Posts Tagged ‘ FOB ’

Widespread Panic: April 21, 2017 Wanee Festival (Live Oak, FL)

May 4, 2017
By

Perennial Southern-rock favorites Widespread Panic have always been better than they had to be. If you go to many festivals that involve like-minded bands, you could be forgiven for getting one bluesy-sounding rock band confused with another. After the deluge of classic rock covers that comes your way, few of these groups really distinguish themselves, but they all get the applause.

Widespread has long been a different animal. Sure, the underlying vein of bluesy-rockness is there, as are some choice covers. But Widespread isn’t just playing the familiar — especially on their best nights, it’s their transcendent playing of both the familiar and their originals that makes them so special. If the Allman Brothers’ “Mountain Jam” or Talking Heads’ “Heaven” is one you’ve heard before, fine, but it’s hard to argue with the Widespread treatment of it, particularly the former. Here at Wanee Festival, Widespread were probably the main draw for a significant portion of the crowd, and they acted like they knew that, playing a finely-honed two-hour set that headed deep into the jam zone during an epic sequence of “The Last Straw”>”Mountain Jam”>”Impossible”>”Big Wooly Mammoth”>”Christmas Katie” and finally “One Kind Favor.” If there’s any upside to the reduced touring of Widespread Panic these days, it’s the fact that it makes each individual show a bit more special.

I recorded this set with Schoeps MK4V microphones in a centered “forward of the board” position. If not quite as good sounding as the Trey Anastasio and Bob Weir sets, the sound quality is nonetheless excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Stream the complete set:

Widespread Panic
April 21, 2017
Wanee Music Festival
Peach Stage
Spirit of the Suwannee Music Park
Live Oak, FL

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, DFC)>KC5>PFA>Zoom F8>24/44.1kHz WAV>Adobe Audition CC>Isotope Ozone 5>Audacity 2.0.3 (amplify, track, downsample)>FLAC ( level 8 )

Tracks
01 Ain’t Life Grand
02 Love Tractor
03 Cease Fire >
04 Heaven [Talking Heads]
05 Little Kin >
06 Junior
07 Party At Your Mama’s House >
08 Stop Breakin’ Down Blues
09 Tall Boy
10 The Last Straw >
11 Mountain Jam* >
12 Impossible >
13 Big Wooly Mammoth > Jam >
14 Christmas Katie >
15 One Kind Favor >
16 Saint Ex
17 Imitation Leather Shoes
[encore break removed]
18 Blackout Blues
19 End Of The Show

* with Marcus King on guitar

SUPPORT Widespread Panic: Website | Store

Trey Anastasio Band: April 22, 2017 Wanee Music Festival (Live Oak, FL)

April 24, 2017
By

Though veteran Bob Weir closed out this year’s Wanee Festival main stage in fine fashion, it was Trey Anastasio Band who captured the most emotional highlight. Clearly moved by the death of Butch Trucks, with whom he had played on this very Wanee stage in years past, Anastasio and his band took the fired-up crowd through everything from hard boogie numbers like “Cayman Review” to a funky cover of Gorillaz’ “Clint Eastwood” to several of Anastasio’s more downbeat offerings. Whatever the feel of the exact moment, Anastasio and his band owned it, with Trey beaming at the front of the stage for much of the set, just as he was brought to tears recalling his time with Trucks and the Allman Brothers. Perhaps most notable about this set to me personally was the energy and inventiveness of it compared to the lackluster Phish set I saw earlier this year; if the full band interplay wasn’t quite what it is with the main band, the enthusiasm behind it was a night-and-day difference. Perhaps it’s not a surprise; most artists, like most people, care about context and place, and this place brought back memories for Trey that no doubt can’t be replicated in a stadium-type setting. Thanks to this set — which ended on a billowing cover of Zeppelin’s “Dazed and Confused,” Trey and his band made some Wanee Festival memories for many of us, too.

