Posts Tagged ‘ manhattan ’

Ultimate Painting: December 7, 2016 Bowery Ballroom

December 12, 2016
By

Our own acidjack was early on the bandwagon for Ultimate Painting, as he captured the band back in 2014 and raved about their debut album. The British neo-psych quartet is now three records into their career and just completed a headlining tour with twelve US dates in support of their newest release, Dusk (Trouble In Mind Records). The tour’s final date was last week at Bowery Ballroom and if the crowd was not packed, it was notable for the music luminaries in attendance — Matador Records co-founder Gerard Cosloy, Rolling Stone’s senior editor David Fricke, Stereogum founder Scott Lapatine, and brooklynvegan’s Bill Pearis.

Ultimate Painting’s set was a seventy-minute exercise in precision and synchronicity. The band’s two protagonists, Jack Cooper and James Hoare share vocal and lead-guitar duties and both are superb performers. The other aspect of the band’s success is the songwriting. The songs can be tight and guitar driven psych-pop, but when the band wants to open up and explore, they remain focused and in synch. While Ultimate Painting does borrow stylistically from the mid-60s London scene, the music also shows influences from the US — the Velvets and Television in particular. Among contemporary comparisons, I hear similarities to White Fence and Courtney Barnett (“Central Park Blues” in particular). The band worked through a nice selection of numbers from all three of their albums before ending the set with a sixteen-minute extended version of “Ten Street” that capped off the show in fine fashion.

I recorded this set with the Schoeps cards in the balcony mixed with Kenny’s outstanding feed. The sound quality is superb. Enjoy!

Download and Stream this Recording at our Bandcamp Page:

Ultimate Painting
2016-12-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny Lienhardt] + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:07:14]
01 Ultimate Painting
02 Rolling in the Deep End
03 Riverside
04 Bills
05 Song for Brian Jones
06 (I’ve Got The) Sanctioned Blues
07 I’m Set Free
08 [banter – band intro]
09 Break the Chain
10 Lead the Way
11 Monday Morning Somewhere Central
12 Central Park Blues
13 Sweet Chris
14 Ten Street

If you enjoyed this recording, PLEASE SUPPORT Ultimate Painting, visit their website, and purchase Dusk from Trouble In Mind Records HERE.

Sloan: October 17, 2016 Bowery Ballroom

October 27, 2016
By

sloan-bowery
[photo by Jim Sharky]

Twenty years ago the end game in the script for success in the music industry was still a big record deal. But like most “sure things”, the big deal was often a big trap. For Sloan that meant signing with Geffen Records for their 1992 album Smeared, but by the time of the release of their second album their relationship with Geffen went sour. After 1994’s Twice Removed, Sloan left the label and rumors of their break-up began to circulate.

The reports of their death having been greatly exaggerated, Sloan recorded One Chord To Another in 1996 on a shoestring budget and with modest recording techniques. And not only were they not dead, One Chord ended up being Sloan’s best selling record and a Juno Prize winner. Twenty years later it was time to celebrate this pivotal point in the band’s long and illustrious career and in 2016 One Chord To Another got the box set treatment and a tour.

At Bowery Ballroom last week, the One Chord tour rolled into town and Sloan played a two-set show with the album played straight through as the first set, and an intentionally democratic selection of songs as the second set. The band specifically referenced trying to cover at least one song from every album for this show — and that they did. The two hours of music and full album play made this show an event, but what made the night even more special occurred with two fans in between sets. In 2011, a couple had their first date at the Sloan show at Bowery Ballroom and play our recording every year on their anniversary. Five years later, Bowery and Sloan was perfect time and place for Ben Lindbergh to propose — and she said yes!

