kHz WAV>Adobe Audition CS 5.5 (fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Preteen Weaponry Part I
02 Preteen Weaponry Part II
03 Preteen Weaponry Part III
04 Bad Habit
05 Economy Travel

If you enjoyed this recording, PLEASE SUPPORT Oneida. Visit their website, like them on Facebook, and buy the Positions EP from Rocket Recordings.

IMG_1048

Bambara: February 25, 2016 Palisades

March 2, 2016
By

IMG_1654

The Brooklyn post-punk band Bambara knows how to make noise. This show at Palisades, to celebrate the forthcoming release of their album, Swarm, this Friday (March 4), proved what those who’ve been paying attention already knew — that this band has the charisma, and the delivery, to take them beyond Bushwick DIY stages. They’ve already had a taste of that, of course, having toured with site favorites METZ and A Place to Bury Strangers, among others. But Swarm, the band’s first professionally-recorded effort, shows this band’s possibilities. It’s a gloomy, late-night sort of effort, sustained by its rhythmic appeal and the band’s dead-on delivery. In the live setting, they don’t hold back, with frontman Reid Bateh anchoring the effort with his considerable onstage charisma while his brother Blaze hammers the drums along to William Brookshire’s bass. This show covered some of the standout tracks on Swarm, as well as favorites from the band’s debut, Dreamviolence. You’ll have plenty of opportunities to see the band around NYC in the near future, with upcoming gigs at Berlin and Saint Vitus.

I made this recording with Schoeps MK22 open cardiod microphones at the stage lip plus a soundboard feed from Palisades FOH Leeor. While the sound is a little off balance (a tad heavy on bass guitar) it is overall a high quality listen. Stream the full show (minus banter) plus the available tracks from Swarm below as well. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Bambara
2016-02-25
Palisades
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (ORTF, stage lip)>NBob cables>PFA + Soundboard (engineer: Leeor)>Adobe Audition CS 5.5 (align, mix down, narrow onstage image)>Izotope Ozone 5 (effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Her Sister, Touya
02 Filled Up With Night
03 All the Same
04 [banter1]
05 An Ill Son
06 [banter2]
07 Stop
08 All the Ugly Things
09 I Don’t Mind

Check out Bambara on Facebook, and pre-order Swarm from Arrowhawk Records here.

Palm: January 29, 2016 Palisades

February 3, 2016
By

IMG_1376

The band Palm bring an impressive amount of music experimentation to the table, especially for a fairly young band. The compatriots, who met at Bard College upstate, but now reside in the independent music hotbed of Philadelphia, claim to be short on formal training, but I’m calling B.S. on that. Or rather, if their ability to produce intricate, jazz-inflected songs filled with unusual, shifting time signatures is something they just came up with on their own, then formal training may as well hang it up. On this packed weekend night at DIY-ish Palisades, the foursome came ready to wow us, playing only one song from their standout 2015 LP Trading Basics, released by Exploding In Sound. So we got the (relatively) hooky “Ankles” from that record, paired with a slew of relatively new or very-new songs, many of which the band themselves don’t have titles for. You could see that at points the members were feeling the songs out among each other, casting glances across the stage, but you wouldn’t have known it without looking at them; this material feels dialed-in and ready for primetime. What Palm are doing certainly has its cultural touchstones — some of the great “math rock” bands of mid-late-90s like Faraquet, Smart Went Crazy, June of 44 and Polvo — but it’s also daring and fresh at a time in “rock” music where the norm is more often party music that keeps a low bar. If the band’s subsequent releases have anything in common with what we heard tonight, or Trading Basics, then we’re going to be impressed by them for a very, very long time.

I recorded this set with Schoeps MK22 open cardiod microphones onstage together with a soundboard feed from Palisades FOH Ariel. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Palm
2016-01-29
Palisades
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK22 (ORTF, stage lip)>NBob cables>PFA + Soundboard (engineer: Ariel Bitran)>Adobe Audition CS 5.5 (align, mix down, narrow onstage image)>Izotope Ozone 5 (effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 [new song 1]
02 I Don’t Want to know
03 Ankles
04 [new song 2]
05 Crank
06 [new song 3]
07 [new song 4]
08 Two Toes

SUPPORT Palm: Facebook | Bandcamp

Car Seat Headrest: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

December 4, 2015
By

car seat headrest cereal sounds
[Photo courtesy of Cereal + Sounds]

