Posts Tagged ‘ Eric PH ’

Mission of Burma: June 26, 2015 The Bell House – FLAC/MP3/Streaming

June 28, 2015
By

Mission of Burma

It’s hard to believe that after a twenty-year hiatus, Mission of Burma have been back for thirteen years. Ever late to the party(y), I didn’t see the band live until 2009 at one of Jelly’s Pool Parties at the Williamsburg Waterfront. (Remember those!) Early the next year, I did my second Burma show right, traveling up to Boston to see them on their home turf at the Paradise. And I swear there’s an extra special energy in the air when they play that venue. Now, five years later I’ve just seen my sixth Burma show, though honestly it feels like my sixteenth. What keeps me coming back—besides always being a damn good time—is the setlists. Each time you get a slightly different picture of the band depending on song choices which appear to change nightly. Their most recent show from The Bell House covers nearly their entire career and looks forward as well with two new songs that have premiered within the last year: “Panic is No Option” and “Buzz My Soul.” The band also plays nearly all of Signals, Calls, and Marches, balanced with a few off their first full-length Vs., one each off of The Obliterati and The Sound, The Speed, The Light, and a few from last year’s Unsound. Add a couple of the post-Vs. 80’s songs (“He Is/She Is” and “Nu Disco”), plus the crowd favorite anthem, “Academy Fight Song,” and you’ve got a Burma gig for the ages.

I recorded this set with the AKGs clamped to the soundboard railing. The sound quality is excellent. Enjoy!

Special thanks to The Bell House team for being instrumental in making this recording happen.

Download the complete show at the Live Music Archive.

Stream the complete show:

Mission of Burma
2015-06-26
The Bell House
Brooklyn, NY

Recorded and produced by dynamicalories

AKG C480B/CK63 (FOB, ROC, PAS) > Roland R-26 > WAV (24/48) > Adobe Audition CC (balance) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [01:12:14]
01. Secrets
02. 2wice
03. Let Yourself Go
04. Panic is No Option
05. Buzz My Soul
06. Nu Disco
07. Mica
08. Outlaw
09. This is Hi-fi
10. Sectionals in Mourning
11. Feed
12. He Is/She Is
13. 7’s
14. This is Not a Photograph
15. Red
16. That’s How I Escaped My Certain Fate
17. [Encore Break/Tape Loops]
18. The Ballad of Johnny Burma
19. Academy Fight Song
20. All World Cowboy Romance

Support Mission of Burma: Website | Facebook | Buy records and merch through their online store

Daniel Bachman: May 24, 2015 Union Pool – FLAC/MP3/Streaming

June 16, 2015
By

Daniel Bachman

So far, 2015 has been a banner year for solo guitar records, with new releases from Daniel Bachman and Tashi Dorji plus the upcoming new Chuck Johnson record—just to name a few that I’m excited about. With the recently-released River, Daniel Bachman has somehow managed to out-do last year’s incredible Orange Co. SerenadeIt’s no accident the North Carolina transplant has released those two records on a couple of the state’s most prestigious labels—River on Three Lobed and Orange Co. Serenade on Bathetic. (And indeed no accident that Chuck Johnson’s Crows in the Basilica came out on Three Lobed and Tashi Dorji’s Appa came out on Bathetic, to further the connection to like-minded guitarists and labels.)

Bachman headlined an incredible bill of solo folk guitarists at Union Pool a few weeks back—the show, organized by Jeff Conklin/Avant Ghetto, also featured North Carolina songstress Sarah Louise, L.A.’s Itasca (Kayla Cohen), and Belgium’s Ignatz (Bram Devens). Bachman’s set treats us to songs off both River and Orange Co. Serenade, including two covers: “Levee” by Jack Rose and “Old Country Rock” by William Moore, giving us a good idea of who he sees as his forebears. Bachman may be young among the crowd of solo guitarists, but already can be counted among the genre’s greats. I have no doubt we’ll be seeing more great things from him.

I recorded this set with the AKGs clamped to the balcony and a board feed from Union Pool FOH, Kevin. There’s a little bit of ambient noise from the crowd and bar here—including one very exuberant fan—but Bachman’s guitar is loud and crystal clear. Enjoy!

