Posts Tagged ‘ Domino Records ’

Dirty Projectors: November 18, 2018 Elsewhere (Early Show)

November 20, 2018
By

If you ever doubt the reason to see live music, I’d refer you to the experience of watching Dave Longstreth on stage for eighty minutes with Dirty Projectors. There’s a particular joy to watching such complex, intellectual “rock” music brought to life by players of such immense talent, up close enough to see Longstreth’s fingers work the fretboard. If it’s at Elsewhere — a phenomenal-sounding club — and on a rather convenient late Sunday afternoon, all the better.

Among the waves of NYC/Brooklyn rock music in the first decade of this century, the Dirty Projectors always existed at some remove from even their mid-latter-decade contemporaries. Dirty Projectors is an unapologetically smart band, the work of a highly educated musician’s musician. It’s fitting that I last saw this band at Carnegie Hall in early 2013; if any “indie rock” band belongs there, it’s this one.

This set, the first of two the band performed at Elsewhere on Sunday, spanned the band’s five most recent albums (with Rise Above represented by the particularly affecting “Police Story” that led off the show), as well as two nuggets from the band’s Mount Wittenberg Orca collaboration with Björk. Likewise, this set represented a reasonable facsimile of Longstreth’s emotional states during the recent past, with songs like the joyous “I Found It In U” and “I Feel Energy” offset by the political rumination “It’s A Lifestyle” and the wistful “Little Bubble.” Longstreth has described Lamp Lit Prose and Dirty Projectors as a yin and yang album cycle, and that was evident here. But, while Lamp Lit is stylistically closer to the rest of the band’s recent material, there’s been a darkness in many of Longstreth’s songs before Dirty Projectors, and those, like “Gun Has No Trigger,” were well-represented here also.

To call the current band “new” is a bit of a stretch at this point; they’ve been touring this album as a unit for a while now, and it showed in their formidably well-rehearsed state. Give a quick listen to the soaring harmonies on “Cannibal Resource”, Kristin Slipp’s lead vocal on “The Socialites” or the incredible vocal precision on “When the World Comes To An End” (incidentally, the Mount Wittenberg songs strike me as particularly difficult musically) and you’ll be relieved of any concern that this band isn’t every bit the equal of the one that came before it. It wasn’t just because of Longstreth’s talent that I spent a good bit of these 80 minutes on a Sunday afternoon mouthing the word “wow.” It was hard to tell how serious Longstreth was about engaging a call-and-response situation during the final encore (“Right Now” from Lamp Lit Prose) but it soon became clear that even figuring out how to chant “right now” back at a Dirty Projectors song is a little tougher than usual singalong fare (“it loops unevenly…. that’s as well as I’ve figured out how to do it” a sheepish Longstreth said). “Right Now” proved a fitting end, encapsulating the yin and yang of the show in a single, dark but ultimately uplifting song (which Longstreth also identified as the most difficult to play in the set). The only part that wasn’t perfectly dialed in was the crowd singing “right now” — but that was kind of perfect, too.

I recorded this set with a feed of the house mix together with Schoeps MK4V microphones inside the soundboard cage. All credit for the sound of this belongs to the production team, both Dirty Projectors’ touring engineer, Teresa Murray, and the house team at Elsewhere. I hope you’re as impressed with it as I am — enjoy!

Thanks to Domino Records and Dirty Projectors for giving us permission to record the performance, along with the outstanding Elsewhere production crew.

Download the complete show: [MP3/FLAC/Apple Lossless]

Dirty Projectors
2018-11-18 (early show)
Elsewhere
Brooklyn, NY USA

Recorded and produced by acidjack for nyctaper.com

Soundboard (engineer: Teresa Murray + Tyler (house)) + Schoeps MK4V (FOB, DFC)>KC5>CMC6>>Sound Devices
MixPre6>24/48 polyWAV>Adobe Audition CC (align, mix down, fades, compression)>Izotope Ozone 5 (effects)>Audacity 2.1.0 (track, amplify,
balance)>FLAC ( level 8 )

