Posts Tagged ‘ jams ’

Phish: August 5, 2017 Madison Square Garden (Baker’s Dozen Night 12)

August 6, 2017
By


[This image from the Phish From the Road Instagram page. Photo by Rene Huemer]

Boston cream was the theme of this twelfth and penultimate night of the Phish “Baker’s Dozen” series at Madison Square Garden. And if that offered two all-too-obvious musical groups in one donut flavor, Phish couldn’t avoid taking that bait, making a mashup of Cream’s “Sunshine of Your Love” and Boston’s “More Than A Feeling” an early highlight of a show whose uneven moments were bested, in my view, by that ever-available fount of inspiration, the jams. If the first “Sloth” of 2017 excited more than a few heads, there was a killer “Gotta Jiboo” up next for the Saturday night crowd. That said, this was no Saturday night version–a sprawling jam that veered the song away from its upbeat, party vibe. If 2014’s “Plasma” isn’t the best-known song in the catalog, it certainly was one of the standouts of the first set, closing it out.

As has been the norm, the second set was where the fireworks were, virtuosity-wise. Kicking things off with a particularly languid version of “Ghost,” the band let that song take center stage as the night’s first huge jam song, followed by relative newcomer “Petrichor” and “Light.” After a “Lizards”>”The Horse”>”Silent In the Morning”>”Quinn the Eskimo” jam, there wasn’t much to be said. Nearing the end of curfew, the band wrapped with one of their more maudlin numbers “Joy.” If that song felt like a strange note to end on, with just one night of this epic MSG run left, it drove home the idea that with Phish, it’s best not to ask why.

I recorded this set with Schoeps MK4V microphones in the center of the tapers’ section. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] [FLAC] [ALAC]

Stream the complete set: 

Phish
2017-08-05
Madison Square Garden
New York, NY

The Baker’s Dozen, Night 12

Recorded and produced by acidjack for nyctaper.com

Schoeps MK4V (PAS, OTS, DFC) > KC5>CMC6>Sound Devices MixPre6 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48 or 16/44.1, level 8 )

SET ONE
01 Soul Shakedown Party
02 Uncle Pen>
03 The Sloth
04 Gotta Jibboo
05 Fuck Your Face
06 “Sunshine Of Your Feeling” [Sunshine of Your Love -> More Than a Feeling > Sunshine of Your Love > Foreplay/Long Time]
07 Frost
08 Scent of a Mule
09 Fire
10 Alaska
11 Plasma

SET TWO
12 Ghost
13 Petrichor
14 Light>
15 The Lizards
16 The Horse>
17 Silent in the Morning>
18 Quinn the Eskimo>
19 Rocky Top
[encore break removed]
20 Joy

SUPPORT Phish: Website | Store

Oneida: July 14, 2017 Secret Project Robot

July 26, 2017
By

Since our last encounter with the band at the former Secret Project Robot space nearly a year ago, Oneida has released a stellar live album (of a different Secret Project Robot show), Secret Project Robot has become a slightly-less DIY, fully licensed, and even-more-enjoyable artist-run venue, drummer Kid Millions put out the best Man Forever release of … forever, and Oneida has nearly completed a brand-new album. Not a bad year’s work for guys who still have day jobs.

We’ve seen as many Oneida performances, collectively, as just about any band, so it’s hard to make a claim about one without offending one’s memory of another. So, I won’t throw inadvertent shade on those many other performances by saying this was the very best Oneida performance, but it was easily the very best I’ve seen in the recent past, made doubly exciting by the high volume of new tuneage (owing to that new album and all). The band has worked out many of these jams live at various other shows, but we haven’t been to one where they ripped through so many at once. Further, several of these were brand-new to us, including the one title-not-known-by-me song, “It Was Me,” “All In Due Time,” and “Lay of the Land.” A couple of those new songs offer a somewhat softer vibe than Oneida jams of recent past, with one of those unnamed numbers even billed as a “love song.” Just in case you thought they might go soft, Oneida made sure to play the storming “Cock Fight” next. By the time they made it to the final song, a nearly fifteen-minute “Cedars,” all I could think about was exactly how soon I could get my hands on that new record, and see Oneida next.

