Posts Tagged ‘ neumann ’

Wilco: June 23, 2017 Solid Sound Festival (complete Being There and Yankee Hotel Foxtrot)

June 27, 2017
By


[photos by Robert Loerzel from Underground Bee]

Being There was released in October of 1996 and I saw Wilco live for the first time a month later at Mercury Lounge for a show that would change the course of my musical life. Like many of the attendees of this year’s Solid Sound Festival, I’ve seen Wilco probably more than fifty times in a variety of locations. I’ve seen multiple shows supporting all of the albums of their career, I’ve seen acoustic sets, many guest appearances, the all-covers set. I’ve seen them play in small halls, big halls, theatres, baseball stadiums, a brewery, festivals, and even at Madison Square Garden. But the seminal event of seeing and hearing the band close-up play brand new Being There songs was an experience that took me down this path and permanently affixed those songs to my psyche.

Twenty-something years later, Wilco delivered on the now-traditional (2013-all covers, 2015-all acoustic) Solid Sound Friday request set by playing the album straight-through. It says something about the staying power of the material that almost all of these songs are either still set staples or occasional plays for the band’s “regular” shows. But hearing the material in sequence brings me back to the cramped confines of Mercury on that chilly November night and reminds me why I still go to such lengths to see Wilco. But oh, if the Being There performance was all you expected from Friday night’s set, the “encore” segment was a huge Wilco curveball. Upon returning to the stage, the band jumped into “I Am Trying to Break Your Heart”, a not uncommon encore song. And then kept playing — the entire Yankee Hotel Foxtrot also in its entirety. Its took the opening notes of rarely played “Radio Cure” for our correspondent Gr8fulPete to recognize what was happening, but when it dawned on the crowd you can hear the shock and utter surprise of those witnessing this encore set for the ages.

Pete also recorded Saturday night’s set and the Sunday Tweedy & Friends set and those will be coming to the site in the coming days.

Pete recorded this show with his high end Neumann cards from directly at the soundboard cage area and the sound quality is outstanding. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Wilco
2017-06-23
Solid Sound Festival
North Adams MA

Digital Master Audience Recording
Recorded inside Soundboard Cage

Neumann KM-185s > Sound Devices 702 > 24bit 48kHz wav file > Soundforge (post-production) >
CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by gr8fulpete
Produced by nyctaper

Setlist:
[Total Time 2:14:13]
01 [Nick Offerman Introduction]
02 Misunderstood
03 Far Far Away
04 Monday
05 Outtasite (Outta Mind)
06 Forget the Flowers
07 Red-Eyed and Blue
08 I Got You (At the End of the Century)
09 What’s the World Got in Store
10 Hotel Arizona
11 Say You Miss Me
12 Sunken Treasure
13 Someday Soon
14 Outta Mind (Outta Sight)
15 Someone Else’s Song
16 Kingpin
17 Was I In Your Dreams
18 Why Would You Wanna Live
19 The Lonely One
20 Dreamer in My Dreams
21 [encore break]
22 I Am Trying to Break Your Heart
23 Kamera
24 Radio Cure
25 War on War
26 Jesus Etc
27 Ashes of American Flags
28 Heavy Metal Drummer
29 I’m the Man Who Loves You
30 Pot Kettle Black
31 Poor Places
32 Reservations

PLEASE SUPPORT Wilco, visit their website, and purchase their Star Wars and their other releases from their website [HERE]


[photo by Pete]

Animal Collective: May 23, 2017 Brooklyn Steel

May 29, 2017
By


[photos by Will Oliver of We All Want Someone blog]

Last year, I wrote about this site’s history with Animal Collective and celebrated the serious rejuvenation of the band’s fortunes. That show at Irving Plaza was our first introduction to the live performances of the Painting With material. We also caught the show later in the year at Terminal 5. In the ensuing months, Animal Collective released two EPs with material related to the album and continued to tour. This Spring saw their return to NYC for a show at the new Bowery Presents venue Brooklyn Steel and last Tuesday’s show was perhaps the most powerful Animal Collective performance we’ve experienced in more than a decade of seeing the band.

