Posts Tagged ‘ Hopscotch music festival ’

Spoon: September 5, 2014 Hopscotch Music Festival, Raleigh, NC – FLAC/MP3/Streaming Set

September 15, 2014
By


SpoonBoles
[Photo courtesy of Rodney Boles]

Even before they were popular and therefore backlash-ready, Spoon caught flack for not being “interesting” enough. Their music has a consistency to it that I find oddly divisive. Most bands would be lucky to have one sequence of tunes as good as their high watermark, Gimme Fiction, while Spoon has come close to that feat on almost every record. Maybe this year’s They Want My Soul will be applauded as the stylistic tweak that convinces the doubters, but who’s to say for sure. If you wanted experimental music, Hopscotch Music Festival offered lots of excellent examples. But if you’re an organizer trying to pack in your festival’s public stage on a Friday night, the right move is a band so dialed in at their craft that they’re a sure thing that’s nevertheless a thrill. Spoon aren’t a flashy band, or a gimmicky one. They’re in that rare category of music’s winners, whose success is hard-earned and whose work still deserves the love. If consistency is a sin, then let’s let more bands sin the way they do.

Spoon packed Raleigh, North Carolina’s City Plaza on the festival’s penultimate night more than any other band would or did. It’s safe to guess that most of this crowd had not heard the new material live, so they gave it to us right away with “Knock Knock Knock” and “Rent I Pay” before dishing up the last-decade classic “Don’t You Evah”. The band’s cadence never wavered, and the crowd showed as much love to each of the new songs as to Gimme Fiction mainstays like “The Beast and the Dragon Adored” and “I Turn My Camera On”. The former song gives the band a new North Carolina connection, as Hiss Golden Messenger recently covered the track, with Raleigh-area mainstay and touring member Matt Douglas on keys.

One had to grin at “Outlier”, from They Want My Soul, a key-driven song that’s the most stylistically au courant of the new material, and one that might be interpreted as a question mark to rock fans themselves. It also drops the album’s best line, which gives Spoon’s own view about bland “indie” tropes: “And I remember when you walked out of Garden State / ’cause you had taste, you had taste / you had no time to waste”. When they followed that with “The Underdog”, warning its subject that having no fear of the underdog is a mistake, you had to think this was the part of the set that frontman Britt Daniel had reserved to talk about his own band. The band’s brief encore consisted of with “Inside Out” from the new record, “The Way We Get By” and the closer, “You Got Yr. Cherry Bomb”, sending the festivalgoers into a night of music that was just getting started.

It’s worth noting that Spoon owe a good bit of their success to one of North Carolina’s finest institutions, the Durham, NC-based Merge Records, a little label whose cultural reach makes you sometimes forget how small and independent they really are. It was on Merge that Spoon hit their groove and found their broadest audience. Being here in Raleigh, on the fifth anniversary of a festival that serves as the entire state’s musical ambassador, felt necessary and right.

I recorded this set with Schoeps MK4V cardiod microphones just in front of the board dead center. While you can hear some people chattering at points on headphones, the sound quality is overall excellent. Enjoy!

Download the set from the Live Music Archive: [MP3] | [FLAC]

Stream the full show from the Live Music Archive:

crowdshot
[crowd shot by acidjack]

Spoon
2014-09-05
Hopscotch Music Festival
City Plaza
Raleigh, NC USA

Hosted at nyctaper.com
recorded and produced by acidjack

Schoeps MK4V (FOB/DFC)>KC5>CMC6>Roland R-26>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:10:57]
01 [intro music]
02 Knock Knock Knock>
03 Rent I Pay
04 Don’t You Evah
05 Small Stakes
06 Who Makes Your Money
07 Don’t Make Me a Target
08 Do You
09 The Beast and Dragon, Adored
10 I Turn My Camera On
11 I Summon You
12 Outlier
13 The Underdog
14 Got Nuffin
15 Black Like Me
16 [encore break]
17 Inside Out
18 The Way We Get By
19 You Got Yr. Cherry Bomb

If you enjoyed this recording, PLEASE SUPPORT Spoon, visit their website, and buy their records in their store and at Merge Records.

