Posts Tagged ‘ glasslands ’

The Love Language: August 1, 2013 Glasslands – FLAC/MP3/Streaming

August 13, 2013
By

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[Photos by acidjack]

The Raleigh, NC band The Love Language just released its third record, Ruby Red, but in some ways it feels like a debut. Frontman Stuart McLamb delivered his first album under this moniker in 2009; the band’s Merge Records debut was a similarly insular affair. Both Ruby Red and the band’s live show represent a vision blown wide open. Two years in the making, the record gave McLamb all the tools he needed to make the pop-driven, big-room-filling style of rock that he was born to make.

This show at Glasslands fulfilled the promise of the record in every way, with one big number after another making the case for a band on its way to the next level. McLamb’s songs manage to toe that narrow line between earnestness and bombast without over delivering either. Ruby Red itself is a high-gloss production that features a cast of twenty musicians, grand flourishes and ear-pleasing micro-details. The live show, with a touring cast of five, felt comparatively stripped down, but it gave the songs the chance to prove themselves. The Love Language came across as a hungry, tightly-rehearsed unit, delivering tracks like the album opener “Calm Down” with a sense of purpose and poise. Taking full advantage of every second they had before the usual 11:30 p.m. switchover to dance music in this venue, the band played homage to a now-classic New York band with The Strokes’ “The Modern Age”. In that context, not to mention the choice of city, covering the last band tasked with “saving” rock felt right. I won’t freight The Love Language or Ruby Red with that baggage, but for those still looking for new rock music that excites them, they’re a find.

I recorded this set with our usual combination in the venue of Naiant X-R microphones and a soundboard feed from house engineer Josh Thiel. As the band’s very loud guitar amps were not run through the board mix, this mix leans more heavily on the audience mics than normal, and is slightly lower in quality than the absolute best of our Glasslands recordings. That said, it’s still more than worth checking out. Enjoy!

The Love Language is currently touring the Southeast, Midwest and West Coast. Click here for tour dates.

Stream “The Modern Age [The Strokes]”

Stream “Calm Down”

Download the complete show [MP3] | [FLAC]  

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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The Love Language
2013-08-01
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (cardiod, DFC, ORTFish)+Soundboard (engineer: Josh Thiel)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Kids
02 Hi Life
03 On Our Heels
04 For Izzy
05 [banter1]
06 Providence
07 Heart To Tell
08 First Shot
09 Golden Age
10 Sparxxx
11 [banter2]
12 Manteo
13 Faithbreaker
14 Gray Court
15 Pilot Light
16 [banter3]
17 Calm Down
18 [encore break]
19 The Modern Age [The Strokes]
20 Lalita
21 This Room

If you enjoyed this recording, please support The Love Language, visit their website, and buy Ruby Red from Merge Records [HERE].

Walking Shapes: May 15, 2013 Glasslands – FLAC/MP3/Streaming

August 8, 2013
By

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When the opening band has as big or an even bigger crowd than the headliner, it’s often a clue that they’re on their way up. So it went for this Walking Shapes show at Glasslands, where even on the earlier side the club had a packed house — and for a band that didn’t have a single record out. Now, they do — the Brooklyn band released their Mix Tape (Vol. 1) in increments throughout July, and now the full LP is available free from No Shame Records and on their bandcamp page. (It’s also on Spotify as well). The band’s sound on record shares some of the nostalgic glaze that’s made Foxygen such a hit this year, with an equal nod to some of the better moments of the Britpop sound that ruled the mid-90s.

Which is all to say that Walking Shapes are a very accessible band; this is music for the masses, nothing obtuse about it. Listen to the big-chorus-driven “Keep”, for example, and imagine how that song could possibly not make it on the radio. For that reason, the band’s live show seemed almost incongruous with the intimate Glasslands setting. As they played song after song of big-tent, bombastic rock, I kept feeling like I ought to be in Terminal 5. Musically tight, well-rehearsed and armed with heart-on-your-sleeve lyrics to go with it, I wouldn’t be shocked to see them get there.

