Posts Tagged ‘ new york ’

Phish: July 28, 2017 Madison Square Garden

July 29, 2017
By

The sixth night of Phish’sBaker’s Dozen” shows at Madison Square Garden was thematically the “double chocolate” donut show. This presented some challenges for song selection as Phish’s vast catalog does not contain a song with the word “chocolate” in its title. But ultimately, in a run of never-ending surprises and first-time covers, Phish chose to open with the 2007 novelty one-hit wonder “Chocolate Rain” by Tay Zonday. The balance of the first set was comprised of fairly short dips through some obscure numbers (“Destiny Unbound”) and the classic material (“Divided Sky”), with the set-closing “Sand” perhaps the highlight of the eleven-song set.

The second set began with another acapella number (The Might Diamonds’ “Have Mercy”) before Phish launched into the first serious jam of the night—a tremendous “Chalkdust Torture.” The chocolate theme appeared again with a cover of Hot Chocolate’s “You Sexy Thing” with Mike on vocals. The second chance to jam was the segues between “Mercury,” “Sexy Thing Reprise” and an extended “Backwards” that ended the set in fine fashion. The encore segment closed with another acapella number, this time an inventive and entertaining version of Bowie’s “Space Oddity.”

Eric PH recorded this set with the AKG CK61’s mounted in the official taper’s section, while acidjack recorded with Schoeps MK4V on the same stand. The sound quality of both is excellent. Enjoy!

Download the complete Show [Schoeps source] [MP3/ALAC/FLAC16/FLAC24]

Download the Complete Show [AKG source] [MP3 / FLAC16 / FLAC24]

Stream the complete show (Schoeps source):

Stream the Complete Show (AKG Source):

Phish
2017-07-28
Madison Square Garden
New York, NY

The Baker’s Dozen

Recorded and produced by Eric PH for nyctaper.com

AKG C480B/CK61 (DIN, OTS, DFC) > Aerco MP-2 > Zoom F8 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01. Chocolate Rain [Tay Zonday]
02. Ass Handed
03. Free
04. Weigh
05. Undermind
06. The Oh Gee Pa Ceremony
07. The Dogs
08. Destiny Unbound
09. The Divided Sky
10. Things People Do
11. Sand

Set 2:
12. Have Mercy [The Mighty Diamonds]
13. Chalk Dust Torture
14. You Sexy Thing [Hot Chocolate]
15. Mercury > You Sexy Thing
16. Backwards Down the Number Line
17. Rock & Roll [The Velvet Underground]
18. [encore break]
19. Fee
20. Space Oddity [David Bowie]

______________________

Phish
2017-07-28
Madison Square Garden
New York, NY

The Baker’s Dozen

Recorded and produced by acidjack for nyctaper.com

Schoeps MK4V (PAS, OTS, DFC) > Sound Devices MixPre6 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01 Chocolate Rain [Tay Zonday]
02 Ass Handed
03 Free
04 Weigh
05 Undermind
06 The Oh Kee Pah Ceremony
07 The Dogs
08 Destiny Unbound
09 The Divided Sky
10 Things People Do
11 Sand

Set 2:
12 Have Mercy [The Mighty Diamonds]
13 Chalk Dust Torture
14 You Sexy Thing [Hot Chocolate]
15 Mercury > You Sexy Thing
16 Backwards Down the Number Line
17 Rock & Roll [The Velvet Underground]
[encore break clipped]
18 Fee
19 Space Oddity [David Bowie]

SUPPORT Phish: Website | Store

A Place to Bury Strangers: March 3, 2017 Villain

March 16, 2017
By

Two years on from their tour de force performance at Music Hall of Williamsburg and the release of their last album, Transfixiation, A Place to Bury Strangers found themselves at the faux-DIY venue Villain doing what they’ve done best in years past, while looking also to the future. If the controlled chaos of set opener “We’ve Come So Far” took on a different meaning in 2017, it also felt like it took on a greater one. APTBS vets know what to expect from their shows at this point — a blanket of noise anchored by Oliver Ackermann’s guitars (his expertise in pedals comes in handy), almost always at maximum intensity, a delightfully disorienting light show — and their Brooklyn shows reflect the communal vibe among those people.

