Posts Tagged ‘ Drag City ’

Dope Body: September 3, 2015 Aviv – FLAC/MP3/Streaming

September 23, 2015
By

0048-Anyane-Photography-@-Aviv-2015
[photos courtesy of Anyane Photography]

The scruffy and sardonic Baltimore post-punk band Dope Body is supposedly named for “an online video the band enjoyed,” but as you watch the shirtless frontman Andrew Laumann contort his sweat-slicked self all over the stage, you have to wonder if the name isn’t a little bit of a self-referential gag.  In fairness, it felt like 110 degrees inside the cozy Brooklyn DIY venue Aviv on this particular night, so showing off the man’s fitness level might have just been a matter of necessity. On firmer ground, I can tell you that this band brings an instant presence to any stage they inhabit, and the way their music combines the heavy noise with just-enough tuneful accessibility only adds to the need to pay attention. They’re several albums in now, with the latest, Kunk, released this month on Drag City. More new songs, as evidenced by the set, are already in the tank. If the band’s previous record, Lifer, earned some (undeserved) commentary about increased accessibility and even the dreaded “grunge” tag at points, there’s no making any mistake about where any of this material falls live.

The band hits extremely hard, Zachary Utz’s guitars scraping against Laumann’s gritty, snarling vocals, as David Jacober pounds the skins in the thick of John Jones’ basslines. The set jumped around the band’s catalog, but it’s hard to deny the brand-new numbers, one unnamed, as well as “Enemy Outta Me” which has been making the rounds on recent sets. The skronky “Hired Gun” might qualify as the band’s most mainstream-approaching single, and it came through well on this night before the one-two punch of the older “Leather Head” followed by Kunk‘s “Old Grey.” The proceedings ended just shy of forty minutes in. By then, we might not all have been as drenched as the band, but most of us had been reminded what “sweaty” rock n’ roll really means.

Dope Body are on tour right now in Europe, and anyone with the opportunity over there ought to catch them at one of these dates.

I recorded this set with a soundboard feed from Aviv engineer John, as well as Schoeps MK4V microphones mounted in the center on the balcony. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

Dope Body
2015-09-03
Aviv
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (PAS)>KC5>CMC6 + Soundboard (engineer: John)>>Roland R-26>2×44.1kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Road Dog
03 [new song 1]
04 Enemy Outta Me
05 Day By Day
06 Hired Gun
07 Leatherhead
08 Old Grey

If you enjoyed this set, PLEASE SUPPORT Dope Body, visit their Facebook page, and buy their records from Drag City. (You have to, since you can’t stream ’em).

0047-Anyane-Photography-@-Aviv-2015

Elisa Ambrogio: September 12, 2015 Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

September 21, 2015
By

Elisa Ambrogio

We’ve already twice caught Elisa Ambrogio this year touring last year’s solo opus, The Immoralist. Each set has been something special—in January she performed as a duo with Nathan Bowles on drums and in April it was a trio with Ben Chasny on guitar and Adam Payne on drums. This set from Raleigh’s Hopscotch Music Festival pairs Chasny on guitar with Bowles on drums and classes things up for the theater setting with Jenifer Gelineau on violin. Besides new arrangements on songs we’ve heard before, this set adds two tracks from The Immoralist that we hadn’t yet heard live, “Mary Perfectly” and “Reservoir,” making it a perfect compliment to the sets from earlier this year.

Ambrogio’s tour on behalf of The Immoralist continues this November. She’ll hit Union Pool on November 6 as part of a monthlong trek to both coasts and some places in between with Mike Donovan’s new outfit, Peacers. Don’t sit this one out: full tour dates are over at Drag City.

I recorded this set with the mics set up right next to board, combined with a feed from the Fletcher’s FOH, Rick. The sound is fantastic. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Elisa Ambrogio
2015-09-12
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Rick) + AKG C480B/CK63 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [39:09]
01. Mary Perfectly
02. Superstitious
03. Clarinet Queen
04. [tuning]
05. Kylie
06. Stopped Clocks
07. [tuning]
08. Far From Home
09. [banter]
10. Reservoir

Band:
Elisa Ambrogio, guitar/vocals
Ben Chasny, guitar
Nathan Bowles, drums
Jenifer Gelineau, voilin

Support Elisa Ambrogio: Buy The Immoralist from Drag City

Ty Segall: June 26, 2015 Rough Trade NYC – FLAC/MP3/Streaming

July 9, 2015
By

ty-segall-7
[photos from the Bell House show by P Squared Photography]

Two things you can’t say about Ty Segall: That he doesn’t work hard enough, and that his songs don’t stand up without all the fuzz attached. While a lot of garage rock acts would fall apart without the 110dB of drums and electric guitars around them, what this series of acoustic shows by Segall around the New York area a few weeks ago proved was exactly how good his songs are on their own. If it wasn’t quite as revelatory as Nirvana Unplugged, these shows had much more in terms of set size and variety.

