Posts Tagged ‘ live music ’

The Mountain Goats: April 11, 2015 City Winery – FLAC/MP3/Streaming

April 12, 2015
By

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John Darnielle possesses the writer’s gift of universality. From his very specific songs come truths that touch the hearts of listeners who have never lived his life. You may never have felt the humiliation of being a burned out tweaker, sweating it out in a dingy hotel room, but you understand what it means to feel you’re at rock bottom. You know what it is to be dumb and wild and free. You know what it is to desperately, desperately, survive a year that hasn’t gone the way you hoped. In John’s quirky  new songs about wrestling from Beat the Champ there are classic themes about underdogs and alienation, themes that you don’t need to wear a mask to understand. The Mountain Goats built their fervent fan base not on the strength of riffs but on words. Listening to Darnielle’s stories, feeling the emotions he projects, his heart becomes your heart; his trials, yours.

The Mountain Goats played NYC shows on this tour both at Webster Hall and two nights at City Winery, in lieu of a single large show at Terminal 5 or a similar venue. For that, we can be grateful, as City Winery — where as John said, he could actually see the back of the venue from the stage — vibed perfectly with what he wanted. For this tour, the regular trio of Darnielle, Jon Wurster and Peter Hughes is joined by the NC-based journeyman and Swiss army knife of a musician Matt Douglas, who has now appeared on this site with three different bands, if you count his solo show. The addition of Douglas on sax, guitar, horns and keys adds welcome texture and complexity to the full-band numbers, and takes some pressure off of Darnielle, whose massive catalog is always a challenge on tour. The intimate room amplified the songs’ emotional heft; it was a joy to see the rather well-heeled crowd of (probably) former nerds, geeks and rejects sing along to one of Darnielle’s most approachable verses:

people were mean to you
but i always thought you were cool
clicking down the concrete hallways
in your spiked heels
back in high school

That’s Darnielle’s magic, distilled: A song about a single person that many of us could see in ourselves, even if what made us different had nothing to do with spiked heels. If proof were ever needed of the value of being yourself, Darnielle and his slow-burning but runaway success would be the best of it. That he has created an entire community of people who feel the same way is his gift to all of us. Happiness isn’t conformity, or cowing to others’ idea of who you ought to be. It’s doing every stupid thing that makes you feel alive, and the joy you feel at coming out on the other side, still breathing. Long live The Mountain Goats.

I recorded this set with Schoeps MK41 supercardiod microphones in a position forward of the board, along with a stereo feed of The Mountain Goats’ engineer Brandon Eggleston’s excellent house mix. The sound quality is outstanding. Enjoy!

Download the complete show: [FLAC] | [MP3]

Stream the entire set:

The Mountain Goats
2015-04-11
City Winery
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (FOB, ROC, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Brandon Eggleston)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels, fades, downsample)>Izotope Ozone 5 (EQ, exciter, imaging)>Audacity 2.0.3 (track, amplify, dither)>FLAC ( level 8 )

Tracks [Total Time 1:33:56]
01 [intro]
02 Get Lonely
03 The Ballad of Bull Ramos
04 Love Love Love
05 [banter1]
06 Palmcorder Yajna
07 Animal Mask
08 [banter2]
09 Luna
10 Deuteronomy 2:10
11 [banter3]
12 Beyond the Mysterious Beyond
13 Raja Vocative
14 Woke Up New
15 Steal Smoked Fish
16 Never Quite Free
17 Song for Dennis Brown
18 Stabbed to Death Outside of San Juan
19 Foreign Object
20 This Year
21 The Legend of Chavo Guerrero
22 [encore break]
23 You Were Cool
24 Southwestern Territory
25 Amy aka Spent Gladiator 1
26 [encore break 2]/piano jam
27 No Children

Band:
John Darnielle – Vocals, guitar, keys
Matt Douglas – saxophone, guitar, keys, horns
Peter Hughes – Bass
Jon Wurster – Drums

If you enjoyed this recording, PLEASE SUPPORT The Mountain Goats, visit their website, and buy their records from their online store.