Tracks [Total Time: 1:20:15]
01 Police Story
02 I Found It In U
03 Break-Thru
04 What Is the Time
05 Cannibal Resource
06 Temecula Sunrise
07 That’s a Lifestyle
08 The Socialites
09 Gun Has No Trigger
10 When the World Comes to an End
11 I Feel Energy
12 Cool Your Heart
13 Useful Chamber
14 [encore break]
15 Beautiful Mother
16 Little Bubble
17 [explanatory banter]
18 Right Now

Band:
Dave Longstreth
Matt Baldwin – bass, bass synth
Mike Johnson – drums
Felicia Douglass – vocals, keyboard, electronic percussion
Kristin Slipp – vocals, Wurlitzer, additional keys
Maia Friedman – guitar, vocals

PLEASE SUPPORT Dirty Projectors: web | facebook | buy Lamp Lit Prose

Animal Collective: May 23, 2017 Brooklyn Steel

May 29, 2017
By


[photos by Will Oliver of We All Want Someone blog]

Last year, I wrote about this site’s history with Animal Collective and celebrated the serious rejuvenation of the band’s fortunes. That show at Irving Plaza was our first introduction to the live performances of the Painting With material. We also caught the show later in the year at Terminal 5. In the ensuing months, Animal Collective released two EPs with material related to the album and continued to tour. This Spring saw their return to NYC for a show at the new Bowery Presents venue Brooklyn Steel and last Tuesday’s show was perhaps the most powerful Animal Collective performance we’ve experienced in more than a decade of seeing the band.

This was our first experience at Brooklyn Steel and I was impressed. There’s definitely a nice vibe to the venue, and the sound quality from our vantage point was on point — full spectrum rich sound with no boominess at all. The intensity of the acoustics in the venue served the band well, as Animal Collective provided thundering bass beats to accompany the multi-layered three-pronged sound delivery system. This tour’s version of the band features Panda, Geologist and Avey across the front accompanied by drummer Jeremy Hyman at center rear of the stage. The set featured much of the recent material but also satisfied long-time fans with older tracks democratically selected from their many releases and some deep cuts not heard in years. The sold-out crowd called the band back after a healthy 75 minute main set and we were treated to an extended encore set that closed the night with a lengthy and rousing version of “Summertime Clothes”.

Animal Collective’s tour continues with some June and July shows, all dates [here].

I recorded this set with the Neumann hypercards mounted at the elevated area inside of the soundboard area and with the mics raised high. The amazing sound in the venue and the choice of microphones worked perfectly as this recording is really quite superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Animal Collective
2017-05-23
Brooklyn Steel
Brooklyn NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Neumann KM-150 Hypercardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:36:14]
01 Kinda Bonkers
02 Hounds of Bairro
03 Sweet Road
04 Bees
05 Guys Eyes
06 Taste
07 Lying in the Grass
08 Pride and Fight
09 Peacemaker
10 Summing the Wretch
11 FloriDada
12 [encore break]
13 Kids on Holiday
14 On Delay
15 Summertime Clothes

SUPPORT ANIMAL COLLECTIVE: Website | Buy Painting With | Facebook

Animal Collective: February 24, 2016 Irving Plaza

February 28, 2016
By

Animal Collective3
[photos courtesy of Will and We All Want Someone blog]

In the early years of the last decade when the speed of the web aligned with the availability of high quality audio files, I went on a binge downloading all of the available Animal Collective live recordings from their page at the Live Music Archive and from various torrent sites. In 2007 I was finally able to see the band live. For the shows I recorded at Webster Hall shows that year, I had expected the band to play the live songs for which I was quite familiar, but those two historic Webster shows were heavy on new songs — my introduction to the material that would eventually become the band’s brilliant breakthrough album Merriweather Post Pavilion. I’m not so sure I was prepared for what would come next. When Animal Collective released MPP to overwhelmingly positive reviews, I recorded the first two shows in New York and the attention we received literally crashed the site. I learned a lot about the potential for this site to reach a large audience but also the mixed bag nature of viral material, and NYCTaper was forever inextricably intertwined with the music of Animal Collective. To this day, the recording for Animal Collective at Manhattan Center has been downloaded over 50,000 times and remains the most circulated of all of our recordings.

