Posts Tagged ‘ Fletcher Opera Theater ’

Jake Xerxes Fussell: September 10, 2015 Hopscotch Music Festival (Raleigh, NC)

October 28, 2015
By

hopscotch-festival-2015-15-kennethbachor
[photos courtesy of Kenneth Bachor for BrooklynVegan]

Jake Xerxes Fussell occupies a slightly different niche among his contemporary folk counterparts. Rather than reinterpreting old traditions into new sounds,  Fussell is more of an archivist and explorer, one who gives listeners a window into the original experience of the tunes being played. The Durham, NC-based singer appeared on the very Durham-friendly bill on the first night of Hopscotch Music Festival at the Fletcher Opera Theater, one slot before Phil Cook took the stage (that recording here). Fussell isn’t some latecomer or dilettante to the Southern material that’s on his mind; much like Alan Lomax followed in the footsteps of his father John, Fussell grew up with Fred C. Fussell, a folklorist whose work took him, and often young Jake, across the South, bringing them into contact with many traditional musicians in the process.

Paradise of Bachelors just releases Fussell’s debut record this year, produced by William Tyler, and as you’d expect, this set paid some attention to it. But there was more than that, too, owing to Fussell’s encyclopedic knowledge of the pool from which he draws, which one album can hardly contain. So we got versions of “Man At the Mill” and “Push Boat” from the album, we we also heard some classic Pete Seeger, in the form of “The Bells of Rhymney” and Virginian folk singer Helen Cockram’s “Pinnacle Mountain Silver Mine.” Fussell didn’t need much in the way of flash to get his point across, as he sat along on the broad semicircular stage in front of Cook’s ample stage set. It felt more like a fireside sing-a-long, as given by the kind of music professor you always wished you could’ve had.

Our friend Larry Tucker recorded this set with a soundboard feed together with Peluso subcardiod microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Jake Xerxes Fussell
2015-09-10
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded by Larry Tucker
Produced by acidjack

Soundboard>PCM-M10 + Peluso CEMC6-CK21 (subcardiod) (Room center hung from balcony rail)>Fostex FR2-LE>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 If I Lose Let Me Loose [John Lee Ziegler] (cuts in)
02 The Bells of Rhymney [Pete Seeger]
03 Pinnacle Mountain Silver Mine [Helen Cockram]
04 Man At the Mill [traditional]
05 Push Boat [traditional]
06 Jump For Joy [Duke Ellington]
07 Raggy Levy [Georgia Sea Island Singers]
08 Copper Kettle [Albert Frank Beddoe]
09 Pork and Beans [Rosa Lee Hill]

If you enjoyed this recording, PLEASE SUPPORT Jake Xerxes Fussell, like him on Facebook, and buy his debut album from Paradise of Bachelors.

Elisa Ambrogio: September 12, 2015 Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

September 21, 2015
By

Elisa Ambrogio

We’ve already twice caught Elisa Ambrogio this year touring last year’s solo opus, The Immoralist. Each set has been something special—in January she performed as a duo with Nathan Bowles on drums and in April it was a trio with Ben Chasny on guitar and Adam Payne on drums. This set from Raleigh’s Hopscotch Music Festival pairs Chasny on guitar with Bowles on drums and classes things up for the theater setting with Jenifer Gelineau on violin. Besides new arrangements on songs we’ve heard before, this set adds two tracks from The Immoralist that we hadn’t yet heard live, “Mary Perfectly” and “Reservoir,” making it a perfect compliment to the sets from earlier this year.

Ambrogio’s tour on behalf of The Immoralist continues this November. She’ll hit Union Pool on November 6 as part of a monthlong trek to both coasts and some places in between with Mike Donovan’s new outfit, Peacers. Don’t sit this one out: full tour dates are over at Drag City.