I recorded this set in the same manner as the other recording from this night, with a pair of Naiant X-X omnidirectional mics split at the stage lip, our installed Naiant X-R mics in the audience and a soundboard feed by Glasslands engineer Jeremy. Owing to Jeremy’s extremely tight mix plus the additional pair of mics, this is a truly outstanding recording. Enjoy!

Walking Shapes play the Knitting Factory on September 3 with Seasick Mama. Get your tickets [HERE]

Stream “Pusher”

Download the Complete show [MP3] | [FLAC]  

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Walking Shapes
2013-05-15
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

[Naiant X-X (split omni, ROC stagelip, 3ft split) + Soundboard (engineer: Jeremy)>Edirol R-44 [OCM]] + [Naiant X-R (cardiod, DFC, ORTFish)>Sound Devices USBPre2 (clock sync to R-44)>Sony PCM-D50]>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (fades, tracking, amplify, balance, light parallel compression, tagging, downsample)>FLAC ( level 8 )

Tracks
01 Zombies
02 Pusher
03 Mechanical Arms
04 Keep
05 Elle Deadsex
06 Waves (XYZ)
07 Measure for Measure
08 Horse

If you enjoyed this recording, PLEASE SUPPORT Walking Shapes, like them on facebook, and buy Mixtape (Vol. 1) from No Shame [HERE]

Porcelain Raft: June 28, 2013 Glasslands – FLAC/MP3/Full Set Streaming

July 26, 2013
By

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[Photo by acidjack]

Porcelain Raft, aka Mauro Remiddi, has produced a wide range of music in his life, all of which has been distilled to its essence in his current electronic compositions. This short set, billed as a full run-through of his Soundcloud-only EP Silent Speech, veered from that work’s original format into its own grand, live-sequenced creation. With the still-new house soundsystem at Glasslands providing ample reinforcement, this short but sweet set whetter our appetites for Porcelain Raft’s forthcoming Secretly Canadian LP Permanent Signal, which you can preorder via the link below.

I recorded this set with our installed rig in the venue, with Naiant microphones and a soundboard feed from house engineer Josh Thiel. The sound quality is excellent. Enjoy!

Stream and download the MP3s of the full set below:

Download the FLAC files [HERE]

Porcelain Raft
2013-06-28
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper
Recorded and produced by acidjack

Soundboard (engineer: Josh Thiel) + Naiant X-R>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (effects, EQ)>Audacity 2.03 (fades, tracking, amplify, balance, compression, additional EQ)>FLAC ( level 8 )

Tracks
01 Silent Speech Session Track 1
02 Silent Speech Session Track 2

If you enjoyed this recording, PLEASE SUPPORT Porcelain Raft, visit his website, and pre-order Permanent Signal directly from Secretly Canadian and buy other tracks of his from his Bandcamp page.

Holly Miranda: June 2, 2013 Glasslands – Flac/MP3/Streaming

June 6, 2013
By

Holly Miranda - Ventrice 1
[photos by Maryanne Ventrice – courtesy of Prefix Magazine]

A small record label is going to get very lucky in the near future. After she moved to LA and was released from her contract with XL Recordings, Holly Miranda has spent the last couple of years writing, recording and perfecting a new album. At Glasslands on Sunday night, much of the new album material was on display. From the first notes of the opener “Mark My Words” it was very much apparent that Holly is truly “back”, and as she worked through the set with a full band (including horns) I came to the very inescapable conclusion that the new album is the best music she’s ever written. As the new record is shopped to the appropriate label, my guess is that it won’t be long before someone snaps it up. The songs magnify all of Holly’s strengths — her ability to write and perform everything from blues-based rock to sweet love songs, and many styles in between. We’re streaming “The Only One”, a song that I had never heard before but which struck me instantly with its true beauty. We really could have streamed any highlight, because there were many. Holly Miranda will play again in NYC at Rockwood Music Hall on July 17.

We recorded this set with our installed rig (Naiant Cards plus board) and the sound is superb. Enjoy!

