Posts Tagged ‘ glasslands ’

Spacin’: December 14, 2014 Glasslands – FLAC/MP3/Streaming

January 27, 2015
By

IMG_0305

Spacin‘ were the right kind of band to see in my last time at Glasslands. Live, they’re not a fussy bunch: They take the stage, launch into their thing, and sear your ears without pretense. They’re not guaranteeing an upscale kind of rock show; this lo-fi Philly band is guaranteeing a good time. Likewise, even in its quasi-DIY last incarnation, Glasslands was never trying to be a slick-sheened rock club. Glasslands wanted you to feel welcome as soon as you got in the door, and to have a blast.

Although this was a different formation than the Spacin’/Purling Hiss beast I saw at Hopscotch a few months earlier, Spacin’ played several numbers from that set as well as some others I have come to know well. The band’s cover of MC5’s “American Ruse”, heavily retooled in Spacin’s image, is always a high point. As that eight-minute rocker wound down, the band segued into a psychedelic intro that led into the bread-and-butter mid-set of “Human Condition” followed by “Sunshine No Shoes”. For the band’s moment on the Glasslands stage, they played the appropriate-enough “Empty Mind”, with its heavy-chugging bass line and ample opportunity for exploration.

Even if we won’t be able to visit Glasslands anymore, the spirit of the place will live on elsewhere. Where there are bands and fans in need of a real home, a place where you feel less like a customer and more like a welcome friend, there will be right-minded people there to fill that gap.

I recorded this set with our installed sound system at Glasslands and a soundboard feed by Josh Thiel. The sound quality is quite good and much better than the Spacin’/Hiss set earlier this year, but it’s still gritty enough not to confuse anyone what this is about.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Spacin’
2014-12-14
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Josh Thiel) + Naiant X-R (PAS, DFC)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (EQ, harmonic exciter, imaging)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Over Uneasy
02 American Ruse [MC5]>
03 Human Condition
04 Sunshine No Shoes
05 Empty Mind

If you enjoyed this recording, PLEASE SUPPORT Spacin’, check them out on Facebook, and buy their album Deep Thuds from Midheaven Mailorder.

Beach Fossils: December 17, 2014 Glasslands – Flac/MP3/Streaming

December 26, 2014
By

Beach Fossils Brianna
[photo by Brianna Duzich]

Its comforting to say goodbye to things we love by coming full circle to our earliest experiences. My final show at Glasslands was a wild night from Beach Fossils — a band who’ve played much larger gigs in recent years but who returned to their roots in the final week of the venue. We first saw Beach Fossils at Glasslands as an opener of a four-band bill way back in January of 2010. It was one of their first full band shows ever. Their first career single was “Daydream” and it wasn’t released until February of 2010. That song was performed at the gig five years ago, and that track closed this 2014 set (and its streaming below). In the last five years, the band has released two excellent albums, reached the Billboard Indie charts, sold out Bowery Ballroom and reached several other milestones. Indeed, Dustin Payseur and his wife (and former Captured Tracks General Manager) Katie Garcia recently started their own label Bayonet Records. On Wednesday, it was clear that although this is a band looking forward, this was a night for looking back. Dustin made multiple references to the venue and the band’s history at Glasslands and Beach Fossils played a lengthy set of material from their entire career, not just the newest album Clash The Truth. This was yet another sellout among Glasslands’ final gigs and the crowd was energetic and very animated — bopping along with each song throughout the entire set. Personally, this was a very appropriate send-off to a venue that we’ve attended for nearly eight years — a fun band on a fun night visiting a memorable past. Goodbye forever Glasslands.

I recorded this set with the installed Naiant Cardioids mixed with an excellent board feed provided by house FOH Chris Madden. There is an intermittent hissing noise, which is the smoke machine onstage audible in both the room mics and the soundboard feed. Otherwise, its a superb recording. Enjoy!