I recorded this set in a slightly different manner from our usual way — the placement of Sloan’s touring soundboard moved our mounted room microphones a little to the left and our feed from the remote board came with some issues. It took me a while to sort everything out in editing this set, including trying to minimize the sonic issues that came with the amplifier that exploded at the end of the first set. But all in all, I feel like this is now a superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Sloan
2016-10-17
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:47:10]
Set One (One Chord To Another)
01 The Good in Everyone
02 Nothing Left to Make Me Want to Stay
03 Autobiography
04 Junior Panthers
05 G Turns to D
06 A Side Wins
07 Everything You’ve Done Wrong
08 Anyone Who’s Anyone
09 The Lines You Amend
10 Take the Bench
11 Can’t Face Up
12 400 Hundred Metres
Set Two
13 [Ben Lindbergh Proposal]
14 Deeper Than Beauty
15 Underwhelmed
16 C’mon C’mon
17 Money City Maniacs
18 So Far So Good
19 Unkind
20 Who Taught You to Live Like That
21 Sinking Ships
22 People of the Sky
23 Midnight Mass
24 I’m Not a Kid Anymore
25 I Can Feel It
26 Snowsuit Sound
27 The Rest of My Life
28 Losing California
29 [encore break]
30 The Marquee and the Moon
31 If It Feels Good Do It

SUPPORT Sloan: Website | Facebook | Buy One Chord To Another Box Set HERE

PUP: October 22, 2016 Bowery Ballroom

October 24, 2016
By

poooop-1
[photos by Amanda Fotes – follow her on Instagram]

PUP‘s latest album The Dream is Over (SideOneDummy) is on my short list of best albums of the year. The record captures the manic energy of this Toronto quartet with a collection of songs that exhibit the band’s ability to craft punk rock anthems of angst with a bit of excess and plenty of humor. Dream also brings out the deeper side of PUP with tracks such as “The Coast” and “Pine Point” that delve into that special brand of Canadian loneliness. The album has earned PUP a nomination for a Polaris prize, and universal praise worldwide.

The concept of the album’s production was to bottle up the energy of a live PUP show and put that on a record. This is a band that is in the midst of playing 100 total shows in 2016 where the PUP magic takes place virtually on a nightly basis. But since the last time I saw PUP live was almost three years ago at a modestly attended show at Cameo Gallery before either of their records were released, I wasn’t quite keyed into the true contemporary live PUP experience. That is, until this past Saturday night at Bowery Ballroom.

From the very outset of the show’s opening number “If This Tour Doesn’t Kill You, I Will”, this very sold-out crowd at Bowery was one massive syncopated group of heads and arms and legs. From our usual vantage point at the front of the balcony, we get a clear bird’s eye view of the floor, and this PUP crowd never stopped dancing, surfing and singing along to every song. We haven’t seen a crowd this animated in a long time or a band as motivated to drive that energy. PUP’s set drew upon both of their albums pretty equally, with nine of the sixteen songs performed coming from Dream and the other seven songs from their self-titled debut album. The crazy energy culminated in lead singer Stefan Babcock literally crowd-surfing the entire floor to the back bar where, while elevated, he downed a shot of whiskey and returned surfing the entire crowd back onto the stage. It was an accomplishment only made possible by the sheer will of the fans and their utter faith in this band.

PUP’s current US and Canadian tour dates continue into mid-December, before the band goes to England in early 2017, all dates [here].

I recorded this set with the Schoeps cards in our usual location and mixed with Kenny’s excellent feed. There are some drum level adjustments in the first two tracks, but afterwards the sound is completely dialed-in and is quite an excellent capture of the amazing energy at this show. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

PUP
2016-10-15
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 59:53]
01 If This Tour Doesn’t Kill You I Will
02 DVP
03 Dark Days
04 Lionheart
05 My Life Is Over and I Couldn’t Be Happier
06 Doubts
07 Back Against the Wall
08 Guilt Trip
09 Can’t Win
10 Familiar Patterns
11 [banter – ex-punks]
12 Mabu
13 Sleep in the Heat
14 The Coast
15 [banter – tour]
16 Reservoir
17 [banter – Stefan stage dive]
18 Old Wounds
19 [encore break]
20 Factories

