Posts Tagged ‘ greenpoint ’

Robert Millis: May 17, 2017 Park Church Co-op

June 12, 2017
By

It’s no secret that Sublime Frequencies publishes some of the most interesting, far-flung music and books out there, much of that due to the extraordinarily tireless work of compiler and artist Robert Millis. His latest book is Indian Talking Machine, which chronicles Millis’ hunt for 78s in India in words and pictures. Millis is also responsible for an impressive catalog of music of his own, both solo and with Climax Golden Twins. Most recently, Abduction put out the album The Lonesome High, which includes “Marvelous Fool” and the traditional “The Drowsy Sleeper,” both of which he performed last month at Park Church Co-op. (As an aside, that album also includes “Notes on a Scandal” which he performed a couple years ago at Union Pool.) Also in this set is “Continental,” a Climax Golden Twins song from 2007’s 5 Cents a Piece. The finale, “Abstraction,” is a long ambient piece that perfectly encapsulates the intersection of Millis’ two passions, combining his guitar with, in his words, “a mixture of field recordings I have made, 78rpm record samples, and a few other oddities—put together to interact with my effects and the guitar pick up in interesting ways.”

I recorded this with the room mics set up ORTF at the stage lip, combined with a board feed from Park Church engineer Jasno Swarez. It sounds excellent. Enjoy!

Download the complete show: [MP3/FLAC]


Robert Millis
2017-05-17
Park Church Co-op
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard > Roland R-26 + AKG C480B/CK61 (ORTF, stage lip) > Zoom F8 > 2 x WAV (24/48) >  Audacity 2.0.5 (align, mixdown, tracking, tagging) > FLAC (24/48, level 8)

Tracks [35:18]
01. The Drowsy Sleper [traditional]
02. Continental [Climax Golden Twins]
03. Marvelous Fool
04. Abstraction

3-4 copyright Robert Millis, 2017

Support Robert Millis: Website | Facebook | Buy Robert Millis music via Forced Exposure

Sir Richard Bishop: May 17, 2017 Park Church Co-op

May 22, 2017
By

What’s in a guitar? Two years back, Sir Richard Bishop released Tangier Sessions, recorded on a nineteenth-century guitar of indeterminate origin bought in Switzerland. But last week at Park Church Co-op, he was back to his trusty electric and sounding fine. It turns out Bishop sounds great no matter what he’s playing. I daresay he’d conjure some fine tunes out of any instrument you set before him. This set captures him playing a couple off Tangier Sessions (“International Zone” and “Safe House”) combined with some Sun City Girls classics I hadn’t heard him play in a while like “Radio Morocco” and “Space Prophet Dogon.” Topping it off is Bishop’s sweet take on The Beatles “Till There Was You.”

I recorded this with the room mics set up ORTF at the stage lip, combined with a board feed from Park Church engineer Jasno Swarez. It sounds excellent. Enjoy!

Catch Sir Richard Bishop on tour now—still a few dates left!

Download: [MP3/FLAC]

Sir Richard Bishop
2017-05-17
Park Church Co-op
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Jasno Swarez) > Roland R-26 + AKG C480B/CK61 (ORTF, stage lip) > Zoom F8 > 2 x WAV (24/48) >  Audacity 2.0.5 (align, mixdown, tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:06:17]
01. International Zone
02. Radio Morocco [Sun City Girls]
03. Mystic Minor 23
04. Abydos [Sun City Girls]
05. Till There Was You [The Beatles]
06. Mekong
07. Safe House
08. [banter/tuning]
09. [Unknown]
10. Space Prophet Dogon [Sun City Girls]
11. Zurvan

• Website
• • Facebook
• • • Buy Tangier Sessions and other Sir Richard Bishop records from Drag City

Suuns: February 11, 2017 Saint Vitus (Early Show)

February 14, 2017
By


It’s not easy to be a live band like Suuns. When you make spare, often trancelike music that relies on repetition, fueled by loops and electronics as well as live players, you need to be more than competent on your instruments; you need to be technically almost flawless. Their music can indeed put you in a trance, but the communion is broken if anything — almost anything — is out of time or introduced at the wrong moment. The amazing thing about Suuns is that nothing ever is — if “precision” was their band name instead, it wouldn’t be wrong. Their latest album Hold/Still continues their streak of infallible, tight production, made all the more impressive this time by the fact that they reputedly recorded most of it live. Hearing the songs live, it’s somewhat easier to believe. Suuns songs often tend toward modern paranoia and anxiety, but in execution of them, the band members’ melding of the human and technological is at ease.