Stream “Daydream”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Beach Fossils
2014-12-17
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Chris Madden] + Naiant X-R Cardioid > Sound Devices 744t > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist
[Total Time 1:20:12]
01 [introduction]
02 Generational Synthetic
03 Shallow
04 [banter – Grasslands]
05 Vacation
06 Careless
07 What A Pleasure
08 Birthday
09 [banter – shots]
10 Sleep Apnea
11 [banter – see you]
12 Youth
13 [banter – holiday party]
14 Clash The Truth
15 Permutation [new song]
16 [banter – memories]
17 Calyer
18 [banter – math]
19 Taking Off
20 [banter – Devo tease]
21 Crashed Out
22 [Nirvana tease]
23 Daydream
24 [encore break]
25 [instrumental]
26 Twelve Roses

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Beach Fossils, visit their website, visit their Facebook page, purchase Clash The Truth from Captured Tracks [HERE] and purchase future releases from Bayonet Records [HERE].

Yellow Ostrich: December 8, 2014 Glasslands – FLAC/MP3/Streaming FINAL SHOW!!

December 15, 2014
By


27
[photos courtesy of David Andrako for BrooklynVegan]

“How do you start when you know it’s gonna end?” Alex Schaaf asks on Yellow Ostrich‘s “How Do You Do It?”. The same could be asked of anyone starting a rock band these days. Or for that matter, a music venue. Yellow Ostrich came onto the scene full of promise, and throughout their five years, they mostly lived up to it, as their popularity soared and the density and complexity of their songs followed. Like a lot of bands these days, this one began as Schaaf’s bedroom project, only growing into a formidable live act after the fact. The first time I saw Yellow Ostrich perform, at Mercury Lounge in 2011, Schaaf was fighting with his vocal loops on “Whale”, putting on a hell of a performance despite the glitch on his first song. Back then, the band had other dates happening at places like Shea Stadium and Piano’s. A year later, they were playing Bowery Ballroom, a confident full band at the top of their game.

But isn’t it painful, in the end, to put forth so much effort, to pour so much of your soul into something, when you know that in all likelihood, a half-decade worth of a run is all you’ll get if you’re lucky? Making music requires so much giving of yourself, it’s hard sometimes to imagine how it can be worth it. You give and give and give, and at best you get a few syncs, a few streams, and hopefully a full house some nights. When things end, chances are that memories will be short. If you matter, in the long run, to a handful of people, you’re lucky.

But if Schaaf and his band felt any melancholy about Yellow Ostrich’s passing, they didn’t show it. It felt right for the band to close things out on the stage at Glasslands, which itself will be no more as of the end of this year. The band will end on a high note, the more confident Cosmos, which pushed their limits while retaining the essential tunefulness of the melodies and intensely personal bent of Schaaf’s words. Tonight the band was on from start to finish, Schaaf bounding across the stage as songs took on added flourishes of guitar and a little something extra in the vocals. This isn’t the same band that started it all, when Jon Natchez joined up to make it a fully-realized creature, but it’s a very good one, equally loyal to Cosmos tunes like “Terrors” and “Things Are Fallin'” as to old greats from The Mistress like “Whale” and the set’s closer, a searing, extra-long “Mary”. While the whole set is streaming below, I wanted to emphasize “Whale”, which has grown so much from that first version I saw played at Mercury. To me this first song on The Mistress is the essential Yellow Ostrich song, and in the three evolving versions I’ve recorded, you capture the band’s story in miniature. The song has always been catchy, but only this time, the entire crowd sang along.

Those of us who spent much if any time in the music scene just across the East River have found much to mourn this season, saying goodbye not only to institutions like Glasslands and DBA but to longtime bands and friends as well. While a moment has ended, this can only be looked at as torch passed. New York has never been the place for those who don’t like change; change is the essential part of its character as a city in almost every way. For his part, Schaaf isn’t going anywhere — he’s already got a new project, Human Heat, with an EP to its credit. I grinned as the band played The Mistress’ “Hate Me Soon”. The truth is, Yellow Ostrich didn’t stick around long enough to give us a chance to. And most times, that’s just the right way to go.

I recorded this set with our installed Glasslands system, Naiant X-R cardiod microphones and a soundboard feed by the band’s FOH Keith Milgaten. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream “Whale”

Stream the complete show

Yellow Ostrich
2014-12-08
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Keith Milgaten) + Naiant X-R>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, alignment, mixdown, fades)>Izotope Ozone 5 (light EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:08:35]
01 Fog
02 Shades
03 Hold On
04 [banter1]
05 Neon Fists
06 How Do You Do It
07 Elephant King
08 My Moons
09 Whale
10 Ghost
11 Any Wonder
12 [banter2]
13 Things Are Fallin’
14 Marathon Runner
15 [banter3]
16 Hate Me Soon
17 Mary

If you enjoyed this recording, please support Yellow Ostrich, visit their website, and buy their records from their online store.