 

 

White Lung: September 3, 2014 Glasslands and September 6, 2014 Hopscotch Music Festival – FLAC/MP3/Streaming

September 11, 2014
By

White Lung ChadKam
[photo courtesy of Chad Kamenshine – complete set at The Artistree]

The band White Lung has been floating around for a few years, garnering positive review more than well-deserved. Their third LP Deep Fantasy (Domino Records) manages to improve on 2012’s Sorry, a considerable feat considering how strong this act was the last time around. Frontwoman Mish Way usually wins plaudits as the band’s special sauce, taking some of the best things we all used to like about Courtney Love (strong voice, personality, pop sensibility, distinctive look) and putting them out there in a more-focused package. But one ought not to lose sight of Kenneth William, without whose guitar playing this excellent band couldn’t be quite where it is, which is clearly a peak. As more than the sum of some quality parts, White Lung straddles that line between accessible punk and non in the best of ways, and the feeling is even better felt live. You don’t have to be a fan of this music, even, to be impressed by the tenacity and poise with which they do it.

Both of the site’s editors caught the band in the same week — first nyctaper in New York at beloved Glasslands, then acidjack as his final performance of the Hopscotch Music Festival in North Carolina, where the band proved that they were a righteous choice for the traditionally-strong spot of final night headliner in one of the festival’s many venues.

The Glasslands set was recorded with our installed Naiant cardioid rig mixed with a superb soundboard feed provided by house FOH Josh. The Hopscotch set was recorded with Schoeps MK41 supercardiod microphones and a soundboard feed from the Hopscotch veteran engineer Wayne of Roanoke, VA, a man whose understanding of this high-ceilinged space deserves plaudits. Both sound excellent. Pick your poison, or do the right thing and download both. Enjoy!

Stream “Down it Goes” from Glasslands:

Stream “Face Down” from Hopscotch:

Download the complete Hopscotch show [MP3] | [FLAC]

Download the complete Glasslands show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_7772
[photo by acidjack]

White Lung
2014-09-03
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Josh Thiel] + Naiant X-R Cardioid > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist
[Total Time 38:49]
01 Drown With the Monster
02 Face Down
03 [banter – hi Amy]
04 Syncophant
05 Bad Way
06 Bag
07 Wrong Star
08 Thick Lip
09 Two of You
10 Blow It South
11 Snake Jaw
12 Just For You
13 I Believe You
14 Down It Goes
15 Take The Mirror
_________________________

White Lung
2014-09-06
Hopscotch Music Festival
Kennedy Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (at SBD, DINa)>KCY>Z-PFA+Soundboard (engineer: Wayne)>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades, adjust levels, compression)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 34:35]
01 Drown With The Monster
02 Face Down
03 Syncophant
04 Bad Way
05 Bag
06 Wrong Star
07 [banter – bright]
08 Thick Lip >
09 Two Of You
10 Blow It South
11 Snake Jaw
12 Just For You
13 I Believe You
14 Down It Goes
15 Take The Mirror

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT White Lung, visit their website, and purchase the Deep Fantasy from the Domino Records website [HERE].

Little Black Egg Big Band (feat. Steve Gunn, Georgia Hubley, Ira Kaplan, James McNew, Letha Rodman Melchior and William Tyler): September 5, 2014 Three Lobed / WXDU Day Show, King’s, Raleigh, NC (Donation Download)

September 9, 2014
By


photo by PJ Sykes
[photo courtesy of PJ Sykes]

SUPPORT LETHA RODMAN MELCHIOR IN HER FIGHT AGAINST CANCER. DONATE HERE.

This year’s third Three Lobed Recordings / WXDU co-produced Day Show during the Hopscotch Music Festival was an embarrassment of riches once again, featuring a number of one-time-only collaborations. But perhaps nothing was more hotly anticipated than the brief spring into existence of the Little Black Egg Big Band, named after Georgia Hubley’s solo guitar project Little Black Egg, which she has performed only rarely:  guitar luminaries Steve Gunn and William Tyler together with Hubley, Ira Kaplan and James McNew of Yo La TengoLetha Rodman Melchior also provided the pre-recorded material that was mixed and manipulated into the live recording.