This show at Rough Trade was the second of Ty’s two performances of the night, following stints at Baby’s All Right (coming soon), Bell House, and Mercury Lounge earlier the same night (download here). By the time the set began around midnight, Ty was loose and ready to have a good time, making this set, possibly even more than the others, an extravaganza of both new material and covers both common (two Beatles tunes and Neil Diamond) and obscure (the Groundhogs and the Urinals). Joined again by Cory Hanson of Wand (who we recorded earlier this year), Ty took us on a winding tour through his material, both from Ty Segall Band and Fuzz, and it was hard to pick a favorite among them. A few repeats of the Mercury set are here, but most of this is new, including one song we don’t have the title for, tentatively called “She Is A Beam.” In the acoustic set, Segall occupies a comfortable place between cafe troubadour and the impish garage-rock persona for which he’s better known. That is,  he’ll deliver a moving “Bob Dylan Blues” to kick things off — but as soon as the applause goes up, he’s kidding around about dropping his pick in his guitar. Ty’s music is serious, but he doesn’t take himself too seriously. That humility is not only part of why his popularity continues to explode, but it makes him the kind of guy who’s willing to take chances, such as these four shows. We’re here to tell you that the experiment succeeded.

I recorded this set with a soundboard feed from Kameron Biehl of Rough Trade and Schoeps MK41V supercardiod microphones. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Ty Segall
2015-06-26
Rough Trade NYC
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kameron Biehl) + Schoeps MK41V (PAS)>KCY>Z-PFA>>Roland R-26>24bit/44.1kHz WAV>Adobe Audition CS 5.5 (mix down, studio reverb, fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Bob Dylan Blues [Syd Barrett]
03 Lucy Leave [Syd Barrett]
04 Crazy
05 [banter1]
06 Sleeper
07 Breakfast Eggs [new]
08 Finger
09 [banter2]
10 Don’t You Want to Know (Sue)?*
11 Yer Blues [The Beatles]>Why Don’t We Do It In the Road [The Beatles]*
12 “She Is A Beam” [new song by Ty and Cory]*
13 The Feels*
14 Emotional Mugger [new]*
15 [banter3]
16 Orange Colored Lady [new]*
17 [banter4]
18 Wave Goodbye
19 California Hills [new]
20 Fine
21 I’m A Bug [Urinals]
22 [encore break]
23 Rich Man, Poor Man [Groundhogs]
24 You Make the Sun Fry
25 Cherry, Cherry [Neil Diamond]

* w/ Cory Hanson

If you enjoyed this recording, PLEASE SUPPORT Ty Segall, visit his website, and purchase his official releases from the Drag City Records website [HERE].

Six Organs of Admittance: April 30, 2015 Baby’s All Right – FLAC/MP3/Streaming

May 6, 2015
By

Six Organs of Admittance
[Photos by Jamie Langley]

For many Six Organs of Admittance fans, 2012’s Ascent delivered on something they’ve been waiting for a long time: the Six Organs-Comets on Fire record. The long-fabled collaboration—essentially Ben Chasny backed by his Comets bandmates—was originally teased way back in 2009 by Ethan Miller’s Silver Currant blog as “The Lost Electric Six Organs Album.” It featured three demos, all of which would later be recorded for Ascent. The demos themselves would get a limited CD-R/tape release from Silver Current as well. Three years later, Six Organs is back with Hexadic, in which all the songs were composed according to a complex card-based system that I won’t bother trying to explain. (If you want to know more about that go straight to the source and pick up Chasney’s book, The Hexadic System.) Hexadic does two things for Six Organs: it picks up where Ascent leaves off with another electric, high-energy version of the band; and it also completely re-formulates and invigorates the project. For songs that were composed based on a formal system, they downright rock.

