Posts Tagged ‘ neumann ’

Kevin Devine: August 23, 2018 Industry City Brooklyn

August 30, 2018
By


[photos by AJ Tobey]

There was a guy in the crowd at the Kevin Devine show at Industry City on Friday who was wearing a “STILL EMO” t-shirt. If by “Emo” we mean an artist who writes candidly about politics, chemical abuse, interpersonal struggles and triumphs, and love, then yeah I guess Devine’s music is technically “Emo”. But as we’ve witnessed in following this superb artist and person for a decade, Kevin Devine is a uniquely honest and passionate performer who makes his audience believe, and rightfully so, that’s he in it with us.

Industry City is essentially a series of re-purposed factories that now house a complex of shops, restaurants, bars, retail stores and offices. In the center is a huge courtyard where Bell House has chosen to host its first annual Summer concert series. This was our first visit to Industry City and we were quite impressed. The setting provided a relaxed vibe and pleasant surroundings for enjoying an early evening Summer concert from one of our favorite artists.

Kevin Devine was joined by two members of the Goddamn Band for this show and the three were in sync all night. Devine released his 9th and most recent studio album Instigator in 2016, but on this night he chose democratically from his deep catalog to provide a lengthy set of material that both opened and closed with Kevin playing intense solo numbers, the apt “Brooklyn Boy” to open and personal favorite “Ballgame” to close. As per usual, there was ample banter with the crowd including multiple references to this being the closest the artist has ever played to his home in Sunset Park. Perhaps buoyed by the surroundings or the fact that there hasn’t been a full Goddamn Band show in New York for quite some time, the trio delivered a memorable night of music that clearly made the fans wish for more of these perfect nights.

I recorded this set with the outdoor-friendly Neumann large diaphragm cards mounted at the soundboard. While the audio was not enhanced by the stage being in-between two large brick buildings, the excellent FOH work by Rob certainly made the “room” work well. The mics were mixed with a well-balanced feed to create an excellent mix and the result is a superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show (minus banter):

Kevin Devine
2018-08-23
Industry City
Brooklyn NY

Digital Master Recording
Soundboard Audience Matrix

Soundboard [Engineer Rob Sutton] > Neumann TLM 102s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:38:04]
01 [introduction]
02 Brooklyn Boy
03 Off Screen
04 The First Hit
05 Between the Concrete and Clouds
06 No Time Flat
07 No Why
08 Instigator
09 Magic Magnet
10 [yesterday’s bird]
11 Bubblegum
12 Bloodhound
13 I Can’t Believe You
14 [never bird]
15 Little Bulldozer
16 You Brushed Her Breath Aside
17 She Can See Me
18 [Bad Books]
19 Just Stay
20 I Could Be With Anyone
21 [band introductions]
22 No History
23 Redbird
24 Cotton Crush
25 Brother’s Blood
26 [MDA Dance]
27 I Was Alive Back Then
28 [thanks]
29 Ballgame

PLEASE SUPPORT Kevin Devine: Website | Buy Music | Bandcamp

Luna: November 18, 2017 Brooklyn Steel

November 27, 2017
By


[photos by Will from We All Want Someone blog]

At some point in the last three years, Luna transitioned from a “reunion” to an actively recording and touring band. This year saw two new Luna releases, a full album of eclectic covers (A Sentimental Education) and an all-instrumental EP (A Place Of Greater Safety). For A Sentimental Education, the band placed their own unique stamp on an interesting selection of covers. It was the first new Luna album in 13 years and it hit all the right buttons — 70s and 80s influences and one 90s contemporary. The selection of songs are for the connoisseur, no obvious tracks to be found.

The final night of Luna’s most recent tour reached Brooklyn Steel two Saturdays ago. This was the largest venue the band had played in NYC maybe ever, and a healthy crowd showed up in support. The band began the night with opening track from Greater Safety and proceeded to treat the fans to a nice selection of classic material mixed with the new versions of memorable tracks from Sentimental. Indeed the set ended with an inspired performance of Mercury Rev’s “Car Wash Hair” followed by a series of encores. On this night, the rarity was an infrequent appearance of the Galaxie 500 classic “Tugboat”.