As it has been a couple years since their last record (though they did just release a new song), I was unfamiliar with several of the (what I think were new) songs played, but the distinction for most of us was minimal. An APTBS show is less about this or that song than the overall experience, the subtle shifts in texture and tempo, the often-dark lyrics that you at-times strain to hear, the relentlessness of Ackermann (in particular) onstage, as he smashes the hell out of his guitar long before the end of the set. Where the last APTBS show found the band playing on the Music Hall floor, this time the band took advantage of Villain’s layout and performed a more electronic-driven closing sequence of four songs from the balcony. When the beats finally stopped, you couldn’t help but feel a little bit lighter, a bit freer. At some point “cathartic” might start to feel like an overused term in these times, but in these first months, it’s still a very accurate one.

I recorded this set with a soundboard feed combined with Schoeps MK41V microphones from the audience. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC/Apple Lossless]

Stream the complete show: 

A Place to Bury Strangers
2017-03-03
Villain
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41V (FOB, ROC, PAS)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Setlist help greatly appreciated]
01 We’ve Come So Far
02 [unknown1] “Never coming back”
03 So Far Away
04 Deadbeat
05 Fill the Void
06 [unknown2] “Sucking on the trigger of a gun”
07 Drill It Up
08 [unknown3] “I don’t care / I don’t mind”
09 I’ve Lived My Life to Stand In the Shadow of Your Heart

[Performed from the balcony — audience mics only]
10 [unknown4]
11 [unknown5]
12 [unknown6]
13 [unknown7]

PLEASE SUPPORT A Place to Bury Strangers, visit their website, and buy Transfixiation from Dead Oceans here. Also check out their latest song, a contribution to “Our First 100 Days,” here.

Ty Segall & the Muggers: February 27, 2016 Webster Hall

March 3, 2016
By

Ty at Webster 2016 Will Oliver
[photo courtesy of Will Oliver at We All Want Someone]

Ty Segall has been all over this site for years, and the reason we keep coming back to his shows is the same reason that he sold out these two nights at Webster Hall last weekend: He’s one of the most exciting live acts around. Here with his latest band, the Muggers, Ty delivered a powerhouse 90-minute set that covered the entirety of the new Emotional Mugger album before delving into some of his best-loved jams from the past few years.

Compared to some of the more intimate Ty shows we’ve covered in the past, this first of the two Webster performances had all the ridiculousness and bombast of a Big Rock Show, with Segall hitting the stage in a mask to the tune of a baby crying. The first few songs felt both true to his garage roots and ridiculously over the top, with Segall barking his lyrics into the microphone, hurling himself into the crowd, and working overtime to try to turn the big room into some kind of facsimile of, say, Death By Audio circa 2012. As time went on though — particular into the lengthy jamming on “Feel” — what stood out most was the quality of the Muggers, who managed to undergird the shambolic moments with accomplished playing. That’s part of the great paradox and joy of Ty Segall, too — you’ve got a prolific performer with a great voice and pop sensibility, but who isn’t afraid to go wild, to get dirty, and to have fun. If you saw any of the New York acoustic shows in 2015 (almost all of which we covered), then you know what I mean. Most garage-rock singers would be lost playing acoustically on a stool — not only would their uneven skills be exposed, but the songs wouldn’t work without the fuzz. Segall doesn’t have that problem. His songs move crowds in any context. The show closed out with a stretched-out, saxophoned-up “The Singer,” both a tribute to the man himself, and his ability to capture a crowd no matter how big the tent.

I recorded this set with a soundboard feed and Schoeps MK41V supercardiod microphones. Even though we weren’t in a DIY venue, the sound bears many of those hallmarks: loud, in your face, and raw. The recording is true to that. Enjoy!

Download the complete show: [FLAC/MP3]

Stream the complete show:

Ty Segall & the Muggers
2016-02-27
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Ty’s FOH) + Schoeps MK41V (at SBD, DFC, PAS)>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Squealer
02 Californian Hills
03 Emotional Mugger/Leopard Priestess
04 Breakfast Eggs
05 Diversion
06 Baby Big Man (I Want A Mommy)
07 [jamming]
08 Mandy Cream
09 Candy Sam
10 Squealer Two
11 The Magazine
12 Thank God For Sinners
13 They Told Me Too
14 You’re the Doctor
15 [banter1]
16 Spiders
17 Manipulator
18 Feel
19 [encore break]
20 Finger
21 The Feels
22 The Singer

Visit Ty Segall on the web, and buy Emotional Mugger from Drag City here.