On this winter night, the band played two full sold-out sets at Saint Vitus, an intimate, appropriate clime for the band’s dark, almost claustrophobic sound. Drawing on elements of krautrock and electronic music, Suuns’ sound is as distinct as it is penetrating. If escapist fare like “La La Land” and whatever pabulum won most Grammys last night is hailed as the right cultural output for our times precisely due to its unreality, Suuns owes equal claim to the title precisely because it sounds like just this moment. When vocalist Ben Shemie intones the single lyric from “Resistance,” over a fractured guitar line and its vaguely militaristic backbeat, you almost forget that this song was actually written in 2015. It meant something different to me when I first saw it, nearly two years ago to the date.

To that end, another exciting song to see come to fruition was “Infinity,” a number the band has worked on in various forms for several years, but finally laid down for Hold/Still. After a solid dose of newer material for the bulk of the set, Suuns took us back to their first record, Zeroes QC, for a bit, with “Arena” making an appearance, and the set closing with one of their best early songs, “Pie IX.” If Hold/Still is any guide, this band’s next few years are going to be equally fertile ones.

I recorded this set with Schoeps MK4V microphones and a soundboard feed. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC/Apple Lossless]

Stream the complete show:

Suuns
2017-02-11
Saint Vitus
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK4V (at SBD, PAS)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.0.5>FLAC ( level 8 )

Tracks [Total Time 1:01:12]
01 Images du Futur
02 Music Won’t Save You
03 Powers of Ten
04 Instrument
05 Translate
06 2020
07 Resistance
08 Infinity
09 Paralyzer
10 Arena
11 Edie’s Dream
12 Pie IX

If you enjoyed this recording, PLEASE SUPPORT Suuns, visit their Facebook page, and buy their albums on their bandcamp site or from Secretly Canadian.

Meg Baird: January 22, 2017 Park Church Co-op

February 1, 2017
By

Finally capping off our coverage of the epic Ranaldo-Gunn-Baird tour of 2017—last but certainly not least—here’s Meg Baird’s opening set. We’ve long been fans of everything Meg Baird, from Espers to her solo work to the Baird Sisters to Heron Oblivion, but we haven’t yet had occasion to post a solo set until now. This recording captures Baird on the last date of her two-week tour with Lee Ranaldo and Steve Gunn (those sets posted here and here, respectively) and finds her playing a couple songs off her latest solo record for Drag City, Don’t Weigh Down the Light, along with a few covers: “Old Man on the Mountain” from fellow traveler P.G. Six, “Beatles and the Stones” by The House of Love, and the traditional Scottish folk song “Willie O’Winsbury.”  It’s been an emotional couple weeks for all, and Baird provides a touching introduction introduction to “Willie O’Winsbury,” describing the unique ability of traditional songs to communicate with us through time. Only a little over a week old, this set nonetheless feels like a transmission from the distant past. Our work continues… But in the meantime, feel free to accept into your life those small joys, like this gorgeous acoustic guitar set from Meg Baird.

I recorded this set from my improvised tapers section in front of board, combined with a feed from Park Church’s engineer Jasno Swarez. Despite some ambient noise from the church, the sound is very good. Enjoy—and resist!

Download: MP3/FLAC

Stream:

Meg Baird
2017-01-22
Park Church Co-op
Brooklyn, NY

Recorded and produced by Eric PH for NYCTaper.com

Soundboard [engineer: Jasno Swarez] + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [31:23]
01. Old Man on the Mountain [P.G. Six]
02. Back to You
03. Don’t Weigh Down the Light
04. Beatles and the Stones [The House of Love]
05. [Willie O’Winsbury intro]
06. Willie O’Winsbury [traditional]

Buy Meg Baird records via Drag City

And then, please consider donating to local organizations that support freedom and fair treatment for all, such as the New York Civil Liberties Union and the New York Immigration Coalition.

Lee Ranaldo: January 22, 2017 Park Church Co-op

January 26, 2017
By

For all the reasons I need not repeat here, protest music is perhaps more vital now than at any other time in my lifetime if not everyone’s. Lee Ranaldo’s engagement with Occupy Wall Street has been well documented; and it was around that time that he started performing Neil Young’s classic “Revolution Blues” regularly at shows. Coming off inauguration weekend, I think we can safely call all of the songs Ranaldo performed last Sunday protest music, each song imploring us in its own language to “resist, resist, resist, resist.”

Wrapping up his two-week tour with Meg Baird and Steve Gunn (Steve’s set here, Meg’s set here), Ranaldo showed up at Park Church Co-op with a slew of new material (some of which we’ve heard before), plus covers of The Velvet Underground’s “Ocean” and the aforementioned Neil Young tune. Will the help of a few friends—left to right in the above photo that’s Georgia Hubley, Ira Kaplan, Lee, and Steve—the glorious crescendo of “Ocean” is as overwhelming as the lyrics’ crashing waves suggest. These days, we need art not only for protest but also to uplift, and this performance is nothing if not uplifting. Closing with “Revolution Blues,” Lee is joined by Steve Gunn and Meg Baird, both on guitar and vocals, Alan Licht on guitar, and Georgia Hubley on drums. We’ve heard Lee do this song a few times now, but trading verses with Meg the forty-year-old song and its lyrics feel refreshing as we listen with new ears.