39

Ex Cops: November 25, 2014 Glasslands – FLAC/MP3/Streaming

November 30, 2014
By


IMG_0121
[photos by acidjack]

Just two years after bursting onto the scene with their “You Are A Lamb, I Am A Lion” single, the duo (touring trio) Ex Cops are two albums in and continuing to hone their craft. This show, coming near the end of the run for beloved Williamsburg venue Glasslands, celebrated the release of the band’s latest effort, Daggers, a full-length chock-full of ear-catching dream pop hooks and key guest appearances by Ariel Pink and LP. The synth-driven pop created by Amalie Bruun and Brian Harding seems tailor-made to reach larger audiences, and with the backing of both Billy Corgan and Sky Ferreira producer Justin Raisen, it seems likely that it will.

Unlike some of their peers, Ex Cops separate themselves from the pack by splitting the difference between straight synth pop and rock, with Harding’s guitar leads trading focus with Bruun’s work on the keys depending on the song. While Ariel Pink wasn’t in attendance for “Tragically Alright”, the Daggers track on which he participates, the band still made the downbeat number one of the night’s highlights. It’s a welcome stylistic counterpoint to the strong first single, “Black Soap”, which seems as dancefloor-ready as the former track is for the trip home. This tidy half-hour set focused on the new record, though it led off with a slowed-down version of “Separator”, one of the strongest songs off of last year’s album, True Hallucinations. The set left us wanting more, while confirming that the band has the live chops to go with the songcraft we’d already come to dig. The band played their first show at Glasslands, and while this will be their last in the venue, I’m confident we’ll be seeing them out and about in other places plenty in 2015.

I recorded this set with Schoeps MK41 microphones and a custom soundboard feed from Glasslands engineer Mathew Scheiner. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete show:

Ex-Cops
2014-11-25
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (ROC, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Mathew Scheiner>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, limiter, light dynamics)>Izotope Ozone 5 (image, EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Separator
02 Black Soap
03 Burnt Out Love
04 White Noise
05 Tragically Alright
06 Wanna Be
07 Rooms

If you enjoyed this recording, PLEASE SUPPORT Ex Cops, visit their website, and buy Daggers on iTunes or grab it from your favorite streaming service.

White Lung: September 3, 2014 Glasslands and September 6, 2014 Hopscotch Music Festival – FLAC/MP3/Streaming

September 11, 2014
By

White Lung ChadKam
[photo courtesy of Chad Kamenshine – complete set at The Artistree]

The band White Lung has been floating around for a few years, garnering positive review more than well-deserved. Their third LP Deep Fantasy (Domino Records) manages to improve on 2012’s Sorry, a considerable feat considering how strong this act was the last time around. Frontwoman Mish Way usually wins plaudits as the band’s special sauce, taking some of the best things we all used to like about Courtney Love (strong voice, personality, pop sensibility, distinctive look) and putting them out there in a more-focused package. But one ought not to lose sight of Kenneth William, without whose guitar playing this excellent band couldn’t be quite where it is, which is clearly a peak. As more than the sum of some quality parts, White Lung straddles that line between accessible punk and non in the best of ways, and the feeling is even better felt live. You don’t have to be a fan of this music, even, to be impressed by the tenacity and poise with which they do it.

Both of the site’s editors caught the band in the same week — first nyctaper in New York at beloved Glasslands, then acidjack as his final performance of the Hopscotch Music Festival in North Carolina, where the band proved that they were a righteous choice for the traditionally-strong spot of final night headliner in one of the festival’s many venues.

The Glasslands set was recorded with our installed Naiant cardioid rig mixed with a superb soundboard feed provided by house FOH Josh. The Hopscotch set was recorded with Schoeps MK41 supercardiod microphones and a soundboard feed from the Hopscotch veteran engineer Wayne of Roanoke, VA, a man whose understanding of this high-ceilinged space deserves plaudits. Both sound excellent. Pick your poison, or do the right thing and download both. Enjoy!

