Posts Tagged ‘ JRAD ’

Joe Russo’s Almost Dead: May 9, 2015 Capitol Theatre – Flac/MP3/Streaming (Matrix)

May 27, 2015
By

JRAD Cap (2)

We’ve been with Joe Russo’s Almost Dead from their very first show at Brooklyn Bowl, so it was especially exciting to see the band in the big room at the Capitol Theatre in Port Chester. Given the special historical relationship between The Cap and the Grateful Dead, this gig was a kind of affirmation for JRAD. And the fans agreed — this date sold out quickly and well in advance. So there was a palpable sense of excitement when the band took the stage and immediately burst into a ’76-77 era version of “Dancing In the Streets” filled with neat funky guitar fills and tons of energy from the rhythm section. JRAD is always full of surprises, but what happened next was especially nice for us here at NYCTaper — the entrance onto the stage of friend of the site Nicole Atkins. Nicole ostensibly performed the “Donna parts” throughout the night, except that she’s a significantly better vocalist than Donna Godchaux ever showed during her time in the Grateful Dead (check out Nicole’s solo verses on “Music”). And as expected, Nicole provided a series of breathtaking moments throughout the night, highlighted by her solo rendition of Pigpen’s late era classic ballad “The Stranger (Two Souls in Communion)”, which like all JRAD performances balanced the tender line between tribute and respectful original take on the music. It was an interesting choice of material to feature Nicole on lead vocals and the selection proved brilliant.

This night was also featured an abundance what we have come to expect from JRAD shows — inspired and collaborative improvisational work which imparts new life into well-worn material. The version of “Dancing” definitely took its flavor from the late 70s GD, but JRAD took it out deep, and when the song reached to the final chorus after nearly twenty-minutes, it returned from places the Dead never imagined. “Cassidy” is a track that became fairly static in the later years of GD performances, which was a shame because the composition offers a jam-ready mid-song interlude. As expected, JRAD took that offer and upped the ante considerably. The mid-“Cassidy” jam contained a Playing-like deep space that gradually reached a manic Caution-like climax that we didn’t expect would ever return to the song proper. But return it did, ever so briefly, before exploding into a ’69-style “St. Stephen” that nearly took the roof off the old place. The first set continued with an extended “Eyes” that teased “Loose Lucy” before it flowed into a celebratory “Not Fade Away” that closed the meaty set. The second set’s opener “Music Never Stopped” followed the same path as “Cassidy”, taking a fairly static GD song that offered space for improvisation and taking full advantage. This “Music” extended past fifteen minutes before it returned to the final refrain. The remainer of the show was notable for its continued intensity, imaginative song selections and the true dedication to the music exhibited by all. By the time the band reached the set’s final song, a sweet “Ripple” encore, it was clear that Joe Russo’s Almost Dead had truly done the historic Cap proud.

This recording is a special one for the site. We were granted access to a soundboard feed in order to mix a special “matrix” of this show. I set up the mics in the taper’s section at the front right corner of the soundboard cage. I utilized the Schoeps cards and added the Grace V3 as a pre-amp to sweeten the capture. The room sounded terrific and the crowd was fairly respectful. The board feed was impeccably mixed by JRAD FOH Pete Costello — a perfect stereo pan, complete separation and superb balance. The matrix mix is fairly even between board and audience. The result is one of the best recordings we’ve ever offered on this site. Enjoy!

This recording would not have been possible without the generosity and assistance of three separate entities — the outstanding staff at the Capitol Theatre, Pete Costello, and of course the members of JRAD.

Download the Complete Show [MP3] / [FLAC]

Stream “Dancing In The Streets”:

Stream “Cassidy”:

Stream “Music Never Stopped”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Joe Russo’s Almost Dead
2015-05-09
Capitol Theatre
Port Chester NY

Digital Master Recording
FOB Audience + SBD Matrix

Soundboard [Engineer: Pete Costello] Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set One
[Total Time 1:31:44]
01 Dancing In The Streets
02 Dire Wolf
03 Cassidy
04 St. Stephen
05 The Stranger (Two Souls In Communion)
06 Eyes Of The World
07 Not Fade Away
Set Two
[Total Time 1:22:06]
08 Music Never Stopped
09 King Solomon’s Marbles
10 China Cat Sunflower
11 The Eleven
12 I Know You Rider
13 Morning Dew
14 One More Saturday Night
15 [encore break]
16 Ripple

If you download this recording from NYCTaper, we expect that you’ll please support these artists, visit the JRAD website, visit the JRAD Facebook page, and visit their individual websites and purchase their official merchandise. Benevento-Russo Duo [HERE], Marco Benevento [HERE], Tom Hamilton [HERE], Scott Metzger [HERE], and Dave Dreiwitz [HERE].