I recorded this set from my improvised tapers section in front of board, combined with a feed from Park Church’s engineer Jasno Swarez. The sound is excellent. Enjoy—and resist!

Download: MP3/FLAC

Stream:

Lee Ranaldo
2017-01-22
Park Church Co-op
Brooklyn, NY

Recorded and produced by Eric PH for NYCTaper.com

Soundboard [engineer: Jasno Swarez] + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:03:44]
01. Moroccan Mountains
02. Let’s Start Again
03. Circular
04. Electric Trim
05. [Uncle Skeleton intro]
06. Uncle Skeleton
07. Thrown Over the Wall (w/Alan Licht)
08. Last Looks (w/Meg Baird)
09. [Ocean intro]
10. Ocean [The Velvet Underground] (w/Alan, Steve Gunn, Georgia Hubley, and Ira Kaplan)
11. [Revolution Blues intro]
12. Revolution Blues [Neil Young] (w/Meg, Alan, Steve, and Georgia)

• Website
• • Facebook
• • • Buy Lee Ranaldo and the Dust records from Matador

And then, please consider donating to local organizations that support freedom and fair treatment for all, such as the New York Civil Liberties Union and the New York Immigration Coalition.

Steve Gunn: January 22, 2017 Park Church Co-op

January 25, 2017
By


[Photo via @laurencebuisson]

Steve Gunn needs little introduction in these pages. We’re big fans—and no doubt you are too. Steve has been touring the US and Canada the last couple weeks along with Meg Baird and Lee Ranaldo, the trio making up the first must-see tour of 2017 and spreading some much needed solidarity, positive vibes, and resistance in these unfortunate times. The final weekend of the tour found them playing Washington, DC on the night of the inauguration, Philadelphia the night of the next day’s massive and exhilarating marches, and wrapping up Sunday night in Brooklyn at the Park Church Co-op. The success of the weekend’s protests had people feeling pretty hopeful by Sunday night and this solo set from Gunn feels great all the way through. Seeing him solo and in a smaller, less formal space than December’s Bell House gig brought back happy memories of the days when you could regularly catch Gunn doing an intimate set at Zebulon.

I recorded this set from in front of board, combined with a feed from Park Church’s engineer Jasno Swarez. The sound is excellent. Enjoy—and resist!

Download: MP3/FLAC

Stream:

Steve Gunn
2017-01-22
Park Church Co-op
Brooklyn, NY

Recorded and produced by Eric PH for NYCTaper.com

Soundboard [engineer: Jasno Suarez] + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [60:52]
01. [Intro]
02. Old Strange
03. Milly’s Garden
04. Way Out Weather
05. Ark
06. Night Wander
07. Park Bench Smile
08. [Wildwood intro]
09. Wildwood
10. Mr. Franklin

PLEASE SUPPORT STEVE GUNN: Go to matadorrecords.com or your local record store and buy Eyes On the Lines and the recent “Ancient Jules” EP. 

And then, please consider donating to local organizations that support freedom and fair treatment for all, such as the New York Civil Liberties Union and the New York Immigration Coalition.

Thou: January 7, 2017 Saint Vitus

January 16, 2017
By


[screen capture from Frank Huang’s video]

Thou’s return to NYC last week was a wealth of riches for their fans. The band played three full sets in less than forty-eight hours, including two sold-out shows at Saint Vitus and one matinee show at Silent Barn. In a way, the band was making up for lost time. Thou has been somewhat inactive since the best-of-year success of their 2014 album HeathenCrave, for example, gave the album a perfect score. We saw the Vitus show early on that tour and it was a superb night of Heathen material that pre-dated the album’s release by two days and started off a tremendously successful year.

Nearly three years later, Thou’s doom metal music continues to be intense and sprinkled with funny between-song banter and fan interaction. But at the second night at Saint Vitus, the music consisted of primarily new songs book-ended by two fantastic Nirvana covers. The new material is clearly strong and if developed live, we expect that the band’s anticipated 2017 release will equal Heathen’s quality.

Thou will be touring often this year, with shows posted on their website through July, dates [HERE].