Makthaverskan: April 6, 2015 Saint Vitus – FLAC/MP3/Streaming

April 7, 2015
By

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As is all-too-common these days, Makthaverskan had a difficult journey to the U.S. from Sweden for this gig, having canceled at least two New York dates last month due to visa issues. By the time they rolled into Saint Vitus for this sold-out headlining gig, the band needed to be worth the wait. They’re a young band, in age and in feel, with frontwoman Maja Milner’s lyrics the stuff of youthful confusion, heartbreak, and rage. Compared to the twee, prettified sound more commonly associated with their hometown of Gothenburg, Makthaverskan have a harder edge, but while they may be heavier and more aggressive than, say, Always, they aren’t exactly Pharmakon, either. That’s to say, Makthaverskan’s music is angry without being ugly, a dose of dream-pop with Milner’s belted “fuck yous” on top.

The band whipped through this set, a mix of material from their latest record II and their debut. Milner proved more than able to push that voice of hers live, and the band had no problem filling what’s usually New York’s top metal venue with a wall of sound to go with it. The standouts included early-set favorite “Antabus”, as well as the band’s latest single “Witness”, both not coincidentally chances for Milner to let loose. I was equally impressed, though, with the straight-up dream-pop number “Asleep” that would have closed the set. The song gives a large nod to Talulah Gosh, Heavenly and their fellow late-80s English indie poppers (and thus, indirectly, to Makthaverskan’s hometown), and that’s not a bad thing. This crowd agreed, chanting for an encore until we got “Inside of Me” from their debut album. It’s about, in broad strokes, not wanting someone to leave, and that’s also how we felt about Makthaverskan. They’ve got plenty more to show us.

I recorded this set with Schoeps MK4V microphones inside the soundboard area, together with a board feed provided by Saint Vitus engineer Jeff. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Makthaverskan
2015-04-06
Saint Vitus
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (DFC, at SBD, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Jeff))>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels, fades, compression)>Izotope Ozone 5 (harmonic exciter, EQ)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 38:44]
01 Outshine
02 Vi Var Manniskor Fran Borjan
03 Antabus
04 Slowly Sinking
05 It’s You And It’s I
06 Witness
07 No Mercy
08 Something More
09 Asleep
10 [encore break]
11 Inside of Me

If you enjoyed this recording, PLEASE SUPPORT Makthaverskan, like them on facebook, and buy their records directly from the band here. 

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Suuns: February 28, 2015 Rough Trade – FLAC/MP3/Streaming

March 13, 2015
By

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[photos by Jill Harrison]

Suuns seem to have almost grown into the current moment, what with their reliance on atmospheric electronics to put a new spin on Joy Division-y guitar rock. We first saw the band in 2011, at south Brooklyn’s tiny-but-sweet Rock Shop, where they proved themselves ready for more. On this night at Rough Trade, coming off their second proper album, Images du Futur, Suuns gave an assured, dialed-in performance. The bill co-featured Chicagoans Disappears, and the pair made a perfect match, with Suuns’ own slow evolution on display right after their contemporaries’. The band’s live approach is an even slower burn than their albums, built together from segue elements that don’t appear on the records, allowing sounds to linger for extra minutes. There wasn’t an encore break on this night, so much as a break in the action while the last notes held on, waiting for the band’s return. Coming from one of the world’s most acclaimed music cities (Montreal), perhaps it’s not surprising that Suuns put so much effort into their live show. Though Images du Futur is still what they’re touring, the band has already moved beyond it, playing four new songs, three of which I believe are tentatively titled “Delay”, “Resistance” and “Pray” (the fourth is anyone’s guess). If those new songs are any guide, Suuns intend to keep doing what they’re doing, only getting better at it over time. It’s no shock that the crowd got most into Images’ strongest track, “2020”, but there were plenty of other good moments, including the closer on “Edie’s Dream”, a hypnotic, almost-pretty song amidst the dark tones in the band’s catalog.

Suuns are off the road for now, but be sure to catch them next time they’re through. It’ll be worth it.

I recorded this set with Schoeps MK4V microphones and a soundboard feed from Suuns’ touring engineer, whose name would be appreciated if you know it. The sound quality is the equal of the Disappears recording, meaning it is flawless. Enjoy!