Finally making their way to the east coast this April (there was a February west coast tour), this lineup of Six Organs at Baby’s All Right features Andrew Mitchell on bass and Adam Payne on drums. Five songs here are from Hexadic while the balance of the set sees the band drawing from across the Six Organs catalog. The most surprising inclusion is “Black Needle Rhymes” off of 1999’s Dust & Chimes, here re-imagined as a medley with a cover of Coil’s “Fire of the Mind.” “Shelter From the Ash” and “A Thousand Birds” are Six Organs hits if I’ve ever heard one. But my absolute favorite moment in this set is when “Home” (from School of the Flower) segues seamlessly into “Anesthesia” (from Luminous Night). It’s positively chilling.

Baby’s All Right FOH Harrison Fore recorded this set with the house mics and a soundboard feed and I mixed the two sources in post-production, like the Elisa Ambrogio set from the same night. The sound is outstanding. Enjoy!

Six Organs of Admittance is still on tour with Elisa Ambrogio. Check the dates here.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Six Organs of Admittance

Six Organs of Admittance
2015-04-30
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [52:04]
01. Hollow River
02. Wax Chance
03. The Ram
04. Guild
05. A Thousand Birds
06. Home
07. Anesthesia
08. Sphere Path Code C
09. Even If You Knew
10. Black Needle Rhymes / Fire of the Mind [Coil]
11. Shelter From the Ash

Support Six Organs of Admittance: Website | Buy Hexadic from Drag City

Elisa Ambrogio: April 30, 2015 Baby’s All Right and January 31, 2015 Silent Barn – FLAC/MP3/Streaming

May 5, 2015
By

Elisa Ambrogio
[Baby’s All Right photos by Jamie Langley]

If you somehow missed out on Elisa Ambrogio’s sleeper-hit solo record, The Immoralist, last year, it’s time to rectify that. Besides the standout single “Superstitious” garnering a Best Tracks of 2014 slot from Pitchfork, the entire album is superb front-to-back. And fear not Magik Markers fans, Ambrogio’s signature guitar work is all over this record. It’s a quieter album that you might have expected from the Markers front-woman, but also one any fan of that band will find satisfying. The songwriting will feel familiar but for this solo record the subject matter is more personal and the vocals are upfront so that you can hear every word. If you got in on the two records from the tragically under appreciated 200 Years (the duo of Ambrogio with Six Organs of Admittance mastermind Ben Chasny), you’ll have a good idea what to expect from her solo outing.

I’ve been lucky enough to catch Elisa Ambrogio’s solo tour twice this year, each time with different supporting musicians and each lending a slightly different perspective to the songs. Back in January, she stopped by Silent Barn on the tail end of a tour with banjo-player and multi-instrumentalist Nathan Bowles on drums (his set posted here). Then, on the second leg of a tour with Six Organs of Admittance this past week at Baby’s All Right, Ambrogio played a few solo songs followed by some full band songs with Ben Chasny on guitar and drummer Adam Payne (also of Residual Echoes). Ambrogio and Chasny even dust off one of their 200 Years tunes, “West Hartford.” Perhaps due to the late hour or the DIY venue, the Silent Barn set is the looser of the two, with Ambrogio coming nearly unhinged in her solo finale of “Kylie.” In contrast, the Baby’s set is slightly more polished, with Chasny’s subtle guitar work adding some interesting texture to the songs, particularly on “Far From Home.”

The Silent Barn set was recorded with the AKGs set up in front of the soundboard combined with a board feed. There’s a little more ambient crowd noise on this one (particularly the first minute or two of “Comers”), but Ambrogio’s powerful songs soon quell the crowd and the set is quite enjoyable. The Baby’s All Right set was recorded by FOH Harrison Fore, combining the house mics with a stereo board feed. The respectful and attentive crowd is reflected in the clarity of the recording. Overall, the two sets present varying but complementary takes on Ambrogio’s live sets. I think you’ll enjoy them!

Elisa Ambrogio is still on tour with Six Organs of Admittance. Check the dates here.