Stream “The Only One”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Holly Miranda - Ventrice 2

Holly Miranda
2013-06-02
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper 2013-06-05

Setlist
[Total Time 42:45]
01 Mark My Words
02 [false start]
03 Whatever You Want
04 Fuck in the Sun
05 [banter – Ambrosia intro]
06 Desert Call
07 The Only One
08 [banter – thanks]
09 Everlasting
10 Heavy Heart
11 [band introductions]
12 Waves
13 [banter]
14 Pelican Rapids

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Holly Miranda, visit her website, and purchase her new album when its released.

VietNam: May 18, 2013 Glasslands – Flac/MP3/Streaming

May 31, 2013
By

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[photo by Renee Ligtvoet for Bushwick Daily]

The conventional description of the music of VietNam is that its 60s-influenced. But given the long hair, long beards, clothing styles, crowded stage of multi-instrumentalists, and melodic back-beat minor-chord based songs, its pretty clear this band is directly descended from the mid-70s post-hippie movement personified mostly by the Rolling Thunder Revue. As with Rolling Thunder, the stage energy is focused primarily on one enigmatic and magnetic presence, in this case its Michael Gerner who last released a VietNam album in 2007. The surprising return of the band is buoyed by the new album A.merican D.ream (Mexican Summer Records) which like its five-year old predecessor, is a strong album of self-described “apocalyptic street blues”. At Glasslands on Saturday last, the band completed a short tour and the hometown show was both a strong finale to the tour and a reintroduction of VietNam as an excellent live band. The setlist was equally distributed among the new album and the older one, and during the hour-long set we became completely convinced that the band does its predecessors proud.

I recorded this set with our installed Naiant cardioid microphones mixed with an excellent board feed provided by Glasslands superb FOH Josh. The sound quality is superb, enjoy!

Stream “Fight Water With Fire”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

VietNam
2013-05-18
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-05-24

Setlist
[Total Time 1:00:39]
01 Too Tired
02 Priest Poet and the Pig
03 Fight Water With Fire
04 Kitchen Kongas
05 Blasphemy Blues
06 Flyin
07 No Use In Crying
08 Mama Loi Papa Loi
09 Apocalypse
10 Yaz

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT VietNam, visit the website, and purchase A.merican D.ream from the Mexican Summer Records website [HERE].

Doe Paoro: May 14, 2013 Glasslands – FLAC/MP3/Streaming

May 22, 2013
By

doepaoro2013-05-14-1
[Photos by acidjack]

We first caught Doe Paoro a year ago at Cameo Gallery, and she wowed us with her sincerity and her unique approach to pop music. Taking the stage at Glasslands, nominally as a support act but as the one with the largest crowd by far, Doe Paoro, showed added poise in her live performance and some subtle refinements to her sound. She also had two songs, “See Me Now” and “New Lows”, to share from a new 7″ release. Boasting a completely new look from last year’s more 90s-inspired digs, Sonia (her real name) came across as a more mature but equally strong performer, continuing to meld vocals that draw from a number of singing traditions with arrangements that draw from reggae, R&B, pop and rock. Along with her bouncier numbers like “Born Whole” and “I’ll Go Blind”, Sonia’s ballads shouldn’t be ignored, either. Both “New Lows”, the new song, and “Live Again” were particularly strong. We look forward to seeing what Sonia will do next.

I recorded this set with the installed Glasslands rig, combining the Naiant  X-R cardiod microphones with a soundboard feed by the Glasslands engineer Chris. To minimize distractions during the quieter songs, the recording favors the soundboard feed. Enjoy!

Stream “I’ll Go Blind”

Stream “New Lows”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

doepaoro2013-05-14-2

Doe Paoro
2013-05-14
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Chris) + Naiant X-R (cardiod,ORTFish, DFC)>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (tracking, fades, amplify, balance, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Give Give Give
03 Born Whole
04 I’ll Go Blind
05 Can’t Leave You
06 Live Again
07 Body Games
08 [banter]
09 See Me Now
10 New Lows

If you enjoyed this recording, PLEASE SUPPORT Doe Paoro, like her on Facebook, and purchase Slow to Love and her other records [HERE]

Grandchildren: May 15, 2013 Glasslands – FLAC/MP3/Streaming Full Show

May 20, 2013
By

grandchildren2013-05-15-1
[Photos by acidjack]