In the intervening years, we’ve had intermittent opportunities to capture the band live including some memorable solo shows. There was the secret Glasslands show with Avey Tare and Deakin that introduced us to that amazing venue (RIP) and to the material that would eventually become Oddsac. Our recording of Panda Bear at Governor’s Island in 2010 was so successful that the artist actually released a limited version of the recording as a free bonus download with the album Tomboy. There was a pair of Deakin shows in 2010, a terrific solo show by Avey Tare at Knitting Factory in 2011, and then a full band show at Terminal 5 in 2012. But we’ve never quite captured the magic of the MPP shows and the rabid interest those 2009 recordings generated.

Its now more than decade since my first obsession with Animal Collective and fortunately 2016 finds us both in very good places. The band’s new album is called Painting With and its quite an excellent piece of work and undoubtedly their strongest material since Merriweather Post Pavilion. The tour in support of the album is being played in smaller venues than anything since the small MPP shows and the feel of this tour is similar. There’s an excitement surrounding the band, the album and the shows that harkens back to 2009 and its a great feeling to have back. At Irving Plaza on Wednesday night, Animal Collective played a virtually flawless ninety-minute show that featured most of the new album, one bizarro cover, and several deep cuts from some of the earliest releases. Indeed, the final song of the night “Alvin Row” goes all the way back to the band’s first album, Spirit They’re Gone, Spirit They’ve Vanished. The venue was absolutely packed — I was pushed up against the soundboard cage for the entire night — but the crowd was entirely involved in the show. There is literally no yapping at all recognizable on this recording. And the band played off the energy coming from the crowd as this performance was top notch from start to finish. Indeed, the band only took two song breaks as they segued most of the songs from the main set, and the three encore songs flow as one.

The current Animal Collective tour continues throughout the Spring, moving West and then spending much of April in Europe before the band returns to the US in May. There is a show on May 14 in Sayreville NJ that we are going to try to record, but our attendance is not yet confirmed.

I recorded this set with my old Neumann KM-150 hypercardioids (the same mics as Bowery in 2009) from a prime position directly in front of the soundboard on the floor. The sound in the venue was phenomenal and this recording is quite superb. Enjoy!

Download the Complete Show in FLAC or MP3 format at Archive.org [HERE]

Stream the Complete Show:

Animal Collective
2016-02-24
Irving Plaza
New York NY

Digital Master Recording
Front of Board Audience

Neumann KM-150s > Sound Devices 744t > 24bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:31:07]
01 Natural Selection
02 Gnip Gnop
03 Hocus Pocus
04 The Burglars
05 Jimmy Mack [Vandellas]
06 Daily Routine
07 Golden Gal
08 Summing the Wretch
09 On Delay
10 Loch Raven
11 FloriDada
12 [encore break]
13 Bees
14 Lying in the Grass
15 Alvin Row

SUPPORT ANIMAL COLLECTIVE: Website | Buy Painting With | Facebook

Cass McCombs: January 7, 2016 Bowery Ballroom

January 11, 2016
By

IMG_0433
[photos by Will Oliver]

The timing was excellent. My first show of the new year took place at the legendary Bowery Ballroom and featured one of my favorite artists. And did Cass McCombs ever deliver. We’ve seen Cass perform intense shows, fun shows, and even split shows with the Meat Puppets. But what Cass and his band did on Thursday night was one for the ages — an over two-hour epic night that featured a nice cross-section of material from his healthy catalog. Ostensibly Cass is on tour in support of his new album A Folk Set Apart: Rarities, B-Sides & Space Junk, Etc., which as its title makes clear, is a compilation. But the band only played a couple of songs from the new album, instead treating us to some inspired versions of older Cass material. Of note were the last two songs played — a huge thirteen-minute version of “County Line” and the finale, a fourteen minute take on “Dreams Come True Girl”, which also included a dual drum solo. The band this time out included the addition of two drummers (Jesse Lee and Ryan Sawyer) to replace Joe Russo (currently on tour with JRAD), and Cass regulars Dan Iead on guitar and Jon Shaw on bass. With several years together, the unit was both tight when necessary and also capable of letting loose for extended segments (see above) which ultimately provided us with a lengthy show that literally never lagged and was chock full of highlights.