Download the complete April 30 Baby’s All Right show: [MP3] | [FLAC]

Download the complete January 31 Silent Barn show: [MP3] | [FLAC]

Stream the complete April 30 Baby’s All Right show:

Stream “Clarinet Queen” from Silent Barn:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Elisa Ambrogio and Ben Chasny

Elisa Ambrogio
2015-04-30
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:43]
01. Comers
02. Arkansas
03. West Hartford [200 Years]
04. Clarinet Queen
05. Superstitious
06. Stopped Clocks
07. Far From Home
08. Kylie


Elisa Ambrogio
2015-01-31
Silent Barn
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Eric PH
Produced by acidjack

Soundboard (engineer: Mike) + AKG C480B/CK61 (FOB, PAS) > Roland R-26 > 2xWAV(24/48) > Adobe Audition CC (align, mixdown, compression) > iZotope Ozone 5 (EQ, Exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [30:53]
01. Comers
02. Superstitious
03. Clarinet Queen
04. Stopped Clocks
05. Arkansas
06. Kylie

Support Elisa Ambrogio: Buy The Immoralist from Drag City

Rangda: January 9, 2015 Baby’s All Right – FLAC/MP3/Streaming

January 13, 2015
By

Rangda

Rangda is the dream team of psych, bringing together three titans, each with equally impressive credentials: Sir Richard Bishop, guitar (Sun City Girls, Brothers Unconnected); Ben Chasny, guitar (Six Organs of Admittance, Comets on Fire, 200 Years, New Bums); and Chris Corsano, drums (Flaherty-Corsano Duo, Flower-Corsano Duo, Thurston Moore, Sunburned Hand of the Man, and the list goes on indefinitely from there). Each is independently responsible for his own staggering discography and so their team-up conjures lofty expectations.

Perhaps unsurprisingly, Rangda is more than the sum of its parts. Performing live, each member inhabits his own third of the stage, hardly looking up from his instrument; and yet there is a communion among them that is unseen, intangible—it’s spooky action at a distance. These live renditions are largely faithful to their studio counterparts, oscillating between wild frenzy and repetitive motifs drawn from eastern psych ragas. Bishop’s and Chasny’s guitars rage and duel, Corsano’s drums provide context and setting for that drama to unfold.

We caught up with Rangda playing an early Friday evening set at Baby’s All Right as part of a two-date jaunt to coincide with recording a new album. Here, they play songs from both proper Rangda albums, False Flag and Formerly Extinct, and add a longer song that’s either brand new or a modified take on “Gracilaria,” which appeared on a split 12″ with The Dead C. From False Flag, they do “Bull Lore” and the longform set-closer “Plain of Jars,” which builds to a noisy catharsis before resolving into a rhythmic, repetitive guitar jam. “Majnun” and “Night Porter,” both off Formerly Extinct, come off as riffs on some of Sun City Girls’ more accessible, song-oriented material.

We unfortunately weren’t able to get a feed from the room mics, but luckily the stereo house feed from Baby’s FOH Rubes is more than adequate. The sound is outstanding and allows you to hear each guitar in its own channel (that’s Chasny left, Bishop right), just as it sounded in the room. This one sounds great on headphones. Enjoy!

While there are no further Rangda dates scheduled for now, each have upcoming solo dates and/or releases. Chasny’s new record as Six Organs of Admittance, Hexadic, is out February 27 on Drag City and a tour in support of it is scheduled. Bishop’s new record, Tangier Sessions, is also due out February 27, and is also on Drag City. Corsano has a host of upcoming dates, with Ava Mendoza, Joe McPhee, and others.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Rangda
2015-01-09
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Rubes Harman
Produced by Eric PH

Multitrack Soundboard (engineered and recorded by Rubes Harman) > 2 x Mono WAV(48/24) > Audacity 2.0.5 (fades, EQ, balance, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [50:04]
01. Plugged Nickel
02. The Vault
03. Bull Lore
04. [New Song]
05. Majnun
06. Night Porter
07. Plain of Jars

If you enjoyed this recording, PLEASE SUPPORT Rangda. Buy False Flag and Formerly Extinct from Drag City.