Direct download of the complete show: [FLAC] | [MP3]

Stream the complete show: 

Suuns
2015-02-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard [Engineer: Suuns FOH (please share name if you have it)] + Schoeps MK4V (inside SBD cage, PAS)>KCY>Z-PFA>Aerco MP-2>> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, limiter, fades)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither>FLAC ( level 8 )

Tracks [Total Time 1:09:14]
01 Images du Futur
02 Music Won’t Save You
03 Powers of Ten
04 Delay [new]
05 Sunspot
06 2020
07 Resistance [new]
08 Pray [new]
09 [unknown1] [new]
10 Pie IX
11 Arena
12 [encore break]
13 Edie’s Dream

Note: New song titles may be subject to change.

If you enjoyed this recording, PLEASE SUPPORT Suuns, visit their Facebook page, and buy Images du Futur directly from Secretly Canadian.

A Place to Bury Strangers: February 17, 2015 Music Hall of Williamsburg – FLAC/MP3/Streaming

February 18, 2015
By

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[photos by acidjack]

A Place to Bury Strangers are one of several bands that incubated in the scene (and the sound) that grew up around Death By Audio and its line of effects pedals, making it fitting that they headlined Music Hall of Williamsburg just months after that venue’s untimely end. Though the band arrived on the scene just over ten years ago (in 2003), it feels like it’s been eons in musical terms. Today, their dark tone, blown out guitar sound, and relentless, ambitious live show feels vaguely foreign to the current indie mainstream, but that is as it should be. This kind of music may or may not always be a “trend”, but it will always have the ability to seize a crowd, and keep it.

It’s fitting that the band opened with “We’ve Come So Far”: The number comes from Transfixiation, the brand-new album whose release was being celebrated that night, and it also describes this band’s history. With only one consistent member throughout (frontman Oliver Ackermann), the now-trio has continued to hone a sound much more consistent than its personnel changes would suggest. From the obvious MBV homage of their self-titled 2007 debut, the band has both added layers and stripped them away, leaving them at the more tightly focused Transfixiation, which takes a few steps back from the wall of noise to find some new melodies — and a bit of extra weirdness — underneath.

Not that you’d have been able to tell at the album release show. From the first peals of guitar noise to the militaristic percussion of “So Far Away”, the band blanketed itself in noise, barely pausing between songs. Ackerman, drummer Robi Gonzalez and bassist Dion Lunadon were only intermittently visible in a sea of smoke, pierced by a frenetic light show and backed by abstract visuals. Ackermann and Lunadon hurled themselves around the stage as a mosh pit that churned below them; this was no polite Tuesday night show. It might be fair to say you can’t really get APTBS until you’ve seen them live, or at least, it’s very hard to convey the feeling of their music through a home stereo or some iPhone headphones. APTBS’ sound demands darkness, attention and crowd participation to fully land, and over and over on this night, it did.

Band and crowd literally became one during the encore portion of the set, when the band set up just in front of the venue’s soundboard to play three more songs as the audience closed in around them, the flashes of smartphone cameras replacing the strobe lights that had been up on the stage. If it didn’t quite replicate the intimacy of Death By Audio, it showed that this band deserved to grow to a level well beyond it, and to keep going. They’re the kind of band live music was made for, and they did right by us tonight.

I recorded this set with Schoeps MK41 supercardiod microphones set up inside the soundboard cage. APTBS’ FOH, Lex, was in charge of the house mix. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

A Place to Bury Strangers
2015-02-17
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, at SBD, PAS)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (effects, EQ, imaging)>Adobe Audition CS 5.5 (adjust levels)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 57:01]
01 We’ve Come So Far
02 I’m So Clean
03 Drill It Up
04 Fill the Void
05 Deadbeat
06 [instrumental]
07 Love High
08 Now It’s Over
09 I’ve Lived My Life to Stand In the Shadow of Your Heart
10 You Are the One [played from the floor]
11 Straight [played from the floor]
12 So Far Away [played from the floor]

If you enjoyed this recording, PLEASE SUPPORT A Place to Bury Strangers, visit their website, and buy Transfixiation from Dead Oceans here.