This was our first experience at Brooklyn Steel and I was impressed. There’s definitely a nice vibe to the venue, and the sound quality from our vantage point was on point — full spectrum rich sound with no boominess at all. The intensity of the acoustics in the venue served the band well, as Animal Collective provided thundering bass beats to accompany the multi-layered three-pronged sound delivery system. This tour’s version of the band features Panda, Geologist and Avey across the front accompanied by drummer Jeremy Hyman at center rear of the stage. The set featured much of the recent material but also satisfied long-time fans with older tracks democratically selected from their many releases and some deep cuts not heard in years. The sold-out crowd called the band back after a healthy 75 minute main set and we were treated to an extended encore set that closed the night with a lengthy and rousing version of “Summertime Clothes”.

Animal Collective’s tour continues with some June and July shows, all dates [here].

I recorded this set with the Neumann hypercards mounted at the elevated area inside of the soundboard area and with the mics raised high. The amazing sound in the venue and the choice of microphones worked perfectly as this recording is really quite superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Animal Collective
2017-05-23
Brooklyn Steel
Brooklyn NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Neumann KM-150 Hypercardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:36:14]
01 Kinda Bonkers
02 Hounds of Bairro
03 Sweet Road
04 Bees
05 Guys Eyes
06 Taste
07 Lying in the Grass
08 Pride and Fight
09 Peacemaker
10 Summing the Wretch
11 FloriDada
12 [encore break]
13 Kids on Holiday
14 On Delay
15 Summertime Clothes

SUPPORT ANIMAL COLLECTIVE: Website | Buy Painting With | Facebook

Sebadoh: April 22, 2017 Bell House

April 30, 2017
By


[photo by nyctaper]

In the half-dozen times I’ve seen Sebadoh live, I had never experienced a performance as good as their set at the Bell House last week. The band seemed relaxed and focused and worked through an hour-long set of inspired music. Perhaps buoyed by the fact that in this “co-headline” show they were tasked with playing second of three bands, Sebadoh had a few moments of playful banter, but for the most part were all business.

The set was structured to allow each song protagonist to play a mini-set of their material before a changeover. The show began with five Lou Barlow songs before Jason Loewenstein took over on the guitar at centerstage and played six of his songs, before Lou finished the set with four songs. The band released an album (Defend Yourself) and an EP early this decade after an extended hiatus, but this show was a fair representation of all of their material, newer and classic. This show was the last night of a brief five-city tour after the band played just three dates in 2016. If the Bell House set indicates the high quality of the band’s current performances, we hope that 2017 sees more dates for Sebadoh, particularly locally.

I recorded this set with the Neumann hypers mounted at the soundboard rail and mixed with an excellent feed by veteran house FOH Dave. There is one moment of feedback in the first minute, but overall the sound quality of this recording is superb — possibly the best recording we’ve ever made in this venue. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Set:

Sebadoh
2017-04-22
Bell House
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Dave] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 54:02]
01 Not a Friend
02 Homemade
03 State of Mine
04 Soul and Fire
05 Beauty of the Ride
06 [changeover]
07 Got It
08 It’s All You
09 Drag Down
10 Prince-s
11 Beat
12 [banter – pieces of meat]
13 My Drugs
14 [change back]
15 I Will
16 Rebound
17 Skull
18 Arbitrary High

PLEASE SUPPORT Sebadoh:  Facebook | Bandcamp

Teenage Fanclub: March 27, 2017 Warsaw Brooklyn

April 3, 2017
By


[photo by Dean Keim]

We approached the return of Teenage Fanclub this past Fall with much optimism and we were rewarded with a superb new album and an outstanding show in October at Bowery Ballroom. The band has aged well — in particular the harmonies and songwriting remain top notch three decades into their career. Six months later, Teenage Fanclub has toured the world and as this phase of their career comes to a close, the band played Brooklyn last Monday as the final night of the tour. The success of this year’s work was evident in the size of the venue — from a 500 ticket Bowery show in October that sold out on the day of the show to a 1000 capacity Warsaw that was packed

At Warsaw, the Fannies were in a relaxed and playful mood and the band’s interaction with the large crowd was frequent. Norman Blake spoke frankly about the band’s previous night’s end-of-tour party, but if the players were feeling the effects it did not show in the performance which was as tight and focused as expected. The band took a request from a fan who had brought a sign asking for “Going Places” and the band took a brief break to work through the song before performing it. The setlist was varied from the October show and included a few tracks not played back then, including a tribute to the late Grant McLennan. After a four-song encore set, the band waved goodbye but given the success of this most recent reunion, we don’t expect it will be long before Teenage Fanclub returns.