Stream “Down it Goes” from Glasslands:

Stream “Face Down” from Hopscotch:

Download the complete Hopscotch show [MP3] | [FLAC]

Download the complete Glasslands show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_7772
[photo by acidjack]

White Lung
2014-09-03
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Josh Thiel] + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist
[Total Time 38:49]
01 Drown With the Monster
02 Face Down
03 [banter – hi Amy]
04 Syncophant
05 Bad Way
06 Bag
07 Wrong Star
08 Thick Lip
09 Two of You
10 Blow It South
11 Snake Jaw
12 Just For You
13 I Believe You
14 Down It Goes
15 Take The Mirror
_________________________

White Lung
2014-09-06
Hopscotch Music Festival
Kennedy Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (at SBD, DINa)>KCY>Z-PFA+Soundboard (engineer: Wayne)>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades, adjust levels, compression)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 34:35]
01 Drown With The Monster
02 Face Down
03 Syncophant
04 Bad Way
05 Bag
06 Wrong Star
07 [banter – bright]
08 Thick Lip >
09 Two Of You
10 Blow It South
11 Snake Jaw
12 Just For You
13 I Believe You
14 Down It Goes
15 Take The Mirror

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT White Lung, visit their website, and purchase the Deep Fantasy from the Domino Records website [HERE].

Oneida: July 17, 2014 Glasslands – FLAC/MP3/Full Set Streaming

July 20, 2014
By

Photo by Greg Cristman | www.gregCphotography.com
[Photos by Greg Cristman]

With Oneida, you never have to worry about seeing the same show twice. Even if you’re hearing the same song — for example, the mammoth version of “Cedars” from this night’s show at Glasslands compared to the one we documented at the start of the year at the Knitting Factory — you won’t necessarily know it if you don’t pay close attention. As our review of the Knitting Factory show pointed out, at this point, referring to an Oneida show’s “setlist” is kind of missing the point. This band has long-since abandoned the conventional, which is why they continue to be a major draw in the underground scene in New York seventeen years in despite minimal blog hype and virtually no mainstream exposure. An Oneida show is an event, a celebration of what music can be when all of the downward pressures on creativity are cut.

Joining the band for this show, as he did at Glasslands last year, was James McNew of Yo La Tengo and Dump, whose bass playing mingled nicely with the swirling controlled chaos on the stage. Although technically a four-song “set”, this set had a similar structure, with a 40-minute sequence of “Cedars” into “Economy Travel” adding two shorter songs, “Cock Fight” and “You Get Brighter” (a 48-minute version of which appeared at the 2013 Glasslands show) to round it out. We expect to see some of these compositions whittled down to album length for a future release, but in a way that’d be a shame. This act’s sound cannot be contained on a few pieces of plastic, nor can their songs properly be culled to one right “version”. The beauty is in the expression of it at a given time on a given night–the very reason live recordings exist in the first place.

I recorded this set with a Schoeps MK5 and Schoeps MK8 capsule in the “mid-side” configuration on-stage to allow maximum adjustment capability to the stereo image, combined with a soundboard feed from Glasslands head of production Josh Thiel. The sound quality is quite simply phenomenal — one of the best recordings I think I can take credit for. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the full show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Please feel free to re-post the Soundcloud links.

Photo by Greg Cristman | www.gregCphotography.com

Oneida
2014-07-17
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c+MK8 (stage lip, M-S)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (Engineer: Josh Thiel)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 56:59]
01 [intro banter]
02 Cedars>
03 Economy Travel
04 Cock Fight
05 You Get Brighter

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains and their other releases from Jagjaguwar [HERE]

Split Single: May 21, 2014 Glasslands – FLAC/MP3/Streaming

June 2, 2014
By

IMG_7374
[Photos by acidjack]

Split Single is the latest effort from guitarist Jason Narducy, best-known for his bands Verboten and Verbow before kicking off a second career as a sideman in various acts including Bob Mould, Superchunk, and Robert Pollard. Narducy’s long career inspired a whole generation of artists, most notably Dave Grohl, and his new album Fragmented World suggests that he best belongs front and center. You might’ve heard of Narducy’s own sidemen in this effort before, too — that’d be Spoon’s Britt Daniel and drummer Jon Wurster, who’s played with Superchunk, the Mountain Goats, Bob Pollard and many others.