SUPPORT PUP: Website | Bandcamp | Buy The Dream is Over from SideOneDummy Records

nestor-1

Teenage Fanclub: October 15, 2016 Bowery Ballroom

October 16, 2016
By

teenage-fanclub-bowery-psquared
[photos by PSquared Photography]

The legend goes that in 1991, SPIN Magazine selected Teenage Fanclub’s album Bandwagonesque as its record of the year ahead of such luminaries as REM’s Out of Time, Nirvana’s Nevermind and My Bloody Valentine’s Loveless. Over the years, that choice has been ridiculed in certain circles, but twenty-five years later the selection is rather prescient. My Bloody Valentine didn’t make another album after Loveless until twenty-two years later, REM never made another album that approached the quality of Out of Time, and of course Nirvana was over less than three years later. As careers go, Teenage Fanclub has been the most consistent of the four bands and produced the largest quality catalog in the years since SPIN took heat for them.

This year Teenage Fanclub released their eleventh album and first since 2010. Here (Merge Records) is a record of significant maturity and focus — the band is producing songs as strong as ever and the group harmonies are as sweet as ever. The band has now embarked on a US tour in support of the album and NYC enjoyed two shows this weekend, including Brooklyn last night and the Bowery Ballroom show we caught on Saturday night. Teenage Fanclub live was as compelling and impressive as the new album. This is a band that is both fully committed and comfortable and the show was just one peak after another. The setlist drew fairly democratically from the band’s full catalog and with just five songs from Here, was not overly weighted to push new material. And twenty-five years on, the only two tracks from Bandwagonesque played were given center stage, with a perfect version of the classic “The Concept” closing the main set.

Teenage Fanclub plays Boston tonight and the tour continues through six more October US dates before the band returns to Europe in November, all dates here.

I recorded this set in our usual manner in this venue, with the Schoeps mounted at the balcony rail mixed with a fine feed from the band’s touring FOH. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Set:

teenage-fanclub-44

Teenage Fanclub
2016-10-15
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:30:23]
01 Start Again
02 I Need Direction
03 Verisimilitude
04 I Don’t Want Control of You
05 [tuning music]
06 Sometimes I Don’t Need to Believe in Anything
07 Hold On
08 It’s All in My Mind
09 Thin Air
10 About You
11 The Darkest Part of the Night
12 Don’t Look Back
13 Can’t Feel My Soul
14 I Have Nothing More to Say
15 I’m In Love
16 Star Sign
17 [banter – thanks]
18 The Concept
19 [encore break]
20 Did I Say
21 Radio
22 Your Love Is the Place Where I Come From
23 Everything Flows

SUPPORT Teenage Fanclub: Website | Facebook | Purchase Here from Merge Records

teenage-fanclub-32

the Mountain Goats: April 19, 2016 City Winery

April 24, 2016
By

tMG Winery 3 Lowden
[photos by Andrew Lowden]

Over the course of three shows at City Winery, John Darnielle gave his Mountain Goats bandmates a subtle but meaningful tribute that you would have missed if you were not paying close attention. For the first song of each of the three John “solo” segments in each show, a different band member was featured in a duo with the band’s protagonist. On Sunday, Matt Douglas played sax on “Foreign Object”, on Monday Peter Hughes played bass on “Jenny”, and for this Tuesday night finale of the residency, Jon Wurster joined John for a cover of Dio’s “Rainbow in the Dark” — a song Darnielle revealed that Wurster had never played before this performance.

These are some of the little things that bring the fans back to see the Mountain Goats time and again. There were many fans who attended each of the three nights at City Winery and perhaps other East coast shows. What brings them back night after night isn’t just the promise of different and sometimes rare songs at any given show, or the often hilarious banter, or the chance to hear their favorite songs — the most compelling aspect of the Mountain Goats experience is the feeling of belonging. There is a strong sense of unity within the band, between the fans, and between the fans and band. The music offers a sense that no matter how difficult things are for you, there are people out there who know what you’ve endured and can tell you from experience that you’re going to be alright.