I recorded this set from our usual location in this venue and the sound quality is excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show [minus banter tracks]:

Cass McCombs
2016-01-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 2:02:28]
01 [intro]
02 Night Of The World
03 Big Wheel
04 [new song – River of Blood]
05 Brighter
06 [band introductions]
07 Name Written In Water
08 My Sister My Spouse
09 [new song – I Want to Know]
10 Robin Egg Blue
11 Aeon of Aquarius Blues
12 I Cannot Lie
13 Morning Star
14 Prima Donna
15 [new song – Why Does it Rain]
16 Home on the Range
17 County Line
18 [band intro – encore break]
19 Dreams Come True Girl

If you download this recording from NYCTaper, PLEASE SUPPORT Cass McCombs, visit his website, and purchase A Folk Set Apart: Rarities, B-Sides & Space Junk, Etc. from the Domino Records website [HERE].

IMG_0447

White Lung: September 3, 2014 Glasslands and September 6, 2014 Hopscotch Music Festival – FLAC/MP3/Streaming

September 11, 2014
By

White Lung ChadKam
[photo courtesy of Chad Kamenshine – complete set at The Artistree]

The band White Lung has been floating around for a few years, garnering positive review more than well-deserved. Their third LP Deep Fantasy (Domino Records) manages to improve on 2012’s Sorry, a considerable feat considering how strong this act was the last time around. Frontwoman Mish Way usually wins plaudits as the band’s special sauce, taking some of the best things we all used to like about Courtney Love (strong voice, personality, pop sensibility, distinctive look) and putting them out there in a more-focused package. But one ought not to lose sight of Kenneth William, without whose guitar playing this excellent band couldn’t be quite where it is, which is clearly a peak. As more than the sum of some quality parts, White Lung straddles that line between accessible punk and non in the best of ways, and the feeling is even better felt live. You don’t have to be a fan of this music, even, to be impressed by the tenacity and poise with which they do it.

Both of the site’s editors caught the band in the same week — first nyctaper in New York at beloved Glasslands, then acidjack as his final performance of the Hopscotch Music Festival in North Carolina, where the band proved that they were a righteous choice for the traditionally-strong spot of final night headliner in one of the festival’s many venues.

The Glasslands set was recorded with our installed Naiant cardioid rig mixed with a superb soundboard feed provided by house FOH Josh. The Hopscotch set was recorded with Schoeps MK41 supercardiod microphones and a soundboard feed from the Hopscotch veteran engineer Wayne of Roanoke, VA, a man whose understanding of this high-ceilinged space deserves plaudits. Both sound excellent. Pick your poison, or do the right thing and download both. Enjoy!

Stream “Down it Goes” from Glasslands:

Stream “Face Down” from Hopscotch:

Download the complete Hopscotch show [MP3] | [FLAC]

Download the complete Glasslands show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_7772
[photo by acidjack]

White Lung
2014-09-03
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Josh Thiel] + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist
[Total Time 38:49]
01 Drown With the Monster
02 Face Down
03 [banter – hi Amy]
04 Syncophant
05 Bad Way
06 Bag
07 Wrong Star
08 Thick Lip
09 Two of You
10 Blow It South
11 Snake Jaw
12 Just For You
13 I Believe You
14 Down It Goes
15 Take The Mirror
_________________________

White Lung
2014-09-06
Hopscotch Music Festival
Kennedy Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (at SBD, DINa)>KCY>Z-PFA+Soundboard (engineer: Wayne)>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades, adjust levels, compression)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 34:35]
01 Drown With The Monster
02 Face Down
03 Syncophant
04 Bad Way
05 Bag
06 Wrong Star
07 [banter – bright]
08 Thick Lip >
09 Two Of You
10 Blow It South
11 Snake Jaw
12 Just For You
13 I Believe You
14 Down It Goes
15 Take The Mirror

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT White Lung, visit their website, and purchase the Deep Fantasy from the Domino Records website [HERE].