I recorded this set with the Neumann hypercards mounted at the soundboard and mixed with a superb feed mixed by the band’s outstanding FOH Paul. The blend of the two sources produced perhaps the best of our many recordings of Luna to appear on this site. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Luna
2017-11-18
Brooklyn Steel
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Paul] + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:31:50]
01 GTX3
02 Gin [Willy Loco Alexander]
03 Sideshow by the Seashore
04 Bobby Peru
05 Fire in Cairo [Cure]
06 Malibu Love Nest
07 Tracy I Love You
08 Still at Home
09 Freakin and Peakin
10 One Fine Summer Morning [Evie Sands]
11 Chinatown
12 Friendly Advice
13 I Want Everything
14 Car Wash Hair [Mercury Rev]
15 [encore break]
16 Tugboat
17 23 Minutes in Brussels
18 [second encore break]
19 Moon Palace

SUPPORT Luna:  Website | Bandcamp | Buy A Sentimental Education

A Place To Bury Strangers: July 16, 2017 Out In The Street Festival

August 28, 2017
By


[photo by nyctaper]

It was ten years ago when A Place To Bury Strangers broke. It was during that small window of time when blogs were tastemakers and willy-nilly determined random band flavors of the month. Except when it came to APTBS, their talent and depth were hard to get wrong. This was a band whose intensity was clear and whose ability to project a wall of sound was magnified by Oliver Ackermann’s world class pedal business. The Death By Audio pedal company pre-dated and survived the venue of the same name and the electroncic wizardry and meticulous and inventive craft propelled noise makers of all shapes and sizes, but none more directly than APTBS.

The second day of the annual Out In The Streets Fest was headlined by APTBS and the band came prepared. Before doors even opened for the day, Oliver spent several minutes playing with gadgets in the middle of the floor and he and bassist Dion Lunadon did some neat improv. Hours later in the pitch dark APTBS began their sonic assault and did not let up for the better part of an hour. The band last released an album in 2015 (Transfixiation on Dead Oceans) and several of those songs were featured in the set. But there also seemed to be a handful of newer songs that may feature on an upcoming release. At least it seems that APTBS is gearing up for recording and working out the material on the road — their packed tour schedule cuts through most of Europe through September, October and part of November (dates here). This band still very much has the intensity that first brought them into prominence and this set was our confirmation of that fact. We’ll be back when they return to the US.

I recorded this set with the Neumann large diaphragm cardioids mounted in the center of the floor in front of the soundboard and mixed with an excellent feed from the board. This set was intensely loud and the band was plentiful in its use of effects, so there are some moments where the mix is rough, but overall this is an excellent representation of a tremendous set. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

A Place To Bury Strangers
2017-07-16
Out in the Streets Fest
The Well
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Cliff Ribeiro] + Neumann TLM-102s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 42:44]
01 [intro]
02 We’ve Come So Far
03 [unknown 1]
04 Deadbeat
05 Drill It Up
06 [unknown 2]
07 Situations Change
08 Ocean
09 Never Hold Back
10 [unknown 3]
11 [unknown 4]
12 [unknown 5]

(Any help with titles of songs marked unknown would be much appreciated)

PLEASE SUPPORT A Place To Bury Strangers: Website | Dead Oceans Page | Store

Waxahatchee: July 15, 2017 Warsaw BK

July 25, 2017
By


[photos by Joe Saturday – courtesy of We All Want Someone blog]

Last September, Katie and Allison Crutchfield’s first major band PS Eliot reunited for a brief tour and the results were quite impressive. The show we captured at Market Hotel was one of the best nights of last year. Ten months later, Katie’s main band Waxahatchee has released its latest album and it appears that last year’s return to the earlier emo/punk of her career influenced the sound of the new album. Out In the Storm (Merge Records) was produced by the great John Agnello whose credits include Dinosaur Jr. and Sonic Youth, and it comes as no surprise that this is the most guitar-centric Waxahatchee album. That being said, its also undoubtedly the best sounding album in the band’s catalog and the song-writing fits perfectly with the production. The record chronicles the inner conflict of a person going through a difficult break-up and the anger and aggression and the power production matches perfectly.

Waxahatchee is currently on tour and the Brooklyn show was advertised as an album release show. Katie and Allison are originally from Alabama and currently live in Philadelphia, but each have great affection for Brooklyn. And as became obvious at this sold out Warsaw show, the borough loves them too. This was the largest show in the band’s history and they certainly rose to the occasion. With a crack band behind them, the sisters played a powerful set of material from the the last three albums mixed pretty evenly, but it was the newer tracks that brought the energy. If music is the universal emotional healing elixir, then whatever damage was suffered by the protagonist of Out In The Storm should have been thoroughly exorcised by the close of this outstanding show.