The final night of this special set of shows became the “celebratory” performance in large part because this particular crowd was quite rambunctious. And John rewarded the energy with a couple of first-time covers and a few songs that had yet to appear on this tour. In particular “Cobscook Bay” and “Nine Black Poppies” were familiar but welcome additions to the tour itinerary, both not having appeared on a setlist since last year. For a final night of the tour and likely the last NYC Mountain Goats show until 2017, this show was exactly what we’d hoped to experience.

I recorded this set in the same manner as the previous night and the sound quality is equally superb. Enjoy!

Download the Complete Show in FLAC and MP3 from Archive.org [HERE]

Stream the Complete Show (minus banter tracks):

Mountain Goats
2016-04-19
City Winery
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Brandon Eggleston] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:42:44]
01 Get Lonely
02 Foreign Object
03 Woke Up New
04 Until I Am Whole
05 Cry for Judas
06 [banter – gimmick intro]
07 Werewolf Gimmick
08 Rainbow in the Dark [Dio]
09 [banter – thanks]
10 Superman [Goldfinger]
11 Nine Black Poppies
12 Cobscook Bay
13 Lakeside View Apartments Suite
14 Southwestern Territory
15 Love Love Love
16 Stabbed to Death Outside San Juan
17 Damn These Vampires
18 [banter – game show intro]
19 Game Shows Touch Our Lives
20 The Young Thousands
21 Liza Forever Minnelli
22 [encore break]
23 See America Right
24 Up the Wolves
25 Home on the Range
26 No Children
27 Spent Gladiator 2
28 [second encore break]
29 This Year

SUPPORT the Mountain Goats: Website | Twitter | Buy Official Releases | Tour Dates

the Mountain Goats: April 18, 2016 City Winery

April 21, 2016
By

tMG City Winery Lowden
[photos by Andrew Lowden]

We saw all three of the Mountain Goats performances this week at City Winery. And while this is not the first time we’ve experienced three straight tMG shows (Bowery in 2011 was 3 in a row), this set of shows was so emotionally rewarding. As we’ve pointed out already this month, the tour that concluded in NYC was inspired by a show we recorded at this very venue one year ago. Each of the nights took on a different personality and on night two, the song choices geared in a subtle way towards the positive and inspiring — perhaps motivated by the birthday of band member Matt Douglas (check out the slowest happy birthday song ever). Monday night included the only NYC performances of “Dennis Brown” and “Never Quite Free”, and the only appearances all tour of the New York-based duo of “Going to Port Washington” and “Going to Queens”. And there was reason to be positive. This tour was entirely successful on its merits, the band is playing at its peak, and City Winery seems to be the perfect fit for the current incarnation of the Mountain Goats. Indeed, this tour also contained a stop in Chicago for two shows at that branch of the venue. The balance of the set consisted of primarily songs we’ve seen on this tour which have included inspired 2016 versions of “Woke Up New” and “Damn These Vampires”, which continued to shine on this night. We expect to post the third and final night in the next few days, so stay tuned.

I recorded this set with the Schoeps cards clamped to a pole 20 feet from the stage and mixed with a perfect soundboard feed provided by the band’s longtime FOH Brandon Eggleston. The sound quality is superb. Enjoy!

