Posts Tagged ‘ Hopscotch music festival ’

Bachman-Toth Band: September 9, 2016 Three Lobed/WXDU Day Show, King’s, Raleigh, NC

September 15, 2016
By

bto-schwentker
[photo courtesy of David Schwentker]

If the Watery Love set was the volume plateau of the Three Lobed / WXDU Day Show at King’s during Hopscotch Music Festival, the joint appearance by longtime site faves James Toth aka Wooden Wand and Daniel Bachman was undoubtedly its whimsical peak. This day happened to not only be one of the consistent musical highlights of the year, but also it was Toth’s birthday, so he and Bachman were probably in a celebratory mood. Whatever the reason, reality was that this combination of players had never existed before — Bachman, Toth, Forrest Marquisee on guitar, and Ian McColm on drums — and they hadn’t even soundchecked. What would happen was a mystery to everyone, even to some degree the people on the stage.

However much the 20+-minute drone-ified version of Black Sabbath’s “War Pigs” that emerged was or wasn’t planned, the outcome felt like more than a mere lark. As with everything these players do, this was done with spirit, turning this into one of those off-the-cuff, daring improvisational moments that have come to define what is always the highlight of this music festival. There’s not much more to say about it than that — listen to it and you’ll understand.

I recorded this set with Brad Womack’s soundboard feed and Schoeps MK4V microphones onstage. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC/ALAC] [Note: the files need to be re-tagged with the correct band name]

Stream the complete set:

Bachman-Toth Band 
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 War Pigs [Black Sabbath]

Support these artists: Daniel Bachman website / facebook | Wooden Wand website bandcamp

Watery Love: September 9, 2016 Three Lobed / WXDU Day Show, Hopscotch Music Festival, King’s (Raleigh, NC)

September 13, 2016
By

img_1497

“We’ve arrived at the volume plateau of the day” Three Lobed‘s Cory Rayborn said as he introduced the Philly “supergroup” Watery Love, taking the stage at the annual Three Lobed / WXDU Day Show at King’s during Hopscotch Music Festival. Rayborn wasn’t lying–the band came out of the gate with the loud-as-fuck blast of “Ned’s Dreamcatcher” and didn’t let up from there. As we were streaming the show live on Duke University radio station WXDU, the team handling that end of the business had to work overtime to “bleep” vocalist Richie Charles’ (of Richie Records) dirty words back to PG-13. Indeed, this was dirty, cuss-spitting, fire-breathing, bad-ass scuzz rock and it was not to be stopped, by outdoor sunshine or otherwise. But while any group of yahoos can stand up and make noise, what sets Watery Love, and this particular performance, apart is that these guys hang together so well, playing well and turning all of that energy into something deceptively cohesive.

This was a perfect wake-up call on a day with a very wide palette of artists, and regulars Charles and Max Milgram (guitar) had arrived equipped with extra firepower in the form of Purling Hiss‘ Mike Polizze and Ben Leaphart, together with harplist/multi-instrumentalist Mary Lattimore (possibly the day’s MVP, or at least, the person who played with the most different bands) on bass, drums and keys, respectively. Watery Love has been a band since 2008, but their performances, especially outside of Philly, have been sporadic, and their recorded output is equally limited. Seeing them is a treat, and the energy they expect is equal to the moments they inhabit. There were many very, very fine performances on this day, but this might be the only one that had even the people in the back howling with glee like teenagers. Whatever it is these guys have, make sure you try to catch some of it.

I recorded this set with King’s engineer Brad Womack’s house mix, plus an additional soundboard channel, and Schoeps MK4V microphones onstage. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Watery Love
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Ned’s Dreamcatcher
02 Sweat Powers
03 Die With Dignity
04 A Condom

PLEASE SUPPORT Watery Love: Facebook | Bandcamp

Jake Xerxes Fussell: September 10, 2015 Hopscotch Music Festival (Raleigh, NC)

October 28, 2015
By

hopscotch-festival-2015-15-kennethbachor
[photos courtesy of Kenneth Bachor for BrooklynVegan]

Jake Xerxes Fussell occupies a slightly different niche among his contemporary folk counterparts. Rather than reinterpreting old traditions into new sounds,  Fussell is more of an archivist and explorer, one who gives listeners a window into the original experience of the tunes being played. The Durham, NC-based singer appeared on the very Durham-friendly bill on the first night of Hopscotch Music Festival at the Fletcher Opera Theater, one slot before Phil Cook took the stage (that recording here). Fussell isn’t some latecomer or dilettante to the Southern material that’s on his mind; much like Alan Lomax followed in the footsteps of his father John, Fussell grew up with Fred C. Fussell, a folklorist whose work took him, and often young Jake, across the South, bringing them into contact with many traditional musicians in the process.