Owen Pallett: May 13, 2014 Glasslands – Flac/MP3/Streaming

May 19, 2014
By

owen pallett toronto
[photo courtesy of Tiana Feng – full set here]

Owen Pallett‘s career is roughly analogous to his music itself — multi-layered, complex and abundantly talented. In recent years, he’s concentrated mostly on his arrangement and film score work, which culminated earlier this year in an Oscar nomination for the soundtrack of the film Her. This level of accolade will undoubtedly lead to more well-deserved opportunities for Owen. But his solo career has taken a bit of a back seat over the last four years. Owen’s last album Heartland was released in January of 2010, and his last tour was that Spring, when we experienced an outstanding show at Webster Hall (recording here). But on May 27, Owen Pallett will release his first new album in over four years In Conflict (Domino Records) and on Tuesday his current tour reached Glasslands. Owen has added a percussionist and a bass player to the live band, but as always the focus is completely on his center position where he mans the keyboard, violin and loop petals to create his own orchestra for each song. The set began with some older material before visiting some of the In Conflict songs, including the title track. Mid-set the band took a break, Owen asked for requests and played three tracks alone. The band returned for the balance of the show, a mix of old an new material. We’re streaming the night’s final song, a power version of “Lewis Takes Off His Shirt” that led to extended and vociferous applause. I left a little extra crowd noise at the end of the show for the listener to understand the enthusiasm of the fans. Owen’s tour has moved on to Europe, but we expect he will be back for Summer or Fall dates in NYC.

I recorded this set with our venue-installed Naiant cardioids mixed with an excellent soundboard feed, and the sound quality is superb. Enjoy!

Stream “Lewis Takes Off His Shirt”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud link. Please respect our request.

Owen Pallett
2014-05-13
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (mixdown, level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist
[Total Time 1:25:41]
01 Midnight Directives
02 Scandal At The Parkdale
03 Keep The Dog Quiet
04 Soldier’s Rock
05 In Conflict
06 The Secret Seven
07 Tryst With Mephistopheles
08 E Is For Estranged
09 Arctic Circle
10 This Lamb Sells Condos
11 This is the Dream of Win and Regine
12 The Great Elsewhere
13 Infernal Fantasy
14 The Riverbed
15 [encore break]
16 Song for Five and Six
17 Lewis Takes Off His Shirt

If you download this recording from NYCTaper PLEASE SUPPORT Owen Pallett, visit his website, and purchase In Conflict from the Domino Records website [HERE].

Cass McCombs: December 12, 2013 Bowery Ballroom – Flac/MP3/Streaming

December 18, 2013
By

CassBoweryWeAllWant
[photo by Will Oliver at We All Want Someone To Shout For]

Cass McCombs new album Big Wheel and Others is a real departure from his recent work. In 2011, he released both Wit’s End and Humor Risk and both albums owed much to the influence of the more sleepy Laurel Canyon music school. The shows in support of those albums were compellingly mellow and in particular the Bowery show in 2011 was one of the best shows we saw all that year. But Big Wheel is anything but sleepy — its pretty much a straight rock album and an ambitious double album at that. The tour in support of the album has been a lengthy cross-country trip that arrived at Bowery Ballroom on Thursday night. Cass’s band is a quartet of individual renowned in their own right, with the drums manned by Joe Russo, whose name has popped up often on this site in 2013. Dan Iead from the late great powerpop band The Broken West played both lead guitar and pedal steal, with versatile Portlander Jon Shaw (Battle Hymns and Gardens, Ez Weiss Quartet) (correction, thanks to comment: “Wolf!, Shpongle, Nicole Atkins, The Broken West, The Complete Last Waltz, etc”) on bass. The strength of the band was obvious from the start, as the album opener led off the set with a burst of energy. We’re streaming that track below. The balance of the set was a nice mix of material young and old — there were just six of the nineteen Big Wheel songs along with a democratic selection from each of Cass’s prior records. The Cass McCombs US tour is over, but he’ll be in Europe for six weeks in January and February.

I recorded this set with the Sennheiser Cards mounted at our usual spot in the center balcony. The room mix was quite superb with kudos to Cass’s tour FOH Chris Preston. We mixed in a very conservative amount of board feed to supplement the room mics and the sound quality is quite excellent. Enjoy!