Waxahatchee is on an extensive world tour that last through November. Their many dates on posted on their Facebook page [here].

I recorded this set with the Neumann hypercardioids mixed with and board feed, and the sound is excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Waxahatchee
2017-07-15
Warsaw
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:07:55]
01 Recite Remorse
02 Silver
03 Poison
04 Misery Over Dispute
05 The Dirt
06 Sparks Fly
07 Eight Ball
08 Brother Bryan
09 Lively
10 Never Been Wrong
11 Hear You
12 Air
13 Waiting
14 Coast to Coast
15 Brass Beam
16 A Little More
17 [band introductions]
18 No Question
19 Peace And Quiet
20 [encore break]
21 La Loose
22 Fade
23 Under a Rock

SUPPORT Waxahatchee:  website | Purchase Out In The Storm

Wilco: June 23, 2017 Solid Sound Festival (complete Being There and Yankee Hotel Foxtrot)

June 27, 2017
By


[photos by Robert Loerzel from Underground Bee]

Being There was released in October of 1996 and I saw Wilco live for the first time a month later at Mercury Lounge for a show that would change the course of my musical life. Like many of the attendees of this year’s Solid Sound Festival, I’ve seen Wilco probably more than fifty times in a variety of locations. I’ve seen multiple shows supporting all of the albums of their career, I’ve seen acoustic sets, many guest appearances, the all-covers set. I’ve seen them play in small halls, big halls, theatres, baseball stadiums, a brewery, festivals, and even at Madison Square Garden. But the seminal event of seeing and hearing the band close-up play brand new Being There songs was an experience that took me down this path and permanently affixed those songs to my psyche.

Twenty-something years later, Wilco delivered on the now-traditional (2013-all covers, 2015-all acoustic) Solid Sound Friday request set by playing the album straight-through. It says something about the staying power of the material that almost all of these songs are either still set staples or occasional plays for the band’s “regular” shows. But hearing the material in sequence brings me back to the cramped confines of Mercury on that chilly November night and reminds me why I still go to such lengths to see Wilco. But oh, if the Being There performance was all you expected from Friday night’s set, the “encore” segment was a huge Wilco curveball. Upon returning to the stage, the band jumped into “I Am Trying to Break Your Heart”, a not uncommon encore song. And then kept playing — the entire Yankee Hotel Foxtrot also in its entirety. Its took the opening notes of rarely played “Radio Cure” for our correspondent Gr8fulPete to recognize what was happening, but when it dawned on the crowd you can hear the shock and utter surprise of those witnessing this encore set for the ages.

Pete also recorded Saturday night’s set and the Sunday Tweedy & Friends set and those will be coming to the site in the coming days.

Pete recorded this show with his high end Neumann cards from directly at the soundboard cage area and the sound quality is outstanding. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Wilco
2017-06-23
Solid Sound Festival
North Adams MA

Digital Master Audience Recording
Recorded inside Soundboard Cage

Neumann KM-185s > Sound Devices 702 > 24bit 48kHz wav file > Soundforge (post-production) >
CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by gr8fulpete
Produced by nyctaper

Setlist:
[Total Time 2:14:13]
01 [Nick Offerman Introduction]
02 Misunderstood
03 Far Far Away
04 Monday
05 Outtasite (Outta Mind)
06 Forget the Flowers
07 Red-Eyed and Blue
08 I Got You (At the End of the Century)
09 What’s the World Got in Store
10 Hotel Arizona
11 Say You Miss Me
12 Sunken Treasure
13 Someday Soon
14 Outta Mind (Outta Sight)
15 Someone Else’s Song
16 Kingpin
17 Was I In Your Dreams
18 Why Would You Wanna Live
19 The Lonely One
20 Dreamer in My Dreams
21 [encore break]
22 I Am Trying to Break Your Heart
23 Kamera
24 Radio Cure
25 War on War
26 Jesus Etc
27 Ashes of American Flags
28 Heavy Metal Drummer
29 I’m the Man Who Loves You
30 Pot Kettle Black
31 Poor Places
32 Reservations

PLEASE SUPPORT Wilco, visit their website, and purchase their Star Wars and their other releases from their website [HERE]


[photo by Pete]

Animal Collective: May 23, 2017 Brooklyn Steel

May 29, 2017
By


[photos by Will Oliver of We All Want Someone blog]

Last year, I wrote about this site’s history with Animal Collective and celebrated the serious rejuvenation of the band’s fortunes. That show at Irving Plaza was our first introduction to the live performances of the Painting With material. We also caught the show later in the year at Terminal 5. In the ensuing months, Animal Collective released two EPs with material related to the album and continued to tour. This Spring saw their return to NYC for a show at the new Bowery Presents venue Brooklyn Steel and last Tuesday’s show was perhaps the most powerful Animal Collective performance we’ve experienced in more than a decade of seeing the band.