I recorded this set with the Hypercards mounted back at the soundboard and mixed with an excellent feed. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Teenage Fanclub
2017-03-27
Warsaw
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer David] + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:35:05]
01 Start Again
02 Don’t Look Back
03 Hold On
04 I Don’t Want Control of You
05 Thin Air
06 Verisimilitude
07 It’s All in My Mind
08 The First Sight
09 About You
10 I Need Direction
11 The Darkest Part of the Night
12 Je T’Aime tease [Serge Gainsbourg]
13 Can’t Feel My Soul
14 Ain’t That Enough
15 [banter – end of tour]
16 Going Places
17 I’m in Love
18 Sparky’s Dream
19 The Concept
20 [encore break]
21 I Was Beautiful When I Was Alive
22 Star Sign
23 Easy Come Easy Go [Grant McLennan]
24 [banter – thanks]
25 Everything Flows

SUPPORT Teenage Fanclub: Website | Facebook | Purchase Here from Merge Records

Jeff Rosenstock: November 18, 2016 Villain BK

January 12, 2017
By

It is an objective fact that Jeff Rosenstock released one of the best albums of 2016, if not the best record of the year. WORRY is a work that exhibits all of the positive qualities of contemporary punk by one of the genre’s most consistently excellent and prolific performers over the last two decades. During that time, Rosenstock has been a virtually unlimited fount of quality music, having participated as band member, contributor or producer in something like thirty albums in the last fifteen years. But Rosenstock’s recent solo albums may be his highest quality output of his career. WORRY builds on the overwhelming success of his excellent 2015 album We Cool?. The fan response to it crashed the SideOneDummy Records website on the day of its release.

WORRY is album that walks the listener through a set of modern problems in a series of songs that touch on multiple genres all anchored by the indefatigable Jeff Rosenstock. Early in his career Rosenstock fronted a ska-punk band and then an anarchist-punk band but in his late thirties he’s now not beholden to any particular genre. The album touches on themes of loneliness, oppression, politics and music — all of which are pointless without our emotional investment in other people. Indeed “…While You’re Alive” concludes as the penultimate track on the record, by declaring that ultimately “Love is Worry”. We may never be able to achieve a perfect existence (“Perfect Sound Whatever”), but if we appreciate the small events, we’ll be truly alive. Its a simple but effective message from a performer who has spent his career confronting negativity and apathy with a singular work ethic and drive.

The Jeff Rosenstock Fall Tour came to a close on a cold November night in a converted warehouse in Brooklyn a mere ten days after perhaps the most devastating political moment of our lives. The final night of the tour was filled with much love and appreciation for the bands and fans who had supported him throughout, but the night was also fueled by purposeful rage and resistance. Rosenstock dealt with these issues throughout the set but also focused on the healing power of music. The set drew primarily from We Cool? and WORRY material, including an epic segue of the last eleven songs from WORRY to close the set. The band encored with “Police on My Back”, which Rosenstock unfortunately noted as a Clash song. Perhaps the only down moment of the night was that he failed to call attention to the composers of that song, The Equals — a 1960s racially-integrated London band who experienced actual police oppression of immigrant culture. Its a theme sadly still relevant nearly fifty years after the release of that song. Otherwise, the night was an inspiration and Jeff Rosenstock continues to cement his status as perhaps the most important punk artist composing today. Moving forward through 2017 and after, we’re going to need artists like Rosenstock whose life’s work is hell bent on resisting the wave of hate and intolerance bubbling up from the worst aspects of our society.

Jeff Rosenstock is back on tour next month, including two local shows. The just-announced Antarctigo Vespucci (Rosenstock and Chris Farren) show at Trans-Pecos is February 11, and a Jeff Rosenstock date opening for Menzingers at Irving Plaza is on March 30. All dates HERE.

I recorded this set with the Neumann hypers mounted at the soundboard on the far right and mixed with a board feed. The balance and mix took a while the get right but I believe this is now an excellent recording that definitely captures the energy of that great night. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Jeff Rosenstock
2016-11-18
Villain
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Ryan] + Neumann KM-150 Hypers > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:08:27]
01 Wave Goodnight To Me
02 I’m Serious I’m Sorry
03 Hey Allison
04 Pash Rash
05 [banter – on tour]
06 To Be a Ghost
07 Festival Song
08 [banter – donations]
09 Beers Again Alone
10 Nausea
11 [banter – Worry]
12 Pietro 60 Years Old
13 I Did Something Weird Last Night
14 Blast Damage Days
15 Bang on the Door
16 Rainbow
17 Planet Luxury
18 HELLLLHOOOOLE
19 June 21st
20 The Fuzz
21 While You’re Alive
22 Perfect Sound Whatever
23 You In Weird Cities
24 [encore break]
25 Teenager
26 Police on My Back [The Equals]