The Giraffes: September 27, 2014 The Wick – FLAC/MP3/Streaming Songs

September 27, 2015
By


[Photos courtesy of Todd Zimmer.  See more of his excellent work HERE.]

Nobody, and I mean NOBODY, puts on a show like The Giraffes.  It’s like trying to explain a UFO or Bigfoot sighting to someone: they may nod, they might be interested, they could be fascinated by your story, but they have absolutely no clue what it’s all about until they experience it for themselves.  In 2011, lead singer Aaron Lazar decided to depart the band and, going out with an atomic-sized bang, had his last performance with them early that year.  The remaining members, Damien Paris, Andrew Totolos, and Jens Carstensen, soldiered on, mixing things up again by exploring the instrumental side of their oeuvre and recruiting two female vocalists to help flesh things out.

Three and a half years later, the murmurs and rumors of a full reunion concert turned into cold, hard fact.  And, like it was for Aaron’s farewell show, I personally received a landslide of requests to record this night from literally all across the globe.  In their neverending quest to take the performance of live music and evolve it into a contact sport, The Giraffes proved that they haven’t missed a beat.  Picking up where they left off, the crowd was right in step with the band and more than happy and willing to join in the antics that are the hallmarks of a Giraffes concert.  Welcome back, gentlemen.  We’re looking forward to what else the future holds for you.

Due to the sheer size and design of The Wick, the acoustics can present a bit of a challenge.  The venue’s house engineer, Eairon, was up to the task and, other than the occasional ring of feedback, produced an excellent mix.  We hope you like what you hear as much as we did.  Enjoy and PLAY IT LOUD!!

Special thanks to Damien, Drew, Aaron, Jens, and Tim for making this recording possible, and to the management and staff at The Wick for their courtesy and cooperation.

The Giraffes will soon be returning to the NYC area and performing on October 3rd at The Wick, as well as playing a few other dates in October.  Their new album, ‘Usury’, will be released on October 2nd. 

Stream “Medicaid Benefit Appliqué”:

Stream “Sugarbomb”:

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

The Giraffes
Saturday, September 27, 2014
The Wick
Bushwick, Brooklyn, NY, USA

Source: Soundboard + Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBEs, FLAC conversion) > FLAC ( level 8 )
The Wick’s house engineer: Eairon
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:25:32]
01. [intro]
02. Smoke Machine
03. Wage Earner
04. Prime Motivator
05. I’ll Be Your Daddy
06. The Ballad of Sissyfist
07. On Lovers Lane
08. The City
09. Sickness (This Is)
10. The Power of Fatherhood
11. Medicaid Benefit Appliqué
12. [banter]
13. Haunted Heaven
14. Having Fun
15. Clever Girl
16. Man U.
17. Sugarbomb
18. Help My Blood Count
19. Done
20. [outro]

If you download this recording, we expect that you will PLEASE SUPPORT The Giraffes, visit their website and Facebook page, and purchase their official releases and merchandise at Amazon, iTunes, or your favorite record store or retailer.  And most definitely go see their shows.

Thurston Moore Band: August 6, 2015 The Bowery Ballroom – FLAC/MP3/Streaming

August 9, 2015
By

Thurston Moore Band
[Photo from Portsmouth by Tim Bugbee/tinnitus photography]

Since the dissolution of Sonic Youth in 2011, Thurston Moore has kept pretty busy, between solo records, various one-offs, and noise records. Last year’s The Best Day finds Moore flirting with stretched out jams similar to Sonic Youth’s 2002 return to form, Murray Street. We caught up with Moore touring the new album last year at Saint Vitus, and while this set similarly covers most of The Best Day material, the band adds three new songs—“Turn On,” “Cease Fire,” and “Aphrodite”—scheduled to appear on the next album, which Moore says is titled Rock and Roll Consciousness and due out next year. By far the highlight of the entire hour-and-a-half show is “Turn On,” a ten-minute slow build that achieves liftoff in the back half. If this is what we can expect from the Thurston Moore Band’s second record together, I think we’re in for something that will surpass even the highest expectations.