This show at Glasslands was, if anything, proof positive of the power of experience. Narducy and his companions played the Fragmented World material with precision, one song after another delivering on the promise of carefree, infectious power pop without losing momentum. These are songs that feel good to listen to, and that makes them work all the better in the live setting. Appropriately, Narducy was joined for the album’s title track by another player whose recent career was defined by side man work — Doug Gillard (who we saw recently) — who added his guitar work to that sweet short burst of pop perfection. We’re glad Narducy’s back in the spotlight again.

I recorded this set with our installed rig in the venue, featuring Naiant X-R cardiod microphones and a soundboard feed by the night’s engineer Chris Madden. The sound quality is excellent. Enjoy!

Stream “Fragmented World” (with Doug Gillard)

Download the complete show: [MP3] | [FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud links. Please respect our request.

IMG_7402

Split Single
2014-05-21
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (FOB, DFC, PAS)+Soundboard (engineer: Chris Madden)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects, EQ, compression)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 44:07]
01 Made for Breaking
02 Never Look Back
03 Cold
04 [banter]
05 Gloria
06 Monolith
07 Love Is You
08 Waiting for the Sun
09 My Heart Is Your Shadow
10 Last Goodbye
11 [banter2]
12 Fragmented World [w/ Doug Gillard]
13 [banter3]
14 Searches
15 Broken Spines

If you enjoyed this recording, PLEASE SUPPORT Split Single, visit their website, and buy Fragmented World from the band’s store here.

Owen Pallett: May 13, 2014 Glasslands – Flac/MP3/Streaming

May 19, 2014
By

owen pallett toronto
[photo courtesy of Tiana Feng – full set here]

Owen Pallett‘s career is roughly analogous to his music itself — multi-layered, complex and abundantly talented. In recent years, he’s concentrated mostly on his arrangement and film score work, which culminated earlier this year in an Oscar nomination for the soundtrack of the film Her. This level of accolade will undoubtedly lead to more well-deserved opportunities for Owen. But his solo career has taken a bit of a back seat over the last four years. Owen’s last album Heartland was released in January of 2010, and his last tour was that Spring, when we experienced an outstanding show at Webster Hall (recording here). But on May 27, Owen Pallett will release his first new album in over four years In Conflict (Domino Records) and on Tuesday his current tour reached Glasslands. Owen has added a percussionist and a bass player to the live band, but as always the focus is completely on his center position where he mans the keyboard, violin and loop petals to create his own orchestra for each song. The set began with some older material before visiting some of the In Conflict songs, including the title track. Mid-set the band took a break, Owen asked for requests and played three tracks alone. The band returned for the balance of the show, a mix of old an new material. We’re streaming the night’s final song, a power version of “Lewis Takes Off His Shirt” that led to extended and vociferous applause. I left a little extra crowd noise at the end of the show for the listener to understand the enthusiasm of the fans. Owen’s tour has moved on to Europe, but we expect he will be back for Summer or Fall dates in NYC.

I recorded this set with our venue-installed Naiant cardioids mixed with an excellent soundboard feed, and the sound quality is superb. Enjoy!

Stream “Lewis Takes Off His Shirt”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct download links or the files on other sites without our permission. Feel free to re-post the Soundcloud link. Please respect our request.

Owen Pallett
2014-05-13
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (mixdown, level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist
[Total Time 1:25:41]
01 Midnight Directives
02 Scandal At The Parkdale
03 Keep The Dog Quiet
04 Soldier’s Rock
05 In Conflict
06 The Secret Seven
07 Tryst With Mephistopheles
08 E Is For Estranged
09 Arctic Circle
10 This Lamb Sells Condos
11 This is the Dream of Win and Regine
12 The Great Elsewhere
13 Infernal Fantasy
14 The Riverbed
15 [encore break]
16 Song for Five and Six
17 Lewis Takes Off His Shirt

If you download this recording from NYCTaper PLEASE SUPPORT Owen Pallett, visit his website, and purchase In Conflict from the Domino Records website [HERE].