Twenty-two year old Will Toledo, who performs as Car Seat Headrest, is one of those songwriters whose skill actually matches his high level of output and obvious ambition. That’s a clear reason how, at a young age, and after already writing, performing and producing eleven albums (!!!) on his own on bandcamp, he’s found himself signed to Matador Records, where he’s about to release Teens of Style. Lest you dump this music in the category of mumbly lo-fi bedroom recordings that we’ve all seen a hundred times before, I’d point you to the very first song of this set at our NYCTaper Unofficial CMJ Show, “The Ending of Dramamine,” which was fourteen minutes of off-kilter pop-inflected rock reminiscent of bands like Clap Your Hands Say Yeah, the Cars and R.E.M. Or there’s how Toledo, prior to his affiliation with a “big time” label, had already sold 25,000 copies of those bandcamp-only releases. Oh, and those earlier efforts weren’t made in a bedroom — the story goes that the only place Toledo could find peace and quiet to record was the family car, hence the band name.

Toledo’s songs are lyrically dense, at times funny, at times teenage-confessional, unflinchingly honest. We were excited that Matador offered us the chance to have this artist close our show, because Teens of Style has already appeared on many best-of lists since its October 30 release. All of these songs appeared in some form prior to Teens of Style, but expect to hear brand-new versions of the last three — “Times To Die,” “Something Soon” and “Oh! Starving” — on that record. In the meantime, enjoy these right-on live performances, and expect much more to come, including a show on December 5 at Baby’s All Right.

I recorded this set with Schoeps MK4V microphones in front of the stage and a soundboard feed from Cake Shop engineer Jeff. The sound quality is excellent. Enjoy!

Catch them at Baby’s All Right on December 5. Get tickets here.

Download the complete show: [MP3/FLAC]

Stream the complete show:

Car Seat Headrest
2015-10-15
NYCTaper Unofficial CMJ Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (engineer: Jeff)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (effects, EQ, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 30:19]
01 The Ending of Dramamine
02 Times To Die
03 Something Soon
04 Oh! Starving

If you enjoyed this recording, check out Car Seat Headrest’s bandcamp page, and buy Teens of Style from Matador Records.

 

Destruction Unit: October 17, 2015 Ad Hoc Car Wash

November 4, 2015
By

Destruction-Unit-10
[photos courtesy of Edwina Hay for Impose Magazine]

I’m pretty sure I can say that Destruction Unit has the best band name of anyone I saw this year. It’s not only catchy in its own right, but describes perfectly the maelstrom of noise that this postmodern Arizona punk band will rain down on you until you either risk your skull in the mosh pit or haul your ass to the exits. Destruction Unit is the kind of experience that’s polarizing, intimidating, and absolutely perfect to close out a show like Ad Hoc’s epic post-CMJ show in a Williamsburg car wash. By the time the band took the stage to close out the evening, the humble PA system was positively shredded, the house team fighting to keep the sound going. The band took things well past the limit, with a long lead-in to the pummeling track “Destruct.” This set stuck entirely to the band’s latest record, Negative Feedback Resistor, their second for Sacred Bones Records, though many of the songs found themselves extended for a few measures. The band was rightly hailed by Newsweek as the best band they saw at CMJ, and it’s hard to argue with that after seeing their live show. Even with the vocals buried under the beating being taken by the PA (you can hear them much better on this recording than you could in the room), it didn’t matter to the crowd, which erupted into a mosh pit early and didn’t let up for the entire, pummeling 35 minutes of this set. If you’re going to make a trip out east to slog your way through a bunch of CMJ shows, you ought to make it count. No question that Destruction Unit did that and more.

I recorded this set in the same manner as the day’s other recordings, with AT 4051 microphones and a soundboard feed. The sound quality is reflective of the setting and the style, and represents it quite well. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

Destruction Unit
2015-10-17
Ad Hoc Car Wash
Hand & Detail Car Wash Center
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 4051 (LOC, FOB, PAS) + Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edit SBD, compression)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Disinfect
02 Salvation
03 Chemical Reaction/Chemical Delight
04 If Death Ever Slept
05 The Upper Hand

If you enjoyed this recording, PLEASE SUPPORT Destruction Unit, like them on facebook, and buy their records from Sacred Bones Records.

 

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.