Stream “Big Wheel”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cass McCombs
2013-12-12
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:35:01]
01 Big Wheel
02 There Can Be Only One
03 Love Thine Enemy
04 Crick in My Neck
05 Morning Star
06 Angel Blood
07 Aeon of Aquarius Blues
08 Dreams Come True Girl
09 Lionkiller
10 The Burning of the Temple 2012
11 You Saved My Life
12 What Isn’t Nature
13 The Same Thing
14 County Line
15 That’s That
16 [band intro/encore break]
17 Sacred Heart

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Cass McCombs, visit his website, and purchase Big Wheel And Others from the Domino Records website [HERE].

Real Estate: November 23, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 30, 2011
By


[Photo courtesy of Brian Stollery]

Another of the bands we make no secret of our love for is Real Estate.  Over the past three years that we have been following the band, we have watched the mature and develop sonically, culminating with their release of the new album Days on Domino Recording Company – their first for the tastemaking label. Days continues a run of good news for the band, who have continued to tour hard and earn accolades from critics and fans alike.  This show at Bowery Ballroom was the culmination of a two-month tour of Europe and the U.S., and it couldn’t have made for a better sendoff into the Thanksgiving holiday the following day.  The respectful, excited crowd cheered through the longest set of Real Estate’s that we have seen to date at 70 minutes, which covered almost every song on Days and their self-titled debut, plus their cover of Felt’s “Sunlight Bathed the Golden Glow”, a favorite on this tour.  In a market crowded with bands following others’ lead, Real Estate have distinguished themselves with a laid-back, unique sound that always surprises.  They have almost singlehandedly come to define their hometown of Ridgewood, New Jersey where three of the band members grew up together, and which has served up great music from the band’s fellow travelers and other unique talents like Julian Lynch and tour openers Big Troubles.  We closed out this show thankful not only for this great show, but for the band’s continuing support and future prospects.

I recorded this set with a combination of a soundboard feed by Kenny, the house engineer at Bowery Ballroom, and Schoeps MK22 “open cardiod” microphones.  The results are excellent. Enjoy!

Special thanks to Domino Recording Company and Real Estate for their hospitality and for their continued support of NYCTaper.

Stream the full set:

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Real Estate
2011-11-23
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + Schoeps MK22 (A-B, balcony, slightly LOC)>KCY>littlebox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mix down, balance)>Audacity (set fades, tracking, amplify and balance, very light EQ, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Easy
03 Beach Comber
04 Green Aisles
05 Municipality
06 Younger Than Yesterday
07 [banter]
08 It’s Real
09 Out of Tune
10 Wonder Years
11 Suburban Dogs
12 Kinder Blumen
13 Sunlight Bathed the Golden Glow [Felt]
14 Three Blocks
15 Fake Blues
16 All the Same
17 [encore break]
18 Suburban Beverage

If you enjoy this recording, we expect that you will PLEASE SUPPORT Real Estate, visit their website, and purchase Days from the Domino Records website [HERE].

Real Estate: October 15, 2011 Bohemian Beer Garden – Flac and MP3 Downloads + Streaming Songs

October 18, 2011
By


[blurry blackberry photo by nyctaper]

The new album from Real Estate is officially released today. Days is the first album for the band on their new label Domino — and this seems to be the perfect match between a label for music aficionados and a band who have melded a plethora of musical influences into a deceptively simple laid-back suburban indie sound. At the Bohemian Beer Hall in Astoria on Saturday, Real Estate began their CD release show by performing Days straight through, as they had done at 285 Kent in June. But midway through the set, at the conclusion of “Side A”, the band really threw us a curveball — a cover of Felt’s “Sunlight Bathed The Golden Glow” (streaming below) that was as faithful to the original as much as it sounded like a Real Estate song. Matt Mondanile spent some time in Europe, and seems to have developed a taste for eighties Brit alterna-pop. After the show, we spoke to Matt and their Domino rep and learned the genesis of this cover. Felt’s Lawrence had programmed a show on Domino radio that Matt had heard and spurred his interest. The show continued with “Side B”, which concluded with a jammed-out seven minute version of the album’s closing track, “All The Same” (also streaming below). Real Estate finished the show with an extended take on “Beach Comber” that also stretched to seven minutes. The band flew overseas to begin a European tour before they return to the US in November. Real Estate will play Bowery Ballroom on November 23.