Download the Complete Show in FLAC or MP3 at Archive.org [HERE]

Stream the Complete Show:

Mountain Goats
2016-04-18
City Winery
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Brandon Eggleston] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:34:54]
01 Song for Dennis Brown
02 Woke Up New
03 Until I Am Whole
04 [banter – stay on tour]
05 Werewolf Gimmick
06 New Monster Avenue
07 Stabbed to Death Outside San Juan
08 [banter – say yes]
09 Jenny
10 Going to Port Washington
11 Going to Queens
12 [banter – day pants]
13 Black Pear Tree
14 [Happy Birthday Matt Douglas]
15 Lakeside View Apartments Suite
16 Deuteronomy 2:10
17 Get Lonely
18 Alpha Rats Nest
19 Damn These Vampires
20 Oceanographer’s Choice
21 The Young Thousands
22 Liza Forever Minnelli
23 [encore break]
24 Never Quite Free
25 This Year
26 Spent Gladiator 2
27 [second encore break]
28 The Diaz Brothers
29 No Children

SUPPORT the Mountain Goats: Website | Twitter | Buy Official Releases | Tour Dates

Smashing Pumpkins: April 5, 2016 Beacon Theatre – FLAC/MP3 Downloads + Streaming Songs

April 13, 2016
By

smashing+pumpkins+at+beacon+theatre+-+night+two-2
[photos by Jill Harrison, full set available here]

Last week, the Smashing Pumpkins came to New York for a three-night run at Beacon Theatre in support of their current “In Plainsong” tour. This tour, billed as an “acoustic-electro evening,” featured a substantial setlist of solo acoustic performances from Billy Corgan, who dug deep into his back catalogue of songs for inspiration. He was joined onstage by the rest of the current touring line-up – original Pumpkins drummer Jimmy Chamberlin, longtime guitarist Jeff Schroeder, bassist Katie Cole, and Sierra Swan on keys/vocals – for a deep dive into songs from the Siamese Dream era.

Outstanding moments from the night included guest vocals from Liz Phair on “Thirty-Three,” hard-rocker “The Spaniards,” and a tribute to David Bowie’s “Space Oddity” that the audience absolutely loved. But what may excite the hardcore Smashing Pumpkins fanbase is seeing the re-appearance of Corgan-penned songs from his past work with bands like Zwan and Hole. This tour indeed revisits and in some cases, seems to reclaim the essence of these songs, laying aside past feuds in honor of the music.

We recorded this show from the third row, dead center using a pair of head-mounted Schoeps MK4v cardioid microphones. Although there were no surprise appearances from original guitarist James Iha as there were in Los Angeles, this show is sure to delight – it sounds incredible. Enjoy!

Download the complete show at the Live Music Archive.

Stream the complete show:

unnamed

The Smashing Pumpkins
Beacon Theatre
New York, NY
2016-04-05

Recordist: hi and lo
Source: Schoeps MK4V (DINa) > Naiant Z-PFA > Sound Devices 744T @ 24 bit / 48 kHz
Edit: WaveLab V6 (mixdown/eq/gain/fades/dither/resampling)
Encoding: FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)

Tracklist:

01. Cardinal Rule
02. Stumbleine
03. Tonight, Tonight
04. The World’s Fair
05. Space Oddity [Bowie]
06. Thirty-three
07. Jesus, I [Lyte] / Mary Star of the Sea
08. “The Siamese Suite” (Banter)
09. Mayonaise
10. Soma
11. Rocket
12. Spaceboy
13. Today
14. Whir
15. Disarm
16. Sorrows (in blue)
17. Eye
18. Saturnine
19. Identify
20. 1979
21. Stand Inside Your Love
22. Pinwheels
23. Lily (My One and Only)
24. “Introduce the Band” (Banter)
25. Malibu [Hole]
26. The Spaniards
27. (Encore Call)
28. Angie [Rolling Stones]

Running Time: 2:11:32

Please support Smashing Pumpkins by seeing them on their current tour, In Plainsong and by visiting their official website.