Paradise of Bachelors just releases Fussell’s debut record this year, produced by William Tyler, and as you’d expect, this set paid some attention to it. But there was more than that, too, owing to Fussell’s encyclopedic knowledge of the pool from which he draws, which one album can hardly contain. So we got versions of “Man At the Mill” and “Push Boat” from the album, we we also heard some classic Pete Seeger, in the form of “The Bells of Rhymney” and Virginian folk singer Helen Cockram’s “Pinnacle Mountain Silver Mine.” Fussell didn’t need much in the way of flash to get his point across, as he sat along on the broad semicircular stage in front of Cook’s ample stage set. It felt more like a fireside sing-a-long, as given by the kind of music professor you always wished you could’ve had.

Our friend Larry Tucker recorded this set with a soundboard feed together with Peluso subcardiod microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Jake Xerxes Fussell
2015-09-10
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded by Larry Tucker
Produced by acidjack

Soundboard>PCM-M10 + Peluso CEMC6-CK21 (subcardiod) (Room center hung from balcony rail)>Fostex FR2-LE>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 If I Lose Let Me Loose [John Lee Ziegler] (cuts in)
02 The Bells of Rhymney [Pete Seeger]
03 Pinnacle Mountain Silver Mine [Helen Cockram]
04 Man At the Mill [traditional]
05 Push Boat [traditional]
06 Jump For Joy [Duke Ellington]
07 Raggy Levy [Georgia Sea Island Singers]
08 Copper Kettle [Albert Frank Beddoe]
09 Pork and Beans [Rosa Lee Hill]

If you enjoyed this recording, PLEASE SUPPORT Jake Xerxes Fussell, like him on Facebook, and buy his debut album from Paradise of Bachelors.

Obnox: September 12, 2015 CAM, Raleigh, NC (Hopscotch Music Festival)

October 26, 2015
By

Obnox
[Photos by Rumbleseat]

David Schwentker reports:

Lamont ‘Bim’ Thomas has kept time in plenty of great bands over the past 20-plus years (Bassholes, This Moment In Black History, Puffy Areolas, etc.), but in the past few years he’s hit a real stride as a guitarist and frontman, releasing a string of albums that continue to increase in both quality and quantity, under the name Obnox. Having played a headlining show on the festival’s Friday night last year, and set to play another one the night of this show as 1/3 of the supergroup Blaxxx, the festival saw fit to go ahead and book Obnox to play their official day party. The setting for this year’s party was the Contemporary Art Museum, a sterile, wide open space that can be an odd venue for a garage punk show, especially with 4:00 pm afternoon sunlight streaming in through the building’s expansive windows. While perhaps a little bemused by the setting and time of day, Thomas blazed through a tight nine song set, accompanied on drums by the “best bandmate he’s ever had,” the powerful Roseanna Safos. While Obnox has released three full length albums this year on the 12XU and Ever/Never labels, most of this set is drawn from the band’s earlier singles and first LP, including covers of Don Howland (Thomas’ bandmate in the Bassholes) and Andre Williams songs. A slight bummer if you were looking forward to hearing the newer songs in a live setting, but not a lasting one, as these songs are catchy and rockin’, and if you can’t have fun at an Obnox show, then I can’t help you. Plus, this recording makes a nice compliment to the Obnox show at the Cake Shop in NYC, posted on this site earlier this year, as the sets only share two common songs.

This recording was captured by area taper Rumbleset, with the same setup as the Moon Duo recording previously posted on this site: two sets of mics, Church Audio CA-11s on the ceiling and Shure SM-57s on stage, combined with a soundboard feed. The sound quality is outstanding. Enjoy!

Obnox returns to NYC on November 6 for a show at Pianos. Tickets are available here.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Obnox
2015-09-12
Hopscotch Music Festival Day Party
CAM
Raleigh, NC USA

Three separate audio sources were used to create this recording:
1) Church Audio CA-11 (cardioid) stereo microphones mounted on the ceiling > Naiant Studio PFA phantom power adapter.
2) Direct line-level stereo board feed. (Technician was Roger Dennis, RMB Audio)
3) Stereo pair of Shure SM-57 microphones at 90 degrees, diaphragms about 10 inches apart, on a stand at the front of the stage.