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Spacin’: December 14, 2014 Glasslands – FLAC/MP3/Streaming

January 27, 2015
By

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Spacin‘ were the right kind of band to see in my last time at Glasslands. Live, they’re not a fussy bunch: They take the stage, launch into their thing, and sear your ears without pretense. They’re not guaranteeing an upscale kind of rock show; this lo-fi Philly band is guaranteeing a good time. Likewise, even in its quasi-DIY last incarnation, Glasslands was never trying to be a slick-sheened rock club. Glasslands wanted you to feel welcome as soon as you got in the door, and to have a blast.

Although this was a different formation than the Spacin’/Purling Hiss beast I saw at Hopscotch a few months earlier, Spacin’ played several numbers from that set as well as some others I have come to know well. The band’s cover of MC5’s “American Ruse”, heavily retooled in Spacin’s image, is always a high point. As that eight-minute rocker wound down, the band segued into a psychedelic intro that led into the bread-and-butter mid-set of “Human Condition” followed by “Sunshine No Shoes”. For the band’s moment on the Glasslands stage, they played the appropriate-enough “Empty Mind”, with its heavy-chugging bass line and ample opportunity for exploration.

Even if we won’t be able to visit Glasslands anymore, the spirit of the place will live on elsewhere. Where there are bands and fans in need of a real home, a place where you feel less like a customer and more like a welcome friend, there will be right-minded people there to fill that gap.

I recorded this set with our installed sound system at Glasslands and a soundboard feed by Josh Thiel. The sound quality is quite good and much better than the Spacin’/Hiss set earlier this year, but it’s still gritty enough not to confuse anyone what this is about.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Spacin’
2014-12-14
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Josh Thiel) + Naiant X-R (PAS, DFC)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (EQ, harmonic exciter, imaging)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Over Uneasy
02 American Ruse [MC5]>
03 Human Condition
04 Sunshine No Shoes
05 Empty Mind

If you enjoyed this recording, PLEASE SUPPORT Spacin’, check them out on Facebook, and buy their album Deep Thuds from Midheaven Mailorder.

Stars: October 11, 2011 Music Hall of Williamsburg – FLAC/MP3 Downloads + Streaming Songs

December 22, 2011
By

Photo courtesy of Jill and For the Love of Brooklyn
[photos courtesy of Jill and For the Love of Brooklyn]

Montreal band Stars has long been one of my favorites. I first saw them at the now defunct Siren Festival of 2006, against the beautiful scenic backdrop that is Coney Island, and was blown away by their unique blend of pop and rock. Even though they now claim Montreal as their hometown, the band has deep NYC roots, having written their first song and several albums while living in a small West Side Apartment in the late ’90s, so it’s no surprise that they consistently return to their home away from home in the Big Apple.

We had the good fortune of seeing Stars at Music Hall of Williamsburg for a performance that was nothing short of outstanding. Their performance featured two never before played songs, To the Better Ones and Holes, offering up a moment of vulnerability, but also demonstrating their trust and connection with the audience.

Lead singer Torquil Campbell was also able to connect with the audience in a slightly different way, showing his jovial mood by kindly requesting that an audience member “pass the spliff” before playing the aforementioned To the Better Ones. Between moments like this and personal commentary about the heroes of Occupy Wall Street, it was clear that spirits were high and a genuine love for New York existed on this beautiful Brooklyn night.

I recorded this set using a pair of Schoeps MK41 hypercardioid microphones clamped to the center balcony railing. The samples I have chosen include Set Yourself on Fire, the self-titled track from their 2004 album, and my personal favorite Elevator Love Letter, a fitting tribute to our metropolis.

Stream “Set Yourself on Fire”
[audio:http://nyctaper.com/S1110Stars1102/stars2011-10-11.setyourselfonfire.mp3]

Stream “Elevator Love Letter”
[audio:http://nyctaper.com/S1110Stars1102/stars2011-10-11.elevatorloveletter.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Photo courtesy of Jill and For the Love of Brooklyn

Stars
Music Hall of Williamsburg
New York, NY, US
2011-10-11

Recordist : hi and lo
Location : DFC, clamped to balcony
Source : Schoeps MK41/CMR > Naint Tinybox > Sony PCM-M10 @ 24 bit / 48 kHz
Mastering : Wavelab 6 (Mixdown/EQ/Fades/resamping/dither) > Flac Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. Intro
02. Fixed
03. The Passenger
04. Take Me to the Riot
05. Wasted Daylight
06. Set Yourself on Fire
07. To the Better Ones
08. Dead Hearts
09. Ageless Beauty
10. Soft Revolution
11. Holes
12. Your Ex-Lover is Dead
13. Window Bird
14. We Don’t Want Your Body
15. How Much More
16. Reunion
17. Calendar Girl
18. (Encore Call)
19. One More Night
20. Bitches in Tokyo
21. The Ghost of Genove Heights
22. Changes
23. Elevator Love Letter