I recorded this set with Schoeps MK4V microphones FOB with my man Fried Chicken Boy. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Trey Anastasio Band
2017-04-22
Wanee Festival
Spirit of Suwanne Music Park
Live Oak, FL USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, DFC)>KC5>PFA>Zoom 48>24/44.1kHz WAV>Adobe Audition CC>Isotope Ozone 5>Audacity 2.0.3 (amplify, track, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:45:00]
01 Cayman Review
02 Curlew’s Call
03 Magilla
04 Sand
05 Soul Rebel
06 Money, Love and Change
07 [banter1 – Wanee and Butch Trucks]
08 Ohh Child [Five Stairsteps]
09 Mozambique>Simple Twist Up Dave
10 Tide Turns
11 Valentine
12 Everything’s Right
13 Tuesday
14 Clint Eastwood [Gorillaz]
15 Dazed and Confused [Led Zeppelin]

SUPPORT Trey Anastasio Band: Website | Records

Phish: July 11, 2014 Randall’s Island – Flac/MP3/Streaming

July 12, 2014
By

DSC00466
[photo by Scott Harris]

I’ll be the first to admit that my street cred when it comes to Phish is pretty light. After all, its been almost fifteen years since I’ve actually even seen the band live. That night in the Fall of 1999 at Nassau Coliseum was a fairly famous Phish event, when lyricist Tom Marshall took the stage to sing a few covers with the band. I was also at a Madison Square Garden show during New Year’s week in 1998 when the band played a mini acoustic set in the middle of the show. But 90s memories aside, I do still have some very good friends with close connections to the band — close enough to give us the first-report exclusive of the Phish reunion way back in August of 2008, for which we took a lot of flak but which ultimately proved to be correct. So when it was announced that Phish would play three local GA shows at Randall’s Island I figured it was about time I got out and saw them again and brought to the site a recording that many of our readers have asked about over the years.

The trek to Randall’s started out a little rocky — a long line and long-ish wait for the Ferry. But once on the boat the day went about as smooth as could be expected. At the GA shows, there is no “tapers’ section” to speak of, so when I arrived as the second taper to reach the spot we pretty much set up where we landed — about 30 feet in front of the board and pretty close to the ideal spot. Phish fans take a lot of criticism but in reality people were extremely nice to us and also respectful of the rigs. We weren’t able to raise the mic pole as high as I would have liked because we were instructed not to block the band’s cameras, but even with a “low” pole, there is surprisingly little chatter on this recording.

My knowledge of Phish is not sufficient for me to say whether this was a “great” show but I’m pretty sure it was a very good one. Perhaps motivated by the release of their new album Fuego, by all accounts of the current tour the band is playing very well right now. And while Friday’s show did feature songs from the new album (we are streaming the excellent performance of “Fuego”), the show itself didn’t dwell on the new material with only three played. Overall the band played a nice selection of songs highlighted by first set standouts “Bathtub Gin” (also streaming) and “Stash”, and second set stalwarts “Down With Disease” and “David Bowie” and a rare-ish cover of local band TV on the Radio (“Golden Age”). I can’t say this show will make me drop everything and follow Phish on tour, but I certainly won’t wait another 15 years to see them again.

I recorded this show with the large diaphragm Neumann mics from the front of board spot referenced above. These mics perform well outdoors and this show was no exception. There are two bumps from balloons, but with the excellent location, good crowd and no weather-related issues, this recording came out superbly. Enjoy!

acidjack and hi and lo will be recording the Saturday night Phish show for posting on the site on Sunday or Monday.

Stream “Bathtub Gin”:

Stream “Fuego”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Phish
2014-07-11
Randalls Island
New York NY

Digital Master Recording
Front of Board Audience

Neumann TLM-102 Large Diaphragm Cardioids > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 1:21:42]
01 Moma Dance
02 Kill Devil Falls
03 Ya Mar
04 Bathtub Gin
05 [banter – how many people walked]
06 Five Fifty-Five
07 Rift
08 Sample in a Jar
09 The Wedge
10 Waiting All Night
11 Stash

Set 2
[Total Time 1:20:05]
12 Steam
13 Down With Disease
14 Golden Age [TV on the Radio]
15 Limb by Limb
16 Fuego
17 David Bowie
18 Cavern
19 [encore break]
20 Character Zero

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Phish, visit their website, and purchase Fuego from the Phish Dry Goods [HERE].

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.