This was our first experience at Brooklyn Steel and I was impressed. There’s definitely a nice vibe to the venue, and the sound quality from our vantage point was on point — full spectrum rich sound with no boominess at all. The intensity of the acoustics in the venue served the band well, as Animal Collective provided thundering bass beats to accompany the multi-layered three-pronged sound delivery system. This tour’s version of the band features Panda, Geologist and Avey across the front accompanied by drummer Jeremy Hyman at center rear of the stage. The set featured much of the recent material but also satisfied long-time fans with older tracks democratically selected from their many releases and some deep cuts not heard in years. The sold-out crowd called the band back after a healthy 75 minute main set and we were treated to an extended encore set that closed the night with a lengthy and rousing version of “Summertime Clothes”.

Animal Collective’s tour continues with some June and July shows, all dates [here].

I recorded this set with the Neumann hypercards mounted at the elevated area inside of the soundboard area and with the mics raised high. The amazing sound in the venue and the choice of microphones worked perfectly as this recording is really quite superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Animal Collective
2017-05-23
Brooklyn Steel
Brooklyn NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Neumann KM-150 Hypercardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:36:14]
01 Kinda Bonkers
02 Hounds of Bairro
03 Sweet Road
04 Bees
05 Guys Eyes
06 Taste
07 Lying in the Grass
08 Pride and Fight
09 Peacemaker
10 Summing the Wretch
11 FloriDada
12 [encore break]
13 Kids on Holiday
14 On Delay
15 Summertime Clothes

SUPPORT ANIMAL COLLECTIVE: Website | Buy Painting With | Facebook

Sebadoh: April 22, 2017 Bell House

April 30, 2017
By


[photo by nyctaper]

In the half-dozen times I’ve seen Sebadoh live, I had never experienced a performance as good as their set at the Bell House last week. The band seemed relaxed and focused and worked through an hour-long set of inspired music. Perhaps buoyed by the fact that in this “co-headline” show they were tasked with playing second of three bands, Sebadoh had a few moments of playful banter, but for the most part were all business.

The set was structured to allow each song protagonist to play a mini-set of their material before a changeover. The show began with five Lou Barlow songs before Jason Loewenstein took over on the guitar at centerstage and played six of his songs, before Lou finished the set with four songs. The band released an album (Defend Yourself) and an EP early this decade after an extended hiatus, but this show was a fair representation of all of their material, newer and classic. This show was the last night of a brief five-city tour after the band played just three dates in 2016. If the Bell House set indicates the high quality of the band’s current performances, we hope that 2017 sees more dates for Sebadoh, particularly locally.

I recorded this set with the Neumann hypers mounted at the soundboard rail and mixed with an excellent feed by veteran house FOH Dave. There is one moment of feedback in the first minute, but overall the sound quality of this recording is superb — possibly the best recording we’ve ever made in this venue. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Set:

Sebadoh
2017-04-22
Bell House
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Dave] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 54:02]
01 Not a Friend
02 Homemade
03 State of Mine
04 Soul and Fire
05 Beauty of the Ride
06 [changeover]
07 Got It
08 It’s All You
09 Drag Down
10 Prince-s
11 Beat
12 [banter – pieces of meat]
13 My Drugs
14 [change back]
15 I Will
16 Rebound
17 Skull
18 Arbitrary High

PLEASE SUPPORT Sebadoh:  Facebook | Bandcamp

Teenage Fanclub: March 27, 2017 Warsaw Brooklyn

April 3, 2017
By


[photo by Dean Keim]

We approached the return of Teenage Fanclub this past Fall with much optimism and we were rewarded with a superb new album and an outstanding show in October at Bowery Ballroom. The band has aged well — in particular the harmonies and songwriting remain top notch three decades into their career. Six months later, Teenage Fanclub has toured the world and as this phase of their career comes to a close, the band played Brooklyn last Monday as the final night of the tour. The success of this year’s work was evident in the size of the venue — from a 500 ticket Bowery show in October that sold out on the day of the show to a 1000 capacity Warsaw that was packed