These three sources were captured with a Tascam DR-680 MKII recorder as 48 kHz, 24 bit wave files.
The files were mixed and processed with Audacity and Magix Audio Cleaning Lab

Taped and mixed by Rumbleseat

Tracks [30:52]
01. Rock N Roll Babylon
02. Bitch! Get Money!
03. [banter]
04. Jack N Jill [Don Howland]
05. Without Aa Soul
06. Dr. Dank Vs. Dr. Middie
07. [banter]
08. The Get It Inn
09. I’m Bleeding Now
10. Only Black Man in South Dakota

Support Obnox: Facebook | Buy Wiglet, Know America, and other Obnox records from 12XU

Blaxxx: September 11, 2015 Slim’s, Raleigh, NC (Hopscotch Music Festival)

October 21, 2015
By

Blaxxx

David Schwentker tapes and reports:

Because Lamont ‘Bim’ Thomas is not prolific enough with his main project, Obnox, last year during SXSW he decided to hit the studio with half of the OBN IIIs (Orville Neely and Tom Triplett) to bash out some Ohio-meets-Texas blues punk. Lucky for us, 12XU Records released the recordings of this garage super-group on a 12″ earlier this year, under the name Blaxxx. As an added bonus, the trio is still getting together to play shows here and there, and for a good selection of Hopscotch Music Festival fans, their headlining slot at Slim’s on the festival’s middle night was a set circled in permanent ink.

Thomas is no stranger to the festival, as Obnox played the exact same 12:00 slot at Slim’s on the festival’s Friday night last year. By midnight on Friday, Neely and Thomas were festival vets too, having headlined a different club on Thursday night with the OBN IIIs. In fact, both Obnox and OBN IIIs played day party shows on Friday this year as well, and if you ran across town like me, you were able to catch almost all of both of those sets.

Thanks to a blistering, sub-twenty minute set from Raleigh punks No Love, Blaxxx had plenty of time to set up their gear. Hopscotch Music Festival runs remarkably on time at every venue every year, but this was the first time I’d seen the fourth band of the night ready to play 15 minutes before their specified time. With their mics not going live until midnight, the band could have elected to go spend their time hanging out. Instead, they just started playing anyway, treating the fans that were already assembled to an impromptu 11 minute instrumental jam. When the mics came on at midnight, Thomas told a story of encountering Iron Maiden one day in 1988, while working at Cedar Point Amusement Park and having them sign the only piece of paper he could find, his Social Security card. From there, the band was off, playing extended versions of 3 tracks from their “For No Apparent Reason” 12″.

Hopefully we’ll see more tunes from this band in the future, but until then, this recording is a great companion to the debut vinyl release. Slim’s is a small club where not all of the instruments are even mic’d, so this recording was captured by a pair of Church Audio omni directional mics mounted in the ceiling above the crowd. While this recording may be a little less polished than much of what is offered on this site, it’s a great representation of what it was like to be standing at the lip of the tiny stage, right in front of the band.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Blaxxx
2015-09-11
Hopscotch Music Festival
Slim’s
Raleigh, NC USA

Recorded and produced by David Schwentker

Church Audio CA-1 (omni) > Olympus LS-10 > WAV > Audacity (track, mixing) > Trader’s Little Helper (conversions) > FLAC (level 8) > foobar2000 (tagging)

Tracks:
01 [intro]
02 [pre-set jam]
03 [banter]
04 Cut Em Down
05 Let Me Hold Your Hand
06 Get A Hold Of Your Life

Support Blaxxx: Buy the For No Apparent Reason EP from 12XU

Wizard Rifle: September 11, 2015 Pour House, Raleigh, NC (Hopscotch Music Festival)

October 16, 2015
By

Wizard Rifle
[Photo by Karen A. Mann]

Though Wizard Rifle has been on my radar for a little while now, it took a trip down to Raleigh for me to finally catch this Brooklyn-by-way-of-Portland duo. Their sound is hard to pin down, but fits in somewhere between progressive metal and Sabbath-y sludge. This set from Hopscotch drew a packed crowd to the Pour House for a heavy bill that also featured Tombs and Old Man Gloom—which is to say that Wizard Rifle were in good company. Three out of four of these songs—”Megatherium,” “Tears Won’t Soften Steel,” and “Leathery Gentlemen”—are off the first Wizard Rifle record, Speak Loud Say Nothing. The fourth, “Psychodynamo,” is off of last year’s Here in the Deadlights. If you haven’t heard either record, I encourage you to do so immediately because both are killer. Seeing them live finally only proves their chops are for real and I’m anticipating catching them again soon on their—and my—home turf. Dig in!