Acid Mothers Temple: April 5, 2016 Mercury Lounge

April 11, 2016
By

Acid Mothers Temple

The cost of touring being what it is, there aren’t many Japanese bands that make it to the U.S. as frequently as Acid Mothers Temple. Their yearly tour has become ritual, for the band and its audience. NYCTaper has been capturing the band’s New York appearances for the past few years—always a stop on the Lower East Side at Mercury Lounge, and one in Williamsburg at the Knitting Factory. I’m delighted that this year I got to do my part and record the Mercury Lounge show. The “Wake to a New Dawn of Another Astro Era Tour 2016” wraps up next week in Los Angeles, having begun last month in Mexico City. Through the month-long visit, setlists have been fairly consistent and their Mercury Lounge set features most of the songs they’ve been playing, including “La Novia,” “The Wizard,” “Another Nanique Dimension,” “Cometary Orbital Drive,” and of course it wouldn’t be an Acid Mothers Temple show without their signature “Pink Lady Lemonade.” If you’re familiar with Acid Mothers Temple, you know the deal and no further introduction is needed. If this is your initial foray into the Acid Mothers cosmos, welcome aboard.

I recorded this set from our usual location in the venue combined with a board feed from Mercury FOH, Alex. The sound is excellent. Enjoy, and stay tuned for the Knitting Factory set, which we’ll be posting soon.

The Wake to a New Dawn of Another Astro Era Tour 2016 continues! Check here for the remaining Texas and California dates.

Download the complete show at the Live Music Archive.

Stream the complete show:

Acid Mothers Temple
2016-04-05
Mercury Lounge
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Alex Beaulieu) + AKG C480B/CK63 (ROC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:26:30]
01. La Novia
02. The Wizard >
03. Pink Lady Lemonade >
04. IAO Chant >
05. Pink Lady Lemonade
06. Blue Velvet Blues >
07. Another Nanique Dimension
08. Cometary Orbital Drive

If you download this recording from NYCTaper, PLEASE SUPPORT Acid Mothers Temple, visit their website, and buy their records here.

Sunwatchers: March 6, 2016 Palisades & March 11, 2016 The Studio at Webster Hall

March 13, 2016
By

Sunwatchers

Sunwatchers’ self-titled debut record was unleashed on unsuspecting turntables everywhere last week, via Castle Face Records. In celebration, the band embarked on a short tour bookended by two hometown shows: March 6th at Palisades for a late night vegan chili- and alcohol-fueled set, then March 11th opening for Yonatan Gat at the Studio at Webster Hall. We caught up with Sunwatchers for both.

The Palisades recording captures the band playing to an audience of friends and family who know what to expect from their jazz-psych excursions. Most of the record’s cuts are represented here, with a couple non-album additions: “There Are Weapons You Can Take to School” and “New Dad Blues.” For the raucous denouement of “Ape Phases” and “Moonchanges,” Sunwatchers are joined by Sam Kulik on trombone and Jesse DeRosa on trumpet to round out the brass section.

Meanwhile, their Studio at Webster Hall set finds the band among an audience who may not know Sunwatchers yet; but opening for Yonatan Gat, the open-minded had their minds opened indeed. For the shorter opening slot, Sunwatchers pared down to the essentials with album-opener “Heard of Creeps,” “For Sonny,” and “Moonchanges,” plus newcomer to their repertoire, “New Dad Blues.”

I recorded the Palisades set from the stage lip, combined with a board feed from Palisades FOH, Ariel, while Acidjack recording the Studio at Webster Hall set from our usual location at the soundboard with a board feed from the Studio’s FOH, John. The recordings each sound fantastic, presenting different shades of Sunwatchers—I highly recommend both.

Sunwatchers will be back in Brooklyn on March 22, at The Living Gallery. More info here.