Hubley, Kaplan and McNew’s participation in this event was brought about in part by their desire to support Melchior, a friend and fellow musician who hoped to join for the day show but was physically unable. Melchior, who has played music under her own name as well as under the alias Tretetam, and in the band Ruby Falls, was diagnosed with stage IV melanoma in 2010, which she has documented on a personal blog. Melchior’s illness has produced considerable financial hardship for her and husband Dan Melchior in addition to the agony of her cancer. An effort to offer further support to Melchior is also the reason why we are honored to offer this performance to the wider world today.

What the fans in the room at King’s in Raleigh saw at the show (along with those who heard it on the stream by Duke University’s WXDU) were five masterful musicians collaborating in real time on an at-times brooding, but oddly hopeful soundscape. Instead of soloing all over each other, each artist blended into a whole that spoke with one voice. Over its nearly forty minutes, the piece gains on itself in increments, with the bed of guitars and Melchior’s pre-recorded effects manipulated by McNew, a technique familiar to anyone who has seen him perform as Dump.

The piece honored Melchior as well as the spirit of the entire event, which celebrated the power of experimental music, the validity of independent labels and college radio, artist-run venues like King’s, and the ever-present, unquenchable thirst that the best artists have to evolve, change, and create. Three Lobed has a fan base primed to understand that this particular grouping probably wouldn’t be playing YLT classics like “Big Day Coming” with a bunch of extra guitars added in. What was expected, and what was received, was a unique offering that could exist only in this single moment. It was a performance for the benefit of people who believe the best artists never stop taking chances and are as generous with the product of their minds as they are with their time. People like the ones sitting on that stage.

This recording was made with Schoeps MK4V microphones in the center of the stage, combined with a stereo soundboard feed by the King’s staff. Because this download is offered for donation only, we are not streaming it, but you can trust me that the quality has been approved by the artists and is excellent. We are deeply grateful to all of the five artists involved for playing this show and for giving us the opportunity to help benefit Melchior and share this music with the wider world.

Thanks to Cory Rayborn, Ross Grady, Kelly Davis (and everyone else at WXDU), Paul Siler of King’s Barcade, Ira Kaplan, Georgia Hubley, James McNew, Steve Gunn and William Tyler for making this possible.

AT THE REQUEST OF THE ARTISTS, THIS DOWNLOAD HAS EXPIRED.

This recording raised approximately $4,000 in seven days for a worthy cause. We thank the artists and the others noted above, as well as all who participated, for their support of Letha Rodman Melchior. 

Rodney Bowles LBEBB -1
[Photo courtesy of Rodney Boles]

Little Black Egg Big Band
2014-09-05
Three Lobed Recordings / WXDU Day Show
Hopscotch Music Festival
King’s
Raleigh, NC USA

Exclusive download hosted for donation only at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage pair)>KC5>CMC6 + Soundboard>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, light compression)>Izotope Ozone 5 (adjust stereo image, light EQ, light harmonic effects)>xAct (tagging and conversions)>FLAC ( level 8 )

Tracks [Total Time: 38:28]
01 improvisation

Musicians (in alphabetical order)
Steve Gunn
Georgia Hubley
Ira Kaplan
James McNew
Letha Rodman Melchior (pre-recorded material mixed and incorporated into the performance)
William Tyler

Along with supporting Letha Rodman Melchior, please support these musicians. You can buy Steve Gunn’s albums from Three Lobed and Paradise of Bachelors, Yo La Tengo’s recordings from their website and Matador Records, and William Tyler’s latest work from Merge Records.  

Rodney Bowles LBEBB-2
[Photo courtesy of Rodney Boles]

Yvette: September 4, 2014 Hopscotch Music Festival, CAM Raleigh, Raleigh, NC (FLAC/MP3/Streaming)

September 9, 2014
By


IMG_7604
[photos by acidjack]

Yvette represent the best things about New York, including their creative daring, uncompromising sound, and their homegrown fledgling label Godmode. When Pitchfork anointed their album Process with a positive an accurate review last year, the site’s Stuart Berman accurately described the duo as sounding “like an army”. Indeed, between drummer Dale Eisinger and vocalist/guitarist Noah Kardos-Fein produce a kind of high-intensity noise that brings to mind everything from mechanical sounds to the foreboding tones heard in certain kinds of Hollywood disaster films — if they were made by an industrial art-punk band.