I recorded this set with the mics mounted near the soundboard plus a feed from the Pour House’s FOH Jack. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Wizard Rifle
2015-09-11
Hopscotch Music Festival
Pour House
Raleigh, NC

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Jack) + AKG CK61 > actives > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [40:50]
01. Megatherium
02. [banter]
03. Tears Won’t Soften Steel
04. Psychodynamo
05. [banter]
06. Leathery Gentlemen

Support Wizard Rifle: Bandcamp | Facebook | Buy Here in the Deadlights via Seventh Rule.

Greg Fox + Jefre Cantu-Ledesma: September 11, 2015 WXDU/WKNC/WXYC Hopscotch Day Show

October 15, 2015
By

Greg Fox + Jefre Cantu-Ledesma

While of course we missed Three Lobed’s annual Hopscotch day show at Kings, those big shoes were filled by an epic day show team-up of three local university radio stations: Duke’s WXDU, NC State Raleigh’s WKNC, and UNC Chapel Hill’s WXYC. The show spanned two clubs, Kings upstairs and Neptunes down. And while a noon start in Neptunes’ darkness with a lineup of four noise acts could be brutal for a hungover crowd, the event wall well-attendended among the Hopscotch faithful. Today’s recording brings together Greg Fox (GDFX, Guardian Alien, Liturgy) on drums and Jefre Cantu-Ledesma (founder of seminal noise label Root Strata) on electronics. Fox pummels the drums like only he can while Cantu-Ledesma works the noise blasts on equipment that I won’t even pretend to grasp. It’s a short twenty-minute performance, one you’ll no doubt have on repeat for a while.

I recorded this set with the room mics clamped to the ceiling combined with a board feed. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Greg Fox + Jefre Cantu-Ledesma
2015-09-11
WXDU/WKNC/WXYC Hopscotch Day Show
Hopscotch Music Festival
Neptunes
Raleigh, NC

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG CK61 > actives > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown, normalize, fades) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [19:26]
01. Improvisation

Support Greg Fox: Website

Support Jefre Cantu-Ledesma: Website

Eugene Chadbourne-Steve Gunn-Mary Lattimore: September 11, 2015 WXDU/WXYC/WKNC Day Show, King’s (Raleigh, NC)

October 12, 2015
By

chadbournegunnlattimer-boles
[photo courtesy of Rodney Boles]

For their final act of their day show at King’s, Triangle college radio stations WXDU, WKNC and WXYC outdid themselves with a three-way-combo of stringed instrument experts. Legendary improvisational guitarist and banjo player Eugene Chadbourne, whose long list of collaborators runs the gamut from Camper Van Beethoven to John Zorn, was joined by New Yorker and longtime site favorite Steve Gunn and the renowned experimental harpist Mary Lattimore. Having never played together before, the three worked out their collaborative style in real time, which was a fascinating process to watch, and even more of one to hear. It was fascinating to watch Lattimore turn an instrument known for its delicacy into an aggressive, atonal element, with her slapping at its sides for percussive effect. Gunn and Chadbourne likewise built off of each other, with Chadbourne providing emphatic bursts of noise at points on the banjo. The piece flowed from delicate and restrained to harsh and intense minute-to-minute, holding your attention as you wondered where the trio would end up next, and reveling in the fact that they might not be quite sure, either. Chadbourne even added some vocals at the end, with lines referencing the traditional song “I Wish I Was A Mole In the Ground.” It’s safe to say that nothing else about this unique meeting was “traditional.”

I recorded this set in the same manner as the day’s other recordings, with a soundboard feed from King’s engineer Justin together with Schoeps MK4V microphones onstage. There is a bit of DI hiss on the quiet passages, but overall the sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Eugene Chadbourne, Steve Gunn & Mary Lattimore
WXDU/WKNC/WXYC Hopscotch Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage, roughly ORTF)>KC5>CMC6 + Soundboard (engineer: Justin)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Musicians:
Eugene Chadbourne – Banjo
Steve Gunn – Guitar
Mary Lattimore – Harp

Away Msg: September 11, 2015 WXDU/WXYC/WKNC Day Show, Neptune’s (Raleigh, NC) – FLAC/MP3/Streaming