New Bums: March 23, 2014 Baby’s All Right – FLAC/MP3/Streaming

April 29, 2014
By


large_newbums
[Promotional photo from Drag City website]

New Bums represents a new singer-songwriter oriented project from Ben “Six Organs of Admittance” Chasny and Donovan Quinn of Skygreen Leopards. The duo, touring their Drag City release Voices In A Rented Room, shared songs from that intimate, Americana-tinged song cycle with us at Baby’s All Right a few weeks ago to a fervent crowd of admirers. Anyone familiar with these players knows to expect nothing less than excellence, and that’s very much what they delivered. These low-key compositions don’t aspire to the same kind of nirvana as Chasny and Quinn’s more experimental main projects, but they’re nonetheless satisfying, especially as the pair’s voices and playing styles complement each other. The Baby’s space — intimate but not shabby — proved the perfect place to hear these songs live. Now head back to your bedroom or another quiet place and put on the headphones. You’ll see what I mean.

This set was recorded by Devin Foley 0n the house digital multitrack recorder, which I mixed down and edited. The sound quality is outstanding. Enjoy!

Stream “Welcome To the Navy”

Download the complete show: [MP3]  | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

New Bums
2014-03-23
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Digital multitrack 24bit/48kHz WAV files (engineer: Devin Foley)>Adobe Audition CS 5.5 (mix down, adjustments, fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 The Killers and Me (fades in)
02 Pigeon Town
03 Welcome to the Navy
04 Sometimes You Crash
05 It’s the Way
06 Town on the Water
07 Your Bullshit
08 Shadow on the Stone [Donovan Quinn]
09 Cool Daughter
10 Words for Two
11 Burned

If you enjoyed this recording, PLEASE SUPPORT New Bums, visit their website, and purchase Voices In A Rented Room from Drag City.

Ty Segall: August 30, 2013 Bowery Ballroom – Flac/MP3/Streaming

September 4, 2013
By

Ty-Segall48
[photos by PSquared Photography]

Ty Segall has had an impressive and prolific recording career thus far. The 26 year-old performer has released 8 solo albums, has been a member of four bands with recorded output, has done duo records with Mikal Cronin and with White Fence, and earlier this year released an album with Fuzz. But what Ty has done with his latest album Sleeper (Drag City) may be his most accomplished feat thus far. The album is lyrically his most personal and the primarily acoustic instrumentation is a great departure from his lo-fi garage roots. But its not the style change that is so remarkable, its the fact that Segall not only pulls off the tidal shift with such ease but that the album is so strong. And the tour band continues the theme. At Friday night’s Bowery Ballroom show, Ty’s band was a seated-foursome with two acoustic guitars, bass and drums, a far cry from the rabid punk show we saw just this past February at Webster Hall. It was clear from the outset that this was a different performer playing material with a very different vibe. But Ty’s talents seated were just as impressive as when he is standing — it was the quality and intensity of the music that kept the crowd craziness at bay as Ty and the band worked though Sleeper nearly in its entirety. We are streaming the second song and second track on the album “The Keepers”, a song the band played to perfection. It was midway through the show when the new material was complete that the show switched gears, gained some volume and the pit went wild. The band worked through some older Ty tracks before ending the set proper. We’re also streaming “Ghost” from the set of older material as it features an intense and extended guitar jam. The highlight of the encore set was Ty’s solo performance of the Bowie classic “Moonage Daydream”. While we don’t expect that Ty Segall will ever turn away from his garage roots, its very encouraging to know that this multi-talented performer is just as comfortable as a singer-songwriter than as a punk impresario. This Bowery show was that good.

I recorded this set with the Sennheiser cardioids mounted in our usual balcony spot. We’re extremely pleased with the results. Enjoy!

Stream “The Keepers”:

Stream “Ghost”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ty-Segall51

Ty Segall
2013-08-30
Bowery Ballroom
New York, NY USA

Digital Master Audience Recording

Sennheiser MKH-8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-03

Setlist:
[Total Time 1:03:34]
01 Sleeper
02 The Keepers
03 Crazy
04 The Man Man
05 She Don’t Care
06 [band intros]
07 6th Street
08 Sweet C.C.
09 For Those Who Weep
10 The West
11 [banter – thanks]
12 Queen Lullabye
13 Die Die Die
14 [banter]
15 Caesar
16 You’re The Doctor
17 Ghost
18 Sad Fuzz
19 Girlfriend
20 [encore break]
21 Moonage Daydream [Bowie]
22 You Make the Sun Fry
23 Live and Let Live [Love]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Ty Segall, visit his website, and purchase his latest album Sleeper from Drag City Records [HERE].

Ty-Segall86

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