This set took place at CAM Raleigh on the Hopscotch Music Festival’s first night, and despite the torrential downpour and the far-flung location, the band brought a dedicated crowd to the art museum’s cavernous performance space. This mix of new material and songs from their 2013 record Process was delivered as a seamless piece, further proving the duo’s impeccable timing. The set proved an emotionally taut thirty minutes, with dissonance tones flowing in and out of the frame, the sound hitting screeching climaxes before retreating into shadowed valleys. Yvette fall into that group of bands who are probably best experienced in the live setting, where the listener can’t flip away from band to band. You need to follow Yvette where they’re going, for the duration, to capture just how good they are at what they do. Thurston Moore was up next in an improvised set with Steve Shelley. Yvette gave him a tough act to follow.

I recorded this set with Audio Technica cardiod microphones split wide at the stage lip together with a soundboard feed. There stereo separation and sound quality in general are outstanding, among the very best of my recordings from the festival. This is offered as a streaming full set as well as a download below. Enjoy!

Direct download of the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we respectfully ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Please feel free to re-post the Soundcloud links.

IMG_7611

Yvette
2014-09-04
Hopscotch Music Festival
CAM Raleigh
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 3031 (onstage pair)+Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (volume adjustments, compression)>Izotope Ozone 5 (adjust stereo image, exciter)>Audacity 2.0.3 (amplify, track, downsample, dither)>FLAC ( level 8 )

Tracks
01 Pure Pleasure
02 Radiation
03 [untitled]
04 Carbon Copy
05 [untitled]
06 Mirrored Walls
07 Absolutes
08 Cuts Me In Half

If you enjoy this recording, PLEASE SUPPORT Yvette, visit their bandcamp page, and buy Process from Godmode here.

The War on Drugs: September 4, 2014 Hopscotch Music Festival, Lincoln Theatre, Raleigh, NC (FLAC/MP3/Streaming)

September 8, 2014
By



IMG_7640
[photos by acidjack]

The Hopscotch Music Festival, held in Raleigh, North Carolina, has made it five years — not quite an eternity in a world of corporate music festivals like SXSW and Lollapalooza, but a rare achievement for an organically grown festival in a “midsize market” that has proven over and over that they are willing to take chances. Hopscotch is the festival willing to put a heavy metal band on its largest, outdoor, downtown stage on its Saturday night, rather than a more accessible mainstream act.  Hopscotch dedicates entire venues, at various times, to genres like experimental noise, ambient, thrash, black metal, and indie hip-hop. It is hosted in a city whose good humor and kindness borders upon unreal, sprawled across a fast-growing downtown, and unlike the best-known festival that attempts to use an entire city’s music venues as part of its sprawl, it opens everything to everyone, not reserving entry to “the big stuff” for the connected and the corporate.

Hopscotch, then, has much in common with The War on Drugs. I’ll make this bold claim now: they are the best rock act who has released an album this year. They didn’t get to that point quickly, or with flash, or with marketing, or even at times with buzz, though we did our best over here at this site. Three years ago, we caught them opening at Bowery Ballroom for Sharon Van Etten, another artist whose acclaim grew slowly on the back of honesty and hard work. This band grew on the back of the validity of their mission, the honesty of their approach, and their hard, hard work. Just like Hopscotch.

Adam Granduciel’s herculean writing and arranging on Lost In the Dream is well documented. He has applied that same intensity to the expanded live show for this tour, which we first caught on back to back dates in March, including the band’s rather hyped cover of “Mind Games”. Not every band’s play for the big time might include a bunch of double-radio-length songs, but not every band is The War on Drugs. What we got here at Raleigh’s Lincoln Theatre was a set that resembled some of what we heard back in March, including the expanded band that includes Jon Natchez on keyboards. A packed and somewhat chatty room got to see the band joined by local music maven Brad Cook of Megafaun on “Ocean” followed by a searing rendition of “Red Eyes” and closing the main set on the album’s title track. The highlight of the encore was another rare cover, Bill Fay’s “I Hear You Calling”, which ended my first night of Hopscotch in exactly the right way. If you don’t see another act this year, go see The War on Drugs, a band whose heart matches their massive sound, bound for the arenas they deserve.