Running Time: 1:41:32

Please support Stars by visiting their Website. If you’ve enjoyed this recording, you may also purchase any of their wonderful albums directly from the band’s Store

Oh-OK: October 22, 2011 Cake Shop – Flac and MP3 Downloads + Streaming Song

October 30, 2011
By

Oh Ok Cake Shop
[screen shot from this video]

Oh-OK came to NYC last weekend at the behest of Cake Shop’s Andy Bodor, whose inventive booking is one of the charms of Ludlow Street’s primary intimate venue. The band had performed at the Athens Popfest 2011 earlier in the week in an unlikely reunion and their first show since another one-off reunion in 2005. Oh-OK released two mini-albums in their three years of existence before the members moved on to other projects. The lead vocalist Linda Hopper is perhaps best known for her work with Magnapop, and a former Oh-OK guitarist was Matthew Sweet. Bassist and vocalist Lynda Stipe is also known for her work with Flash to Bang Time and of course as being the younger sister of REM’s Michael Stipe. In 2002, Collector’s Choice issued The Complete Recordings, which encompassed the two mini-albums, some assorted tracks, and a 1984 concert from Athens. The liner notes of that release were written by Robert Christgau, whose description of the band is not-unexpectedly dead-on. Earlier this week, the Athens label HHBTM re-issued a digital version, called The Complete Reissue. At Cake Shop last Saturday, Oh-OK was playful and relaxed and worked quickly through a chronological performance of most of their catalog in a terrific thirty-minute set. The band now includes three young ringers, whose guitar and drum work provided an excellent backup for the two frontpersons, Linda and Lynda, who have aged very gracefully. The music has aged well too, as its simple and almost childlike melodies are instantly catchy and earworm-worthy. I’ve been humming “Such N Such” all week, and its streaming below.

I recorded this set in the same manner as the CMJ recordings from two days earlier and the sound quality is superb. Enjoy!

Stream “Such N Such”:
[audio:http://www.nyctaper.com/O2210OhOK1120/04.%20Such%20N%20Such.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Oh-Ok
2011-10-22
Cake Shop
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-10-29

Setlist:
[Total Time 29:06]
01 Lilting
02 Brother
03 Playtime
04 Such N Such
05 Person
06 Choukoutien
07 Straight
08 Elaines Song
09 Random
10 Guru
11 Whore Boy
12 Courage Courage
13 Lilting

If you enjoyed this recording from NYCTaper, PLEASE SUPPORT Oh-OK, and purchase the compilation Oh-OK: The Complete Recordings from Collector’s Choice Records [HERE] or download The Complete Reissue (HHBTM Records) [HERE].

Hoop Dreams: October 20, 2011 NYCTaper CMJ Show at Cake Shop – Flac and MP3 Downloads + Streaming Song

October 29, 2011
By


[photos by Amanda Hatfield]

We have covered so many Captured Tracks bands over the years — the label’s roster lines up pretty closely with the tastes of the people of this site. So it was no surprise to us that Hoop Dreams, who so impressed at Glasslands in August, were on Captured Tracks and poised to release their first record. The band has a sound clearly influenced by early 80s Manchester UK — and which sounds quite like Captured Tracks label-head Mike Sniper’s Blank Dogs. Hoop Dreams performed in the third slot at our CMJ show, but their 2pm performance was the first of the day to fill the room. Max Brooks deep baritone vocals are delivered with confidence and are complimented perfectly by the melodic guitar lines and aggressive bass guitar, often supplemented by electric violin. The band performed their only current release, the single “XCPR” along with much of what we believe will comprise their debut album. We are streaming the set’s final track “Jumping Fences”, which finished the show on an energetic high note. Hoop Dreams returns to NYC for a gig at Glasslands on November 12.

I recorded this set in the same manner as all of the other sets from this day and the sound quality is superb. Enjoy!