I recorded this set from our usual location in the venue with a board feed from Thurston’s FOH. The sound quality is excellent. Enjoy!

Thurston Moore band will return to the area on September 17, at Monty Hall in Jersey City. I mean, if there was ever a reason to go to Jersey, this is it. Tickets on sale.

And if you’re in search of more live Thurston Moore, the upcoming Parallelogram box set from Three Lobed Recordings features Thurston Moore and John Maloney playing live as Caught on Tape— and it’s recorded by our very own Acidjack. Preorder here.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Thurston Moore Band
2015-08-06
The Bowery Ballroom
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK63 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [01:27:20]
01. [Intro]
02. Forevermore
03. Speak to the Wild
04. [banter]
05. Germs Burn
06. Turn On
07. Detonation
08. [banter]
09. The Best Day
10. [banter]
11. Grace Lake
12. [encore break]
13. Cease Fire
14. [encore break]
15. Aphrodite

Support Thurston Moore: Website | Buy The Best Day from Matador

Trigger Hippy: June 5, 2015 Mountain Jam (Hunter, NY) – FLAC/MP3/Streaming

June 19, 2015
By

IMG_1909

If God was one of us here at Mountain Jam, he probably would’ve staved off the torrential rain that started falling just after this set by supergroup Trigger Hippy, which features Joan Osborne, Black Crowes drummer Steve Gorman, session guitarist Tom Bukovac, singer/songwriter and Black Crowes guitarist Jackie Greene and bassist Nick Govrik. The band’s sound is about what you’d expect from this combination of players — Crowes-style bluesy rock that replaces the tenor twang of Chris Robinson with Osborne, packed around some dense riffage. Along with some of the band’s originals, they played some of the day’s more interesting covers (that is to say, not just extremely popular 70s rock hits). In this case, we got Aretha Franklin and Albert Collins tunes, both of which suggest the influences that led to this band. With each artist having a complimentary background and style, this supergroup may not quite be more than the sum of its parts, but the sum of these parts was more than enough to make Trigger Hippy a worthwhile addition to this year’s Mountain Jam lineup.

I recorded this set from an optimal spot next to the soundboard cage with MBHO microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Trigger Hippy
2015-06-05
Mountain Jam
East Stage
Hunter, NY USA

Exclusive download hosted by nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Roland R-26>16bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, amplify)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (track, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time ]
01 [intro]
02 Turpentine
03 Dry County
04 Snatchin’ It Back [Albert Collins]
05 Heartache On the Line
06 When the Battle is Over [Aretha Franklin]
07 Ain’t Persuaded Yet
08 Rise Up Singing
09 Tennessee Mud

If you enjoyed this set, PLEASE SUPPORT Trigger Hippy, visit their website, and buy their debut album in their online store.

Alabama Shakes: June 7, 2015 Mountain Jam (Hunter, NY) – FLAC/MP3/Streaming

June 8, 2015
By

IMG_2123

It made good sense for Alabama Shakes to end this year’s Mountain Jam, as they ended it on the highest of notes.

By the time you had sat through three or even four days of this year’s festival, you might be forgiven for wondering if anything happened musically in this country since 1972. With exceptions, there were far too many “me-too” bands so slavishly devoted to their heroes that they could only impress the crowd by covering well-known songs by bands superior to them. Consider some of the headliners: Friday, a washed-up warhorse from a legendary 70s act was followed by … a band covering Dark Side of the Moon and other Pink Floyd songs. Saturday, a knockoff of a band from the late 90s-2000s played its bloozy bar rock songs best known for their hard-hitting impact on TV commercials and the opening credits for an HBO sitcom. Just before that band came on, the act before them played a bunch of Beatles and John Lennon songs.

Alabama Shakes could have been nothing more than a “me too” band, and would have been a striking one. There’s no question that Brittany Howard’s vocal style owes a debt to Etta James, Janis Joplin and several others, but what Howard and her band have accomplished with their second album, Sound & Color, moves them firmly into a different class. The band has taken the pieces they already had — a love of classic rock and soul, a cohesive unit, and a frontwoman with an earth-shaking voice and the presence to match — and used them to create daring new songs that push the conversation forward. It’s not an accident that one of the best songs played at this show, “Future People,” uses the word future. Over and over again, Alabama Shakes’ latest work keeps proving that they want more — particularly the fellow new album tracks “Sound & Color” and “Don’t Wanna Fight.” Maybe some people were comfortable adding the Shakes to their Spotify playlists of retro sounds and leaving it at that. The Shakes were not. The Shakes — a working-class band from rural Alabama who only made it onto this stage by working like hell — took a risk.