I recorded this set with Schoeps MK41 supercardiod microphones at the soundboard rather than our preferred spot in Lincoln Theatre that is a bit closer. Due to technical issues a soundboard feed was not available, and there is some enthusiastic audience chatter on this that makes the sound inferior to the two recordings from March, though still quite good. Plenty more Hopscotch recordings will be coming 0ver the next month or so as well. Keep your eyes on this space.

This recording is now hosted on the Live Music Archive.  Download the complete show via these links: [MP3] | [FLAC]

Stream “I Hear You Calling” [Bill Fay]

Stream the full set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_7634

The War on Drugs
2014-09-04
Hopscotch Music Festival
Lincoln Theater
Raleigh, NC USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DINa, at SBD)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (effects)>Audacity 2.0.3 (fades, mix down, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:32:48]
01 Burning
02 Comin’ Through
03 Eyes to the Wind
04 Under the Pressure
05 In Reverse>
06 An Ocean In Between the Waves
07 [banter]
08 Brothers [with Brad Cook of Megafaun]
09 Baby Missiles>
10 Suffering
11 [banter2]
12 Red Eyes
13 Lost in the Dream
14 [encore break and segue music]
15 Disappearing
16 Your Love Is Calling My Name
17 I Hear You Calling [Bill Fay]

If you enjoyed this recording, PLEASE SUPPORT The War on Drugs, visit their website, and buy Lost In the Dream from Secretly Canadian

Chatham County Line: September 5, 2013 Hopscotch Music Festival, Long View Center (Raleigh, NC) – FLAC/MP3/Streaming

January 29, 2014
By

9681801149_6665b0f6a5_o
[Photo by Haley Britton]

The Hopscotch Music Festival is prized by critics for its diversity, and the Raleigh, NC band Chatham County Line can certainly count toward that determination. At a festival featuring everything from doom and black metal to the latest indie darlings, from John Cale to noise collagists like Merzbow, nothing is too far afield to be included, so long as the music is good. Bluegrass music wasn’t over-represented at the festival by any means, but CCL were there to give you your fix, playing a modernized version of the style that keeps its history firmly in mind. Playing in the traditional stage setup clustered around a single microphone, the band covered a wide range of their catalog, as well as previews of their recently-completed sixth album, which should drop later this year.

North Carolina-based taper Larry Tucker recorded this set with a soundboard feed and American-made Peluso CEMC6 cardiod microphones. We’d like to thank him for his generosity in sharing this excellent recording. Enjoy!

Stream “Crop Comes In”

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Chatham County Line
2013-09-05
Hopscotch Festival
Long View Center
Raleigh, NC

Recording – Larry Tucker
Peluso CEMC6-CK4 > Fostex FR2-LE
Soundboard > Edirol R09-HR
Adobe Audition (mixing & mastering)

Tracks
01 Chip of a Star
02 Wildwood
03 [unknown 1 – new]
04 Saturdays & Sundays
05 Brother Afar From the Savior Today [F.J. Berry]
06 [instrumental]
07 Love Unfound
08 The Carolinian
09 Gunfight In Durango
10 Ghost of Woody Guthrie
11 Birmingham Jail
12 Crop Comes In
13 One More Minute
14 Let It Rock

If you enjoyed this recording, PLEASE SUPPORT Chatham County Line, visit their website, and buy their records in their online store.