Thanks to Jeff for organizing the event and inviting us down to record it. Avant Ghetto will presenting another show full of guitar worship at Union Pool on August 2 with PG Six, Chuck Johnson, Alan Licht, and Anthony Pasquarosa.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Daniel Bachman
2015-05-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kevin) + AKG C480B/CK63 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [45:34]
01. Won’t You Cross Over to That Other Shore
02. Levee [Jack Rose]
03. Sarah Anne
04. Orange Co. Serenade
05. Old Country Rock [William Moore]
06. Song For the Setting Sun II
07. Coming Home

Support Daniel Bachman: Website | Facebook | Buy River from Three Lobed | Buy Orange Co. Serenade from Bathetic

Robert Millis: April 10, 2015 Union Pool – FLAC/MP3/Streaming

June 12, 2015
By

Robert Millis

Robert Millis may be best-known as a founding member of the long-running, experimental Climax Golden Twins and for his work with Sublime Frequencies, as a compiler and obsessive hunter of long-forgotten 78s from around the globe. At least, that was my familiarity with him prior to his set at Union Pool a couple months back, opening for friend and fellow seeker of the obscure, Sir Richard Bishop (his set posted here). Here, in solo mode, Millis’ set is true to the multivalence of his musical pursuits. It’s a combination of folk, spoken word, improvisation, drone, and noise. Something for everyone here: acoustic and electric guitar narratives “Notes on a Scandal” and “Pretty Polly”; the guitar drone piece, “The Demise of the Progressive Lens Routine” (referring to some earlier banter); and the haunting set closer, “Sign of Judgement.”

I recorded this set with the AKGs clamped to the balcony and a board feed from Union Pool FOH, Leah. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Robert Millis
2015-04-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK61 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [48:26]
01. Notes On a Scandal
02. How Times Have Changed
03. Progressive Lens Routine
04. Pretty Polly
05. Other Side of Town Where You Run Around
06. The Demise of the Progressive Lens Routine
07. Euphoria
08. Messalina
09. Sign of Judgement

Support Robert Millis: Website | Facebook | Soundcloud

Dommengang: June 6, 2015 Union Pool – FLAC/MP3/Streaming

June 10, 2015
By

Dommengang

Dommengang is the latest addition to Thrill Jockey’s roster of some of the finest hard psych bands out there, including Eternal Tapestry, Pontiak, White Hills, Rhyton, and Arbouretum—just to name a few. Celebrating the release of their new record, Everybody’s Boogie, Dommengang stopped by Union Pool this past weekend for a one-off gig to air tracks off that record. Despite frontman Sig Wilson’s insistence that the band hasn’t played together in a year, it doesn’t show as the band immediately syncs into a lockstep groove that doesn’t waver during their thirty-plus-minute set. Underpinning Wilson’s guitar riffage are bassist Brian Markham and drummer Adam Bulgasem. The three are clearly comfortable playing together and after seeing their live set I get the impression that Everybody’s Boogie is one of those albums born of extensive jamming that’s then honed into an album. Favorites here include the chugging “CC,” “Her Blues” (for which the band made a video), and the twangy “Hats Off to Magic.” So far no more live dates have been announced but east and west coast dates are promised in support of Everybody’s Boogie.

I recorded this set with the AKGs clamped to the balcony. Though I got a board feed from Union Pool FOH Kevin, I set the levels a little high and ended up with some distortion so this recording only uses the room mics. However, Kevin’s expertise behind the board and Union Pool’s excellent sound system make for a terrific recording that captures all of Dommegang’s heaviness. I’m sure you’ll enjoy it!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dommengang
2015-06-06
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK63 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (balance) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [33:04]
01. Extra Slim Boogie
02. [banter]
03. Burning Off the Years
04. CC
05. Wild in the Street Blues
06. Her Blues
07. Hats Off to Magic
08. Everybody’s Boogie

Support Dommengang: Bandcamp | Facebook | Buy Everbody’s Boogie from Thrill Jockey

Vulture Shit: April 28, 2015 Baby’s All Right – FLAC/MP3/Streaming

June 5, 2015
By

Vulture Shit
[Photo by Jamie Langley]

“We’re Vulture Shit. That’s the worst kind of shit.” —Randy Vandal, Vulture Shit

Vulture Shit are a non-traditional post-hardcore trio traveling under what I’m pretty convinced are assumed names: Randy Vandal (vocals), Mike D. (drums), and Mike B. (bass). If you were in a band called Vulture Shit, you’d disguise your true identity too. But these guys are no superheroes—according to their lyrics they are all too normal. Disgustingly, creepily normal. Feel free to connect with them on LinkedIn (surely the height of social networking banality), though your odds of landing that new gig will probably diminish due to the association. But enough about the players—what about the music? The lack of guitar is the obvious insight, but it’s not missed at all. Mike B.’s expert bass-playing is absolutely singular and I don’t think I’ve ever seen or heard anything like it. Combined with Mike D.’s powerhouse drumming, this is all Vulture Shit needs in terms of instrumentation. Randy Vandal vocalizes like a younger Matt Korvette (Pissed Jeans) or a way younger David Yow (you know). Laying down a whopping twelve songs in twenty-three minutes, this trio wowed a crowd—myself included—that had shown up early to catch Pile (their set here).

Baby’s FOH Harrison Fore recorded this set with a board feed and the Baby’s room mics. I mixed those two sources in post-production. Like the Pile set from the same night, the sound is exceptional even for Baby’s standards. Enjoy!

