Posts Tagged ‘ Liturgy ’

Ancient Ocean: March 29, 2016 Trans-Pecos & Bohannon/Dusenbury/Fox: March 30, 2016 Market Hotel

June 1, 2016

Ancient Ocean and Chuck Johnson


Today it’s a double dose of improvised and drone guitar collaborations from J.R. Bohannon/Ancient Ocean. I caught up with Bohannon last year playing under his Ancient Ocean moniker, and though that recording didn’t work out for technical issues, I was on a mission to catch another set. Finally, March presented us with two opportunities, two nights in a row. The first sees Ancient Ocean joined by Chuck Johnson on pedal steel at Trans-Pecos for long southern-tinged, drone-y guitar workout. Rumor has it this performance will lead to future collaborations between Bohannon and Johnson, so keep an eye out.

The second performance captured here finds Bohannon joined by Liturgy’s rhythm section—Tyler Dusenbury on bass and Greg Fox on drums. This one starts out with some droning guitar from Bohannon, but the trio quickly finds its groove and the rest of the set is a shifting neo-Krautrock jam that won over Faust’s packed Market Hotel crowd rather quickly. It’s not quite what you’ve come to expect from Bohannon, nor from two former members of Liturgy, but the trio stake out some interesting new territory in their first collaboration. I hope there’s more to come from these three!

Acidjack recorded the Trans-Pecos set with a pair of stage mics capturing the performance up close. I recorded the Market Hotel set with our built-in Audio Technica mics plus a board feed from Market FOH, Jason. As goes without saying, the sound here is excellent. Enjoy!

Download the Trans-Pecos set: [MP3/FLAC]

Download the Market Hotel set: [MP3/FLAC]


Ancient Ocean (ft. Chuck Johnson on steel guitar)
Queens, NY USA

Exclusive download hosted at
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>NBob Cables>PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (amplify, balance, downsample, dither)>FLAC (level 8)

01. Live at Trans-Pecos [23:21]

Market Hotel
Brooklyn, NY

Exclusive download hosted at
Recorded and produced by Eric PH

Soundboard (engineer: Jason) + AT4051 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tagging) > FLAC (16/44.1, level 8)

01. Live at Market Hotel [21:47]

Support Music:
Buy Ancient Ocean’s Blood Moon via Bandcamp

• • Visit Ancient Ocean at Facebook
• • • Connect with Greg Fox at his website
• • • • Visit Chuck Johnson at his website
• • • • • Buy Chuck Johson’s Velvet Arc via Trouble in Mind


Liturgy: May 4, 2012 St. Vitus – FLAC and MP3 Downloads + Streaming Song

May 15, 2012

[Photos by Robert Kidd. Check out more of his excellent work [HERE]]

The band Liturgy are no strangers to controversy. And given the band’s latest change in sonic direction, the Brooklyn “transcendental black metal” band can count on more of it.

As with artists like Horseback, Liturgy, and particularly frontman and founder Hunter Hunt-Hendrix, refuse to hew to genre conventions, instead using black metal as the underpinning for their aesthetic while engaging in formal experimentation. Perhaps because of this, Liturgy find themselves the only metal band playing the Pitchfork Festival, the only metal band on Thrill Jockey, and – it can’t be avoided – the only black metal band that has ever appeared on this site. Sharing a stage with Vampire Weekend and sharing a label with bands like Tortoise and Matmos is apparently not much of a cred booster in the black metal scene. But political bullshit aside, just throw the band’s last record, Aesthetica, on your turntable or iThing, and dare to say it isn’t stunning.

Of course, one of the defining characteristics of Aesthetica was the hyperkinetic drumming of Greg Fox (who took the stage with Oneida at our 5th Anniversary Concert on Saturday, and also appeared at the Notekillers’ Jonathan Toubin benefit we covered awhile back). In September of 2011, Fox announced an amicable split from the band so that he could pursue other projects, including his solo effort GDFX and his new band Guardian Alien. One might have expected Liturgy – especially being a metal band and all – to have moved to replace Fox with a new drummer. Hunt-Hendrix didn’t. Indeed, what was once a four-piece now consists of Hunt-Hendrix, guitarist Bernard Gann, and a Macbook Pro. In case you weren’t taking notes, I mentioned that this was a band that defies convention. But what about the music itself?

As I tweeted at the time, “New @LITVRGY is genre-defying, uncomfortable-making next wave shit. You may hate but you will respect.” Listening to this recording of the show, I think that is still accurate. If you’re the type of person that likes things in tidy boxes, you’ll turn this off the second the beyond-humanly-fast drum machine beats kick in at the start of  “Pagan Dawn” from 2009’s Renihilation. What you are hearing is further from convention than the band already was, and what you’re hearing bears more weird similarity to Sleigh Bells (who the band recently toured with) than anything even remotely styled “metal” that you’ve heard before. Some people won’t be able to get past that.

But if you stick around, and set aside your preconceptions, what you hear is a brash move that could pay big dividends. First of all, the ultrafast beats make the music, if possible, even more intense than it already was, and it still rocks. Aesthetica’s “Generation”, in particular, worked well in the new format, with the beats integrating well with the dual guitar assault of Hunt-Hendrix and Gann. The crowd at the metal-friendly Greenpoint venue St. Vitus – one of the overall best venues I have been to in NYC, incidentally – seemed to agree. The band played only four songs, each a fairly long composition, with three Aesthetica tracks joining “Pagan Dawn”. In my view, this set only hinted at the new setup’s potential; once the band creates new material actually designed for this arrangement, I think they are capable of blowing the boundaries wide open. With several big festival slots on the way (besides Pitchfork, the band are also playing the more metal-oriented Orion Festival in June) plenty of fans of a variety of genres will get a chance to hear this daring new sound. I predict that the open-minded will be rewarded.

I recorded this set with Schoeps MK41 microphones and a soundboard feed by Nick, the house engineer of St. Vitus. Not only is this venue aesthetically spot-on (and with a great bar), but it is also one of the city’s best-sounding. I look forward to coming back.

Stream “Generation”

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Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

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St. Vitus
Brooklyn, NY USA

Exclusive download hosted at
Recorded and produced by acidjack

Schoeps MK41>CMC6>EAA PSP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>Audition (align, mixdown)>Audacity (set fades, tracking, amplify and balance, downsample to 16/44.1)>FLAC ( level 8 )

01 Pagan Dawn
02 High Gold
03 Generation
04 Sun of Light

If you enjoyed this recording, PLEASE SUPPORT Liturgy, like them on Facebook, see them on tour this summer, and buy their records directly from Thrill Jockey [HERE]. 

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