Parlor Walls: April 15, 2014 Glasslands – FLAC/MP3/Streaming Full Set

April 21, 2014
By

IMG_7113
[photos by acidjack]

Few local musicians are harder working than Alyse Lamb of EULA, a band that has graced almost every stage in Brooklyn (including one of ours) in the past few years. When you watch her perform, you realize that the hard work pays off, not only in terms of her songs, but in her presentation. Lamb knows how to put on a great rock show.

Parlor Walls is a bit of a different beast, a stripped-down duo that finds Lamb joined with Chris Mulligan, who mans the drums and keys at the same time. Parlor Walls’ sound is darker and more atmospheric than EULA’s amped-up pop-punk, though Lamb can’t resist those garagey riffs 100 percent of the time. This night at Glasslands was only the band’s second show, but true to form, Lamb and Mulligan had these songs ready for prime time. Among my favorites were the one-two punch of the intro songs, “Animal”, which jammed straight into “Mississippi”, as well as the hard-edged, discordant closer, “Birthday”. While we’re still EULA fans, Parlor Walls is a great way to get to know Lamb’s darker side. Expect more shows from them (and EULA) in the spring and summer around Brooklyn.

I recorded this set with the flawless house mix of Glasslands head engineer Josh Thiel, combined with our installed Naiant X-R cardiod microphones. The sound quality is excellent. Enjoy!

EULA can be found next on May 28 at Baby’s All Right.

Stream the complete set and download individual tracks:

Download the complete show: [MP3]  | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_7149

Parlor Walls
2014-04-15
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R + Soundboard (engineer: Josh Thiel)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, alignment, mixdown, fades)>Izotope Ozone 5 (light EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Animal>
02 Mississippi
03 Bon Nuit
04 [tuning]
05 Sundress
06 Seeds
07 Tea Tea
08 Birthday

Personnel:
Alyse Lamb – Vocals, guitar
Chris Mulligan – Drums, keyboards

If you enjoyed this recording, PLEASE SUPPORT Parlor Walls by liking them on Facebook and attending their upcoming shows. Music-wise, this recording is about all there is for now :) You can check out Alyse’s other project, EULA, at their website.

IMG_7145

Doug Gillard: April 8, 2014 Glasslands – FLAC/MP3/Streaming

April 9, 2014
By


IMG_7071
[photos by acidjack]

Doug Gillard has had one of those rare long, consistently excellent careers that most musicians would die for. Though the native Ohioan may be best known for his affiliation with the state’s godfathers of indie, Guided by Voices, Doug has a longstanding body of solo work to his credit, as well as stints with many other bands, including his current status as lead guitarist of Nada Surf. On this Tuesday night at Glasslands, Gillard was celebrating the release of the latest of those efforts, Parade On, a record that gives Gillard a chance to show off his guitar skills on his own songs, which, not surprisingly, are filled with excellent hooks.

Having previewed some of this material earlier in the month at Cake Shop, Gillard and his band were in fine form as they showed off new songs from Parade On alongside older Gillard songs like “Me & the Wind” and “Drip-Nose Boy”. For a special treat, Gillard closed the set with one of Doug’s earlier songs “I Am A Tree”, first performed by his band Gem, and later, Guided by Voices. Doug will be back in town opening for Guided by Voices at Bowery Ballroom in May. Hope you got your tickets, as that show is already sold out. Luckily, Doug conducted a raffle for a few at the show, so if you were here, you still might get lucky!

I recorded this set with our installed microphones in the venue and a soundboard feed. The sound quality is outstanding. Enjoy!

Stream “Overseas”

Stream “I Am A Tree” [Gem]

Download the complete show: [MP3]  | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_7054

Doug Gillard
2014-04-08
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R + Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, alignment, mixdown, fades)>Izotope Ozone 5 (light EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 55:39]
01 Parade On
02 Symbols, Signs
03 Breaking In Two
04 Ready For Death
05 [banter]
06 Angel X
07 [banter2]
08 Oh My Little Girl
09 [banter3]
10 Upper Hand
11 Overseas
12 Drip Nose Boy
13 Me & The Wind
14 [banter4-giveaway]
15 No Perspective
16 [banter5]
17 I Am A Tree [Gem]

If you enjoyed this recording, PLEASE SUPPORT Doug Gillard, visit his website, and buy Parade On from his bandcamp page.

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.