SUPPORT Jeff Rosenstock: Bandcamp | Tumblr | Buy WORRY at SideOneDummy Records

AJJ: November 6, 2016 Warsaw BK

November 13, 2016
By

ajj_byericalauren02
[photos by Erica Lauren]

“You’re an irreplaceable human soul with your own understanding of what it means to suffer” sings Sean Bonnette in AJJ’s “People II 2: Still Peoplin'”. The band formerly known as Andrew Jackson Jihad has spent its decade-long career writing songs about the myriad of issues involving depression, anxiety and bi-polar disorders. This year AJJ released its sixth full-length album The Bible 2 and the record offers a breakthrough of sorts — not in a traditional music industry sense — but rather a true explication of a path beyond a life dictated by the limitations of mental illness. The linked tracks “No More Shame, No More Fear, No More Dread” and “Small Red Boy” plot a path to wellness through self-determination. While the message may not work for everyone, the concept that we are in control of our own destinies — even if only a little bit — is inspiring and hopeful. AJJ has often used dark humor to offset the troubles of the characters in their songs, but the protagonist in songs like “People II: The Reckoning” lives in a spiral of “manic depression” that “comes and goes”. The Bible 2 offers a character who swears off doubt, resentment, fear, and fixations, and ultimately controls the inner devil “Red Boy” through power, truth and nurture.

AJJ are currently on tour in support of the new album and arrived in Brooklyn last Sunday for a show at Warsaw. This is the band’s third performance at this venue, after the date last year that we recorded at Knitting Factory. From the outset, the energy was palpable — this is a band with a tremendous relationship with its fans. There was two times during the night when AJJ had to ask the crowd to move back to prevent crushing the people up front. The set was culled from a strong representation of the band’s best material and included most of The Bible 2. In the end, it was clear that this is a band at the top if its game and offering a message that is both welcome and necessary for all of its fans.

I recorded this set by using the hypercardioid Neumanns from the front of the soundboard in this large venue. The excellent board feed was provided by the band’s superb touring FOH Stripes and the mix resulted in a recording of which we are extremely pleased. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

AJJ
2016-11-06
Warsaw
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Stripes] + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:32:27]
01 [introduction]
02 The Michael Jordan of Drunk Driving
03 Gift of the Magi Two
04 Distance
05 Cody’s Theme
06 [banter – false start]
07 Fucc The Devil
08 Love in the Time of Human Papillomavirus
09 A Song Dedicated to the Memory of Stormy the Rabbit
10 Bad Bad Things
11 Coffin Dance
12 Do Re And Me
13 American Garbage
14 [banter – Erica]
15 Little Prince
16 People II – Still Peoplin
17 Rejoice
18 El Paso Border Patrol
19 My Brain Is A Human Body
20 No More Shame, No More Fear, No More Dread
21 Personal Space Invader
22 Love Will Fuck Us Apart
23 Back Pack
24 Terrifyer
25 [banter – Samsung]
26 Heartilation
27 Kokopelli Face Tattoo
28 Black Dog
29 Goodbye, Oh Goodbye
30 Small Red Boy
31 When I’m A Dead Boy
32 Big Bird
33 [encore break]
34 Brave as a Noun

SUPPORT AJJ: Website | Facebook | Purchase The Bible 2 from SideOneDummy Records [HERE].

ajj_byericalauren01

Matthew Shipp and Bobby Kapp: September 17, 2016 Trans Pecos

September 22, 2016
By

matthew-shipp-and-bobby-kapp-at-trans-pecos
[photos by nyctaper]

If there is a valid criticism of this site’s work, its our paucity of recordings of NYC’s vibrant modern and avant jazz community. We have been steadfast (particularly since EricPH joined the crew) in our documentation of the local noise scene, which has on occasion crossed the line into jazz (Zs at Bowery) but when it comes to the legendary performers playing in our midst, we’ve been remiss. But what we experienced and captured on Saturday at Trans-Pecos should go a long way towards rectifying the slight.

Matthew Shipp has been a fixture in the NYC jazz scene for more than three decades. His solo work has been lauded since he became a regular in the downtown new jazz clubs in the early 90s for his unique expressive freeform style. He’s also been a collaborative performer most notably as a longtime member of the David S. Ware group. My first experience seeing Shipp live was at the old Knitting Factory on Leonard Street in the late 90s at a show where he teamed with frequent partner bassist (and current Trans-Pecos curator) William Parker.