I recorded this set with the Schoeps on a stand in front of the soundboard and mixed with a feed from the board. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Thou
2017-01-07
Saint Vitus
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:01:09]
01 Something in the Way [Nirvana]
02 [banter – tuning]
03 Transcending Dualities
04 [banter – Dr Fish]
05 Restless River
06 The Only Law
07 Untitled New Song
08 Deepest Sun
09 Unfortunate Times
10 The Lasting Dose [Crowbar]
11 Fucking Chained to the Bottom of the Ocean
12 [encore break]
13 Scentless Apprentice [Nirvana]

PLEASE SUPPORT Thou:  Website | Bandcamp | Purchase albums from Gilead Media [HERE]

Girls Against Boys: November 3, 2016 Saint Vitus

December 20, 2016
By



It’s been quite a few years since I’ve gotten to see two Girls Against Boys shows in the same calendar year. So despite whatever else 2016 threw our way, I’ll always have that. While there are a few overlaps here with September’s Baby’s All Right setlist, this set from a couple months later at Saint Vitus goes significantly deeper. “Wilmington” was outed rarely back in the day; “Park Avenue” is the only song off 1998’s Freak*on*ica to be played in either set; and I can honestly say that in twenty-one years of seeing GVSB this is the first time I’ve seen them play “Wow Wow Wow” or “My Night of Pleasure,” both off the unfairly neglected Tropic of Scorpio. If September’s show came off energized if slightly rusty, this one finds the band a well-oiled machine, chugging through sixteen songs in a little over an hour.

I recorded this with the mics pretty much dead center, perfectly capturing the energy of the entire band here. The sound, as usual for Saint Vitus, is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Girls Against Boys
2016-11-03
Saint Vitus
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

AKG C480B/CK61 (DFC, PAS, at SBD) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:08:06]
01. Kill the Sexplayer
02. Cash Machine
03. TheKindaMzkYouLike
04. Super-fire
05. In Like Flynn
06. Wilmington
07. Click Click
08. Let Me Come Back
09. Park Avenue
10. Distracted
11. [banter]
12. Go Be Delighted
13. Bulletproof Cupid
14. Wow Wow Wow
15. Learned It
16. [encore break]
17. My Night of Pleasure
18. Crash 17 (X-Rated Car)

Buy The Ghost List via Epitonic
• • Connect with the band via Facebook
• • • Visit gvsb.com

James Jackson Toth & William Fowler Collins: October 5, 2016 Park Church Co-op

October 20, 2016
By

JJT & WFC

There’s nothing like a church performance to put a fine point on the meditative-spiritual practice of listening to music. Earlier this year James Jackson Toth (aka Wooden Wand) teamed up with drone/ambient musician William Fowler Collins for an album of modern pastorals, Under Stars and Smoke. Over three tracks, the album is stark and intimate, something you might listen to on headphones late at night when no one else is around. The inner workings of the collaboration are a mystery in terms of who-plays-what and how the duo’s individual contributions form the whole. Seeing them live, though, you can start to piece together a more complete picture of the composition. The performance we captured here, part of the excellent Music off McGolrick series at the Park Church Co-op in Greenpoint, finds the duo recreating most of album live in a single piece. Collins plays guitar throughout (often played with a brush), while Toth contributes vocals, harmonium, and guitar. Their performance comes off on the shorter side at under twenty-five minutes, but it’s riveting all the way through.

I recorded this with the mics way up close, capturing the music clearly as well as some of the unique acoustics of the church. The sound is excellent. Enjoy!

Download: [FLAC/MP3]

Stream:

James Jackson Toth & William Fowler Collins
2016-10-05
Park Church Co-op
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (balance, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tagging) > FLAC (16/44.1, level 8)

Tracks [23:39]
01. Live at Park Church Co-op

• Buy Under Stars and Smoke digitally from Bandcamp or on vinyl from Bear Tree Records
• • Buy Toth’s new tape Kilim at Bandcamp
• • • Buy William Fowler Collins music at Bandcamp

Kohoutek: May 13, 2016 Saint Vitus

July 13, 2016
By

Kohoutek
[photos courtesy of Kohoutek]

Kohoutek are a long-running, loose collective improvisational psych band from Washington, DC and Philadelphia. While the extended Kohoutek family is massive, their core members are Scott Verrastro, Craig Garrett, Scott Allison and Vic Salazar. These guys don’t get out together too much these days owing to geographical differences, but they’ve lately seen some increased activity due to their most recent release, Curious Aroma. We caught up with Kohoutek opening for Dead Meadow a few months back and got lost in this explorative jam that starts off slow and tentative before finding its groove a few minutes in. After about a half hour the band eases things out with their noisier side. If this recording has you curious, Kohoutek have a gig this upcoming weekend, Saturday July 16, at their Philly headquarters—check here for more details.

I recorded this set from our usual location at Saint Vitus. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Kohoutek
2016-05-13
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK61 (PAS, LOC) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [28:21]
01. Live at Saint Vitus

• Buy Curious Aroma from Forced Exposure in the US, and MIE in the UK.
• • Connect with the band at their Website
• • • Check their Facebook for updates

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.