At Warsaw, the Fannies were in a relaxed and playful mood and the band’s interaction with the large crowd was frequent. Norman Blake spoke frankly about the band’s previous night’s end-of-tour party, but if the players were feeling the effects it did not show in the performance which was as tight and focused as expected. The band took a request from a fan who had brought a sign asking for “Going Places” and the band took a brief break to work through the song before performing it. The setlist was varied from the October show and included a few tracks not played back then, including a tribute to the late Grant McLennan. After a four-song encore set, the band waved goodbye but given the success of this most recent reunion, we don’t expect it will be long before Teenage Fanclub returns.

I recorded this set with the Hypercards mounted back at the soundboard and mixed with an excellent feed. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Teenage Fanclub
2017-03-27
Warsaw
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer David] + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:35:05]
01 Start Again
02 Don’t Look Back
03 Hold On
04 I Don’t Want Control of You
05 Thin Air
06 Verisimilitude
07 It’s All in My Mind
08 The First Sight
09 About You
10 I Need Direction
11 The Darkest Part of the Night
12 Je T’Aime tease [Serge Gainsbourg]
13 Can’t Feel My Soul
14 Ain’t That Enough
15 [banter – end of tour]
16 Going Places
17 I’m in Love
18 Sparky’s Dream
19 The Concept
20 [encore break]
21 I Was Beautiful When I Was Alive
22 Star Sign
23 Easy Come Easy Go [Grant McLennan]
24 [banter – thanks]
25 Everything Flows

SUPPORT Teenage Fanclub: Website | Facebook | Purchase Here from Merge Records

Jeff Rosenstock: November 18, 2016 Villain BK

January 12, 2017
By

It is an objective fact that Jeff Rosenstock released one of the best albums of 2016, if not the best record of the year. WORRY is a work that exhibits all of the positive qualities of contemporary punk by one of the genre’s most consistently excellent and prolific performers over the last two decades. During that time, Rosenstock has been a virtually unlimited fount of quality music, having participated as band member, contributor or producer in something like thirty albums in the last fifteen years. But Rosenstock’s recent solo albums may be his highest quality output of his career. WORRY builds on the overwhelming success of his excellent 2015 album We Cool?. The fan response to it crashed the SideOneDummy Records website on the day of its release.

WORRY is album that walks the listener through a set of modern problems in a series of songs that touch on multiple genres all anchored by the indefatigable Jeff Rosenstock. Early in his career Rosenstock fronted a ska-punk band and then an anarchist-punk band but in his late thirties he’s now not beholden to any particular genre. The album touches on themes of loneliness, oppression, politics and music — all of which are pointless without our emotional investment in other people. Indeed “…While You’re Alive” concludes as the penultimate track on the record, by declaring that ultimately “Love is Worry”. We may never be able to achieve a perfect existence (“Perfect Sound Whatever”), but if we appreciate the small events, we’ll be truly alive. Its a simple but effective message from a performer who has spent his career confronting negativity and apathy with a singular work ethic and drive.

The Jeff Rosenstock Fall Tour came to a close on a cold November night in a converted warehouse in Brooklyn a mere ten days after perhaps the most devastating political moment of our lives. The final night of the tour was filled with much love and appreciation for the bands and fans who had supported him throughout, but the night was also fueled by purposeful rage and resistance. Rosenstock dealt with these issues throughout the set but also focused on the healing power of music. The set drew primarily from We Cool? and WORRY material, including an epic segue of the last eleven songs from WORRY to close the set. The band encored with “Police on My Back”, which Rosenstock unfortunately noted as a Clash song. Perhaps the only down moment of the night was that he failed to call attention to the composers of that song, The Equals — a 1960s racially-integrated London band who experienced actual police oppression of immigrant culture. Its a theme sadly still relevant nearly fifty years after the release of that song. Otherwise, the night was an inspiration and Jeff Rosenstock continues to cement his status as perhaps the most important punk artist composing today. Moving forward through 2017 and after, we’re going to need artists like Rosenstock whose life’s work is hell bent on resisting the wave of hate and intolerance bubbling up from the worst aspects of our society.

Jeff Rosenstock is back on tour next month, including two local shows. The just-announced Antarctigo Vespucci (Rosenstock and Chris Farren) show at Trans-Pecos is February 11, and a Jeff Rosenstock date opening for Menzingers at Irving Plaza is on March 30. All dates HERE.