I recorded this set with Schoeps MK4V microphones at the stage lip, together with a soundboard feed provided by our friends at punkcast. Other than a couple of occasional technical glitches in the vocal parts from the board feed, the sound quality is excellent. Enjoy! (By the way, if you want to hear an amazing, perfect-sounding Oneida live show, don’t be a cheapskate and go buy their live album. Trust us.)

Download the complete set: [MP3/Apple Lossless/FLAC]

Oneida
2017-07-14
Secret Project Robot
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Onstage recording by acidjack
Soundboard recording courtesy of punkcast
Produced by acidjack

Schoeps MK4V (Stage lip, DFC)>KCY>Z-PFA + SBD (engineer: Eric)>>Zoom F8>24bit/48kHz WAV>Adobe Audition CC (fades, align, mix down, compression, limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 You Get Brighter
02 Economy Travel
03 All In Due Time
04 Bad Habit
05 Reputation
06 [tuning]
07 [new1 – “love song”]
08 Cock Fight
09 It Was Me
10 Lay of the Land
11 Cedars

SUPPORT Oneida: bandcamp | Buy Live at Secret Project Robot | Man Forever

Chris Forsyth & the Solar Motel Band: April 6, 2017 Trans-Pecos

June 1, 2017
By

Chris Forsyth’s appearance at Trans-Pecos a couple months ago heralded that most important of musical happenings: the possibility of a new release. With their latest No Quarter release The Rarity of Experience a proven success win fans, Forsyth and the Solar Motel Band used this intimate stage to show off some of their latest attractions. After hitting the ground running with “High Castle Rock,” we heard three new numbers in a row, including “History and Science Fiction” and “Mistaken the Bottle” (which we first heard at Union Pool back in late 2016) plus a new as-yet-unnamed (to us, anyway) number. When you add in “Dreaming In the Non-Dream I-II,” you’ve got a set chock-full of new material that continues to expand on Forsyth’s unique guitar vision, which blends a rock fan’s appreciation for shredding (he named a song after “Cocksucker Blues,” after all) with a Deadhead’s appreciation for sonic exploration, thematic variation, and little details. It’s always a treat to see Chris and the band, and we’ll be sure to keep you posted on what’s next.

I recorded this set with onstage Schoeps MK5 microphones into a warm-sounding Aerco preamp, plus a soundboard feed. The sound quality is excellent. Enjoy!

Stream and download the complete set on our bandcamp page:

Chris Forsyth & the Solar Motel Band
2017-04-06
Trans-Pecos
Queens, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (onstage, DFC, XY)>KCY>Aerco MP-2 + Soundboard >> Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.0.3>FLAC ( level 8 )

Tracks
01 High Castle Rock
02 American History and Science Fiction
03 [new1]
04 Mistaken The Bottle
05 The First Ten Minutes of Cocksucker Blues
06 Dreaming In the Non-Dream I-II

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Buy The Rarity of Experience from No Quarter

Widespread Panic: April 21, 2017 Wanee Festival (Live Oak, FL)

May 4, 2017
By

Perennial Southern-rock favorites Widespread Panic have always been better than they had to be. If you go to many festivals that involve like-minded bands, you could be forgiven for getting one bluesy-sounding rock band confused with another. After the deluge of classic rock covers that comes your way, few of these groups really distinguish themselves, but they all get the applause.

Widespread has long been a different animal. Sure, the underlying vein of bluesy-rockness is there, as are some choice covers. But Widespread isn’t just playing the familiar — especially on their best nights, it’s their transcendent playing of both the familiar and their originals that makes them so special. If the Allman Brothers’ “Mountain Jam” or Talking Heads’ “Heaven” is one you’ve heard before, fine, but it’s hard to argue with the Widespread treatment of it, particularly the former. Here at Wanee Festival, Widespread were probably the main draw for a significant portion of the crowd, and they acted like they knew that, playing a finely-honed two-hour set that headed deep into the jam zone during an epic sequence of “The Last Straw”>”Mountain Jam”>”Impossible”>”Big Wooly Mammoth”>”Christmas Katie” and finally “One Kind Favor.” If there’s any upside to the reduced touring of Widespread Panic these days, it’s the fact that it makes each individual show a bit more special.