Download the complete Palisades show: [MP3/FLAC]

Download the complete Studio at Webster Hall show: [MP3/FLAC/ALAC]

Stream the Palisades show:

Stream the Studio at Webster Hall show:

Sunwatchers

Sunwatchers
2016-03-06
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [59:17]
01. [Intro]
02. Herd of Creeps
03. [banter]
04. For Sonny
05. [banter]
06. There Are Weapons You Can Bring to School
07. [tech break]
08. New Dad Blues
09. [banter]
10. White Woman
11. [banter]
12. Ape Phases
13. [banter]
14. Moonchanges


Sunwatchers
2016-03-11
Studio at Webster Hall
New York, NY  USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (at SBD, DFC, PAS) + Soundboard (engineer: John)>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust balance of SBD, adjust levels)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Herd of Creeps
02 For Sonny
03 [banter]
04 New Dad Blues
05 Moonchanges

Support Sunwatchers: Facebook | Bandcamp | Buy Sunwatchers via Castle Face

Wussy: March 4, 2016 Studio at Webster Hall

March 6, 2016
By

Wussy Webster 2
[photo by Jack Dash]

If you thought that the unqualified success that Wussy achieved as a result of their 2014 year’s best album Attica was the pinnacle of their career, then you’ve joined the long line of people who’ve underestimated this inspiring band. On Friday, Wussy released Forever Sounds and the record takes the band’s sound to higher levels than even the rarefied air of Attica. The opening track “Dropping Houses” is one of the biggest sounding songs the band has ever produced. Chuck Cleaver’s numbers are more confident and aggressive than his recent oeuvre (“She’s Killed Hundreds” and “Gone”) and his material is consistently strong. Lisa Walker continues to be an incredibly versatile performer with a spectrum of songs that draw from everything to hard rock/grunge (the previously mentioned “Dropping Houses”) to folk (the gorgeous “Majestic-12”). In between those poles are what may be her most perfectly realized rock song “Donny’s Death Scene” and her darkest number “Hand of God”. Forever Sounds is also the album where Wussy’s vocals are better than ever, the production is top notch, and the instrumentation is superb. AllMusic says that to call the album a “masterpiece” would be “premature”, but nevertheless its a “deeply satisfying work”. Of all of the positive reviews that have arrived for Forever Sounds, this seems to be the most accurate assessment of this superb record.

As fate would have it, Wussy arrived in NYC on the very day the album was released and played a show at a venue that is perhaps too modest for their current draw, but a place that has been a positive location for the group. We’ve seen them two prior times at The Studio at Webster Hall, and Wussy has played excellent shows each time. But on Friday, all of the planets aligned and Wussy played a show for the ages. The setlist surely consisted of a good dose of the new album (eight of the ten songs were played) but the band also featured some classic material, deep cuts, a cover that we’d seen before (“Ceremony”) and one thoroughly obscure cover. This show was also the longest shows we’ve seen Wussy play — a few seconds longer than the Knitting Factory show in 2014. The packed house seemed to agree, as the band was called back twice for multiple encores.

As we’ve noted often recently, Wussy will return to NYC to play an NYCTaper Presents show at Trans-Pecos on March 30. I can confirm that this show will consist of a very special setlist. And as there is no late night event at Pecos that night, the band will be permitted to play as long as they choose! Tickets are still available [HERE].

I recorded this set with the Schoeps clamped to the soundboard cage and mixed with a soundboard feed superbly done by house FOH David Fine. The result is an outstanding recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show [minus banter tracks]:

Wussy
2016-03-04
Studio at Webster Hall
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer David Fine] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:21:37]
01 [introduction]
02 She’s Killed Hundreds
03 Gone
04 Teenage Wasteland
05 Pizza King
06 Sidewalk Sale
07 Better Days
08 To The Lightning
09 [banter – record release]
10 Hello I’m a Ghost
11 Hand of God
12 [banter – Trans-Pecos]
13 Ceremony [New Order]
14 [banter – look]
15 Dropping Houses
16 [interlude]
17 Beautiful
18 [encore break]
19 Donny’s Death Scene
20 [banter – Dag Nasty]
21 Aliens In Our Midst [The Twinkeyz]
22 Pulverized
23 Airborne
24 [second encore break]
25 Rigor Mortis

SUPPORT Wussy: Website | Buy Forever Sounds | Bandcamp

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