Bobby Kapp too has a long and storied history in NYC jazz that dates even further back, as Kapp first came onto the scene in the 1960s, most notably as the drummer for the great and recently-departed Gato Barbieri’s on his first album, the 1967 classic In Search of the Mystery. Kapp’s lengthy musical journey now finds him in San Miguel De Allende, the artistic center of Mexico City. In between, Bobby Kapp has appeared on countless albums, played on several continents, and indeed has been recognized by the US State Department officially as the “Ambassador of Jazz”.

Matthew Shipp and Bobby Kapp first collaborated for Kapp’s 2014 EP Themes 4 Transmutation in a quartet. But earlier this year, the two met as a duo for an improvisation session that became Cactus, an album ultimately released on Northern Spy Records on September 16. The following day, this Trans-Pecos performance operated as the official CD release event. But instead of attempting to recreate the Cactus session, the duo instead performed a nearly fifty-minute new improvisational session that the artists have entitled “Live at Trans Pecos”. The piece offers a unique opportunity to experience the live creation of once-only music by two jazz legends. The ability of Shipp to construct melodies and then meticulously descontruct them is matched by Kapp’s profound touch on the drums — the on-the-dime movement from subtle taps on the cymbals to crashing snares perfectly in sync with Shipp’s journey. I’ve now listened to this piece four times and I’m still flabbergasted at the ability of these two artists to work so well in tandem and produce such breathtakingly moving music.

I recorded this set with the Neumann LD’s mounted in front of the stage to capture the drums in stereo and mixed with two separate feeds of the piano mics. The sound quality is superb. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Matthew Shipp and Bobby Kapp
2016-09-17
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 47:36]
01 Live at Trans Pecos

Support Matthew Shipp: Website | Purchase Cactus from Northern Spy
Support Bobby Kapp: Website | Purchase Cactus from Northern Spy

bobby-kapp-at-trans-pecos

So So Glos: July 16, 2016 Out In The Streets Fest

July 31, 2016
By

42_So-So-Glos
[photos by Dean Keim]

There may not be another band whose influence and work ethic has done more to establish the music of Brooklyn over the last ten years than So So Glos. The band was the original tenant of the Market Hotel, and later established Shea Stadium — two venues still open today that support and incubate local music. As an active touring band, So So Glos have performed across the globe with a large variety of bands and recorded and released five full length albums.

Kamikaze (Votiv Records) is the latest So So Glos release and it may be their most fully realized album. The album appears three years after the breakthrough of Blowout, but continues in the same vein of offering intelligent and aggressive punk which is both faithful to the genre and to the borough that produced the band. So So Glos headlined the first night of Out In The Streets Fest and were afforded the opportunity to play a full set. A healthy crowd remained throughout the day in the good and bad weather and by the time the Glos took the stage and the band commandeered everyone inside, the tent filled up and their energetic set was a great send-off to a terrific day. The band performed much of the last two albums in a set that began with a burst of energy and never let up.

I recorded this set in the same manner as the Guerilla Toss set from the same day of the Festival and the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

So So Glos
2016-07-16
Out in the Streets Fest
Onderdonk House
Queens NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Cliff Ribeiro] + Neumann TLM-102s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:00:23]
01 Dancing Industry
02 Diss Town
03 ADD Life
04 Going Out Swingin
05 Devil’s Doing Handstands
06 Magazine
07 Black and Blue
08 Lost Weekend
09 Cadaver
10 Fool on the Street
11 [banter – thanks]
12 We Got The Days
13 [encore break]
14 Mold Baby
15 Wrecking Ball
16 Replay [Lost Boy]
17 Son of an American

Support So So Glos: Website | Facebook | Buy Kamikaze | Votiv Records Page

Guerilla Toss: July 16, 2016 Out In The Streets Festival

July 23, 2016
By

13819805_10154205843030631_308307502_n
[photos by Dean Keim]

Guerilla Toss has been my white whale for the last year or so. There have been multiple missed connections when for one reason or another I was not able to record a local set, the most frustrating of which was when a massive snow storm resulted in the cancellation of their January show at Market Hotel. But I persisted and when the excellent Out In The Streets Fest announced that Guerilla Toss would be slated to play on a Saturday afternoon with an otherwise packed bill, we were there.

