Posts Tagged ‘ Neumann TLM102 ’

Big Ups: July 16, 2016 Out In the Streets Festival

July 21, 2016
By

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Big Ups is one of the very best live bands in New York right now. At the core of that has to be the kinetic-but-controlled performance of vocalist Joe Galarraga, who reminds at times of a skinny Henry Rollins with a sense of humor. Mugging for the crowd, twisting his body into unusual positions, he never loses sight of the music or the message being delivered, which he propels at you in spoken word that rises at the right moments to scream. Brendan Finn (drums), Amar Lal (guitar) and Carlos Salguero (bass) make that performance possible, with controlled dynamics that pay as much attention to the softer interludes as to their songs’ frequent climaxes. Having seen these guys twice in 2014, promoting their first album Eighteen Hours of Static, and been blown away each time, we were eager to see where they’d gone from there.

The band’s 2016 record, Before A Million Universes, advances the conversation both lyrically and musically. At this performance at the Out In the Streets Festival, the band’s growth was evident in the current-album numbers “Contain Myself,” “Hope for Someone,” and “National Parks,” as well as a new piece that explores the soft/loud dynamic even further. On this sweltering, thunderstorm-pocked afternoon, the band commanded a friendly crowd who clearly knew them well, and made the most of the thirty minutes’ time allotted. The band’s music may be darker in tone, but Galarraga doesn’t let that get in the way of having a laugh with the crowd, or pulling faces that fall on the lighter side of serious. Even with the sun shining, by the time the set reached the band’s most straightforward hardcore number, “Goes Black,” we were all living in his world, and there was nothing else around.

In a crowded festival season, Out In the Streets is a perfect, smaller-scale local standout, with a tent to shield the bands and the music part of the crowd in the middle of Ridgewood’s historic Onderdonk House’s ample backyard, ringed with vendors, lounge chairs and picnic tables, and (not to be underestimated) plenty of bathrooms. The lineup, of course, reflected that ethos, with many of the best local acts (including Big Ups and, coming soon, Guerilla Toss) that Brooklyn fans see year-round at clubs like Shea Stadium and Baby’s All Right. It was one of those days that brought together like-minded people in a comfortable, manageable way — and gave us yet another serious jones for more Big Ups.

nyctaper and I recorded this set with his Neumann TLM-102 large-diaphragm microphones and an excellent house mix by Cliff Ribeiro. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the full set:

Big Ups
2016-07-16
Out In the Streets Festival
Onderdonk House
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Neumann TLM-102 (FOB, DFC, PAS) + Soundboard (engineer: Cliff Ribeiro)>Sound Devices 744T>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix
down, compression)>Izotope Ozone 5 (light EQ, exciter, image)>Audacity 2.0.5 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Contain Myself
02 Hope for Someone
03 Not Today
04 Wool
05 [new song]
06 T.M.I.
07 Goes Black
08 National Parks

If you enjoyed this recording, PLEASE SUPPORT Big Ups, visit their websitelike them on Facebook and buy Before A Million Universes from Exploding In Sound.

Chelsea Light Moving: March 2, 2013 Maxwell’s – FLAC/MP3/Streaming

March 3, 2013
By

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[Photos courtesy of P Squared Photography]

Just before ripping into “Burroughs”, their first song, Thurston Moore opened this show by his new band Chelsea Light Moving with a quote from Mike Watt: “When you’re not playing, you’re paying.”

I had to remind myself at several points during this show that the exuberant, youthful guitarist and vocalist on the cozy Maxwell’s stage in his band’s own t-shirt was a 54-year-old member of rock royalty who I had seen perform in front of crowds hundreds of times this size. Sonic Youth may be on hiatus or it may be gone, but Thurston will keep playing – and keep playing well – for as long as he’s breathing. Chelsea Light Moving, as a band, isn’t Sonic Youth, but it isn’t just a dim facsimile of it, either. With Samara Lubelski (a well-known solo artist and member of Thurston’s solo band) on bass, John Moloney (Sunburned Hand of the Man) on drums and Keith Wood (Hush Arbors, Wooden Wand) on guitar, Chelsea Light Moving has an accomplished cast and its own personality. In some ways, CLM feels more like SST-era Sonic Youth – younger, hungrier, rawer. It seems fun to be in this band, in a way that’s almost impossible in a more established one.

Compared to an early performance back in September at 285 Kent (recording here), this time CLM felt more like a real band with real songs than a Moore & Friends jam session, with songs like “Alighted” more fully realized than their rough-sketch forms. There was also new material to be had, including the mid-tempo rocker “Sunday Stage”, which seemed like an homage to Wood’s other band, Hush Arbors. “Empires of Time” was dedicated to another rock n’ roll survivor, Roky Erickson, while “Staring Statues”, the set closer, gave us some Psychic Hearts-era Moore greatness. The entire show might have been worth the price of admission for the encore break alone, as Moore told stories, promised a fan he really would make some Feelies recordings he had said he would make fifteen years ago, and generally held court. He was calm, engaging, relaxed. Free of expectations. Chelsea Light Moving stands as a great band in its own right, and as a second act, it’s more than a worthy one.

We recorded this set from our usual spot in the venue with a flawless soundboard feed by longtime Maxwell’s engineer Carson Kopp and the band’s touring engineer Bentley.  I used a pair of Schoeps MK5 microphones for my source while nyctaper tried out his new set of Neumann TLM-102 large-diaphragm cardiod microphones.  We are offering both sources for your enjoyment, and both are outstanding. Enjoy!

Stream “Staring Statues” from Source 1 (Schoeps):

Stream “Empires of Time” from Source 2 (Neumann):

Download Source 1 (Schoeps): [MP3] | [FLAC]

Download Source 2 (Neumann): [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Chelsea Light Moving
2013-03-02
Maxwell’s
Hoboken, NJ USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineers: Bentley & Carson Kopp)+Schoeps MK5 (PAS)>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape effect exciter)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Burroughs
03 Sleeping Where I Fall
04 Alighted
05 Lip
06 [banter1]
07 Frank O’Hara Hit
08 [banter2]
09 Groovy + Linda
10 No Go
11 Sunday Stage
12 [banter3]
13 Empires of Time
14 [encore break]
15 Staring Statues

If you enjoyed this recording, please support Chelsea Light Moving, visit their website, and buy their debut LP from Matador Records [HERE]

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