Cian Nugent: September 7, 2013 Hopscotch Music Festival, Fletcher Opera Theater (Raleigh, NC) – FLAC/MP3/Streaming

October 18, 2013
By

9707261462_db8b68f0c9_z
[Photo by Ross Grady]

Everyone ought to pause once or more at a festival full of big, bombastic noisy bands to revel in the simple beauty of a solo player who is expert at his instrument. Such was the case for those lucky enough to witness Cian Nugent‘s performance at the Fletcher Opera Theater during Hopscotch Music Festival, where the Irish guitarist wowed a pin-drop quiet crowd eagerly anticipating a rare U.S. show. Like virtually every solo acoustic guitar player, Nugent earns comparisons to masters like John Fahey, but the combination of the influence of his home country and the American heartland gives Nugent’s compositions a different flavor than the work of U.S. contemporaries like Danny Paul Grody or Daniel Bachman. Those craving some electric non-solo Nugent would be wise to check out the Desert Heat (Nugent, Steve Gunn, John Truscinski and Jason Meagher) set we posted here, as well as his outstanding upcoming release on Brooklyn label No Quarter, Born With the Caul, which you can pre-order now.

This set was recorded by North Carolina taper Larry Tucker with Peluso cardiod microphones, and the sound is quite good. Enjoy!

Stream “Grass Above My Head”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cian Nugent
2013-09-07
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Recorded by Larry Tucker
Produced by Cory Rayborn

Peluso CEMC6/CK4 (Cardiod)>Fostex FR2-LE>24bit/48kHz WAV>Cool Edit Pro>FLAC ( level 8 )

Tracks
01 [intro]
02 Grass Above My Head
03 [banter]
04 Hire Purchase (Part I)
05 [banter]
06 Rathsallagh Rose
07 [banter]
08 Double Horse

If you enjoyed this recording, PLEASE SUPPORT Cian Nugent, like him on Facebook, and pre-order Born With the Caul directly from No Quarter.

Waxahatchee: September 6, 2013 Kennedy Theatre, Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

October 15, 2013
By

waxahatchee-hopscotch-1
[Photos by Kevin Norris for Triangle Music Blog]

Thanks to Hurricane Sandy, the first time we saw Katie Crutchfield as Waxahatchee, she had to perform an impromptu solo set. Even then, we were impressed by the clarity of her songwriting and the conviction with which she sings. Not long after, her latest record for Don GiovanniCerulean Salt became a critics’ favorite.

This Waxahatchee show, at the Hopscotch Music Festival, gave a more complete picture of what Crutchfield can do. Kicking off with a  song from her other project Great Thunder, Crutchfield led us through a quick mini-tour of the Waxahatchee canon, including renditions of some of the songs from Cerulean Salt and its predecessor American Weekend that more clearly evoked Crutchfield’s punk roots. “Noccalula”, streaming below, was completely transformed from the ultra-lo-fi analog recording from American Weekend; likewise, Cerulean Salt numbers like “Lively” were a good bit less subdued at high volume. But it’s still the set closer, “You’re Damaged”, that clinches everything great about Waxahatchee. Touching without being cloying and catchy as hell, it’s the strongest testament yet to Crutchfield’s songwriting, and one we were thrilled to see, finally, with a full band.

I recorded this set with Schoeps MK41 microphones and a Sound Devices preamp to give extra clarity, with assistance from my man Dan Schram. The sound quality is excellent. Enjoy!

Stream “Noccalula”

Stream “You’re Damaged”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

waxahatchee-hopscotch-4

Waxahatchee
2013-09-06
Hopscotch Music Festival
Kennedy Theatre
Raleigh, NC USA

Schoeps MK41 (DINa)>KCY>Z-PFA>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Adobe Audition CS 5.5 (trim)>Izotope Ozone 5 (effects, EQ)>Audacity 2.03 (tracking, amplify, balance)>FLAC ( level 8 )

Tracks
01 [Great Thunder song]
02 Coast To Coast
03 Waiting
04 Lips and Limbs
05 Tangled Envisioning
06 Grass Stain
07 Lively
08 Brother Bryan
09 Noccalula
10 Peace and Quiet
11 American Weekend
12 You’re Damaged

If you enjoyed this recording, PLEASE SUPPORT Waxahatchee, like them on Facebook, and purchase Cerulean Salt from Don Giovanni Records [HERE]

Birds of Maya: September 7, 2013 Paradise of Bachelors / WXYC Day Show, Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

October 14, 2013
By

IMG_5822
[Photos by acidjack]