Joe Russo’s Almost Dead – January 24, 2015 Brooklyn Bowl – Flac/MP3/Streaming

January 26, 2015
By

JRAD BK Bowl 2015 - 1
[screen snot from LazyLightning55a video]

It was almost exactly two years ago when Joe Russo’s Almost Dead made their debut at the Brooklyn Bowl. In our somewhat controversial review of that show, we found the band’s approach to the music of the Grateful Dead both musically proficient and extremely refreshing. JRAD is a core group of friends and accomplished musicians whose take on the GD catalog was that night in stark contrast from the world of “post-Dead” which had become to me uninspired to the point of becoming almost a gimmick. I’m happy to say that the last two years have proved us entirely correct. As “post-Dead” prepares to say “Fare Thee Well” this summer, JRAD has been an unqualified success. The band has toured several times throughout this period, and last month teamed with Phil Lesh to play a series of New Year’s shows at the Capital Theatre in Port Chester NY. This weekend JRAD returned to where it all began for two very sold-out shows at the Brooklyn Bowl for the “Freaks Ball”. We attended and recorded both but offer up the second night first because this was truly a remarkable performance, surpassing anything that I could have reasonably expected from this group.

The night began with what appeared at first to be a faithful take on Pigpen’s “Alligator” — that was until the jam segment when it became very apparent that JRAD would recognize no boundaries on this night. Led by the thundering bass of Dave Dreiwitz, JRAD weaved in and out of a “Caution Jam” that touched on themes as varied as “Rider” and “Slipknot”. The set’s opener would last nearly seventeen minutes before evolving into “Jack A Roe”. This traditional number was for the Grateful Dead almost always a short first-set Garcia-led song that followed a very specific pattern. For JRAD, there are no patterns as Jack A Roe became a ten-minute exploratory jam vehicle that led very nicely into a celebratory “Uncle John’s Band”. The balance of the first set continued with some interesting song selections that kept the energy high with much more to come. Saturday night’s second set was the highlight of weekend with a “Music Never Stopped” opener that went into some deep space mid-song before returning to finish in resounding fashion. What followed was truly the most inspired song we’ve seen JRAD perform — an eighteen-minute take on “Cumberland Blues” that stretched the song to previously unheard limits and really encapsulates what makes this group special. We’re streaming this song below. The balance of the second set was filled with multiple highlights and featured a wide variety of surprises and interesting and intelligent interpretations of the familiar catalog.

I recorded this set with the Schoeps cards riding very high on a stand about 30 feet directly in line with the right stack. Other than the persistent din of crowd yapping, this is a quite excellent recording. Enjoy!

Stream “Cumberland Blues”:

This Recording is now Available to Download in FLAC or MP3 or to Stream at Archive.org [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Joe Russo’s Almost Dead
2015-01-24
Brooklyn Bowl
Brooklyn NY

Digital Master Recording
FOB Audience – 30 Feet from Right Stacks

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:09:01]
01 Alligator
02 Jack A Roe
03 Uncle John’s Band
04 Ophelia
05 Ramble On Rose
06 Only Daddy That’ll Walk The Line
07 Bertha

Set 2
[Total Time 1:37:18]
08 Music Never Stopped
09 Cumberland Blues
10 [band intro]
11 Help On The Way
12 Slipknot!
13 Shakedown Street
14 Truckin
15 Morning Dew
16 [encore break]
17 Brown Eyed Women

If you download this recording from NYCTaper, we expect that you’ll please support these artists, visit the JRAD Facebook page, and visit their websites and purchase their official merchandise. Benevento-Russo Duo [HERE], Marco Benevento [HERE], Tom Hamilton [HERE], Scott Metzger [HERE], and Dave Dreiwitz [HERE].

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