You can take my word—and this recording—for it, but seeing is believing: catch Vulture Shit next Friday June 12 on a stellar Northside Fest showcase at Aviv, along with NYCTaper favs Washer. Tickets are on sale.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Vulture Shit
2015-04-28
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [22:56]
01. I Love the Way He Touches His Computer
02. I Love My Job
03. Curfew
04. Cable’s Out
05. Church Van Contraband
06. Walkie-Talkie Sleepover (My Fault My Friend Died)
07. The End
08. Dinnertime
09. You Crossed the Line
10. Rookie Cop
11. Area Dad
12. Hell on a T-Shirt

Support Vulture Shit: Bandcamp | Facebook

Pile: April 28, 2015 Baby’s All Right – FLAC/MP3/Streaming

June 5, 2015
By

Pile
[Photo by Jamie Langley]

Don’t be surprised when Pile’s latest long-player, You’re Better Than This, is all over 2015’s year-end lists. It’s the most immediately engaging record I’ve heard all year, and another winner from the folks at Exploding in Sound Records. Pile has been supporting the record with a never-ending tour, putting Rick Maguire high up on the list of hardest working musicians in the game. This Baby’s All Right show from April is their second stop in NYC this year, having previously played the grittier Palisades in February. Meanwhile, NYCTaper caught up with the band down in Austin for a short SXSW showcase set back in March (that recording here).

You’re Better Than This has put Pile on many people’s radars, but it was clear from the crowd that some people have been with Pile all along. Early adopters could be identified as the ones mouthing the words to even older songs like “Pets” from the 2010 self-released album, Magic Isn’t Real, as well as “The Browns” and “Grunt Like a Pig” from the 2012 EIS debut Dripping. Though I’m a bit newer to the band, I count myself lucky to have caught them at Baby’s—these guys won’t be playing 280-capacity rooms for long.

Baby’s FOH Harrison Fore recorded this set with a board feed and the Baby’s room mics. I mixed those two sources in post-production. The sound quality of this recording is above and beyond even Baby’s usual high standards for sound. Enjoy!

Pile will be back around playing The Bell House on July 3. Tickets are still available.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pile
2015-04-28
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [40:32]
01. The World is Your Motel
02. Mr. Fish
03. Baby Boy
04. The Browns
05. Special Snowflakes
06. Grunt Like a Pig
07. Pets
08. Appendicitis
09. #2 Hit Single

Support Pile: Bandcamp | Facebook | Tumblr

Media Jeweler: April 3, 2015 Shea Stadium – FLAC/MP3/Streaming

May 29, 2015
By

Media Jeweler
[Photo by acidjack]

Media Jeweler are a new-ish four piece from the OC, and since 2013 they’ve been laying down a category-defying brand of post-rock with complex, overlapping rhythms and repeating motifs. Acidjack and I stumbled upon them last month playing an opening set at Shea Stadium. We were blown away by their unique jams and a set crafted not like a collection of disparate elements but as a concise and deliberate piece. That ability carries over to their upcoming album, $99 R/T HAWAII, for which I scored a sneak preview that lives up to the high expectations conjured by their live performance. The band was in town for one night only, stopping off at Shea after recording in Providence, RI and this marks their first live appearance outside of California. The album is due out soon, but in the meantime you can catch Media Jeweler at some live dates out by their home turf. They’re planning a return to the east coast this fall, a visit I’m already looking forward to.

This set was recorded by Shea Stadium engineer, Nick Pitman. I mixed down the multitrack files and the sound is excellent. I hope you enjoy it as much as I do!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Media Jeweler
2015-04-03
Shea Stadium
Brooklyn, NY

Exclusive download hosted at nyctaper.com courtesy of liveatsheastadium.com
Recorded by Nick Pitman
Produced by Eric PH

Soundboard multitrack > Adobe Audition CC > Izotope Ozone 5 > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [25:12]
01. Untitled
02. No Exit
03. Passport Invalid
04. Blistered
05. Looking Glass
06. Looking Back
07. Looking Glass (Reprise)

Support Media Jeweler: Facebook | Website | Bandcamp

Obnox: May 15, 2015 Cake Shop – FLAC/MP3/Streaming

May 22, 2015
By

Obnox
[Photo by Jason House, I’m Just Here For the Bands]