If certain people are to be believed, Birds of Maya is the best rock n’ roll band in Philadelphia. Which, considering how essential that city’s rock tradition has been to the genre in the last few years, is saying a hell of a lot. In recent years, acts like Purling Hiss (the newer vehicle of BoM’s Mike Polizze) and Spacin’ have gotten a lot of the ink, but Birds of Maya is what started it all. After killer sets from fellow Philadelphians Spacin’ and Chris Forsyth earlier in the day at the Paradise of Bachelors / WXYC day show during Hopscotch Music Festival, it was only fitting that the day ended with the BoM mothership blasting us off to 1969 with some epically heavy chooglin’. Rarely bothering with such studio niceties as polished production and carefully laid out song titles, Birds of Maya’s official releases soar on the pure adrenaline of monster riffs made with total commitment and no bad attitudes. Ready to Howl, for example, is a double LP consisting of three songs – “Friday”, “Saturday” and “Sunday”. That’s how they roll.

All of that made BoM an ideal coda to a perfect weekend outdoor show, as the band roared through four epic-length tracks. That old Spinal Tap line about cranking your amps to 11 isn’t, it turns out, a figure of speech — Birds of Maya pushed out enough onstage volume that the amps seethed with fuzz. This set of continuous music brought all the heat of the band’s LPs, with the spontaneity and good vibes of the live setting to boot. Just listen to “E.O.I.”, streaming below, to get an idea of how it felt to see these guys in action.

I recorded this set with Schoeps MK4V microphones and a soundboard feed. As noted, BoM’s amps were cranked, causing the board feed to distort a little. So, this sounds similar to a Birds of Maya album — loud, fuzzy and raw. It’s a thing of beauty. Enjoy!

Stream “E.O.I.”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Birds of Maya
2013-09-07
Paradise of Bachelors /WXYC Day Show
Louise “Scottie” Stephenson Amphitheatre
Raleigh, NC USA

Schoeps MK4V>KC5>CMC6 + SBD>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjustments, EQ to SBD)>Izotope Ozone 5 (tube effect, compression, EQ)>Audacity 2.03 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Sie Kleben
03 E.O.I.
04 Black Foot Kin
05 Cosmic Honeyshaker

If you enjoyed this recording, PLEASE SUPPORT Birds of Maya, like them on Facebook, and buy their records online at Midheaven Mailorder.

Drug Yacht: September 7, 2013 Hopscotch Music Festival, Slim’s (Raleigh, NC) – FLAC/MP3/Streaming

October 11, 2013
By

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[photos courtesy of Ross Grady]

This year’s Hopscotch Music Festival put an exclamation point on the return of beloved Durham, NC based heavy math-rockers Drug Yacht. Friend of the site David Schwentker was there to capture the band in all their glory at the festival’s favorite dive, Slim’s, and the Yacht didn’t disappoint. Though the band began in 1997, they had played barely a dozen shows, as the members floated amongst a number of other well-liked local projects. They reunited to play shows again in 2012 and followed that up with this year’s slick new EP, Way Up Firm and High. Starting with the breakneck intensity of the EP’s “Feel The Teal”, the trio didn’t slow down for 34 hard-charging, sweaty minutes. Here’s to hoping these guys are back for good!

This set was recorded by Mr. Schwentker with Church Audio CA-1 microphones mounted in the ceiling by yours truly and Dan Schram. The sound quality is excellent. Enjoy!

Stream “Polish Resignation”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Drug Yacht
2013-09-07
Hopscotch
Slim’s
Raleigh, NC USA

Recorded and produced by David Schwentker
Microphones courtesy of Cory Rayborn

Church Audio CA-1 (omni, split 2ft)>Olympus LS-10>24bit/48kHz WAV>Audacity (tracking, amplify, downsample)>Trader’s Little Helper>FLAC ( level 8 )

Tracks
01 Feel The Teal
02 Polish Resignation
03 Wop
04 Bulldog
05 Waltz
06 Stud Bug
07 It Gets Better

If you enjoyed this recording, please support Drug Yacht, like them on Facebook, and buy Way Up Firm and High from them over at their bandcamp page.

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