The music of Guerilla Toss is an amalgamation of styles, the most resonant for me being the influence of Remain In Light-era Talking Heads. But what strikes most about the band live is that the musicians are phenomenally skilled at their craft — something quite apparent even before I learned that the band formed at the New England Conservatory of Music. While kinetic vocalist Kassie Carlson is the center of the focus on stage, the rhythm section of tribal drummer Peter Negroponte and Greg Albert’s meaty bass guitar are crucial to the sound and drive the live presentation. The music’s color is provided by the impressive varied keyboard work of Sam Lisabeth and the atmospheric guitar of Arian Shafiee. At Out In The Streets Fest on the border of Queens and Brooklyn on the grounds of the historic Onderdonk House, Guerilla Toss performed a nice cross section of their already extensive discography, two apparent new songs (“Can I Get the Real Stuff” and “Betty”), and a fairly obscure Tom Waits cover in a too-short thirty minute set that was both long on energy and compelling for all of the right reasons. I suspect that Guerilla Toss will be regulars on NYCTaper moving forward and we’re excited to track their progress — fate willing.

Guerilla Toss next play in NYC at the Summer’s End Festival at Aviv on September 3.

[edit] Just caught this: Guerilla Toss now have been added to the Oneida show at Secret Project Robot on July 30.

I recorded this set with the outdoor-friendly Neumann large diaphragm mics mixed with an excellent board feed provided by FOH Cliff. The sound quality is superb. Enjoy!

This Complete Show is now available for Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Stream the Complete Show:

Guerilla Toss
2016-07-16
Out in the Streets Fest
Onderdonk House
Queens NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Cliff Ribeiro] + Neumann TLM-102s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by nyctaper and acidjack
Produced by nyctaper

Setlist:
[Total Time 31:39]
01 Polly’s Crystal
02 Can I Get the Real Stuff
03 Club Kids
04 367 Equalizer
05 Earth Died Screaming [Tom Waits]
06 Diamond Girls
07 TV Spell
08 Betty Dreams of Green Men

Support Guerilla Toss: Bandcamp | Facebook | DFA Records Page

13819506_10154205836595631_948579491_n

Govt Mule: June 3, 2016 Mountain Jam

July 5, 2016
By

2016-MountainJam-GovtMule-4
[photos by Jill from For The Love of Brooklyn]

Now in its 12th year, Mountain Jam has established itself as a destination event for a wide variety of artists from a large array of styles. And yet over those dozen years, festival co-founder Warren Haynes has performed with Govt Mule for every single year — generally in the featured spot on Friday or Saturday night. This year, the Mule played the headline set on Friday after an abbreviated set by Wilco (here).

Since its his weekend, Haynes’ Govt Mule was unlimited in their time to play and performed a nearly three hour set that went late into the night. On display were the standard special aspects of the Mule Mountain Jam sets, including special guests, extended jam segments, and a plethora of covers. For this particular show, the highlight was most certainly when the Mule was joined by Marcus King and the horn section from his band for a blistering version of the Tower of Power classic “What Is Hip” that spanned a full seventeen minutes of superb multi-genre jamming.

Warren Haynes is currently on tour playing solo shows in Europe before returning to the US for several nights with the Garcia Symphonic Celebration before Govt Mule returns to touring in the Fall. All dates here.

I recorded this set in the same manner as the Wilco set and the quality is equally outstanding. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Govt Mule
2016-06-03
Mountain Jam
Hunter NY

Digital Master Recording
FOB Audience

Neumann TLM 102s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 2:42:12]
01 Sweet Leaf [Black Sabbath]
02 Yer Blues [Beatles]
03 Thorazine Shuffle
04 Funny Little Tragedy
05 Rebel Rebel [Bowie]
06 Larger Than Life
07 Kind of Bird
08 Captured
09 Stage Fright [The Band]
10 Hunger Strike [Temple of the Dog]
11 Dear Mr Fantasy [Traffic]
12 Hunger Strike Reprise
13 Painted Silver Light
14 Frozen Fear
15 Dyer Maker [Zeppelin]
16 Mule
17 What Is Hip [Tower of Power]
18 Hope She’ll Be Happier [Bill Withers]
19 Game Face
20 Mountain Jam
21 Game Face Reprise
22 I’m a Ram [Al Green]
23 [encore break]
24 Soulshine

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Govt Mule, visit their website, and purchase their official releases from the Mule Store [HERE].

2016-MountainJam-GovtMule-5

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