I recorded this set with the mics set up right next to board, combined with a feed from the Fletcher’s FOH, Rick. The sound is fantastic. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Elisa Ambrogio
2015-09-12
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Rick) + AKG C480B/CK63 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [39:09]
01. Mary Perfectly
02. Superstitious
03. Clarinet Queen
04. [tuning]
05. Kylie
06. Stopped Clocks
07. [tuning]
08. Far From Home
09. [banter]
10. Reservoir

Band:
Elisa Ambrogio, guitar/vocals
Ben Chasny, guitar
Nathan Bowles, drums
Jenifer Gelineau, voilin

Support Elisa Ambrogio: Buy The Immoralist from Drag City

Ryley Walker: September 6, 2014 Hopscotch Music Festival, Fletcher Opera Theater, Raleigh, NC (FLAC/MP3/Full Set Streaming)

October 15, 2014
By


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[Screen capture by Dan Schram]

Maybe that whole “old soul” saw is lame. Does a man need to have aged many decades to have lived hard, or to have seen the world through enough other people’s eyes? Does a man need to have suffered the physical indignities of age for his voice to be mournful? Is twenty-four too young to really know evil, to make heartbreak sound believable? Ryley Walker is that age. Define it by whatever trope you must, but Ryley Walker performs with a rugged grace and gut-wrenching, soul-searching level of realness that don’t come to men his age all that often. He sat down, at the rightmost end of a semicircle on Fletcher Opera Theater’s broad stage, as the final act to play there during this Hopscotch Music Festival. By the time he got up I felt a way that I hadn’t quite since seeing Hiss Golden Messenger take that same stage with a large band two years before. I don’t put any artist in the company of HGM lightly, but there I believe Ryley sits. He’s that good, the real deal, all of the great things it’s even possible to be when you’re sitting on just one album of “this kind” of material (Ryley’s previous work fell more to the experimental/noise end of the spectrum).

That LP, All Kinds of You, just arrived on Tompkins Square this April, but that material has new company in the incredibly strong output which dominated this set. Walker led off with a new song, followed by his first single, “The West Wind”, before heading into the gorgeous “Primrose Green”. Walker has already earned comparisons to Bert Jansch and Tim Buckley, and his current sound has a classicism to it that makes that fair. Walker huddled in his chair like an older man, taking long breaks between songs to get his tuning right, maybe set his head straight for the next song. Walker sings with depth, in a way that makes each song seem like it takes its own reserve of him. Away from the mic, he’s as amiable as a person comes; faced with his songs he’s transformed. These are songs that operate at some remove from even updated versions of traditional sounds; they seem almost unconcerned with modern flourishes. Kudos belong to Walker’s band, too, which includes a killer roster of players who give these songs not only shape but a live fluidity that makes them all the more special.

But don’t take our word for it. Walker will be appearing at CMJ on Friday, October 24 at an Aquarium Drunkard-sponsored showcase at Rough Trade. Don’t miss it, as the lineup contains many veterans of this site as well as special new bands.

We owe a large dose of gratitude to North Carolina-based taper Larry Tucker for recording and contributing this outstanding capture, made with Peluso American-made cardiod microphones and a soundboard feed. The quality is outstanding. Enjoy!

Download this show at the Live Music Archive: [FLAC] | [MP3]

Stream the full set

Ryley Walker
2014-09-06
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by Larry Tucker

Peluso CEMC6-CK4 (Room center hung from balcony rail)>Fostex FR2-LE @ 24/48 + Soundboard> Edirol R09-HR @ 24/24>Adobe Audition (Mixing)>Izotope Ozone 5 (multi-band compression>lower sample rate> CD Wave>Flac

Tracks
01 Summer Dress
02 The West Wind
03 Primrose Green
04 Hide In the Roses
05 Love Can Be Cruel
06 On the Banks of the Old Kishwaukee
07 Same Minds
08 Sweet Satisfaction

Band:
Ryley Walker – vocals, guitar
Ben Boye – keys
Anton Hatwich – bass
Brian Sulpizio – electric guitar
Frank Rosaly – drums
Jeb Bishop – trombone on final song

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy his records here.

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