Grandchildren is hardly the only criminally underrated band out of Philadelphia right now (we’ve written about several of them) but they are one of the most compelling. This band has mastered the art of dense, lushly orchestrated rock music with a modern electronic twist — exactly the kind of current sound that screams for a wider audience. Here at Glasslands to celebrate the release of their third LP, Golden Age, the band showed the maturity, poise and musical prowess we first saw in them back in 2009, this time backed by their strongest and most consistent material of their career. Picking a “highlight track” for this show was almost impossible, as Golden Age serves up one good song after another, and the band has worked hard to make the big arrangements come across live. Songs like “No Way Out” excellently demonstrate the band’s refinement of their sound and their ability to write songs that can appeal across genres and generations of fans.

I recorded this set with Naiant X-X omnidirectional mics at the stage lip, plus the Naiant X-R house mics and a soundboard feed from the night’s hardworking engineer Jeremy. The sound quality is outstanding, and we are so pleased with it we are offering the entire set streaming below in addition to MP3 and FLAC downloads. Enjoy!

Stream the entire set:

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

grandchildren2013-05-15-3

Grandchildren
2013-05-15
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

[Naiant X-X (split omni, ROC stagelip, 3ft split) + Soundboard (engineer: Jeremy)>Edirol R-44 [OCM]] + [Naiant X-R (cardiod, DFC, ORTFish)>Sound Devices USBPre2 (clock sync to R-44)>Sony PCM-D50]>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (fades, tracking, amplify, balance, light parallel compression, tagging, downsample)>FLAC ( level 8 )

Tracks
01 Forward
02 Sunrise
03 Golden Age
04 [tuning]
05 End Times
06 No Way Out
07 Saturn Returns
08 Into Gold
09 Where’s the Knife
10 Everlasting
11 Rain Down

If you enjoyed this recording, PLEASE SUPPORT Grandchildren, like them on Facebook, and buy Golden Age directly from Ernest Jenning Record Co. [HERE]

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Rathborne: May 14, 2013 Glasslands – FLAC/MP3/Streaming

May 16, 2013
By

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[Photos by acidjack]

Luke Rathborne is young, has an LP and two EPs under his belt, and he’s just getting started. Rathborne’s 2011 record, After Dark, was recorded when he was a young man of 17; he came here at 18. We found him at Glasslands less than two years later celebrating the release of a new album, SOFT, that refines the sound of those rawer earlier experiments. Styling the performing band simply Rathborne, the group took the stage and kicked off the Replacements-esque “Wanna Be You” without a second’s hesitation. Rathborne is a natural presence onstage, with a refreshing kindness and innocence to go with his rock poise. He may not have even been born then, but Rathborne is clearly a student of the 80s, particularly New Wave acts like the Cars. Most of the songs played clocked in under three minutes and exuded fresh energy. Rathborne closed the set with “So Long NYC”, about the all-too-common story of your dreams washing out. But for Luke Rathborne, his own dreams are very much alive.

I recorded this set with our Glasslands house setup, including Naiant microphones and a mix provided by house engineer Chris. The sound is excellent. Enjoy!

Stream “Last Forgiven”:

Stream “Deal”

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

rathborne2013-05-14-1

Rathborne
2013-05-14
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (cardiod, DFC, ORTFish) + Soundboard (engineer: Chris)>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (fades, tracking, amplify, balance, light parallel compression, tagging, downsample)>FLAC ( level 8 )

Tracks
01 Wanna Be You
02 What More
03 I’m So Tired
04 [tuning/banter]
05 Eno
06 Last Forgiven
07 [banter1]
08 Nobody Knows
09 Soft
10 Why
11 Deal
12 Low!
13 Don’t Call Me Baby
14 So Long NYC

If you enjoyed this recording, please support Rathborne, visit their website, and pre-order SOFT [HERE]

rathborne2013-05-14-6

Night Beats: May 8, 2013 Glasslands – FLAC/MP3/Streaming

May 14, 2013
By

nightbeats2013-05-08-4
[Photos by acidjack – the band and recording are much better than these photos]