Last year’s Louder Space wasn’t so much a breakthrough album for Obnox as it was a perfect distillation of Lamont Bim Thomas’ prolific garage-punk/hip-hop outfit. If the juxtaposition of those two genres gives you pause, fear not: Thomas is equally comfortable whether he’s doing an MC5-inspired cover of Neil Young’s “Ohio” or namechecking Mary J. Blige. He’s followed up Louder Space this year with the excellent Boogalou Reed (on 12XU) and the just-released Know America (on Ever/Never Records), an airwaves-takeover-style concept record. And in case I didn’t sufficiently highlight the word “prolific,” he’s got another record coming Ever/Never later this year. Even with this wealth of new material, last week’s Obnox set from Cake Shop (currently celebrating their ten-year anniversary) is packed with hits from the deepest reaches of their discography: “How to Rob (The Punk Years),” “Molecule,” “Mecca Son Shine,” and “Red I” from Louder Space; “Dough” and the title track from the “Smoke Woody Haze” EP; “Being Cleveland” from the double LP Corrupt Free Enterprise. The newer tracks are “Loudpack” and “Grease” from Know America, and “Watching You” from Boogalou Reed. Meanwhile, “Carmen, I Love You” is out digitally but a vinyl issue seems imminent. Some technical troubles prevented Thomas from playing guitar for the bulk of the set, but what’s missed in his distorted guitar work is more than made up for by his on-point vocal delivery and best-in-the-business stage banter.

I recorded this set with a pair of AKGs set up at the stage lip and a pair of Church Audio cards positioned to pick up the monitors. Very special thanks to Cake Shop’s engineer Jeff, who made this recording possible by helping me out with a loaner stand. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Obnox
2015-05-15
Cake Shop
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK61 (stage lip, DFC) + Church Audio CA-11 Cardioids (PAS, ROC) > CA-9100 >> Roland R-26 > 2x WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [49:27]
01. [Intro]
02. The Get It Inn
03. Watching You
04. [tech break]
05. Dough
06. How to Rob (The Punk Years)
07. [tech break]
08. Mecca Son Shine
09. Carmen, I Love You
10. Being Cleveland
11. Grease
12. Red I
13. Molecule
14. Loudpack
15. Smoke Woody Haze

Support Obnox: Facebook | Buy Know America from Ever/Never Records | Buy other Obnox records from 12XU

Chris Forsyth & The Solar Motel Band: April 18, 2015 Baby’s All Right

May 20, 2015
By
Chris Forsyth & The Solar Motel Band
[Photos by Jamie Langley]

Even though he’s Philadelphia-based, New York looks more and more like Chris Forsyth’s home turf, having already played a couple shows here this year. On a short break between recording and mixing their next record for No Quarter, Forsyth and the Solar Motel crew stopped by NYC for a one-off with likeminded jammers Howlin Rain (their set posted here). This set from Baby’s All Right is comprised entirely of new material that’s slated to appear on that next record: “High Castle Rock” and “The Rarity of Experience, Parts 1–2” we’ve heard before but “Anthem” and “Harmonious Dance” are completely new to us. The new one won’t drop until 2016, so in the mean time we’ve got you covered with another live Solar Motel excursion.

Baby’s FOH Harrison Fore recorded this set with a board feed and the Baby’s room mics. I mixed those two sources in post-production. It might be our best Forsyth capture yet. Dig in!

Forsyth also has an upcoming collaboration with Koen Holtkamp of Mountains called The Island and due out on Trouble in Mind this fall.

Downloads are available at the Live Music Archive

Chris Forsyth & The Solar Motel Band

Chris Forsyth & The Solar Motel Band
2015-04-18
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [38:00]
01. Anthem
02. [banter]
03. The Rarity of Experience, Parts 1-2
04. [banter]
05. High Castle Rock
06. [banter]
07. Harmonious Dance

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Buy Intensity Ghost from No Quarter

B Boys: April 11, 2015 Silent Barn – FLAC/MP3/Streaming

May 7, 2015
By

B Boys

Hey there, b boys and b girls. Today, we’ve got a fresh recording of a local Brooklyn trio, B Boys. These guys mine the rich territory of late ’70s post-punk acts like Wire and the Buzzcocks mixed with a more modern garage-y sound. You may have caught them playing out recently at Silent Barn or one of the final shows at Death By Audio last November. They’re in the studio right now recording their first album, but meanwhile they’re also sharing a studio version of “Other Head” on their Bandcamp page. We caught up with B Boys opening up for Tyvek at Silent Barn last month and were surprised at how catchy these tunes are. Their short, to-the-point set will no doubt leave you wanting more, but only after you’ve had the poppy “I Don’t Mind” and the aggro “Psycho” on repeat for a while, not to mention the weird, bendy “Other Head.”

I recorded this set with the AKGs in front of the board combined with a feed from Silent Barn’s Yaman Palak. The sound is as raw as punk rock should be. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

B Boys
2015-04-11
Silent Barn
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Yaman Palak) + AKG C480B/CK61 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown) > Izotope Ozone 5 (EQ, compression, tape exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [23:42]
01. Sound Frequency
02. Psycho
03. Seagulls
04. Other Head
05. Untitled
06. Fear It
07. I Don’t Mind

Support B Boys: Bandcamp

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