I recorded this set with the Neumann microphones mounted at the soundboard about 30 feet from the stage and mixed with a soundboard feed. The show presented some challenges, as the packed crowd muffled the PA speakers that are inexplicably placed at ground level at the venue. Ultimately, some EQ and a proper post-production mix of sources has resulted in an excellent recording. Enjoy!

Stream “Sunlight Bathed The Golden Glow” [Felt cover]:
[audio:http://www.nyctaper.com/R2410RealEstate9229/07.%20Sunlight%20Bathed%20The%20Golden%20Glow%20%5bFelt%20cover%5d.mp3]

Stream “All The Same”:
[audio:http://www.nyctaper.com/R2410RealEstate9229/14.%20All%20The%20Same.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Real Estate
2011-10-15
Bohemian Beer Hall
Queens, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-10-16

Setlist:
[Total Time 1:04:48]
01 Easy
02 Green Aisles
03 It’s Real
04 [banter – kick drum]
05 Kinder Blumen
06 Out of Tune
07 Sunlight Bathed The Golden Glow [Felt cover]
08 [crowd]
09 Municipality
10 Wonder Years
11 [banter – record release]
12 Three Blocks
13 Younger Than Yesterday
14 All The Same
15 [banter – setlist]
16 Fake Blues
17 [banter – thanks]
18 Beach Comber

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Real Estate, visit their website, and purchase Days from the Domino Records website [HERE].

Real Estate: May 20, 2011 Bell House – FLAC and MP3 Downloads + Streaming Songs

June 14, 2011
By


[Photos courtesy of Jill of fortheloveofbrooklyn photoblog]

Our friends Real Estate have spent the past few years doing it “the right way” – garnering critical attention for the debut LP and building off of that with varied, exciting and packed live shows. Their hard work has paid off in the form of an exciting new deal that finds them leaving one of our absolute favorite boutique labels – Woodsist – for one of the best-curated international indie labels, Domino Records. Per Domino’s press release, a new record is expected in October of 2011. Giving a treat to a Friday night crowd that the band said was one of their best NYC crowds in years, the band played a bunch of new material, including a number of songs we had not heard before. The new songs do not deviate wildly from the old material – call them evolutionary rather than revolutionary – but demonstrate their continuing overall improvement as a band and as songwriters. Ridgewood’s finest will no doubt play some local shows before that new record comes out, and we expect to enjoy hearing more of the new material between now and then.

hi and lo recorded this set with the Schoeps microphones in our usual location in the venue. As with the Julian Lynch recording, these accurate microphones picked up a lot of natural reverberance of the wide room. However, the house mix was stronger, and the crowd a bit less chatty, so with additional mastering efforts, this recording is the much better of the two. Enjoy!

Stream “Easy” [new song]:
[audio:http://www.nyctaper.com/R2410RealEstate9229/04 Easy.mp3]

Stream “Younger Than Yesterday”:
[audio:http://www.nyctaper.com/R2410RealEstate9229/07 Younger Than Yesterday.mp3]

Direct download of MP3 files [MP3]

Download the Complete show in FLAC [HERE]

Follow acidjack on Twitter

Real Estate
2011-05-20
Bell House
Brooklyn, NY USA

Digital Master Audience Recording
Recorded by hi and lo for nyctaper.com
Produced by acidjack

Equipment: Schoeps Mk5 (cardiod)>NBox+>Sony PCM-M10 (24/44.1)
Position: Clamp to soundboard, mics DINa
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, EQ, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 1:15:54]
01 instrumental
02 Suburban Beverage
03 [banter/tuning]
04 Easy [new]
05 Pool Swimmers
06 [unknown]
07 Younger Than Yesterday
08 [unknown] – new
09 [banter]
10 Fake Blues
11 [banter]
12 [unknown-new]
13 [banter]
14 [unknown]
15 All The Same
16 [unknown]
17 Atlantic City
18 Beach Comber
19 [encore break]
20 Black Lake
21 Out of Tune

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Real Estate, visit their MySpace page, and purchase their releases from Woodist RecordsHalf Machine Records, and Underwater Peoples, plus check out their forthcoming release this October on Domino Records.

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