I recorded this set with Schoeps MK4V microphones in a centered “forward of the board” position. If not quite as good sounding as the Trey Anastasio and Bob Weir sets, the sound quality is nonetheless excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Stream the complete set:

Widespread Panic
April 21, 2017
Wanee Music Festival
Peach Stage
Spirit of the Suwannee Music Park
Live Oak, FL

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, DFC)>KC5>PFA>Zoom F8>24/44.1kHz WAV>Adobe Audition CC>Isotope Ozone 5>Audacity 2.0.3 (amplify, track, downsample)>FLAC ( level 8 )

Tracks
01 Ain’t Life Grand
02 Love Tractor
03 Cease Fire >
04 Heaven [Talking Heads]
05 Little Kin >
06 Junior
07 Party At Your Mama’s House >
08 Stop Breakin’ Down Blues
09 Tall Boy
10 The Last Straw >
11 Mountain Jam* >
12 Impossible >
13 Big Wooly Mammoth > Jam >
14 Christmas Katie >
15 One Kind Favor >
16 Saint Ex
17 Imitation Leather Shoes
[encore break removed]
18 Blackout Blues
19 End Of The Show

* with Marcus King on guitar

SUPPORT Widespread Panic: Website | Store

Bardo Pond: April 1, 2017 Knockdown Center

April 10, 2017
By

It was heartening to see The New York Times give such prominent billing to this Bardo Pond show, held at Maspeth’s somewhat-remote but welcoming Knockdown Center this past weekend. If the use of the phrase “noise rock” to describe the band was reductive in extremis, it at least got at the notion that Bardo Pond shows are loud, distortion-drenched, hallucinatory affairs. But give a listen to Under the Pines, which the band played in full at this show to celebrate its release, and vocalist Isobel Sollenberger features more prominently for much of this journey, at least compared to past pairing with the Gibbons brothers and Clint Takeda’s guitar attack. A vocalist is almost always a critical component of a band’s sound, of course, but it feels like Sollenberger is a more confident and featured presence than she’s been at any time in their long career.

We first saw many of these songs at the Three Lobed Sweet Sixteen show we recorded last year, and again at Union Pool in November, and they’ve only gotten sharper and better since. This full-album run through told the album’s story well, demonstrating both its cohesive flow and the diversity of sounds. “My Eyes Out” continues to be one of the more “pretty” songs in the catalog, while “Moment to Moment” continues to establish itself as one of the band’s most vital new long-form songs. In a rare treat (at least, not seen by us since the 2011 Death By Audio show), this set wrapped with the vital combo of “Don’t Know About You” directly into “The Stars Behind.” There’s no new tour information for the band yet, but expect a fun one once they return to the road.

I recorded this set about 10 feet from the left PA stack with Schoeps MK41V microphones and a soundboard feed. The characteristics of the room and the sound being amplified through the stacks (mostly vocals) mean the vocals are a bit more prominent in this recording than would be optimal. Nonetheless, it is an enjoyable listen!

Download this show from the Live Music Archive: [MP3] | [FLAC]

Bardo Pond
2017-04-01
Knockdown Center
Maspeth, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (FOB, LOC)>KCY>Z-PFA + Soundboard>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (align, mix down, hard limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03. (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:14:54]
01 Crossover
02 Out of Reach
03 My Eyes Out
04 [banter1]
05 Moment to Moment
06 Under the Pines
07 Effigy
08 [banter2]
09 Don’t Know About You>
10 The Stars Behind

SUPPORT Bardo Pond: Website | Three Lobed Recordings | Fire Records

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