Last time we saw Seattle’s Night Beats they blew us away with their energy and ability to delivery a set of straight-ahead garage rock full of songs you’d remember the next day. This show at Glasslands found them in the familiar spot of opening for another critically acclaimed band — in this case, Iceland’s Dead Skeletons — and Night Beats gave a performance that was every bit the equal of their earlier headlining set at the Knit. Even more special this time around, the band played almost entirely new material from their next record on Trouble In Mind, which drops in August. The band is not ready to share the titles of them yet, but it’s safe to say that if you dig their first LP and EP, the new songs will make you happy. The new material features some excellent guitar work at points, including some pretty serious shredding during the second of the new numbers. Keep an eye out in the coming months for more info on the new album.

I recorded this set with the Naiant X-R microphones mounted in the venue plus a soundboard feed from Jeremy, the night’s engineer. The sound is excellent. Enjoy!

Stream “new song #2”

Stream “Puppet On A String”

Direct download of the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

nightbeats2013-05-08-3

Night Beats
2013-05-08
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (cardiod, DFC, ORTFish) + Soundboard (engineer: Jeremy)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tube effect)>Audacity 3.0 (fades, tracking, amplify, balance, light parallel compression, tagging, downsample)>FLAC ( level 8 )

Tracks (please let me know if any song titles are wrong)
01 Puppet On A String
02 Shadows In the Night
03 [new song 1]
04 [new song 2]
05 [new song 3]
06 [new song 4]
07 [new song 5]
08 [new song 6]
09 [new song 7]
10 [new song 8]
11 [new song 9]

If you enjoyed this recording, PLEASE SUPPORT Night Beats, like them on Facebook, and purchase their record directly from Trouble In Mind Records [HERE]

Lady Lamb the Beekeeper: May 11, 2013 Glasslands – Flac/MP3/Streaming

May 13, 2013
By

ladylamb-2
[photos by Dominic Mastrangelo]

It was three years ago that we saw what I believe to have been one of the first Lady Lamb the Beekeeper shows in New York, a solo set at the opening night of the Rock Shop. That was back in the days when Skippy was still in NYC and billed a show for the ages that night — Sharon Van Etten and TuneYards headlined the bill. Aly Spaltro was still a teenager at that point, but it was obvious that she was abundantly talented with unlimited potential. She was signed to Bada Bing Records, and after several self-released albums, the first proper Lady Lamb album came out this year. Ripely Pine is a superb album that highlights Aly’s strengths — emotional vocals, intimate songwriting and aggressive musicianship. This is also an album that will profile her talents to a much wider audience. We saw the beginnings of that at a packed Glasslands on Saturday night. While the front half of the crowd consisted of fan-boys and fan-girls who seemed to know all the words to the songs, the back half of the crowd contained those “here to be seen” types who are both a blessing and a curse to an artist — more ticket sales but less attention. Aly’s set consisted of much of Ripely Pine and a few older songs. We were particularly impressed with “Bird Balloons” which opened the set with a fury that never let up. Lady Lamb continues the tour on the East Coast before heading to Europe in the end of May.

I recorded this set in our usual manner in this venue, with the mounted Naiant cards matrixed with an excellent board feed mixed by Glasslands excellent house FOH Josh. The packed Saturday night crowd presented some challenges as the din of chatter is present at quiet moments. We were also visited by persistent thumps from the DJ at 285 next door. Otherwise the sound quality is excellent, and with those caveats, enjoy!

Stream “Bird Balloons”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lady Lamb the Beekeeper
2013-05-11
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-05-12

Setlist
[Total Time 1:02:22]
01 Bird Balloons
02 [band intro]
03 Aubergine
04 [banter – TJ]
05 Hair to the Ferris Wheel
06 Between Two Trees
07 Florence Berlin
08 Milk Duds
09 Regarding Ascending the Stairs
10 You Are the Apple
11 [banter – thanks]
12 The Nothing Part Two
13 [banter – loud voice]
14 Crane Your Neck

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Lady Lamb the Beekeeper, visit her website, and purchase Ripely Pine from Bada Bing Records [HERE].
ladylamb-3

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