October 9, 2015
By

awaymsg2

In lieu of its usual tag-team day show with Three Lobed Recordings at King’s during Hopscotch Festival, this year Durham’s WXDU teamed with fellow college radio stations WXYC and WKNC to create a two-level show that offered the broadest possible spectrum of sounds. Opening things up at Neptune’s, Kings’ downstairs venue and an electronic music hotbed throughout the festival, was the young artist Away Msg, aka Kat Liang, who produces thoughtful ambient dance music that incorporates natural sounds into the usual slow-rolling flow of textures and beats. The Raleigh artist’s repertoire consists solely of some Soundcloud tracks thus far, but she deserves a wider audience that we’re sure she’ll get. During her time making music, Away Msg has evolved away from 8-bit style sounds toward a more cerebral glitch/ambient style exemplified by songs like “after work (the good times are too short),” which began this set. Away Msg’s songs are complex without being precious (even with the long song titles), and listening to them in the comforting twilight of Neptune’s at one in the afternoon set a perfect musical tone for the rest of the day, at a creative day show that has historically always been more of a true music fan’s event that the “parties” that go on elsewhere. We don’t get nearly as many opportunities to feature electronic music on this site as we’d like, so this is a special treat. Keep an eye on this artist – we hope to hear more from her in the future!

Eric PH recorded this set with a soundboard feed and AKG CK91 microphones to provide ambiance. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Away Msg
WXDU/WKNC/WXYC Day Party
Neptune’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded by Eric PH
Produced by acidjack

Soundboard + AKG CK61>Naiant actives>PFA>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects)>Audacity 2.0.5 (track, fades, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 After work (the good times are too short)
03 At the park (burning my memories of you)
04 Reflection (smoking a cigarette by the ocean)
05 Breath of fresh air (it is a good day to die)

If you enjoyed this recording, please support Away Msg by checking out her Soundcloud page

Patois Counselors: September 10, 2015 Hopscotch Music Festival – FLAC/MP3/Streaming

October 9, 2015
By

Patois Counselors

David Schwentker tapes and reports:

You would think that a band that has been around for less than a year, put out one 7″, and has only played about 20 shows in its existence, would be one of the opening bands, kicking off the night at Hopscotch Music Festival. Patois Counselors, however, is no ordinary “new” band. A sort-of supergroup from Charlotte, NC, the band has generated a lot of excitement in a short time period. The creation myth is that front man Bo White, a veteran of multiple bands (notably Yardwork), wrote a couple of new songs and threw them up on Bandcamp. He was quickly offered the chance to do a 7″ for the Negative Jazz label, so he put together a full band featuring members of other Charlotte-area bands like Brain F?, Blossoms, HRVRD, and Moenda. Before the 7″ was even released, there were a lot of people circling the Patois Counselors set on their Hopscotch schedules. The record finally came out in August and showed a group that has hit upon an urgent, catchy post-punk sound that is set apart by their burbling, dueling synths and White’s half sung/half spoken vocals. The band drew a packed crowd to the prime third slot at Slim’s on the festival’s first night, and they left no one disappointed in their 11:30 PM choice. Showing off three songs from the single, along with new material destined to come out on an upcoming 7″ for Sorry State Records, as well as a full length LP in the future, the band closed the set with an excellent cover of The Fall’s “Couldn’t Get Ahead.” Check out their debut 7″ on Negative Jazz, while it is still available, and be on the lookout for much more to come from Patois Counselors.

Slim’s is a small club where not all of the instruments are even mic’d, so this recording was captured by a pair of Church Audio omni mics mounted in the ceiling above the crowd. While this recording may be a little less polished than much of what is offered, it’s a great representation of what it was like to be squeezed into the crowd, almost falling into the band.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Patois Counselors
2015-09-10
Hopscotch Music Festival
Slim’s
Raleigh, NC USA

Recorded and produced by David Schwentker

Church Audio CA-1 (omni) > Olympus LS-10 > WAV > Audacity (track, mixing) > Trader’s Little Helper (conversions) > FLAC (level 8) > foobar2000 (tagging)

Tracks: [27:19]
01. [intro]
02. Guidelines For Schooling
03. Free Jazz Complaint
04. Last Heat
05. Repeat Offender
06. Clean Skits
07. Target Not a Comrade
08. The Modern Station
09. Couldn’t Get Ahead [The Fall]

Support Patois Counselors: Negative Jazz | Buy their 7″ via Bandcamp

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