Stream “Jumping Fences”:
[audio:http://www.nyctaper.com/H2800HoopDreams1012/08.%20Jumping%20Fences.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hoop Dreams
2011-10-20
Cake Shop
NYCTaper CMJ Show
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-10-27

Setlist:
[Total Time 31:17]
01 Black Sunglasses
02 Choir
03 New Time
04 XCPR
05 Knife Fights
06 The Creep
07 Under the Snow
08 Jumping Fences

If you enjoyed this recording from NYCTaper, PLEASE SUPPORT Hoop Dreams, visit their Facebook page, visit their Bandcamp page, and purchase their single XCPR from Captured Tracks.

Widowspeak: October 20, 2011 NYCTaper CMJ Show at Cake Shop – Flac and MP3 Downloads + Streaming Song

October 27, 2011
By


[photo by Amanda Hatfield]

The curse of being anointed a CMJ “buzz band” is that everyone wants to be seen at your shows, but no one is really listening to the music. We decided to offer Widowspeak a spot on our CMJ bill back in June, after both acidjack and I had seen them perform compelling sets at different shows. They seemed like a natural fit — unpretentious and intelligent indie-rock with roots in multiple genres from multiple decades. Widowspeak makes music for music lovers. I guess its not that surprising then that ten other promoters also booked them, and every “CMJ preview” mentioned them as a “band to see”. As with every band we booked, we’ll add to that Widowspeak is also a “band to hear”. On Thursday, when they performed at the NYCTaper show at 4 pm at Cake Shop they were also scheduled to play shows at 10:30am, 8pm and 11pm that day. So we lucked into getting the band fresh, lively, and in good moods. The set is concise but clearly indicates that the band has grown in confidence and cohesion since we last saw them. We’re streaming “Puritan”, as that track had some extra jump in its step — energy that the band would need later that night.

I recorded this set in the same manner as the previous sets from this show. We boosted the vocals from the board feed a bit more in this recording and the sound is superb. Enjoy!

Stream “Puritan”:
[audio:http://www.nyctaper.com/W3030Widowspeak0211/05.%20Puritan.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Widowspeak
2011-10-20
Cake Shop
NYCTaper CMJ Show
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-10-26

Setlist:
[Total Time 22:52]
01 Nightcrawlers
02 Hard Times
03 Fir Coat
04 In The Pines
05 Puritan
06 Harsh Realm
07 Gun Shy

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Widowspeak, visit their Facebook page, visit their Bandcamp page, and purchase their newly-released LP from Captured Tracks.

Savoir Adore: October 20, 2011 NYCTaper CMJ Show at Cake Shop – Flac and MP3 Downloads + Streaming Song

October 26, 2011
By


[photo by Amanda Hatfield]

We have in the last several months had the distinct pleasure of experiencing Savoir Adore up close in two very different settings. In June, at their semi-acoustic Vivo in Vino concert, the band was adept at paring down their instruments to perform an excellent set in an intimate setting. At Thursday at our CMJ show at Cake Shop, we saw the full band and all the trappings — Paul Hammer in particular was remarkable at switching between electronics, guitar, vocals and keys, often more than one at a time. The set consisted of three new songs and four tracks from their debut album In The Wooded Forest. We are streaming “We Talk Like Machines”, which featured gorgeous vocals from Deidre Muro. Savoir Adore are poised at this point to take it the next level. The band’s obvious talent, energy and professionalism is a sure thing, and as they finish recording their second album, we expect big things from them in 2012.

I recorded this set in the same manner at the two previous recordings posted from this show and the sound quality is superb.

Stream “We Talk Like Machines”:
[audio:http://www.nyctaper.com/S2606SavoirAdore1122/04.%20We%20Talk%20Like%20Machines.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Savoir Adore
2011-10-20
Cake Shop
NYCTaper CMJ Show
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-10-25

Setlist:
[Total Time 30:47]
01 Bodies
02 Sparrow
03 Sara’s Secret
04 We Talk Like Machines
05 [banter]
06 Dreamers
07 Loveliest Creature
08 Transylvanian Candy Patrol

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Savoir Adore, visit their website, follow them on Facebook, and purchase In The Wooded Forest from their the Cantora Records website [HERE].

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