I recorded this set with the Neumann hypers mounted at the soundboard on the far right and mixed with a board feed. The balance and mix took a while the get right but I believe this is now an excellent recording that definitely captures the energy of that great night. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Jeff Rosenstock
2016-11-18
Villain
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Ryan] + Neumann KM-150 Hypers > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:08:27]
01 Wave Goodnight To Me
02 I’m Serious I’m Sorry
03 Hey Allison
04 Pash Rash
05 [banter – on tour]
06 To Be a Ghost
07 Festival Song
08 [banter – donations]
09 Beers Again Alone
10 Nausea
11 [banter – Worry]
12 Pietro 60 Years Old
13 I Did Something Weird Last Night
14 Blast Damage Days
15 Bang on the Door
16 Rainbow
17 Planet Luxury
18 HELLLLHOOOOLE
19 June 21st
20 The Fuzz
21 While You’re Alive
22 Perfect Sound Whatever
23 You In Weird Cities
24 [encore break]
25 Teenager
26 Police on My Back [The Equals]

SUPPORT Jeff Rosenstock: Bandcamp | Tumblr | Buy WORRY at SideOneDummy Records

AJJ: November 6, 2016 Warsaw BK

November 13, 2016
By

ajj_byericalauren02
[photos by Erica Lauren]

“You’re an irreplaceable human soul with your own understanding of what it means to suffer” sings Sean Bonnette in AJJ’s “People II 2: Still Peoplin'”. The band formerly known as Andrew Jackson Jihad has spent its decade-long career writing songs about the myriad of issues involving depression, anxiety and bi-polar disorders. This year AJJ released its sixth full-length album The Bible 2 and the record offers a breakthrough of sorts — not in a traditional music industry sense — but rather a true explication of a path beyond a life dictated by the limitations of mental illness. The linked tracks “No More Shame, No More Fear, No More Dread” and “Small Red Boy” plot a path to wellness through self-determination. While the message may not work for everyone, the concept that we are in control of our own destinies — even if only a little bit — is inspiring and hopeful. AJJ has often used dark humor to offset the troubles of the characters in their songs, but the protagonist in songs like “People II: The Reckoning” lives in a spiral of “manic depression” that “comes and goes”. The Bible 2 offers a character who swears off doubt, resentment, fear, and fixations, and ultimately controls the inner devil “Red Boy” through power, truth and nurture.

AJJ are currently on tour in support of the new album and arrived in Brooklyn last Sunday for a show at Warsaw. This is the band’s third performance at this venue, after the date last year that we recorded at Knitting Factory. From the outset, the energy was palpable — this is a band with a tremendous relationship with its fans. There was two times during the night when AJJ had to ask the crowd to move back to prevent crushing the people up front. The set was culled from a strong representation of the band’s best material and included most of The Bible 2. In the end, it was clear that this is a band at the top if its game and offering a message that is both welcome and necessary for all of its fans.

I recorded this set by using the hypercardioid Neumanns from the front of the soundboard in this large venue. The excellent board feed was provided by the band’s superb touring FOH Stripes and the mix resulted in a recording of which we are extremely pleased. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

AJJ
2016-11-06
Warsaw
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Stripes] + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:32:27]
01 [introduction]
02 The Michael Jordan of Drunk Driving
03 Gift of the Magi Two
04 Distance
05 Cody’s Theme
06 [banter – false start]
07 Fucc The Devil
08 Love in the Time of Human Papillomavirus
09 A Song Dedicated to the Memory of Stormy the Rabbit
10 Bad Bad Things
11 Coffin Dance
12 Do Re And Me
13 American Garbage
14 [banter – Erica]
15 Little Prince
16 People II – Still Peoplin
17 Rejoice
18 El Paso Border Patrol
19 My Brain Is A Human Body
20 No More Shame, No More Fear, No More Dread
21 Personal Space Invader
22 Love Will Fuck Us Apart
23 Back Pack
24 Terrifyer
25 [banter – Samsung]
26 Heartilation
27 Kokopelli Face Tattoo
28 Black Dog
29 Goodbye, Oh Goodbye
30 Small Red Boy
31 When I’m A Dead Boy
32 Big Bird
33 [encore break]
34 Brave as a Noun

SUPPORT AJJ: Website | Facebook | Purchase The Bible 2 from SideOneDummy Records [HERE].

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