It’s widely known that the Shakes began life as a cover band, covering 70s standards in local bars. Here, in front of tens of thousands splayed across a mountainside, Howard paused late in the set to thank the crowd for giving the band the opportunity to do what they loved doing. Their last album pulled down three (losing) Grammy nominations. If there’s any justice in the world, this album ought to win one. By the way, in a rare bit of commercial justice, Sound & Color debuted at #1 in the United States. Alabama Shakes are a cover band no more.

hi and lo and I recorded this set with Schoeps MK4V cardiod microphones into an EAA PSP-2 high-end analog preamp. The sound quality is excellent. Enjoy!

This recording is hosted on the Live Music Archive. Check out its page here.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Alabama Shakes
2015-06-07
Mountain Jam, East Stage
Hunter, NY USA

Hosted at nyctaper.com
Recorded by hi and lo and acidjack
Produced by acidjack

Schoeps MK4V (PAS)>custom cables>EAA PSP-2>Roland R-26>24bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, limit peaks)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:38:00]
01 Rise To the Sun
02 Future People
03 Hang Loose
04 Always Alright
05 Shoegaze
06 I Ain’t the Same
07 I Found You
08 Guess Who
09 Heartbreaker
10 Miss You
11 The Greatest
12 Gimme All Your Love
13 Be Mine
14 Joe
15 On Your Way
16 Dunes
17 Gemini
18 [encore break]
19 Sound & Color
20 Don’t Wanna Fight
21 Over My Head
22 You Ain’t Alone

If you enjoyed this recording, please support Alabama Shakes, visit their website, and buy their records in their online store.

Greensky Bluegrass: September 13, 2014 Gramercy Theatre – FLAC/MP3/Streaming

September 18, 2014
By


IMG_7778
[photos by acidjack]

As was pointed out in our previous review of Greensky Bluegrass, not a ton of bluegrass makes it onto this site, despite the growing popularity of the “newgrass” genre that has spread around the country, but especially in its heartland. We have had a few since then — the Infamous Stringdusters and North Carolina’s Chatham County Line — but the genre remains outside of our main focus. So, it was something a bit different to brave a Saturday night crowd for Greensky at the Gramercy Theatre, a comfortable and nice-sounding venue that nonetheless has been as foreign to this site as bluegrass itself. Well, we can hope that changes, too.

Greensky showed up at Gramercy ready and pumped for a full house clearly drinking for the weekend, as their crowds are wont to do. The band has a new album just out, If Sorrows Swim, and shared a good chunk of it. These two sets ran nice and Saturday-night long, bookended between the two by an extended cover of Prince’s “When Doves Cry” followed by an exploratory take on “Don’t Lie” from their 2011 record Handguns. The band were exactly as Michigan-nice as you’d expect, grateful to be there, bantering amiably with the crowd, and giving generously to the crowd. If anything, their set gave us good evidence of how this classic American genre can be tweaked to appeal to a modern audience, and it deserves the attention it has received, with these guys at the forefront.

I recorded this set with Schoeps MK41 supercardiod microphones at the soundboard, as high as they would go, pointed at the stacks. Despite a chatty Saturday night crowd, these narrow-patterned mics avoided that and provided gobs of direct sound. The result is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show from the Live Music Archive:

IMG_7796

Greensky Bluegrass
2014-09-13
Gramercy Theatre
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (at SBD, DFC, PAS)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 2:23:19]
Set One
01 [intro]
02 Burn Them
03 The Four
04 Lose My Way
05 Wheel Hoss
06 [banter1]
07 Reverend
08 Kerosene
09 3-3-4-4-3
10 Worried About the Weather
11 [banter2]
12 Jaywalking
13 When Doves Cry [Prince]

Set 2
14 [intro jam]
15 Don’t Lie
16 I’d Probably Kill You
17 Send Me Your Address From Heaven
18 Dustbowl
19 Windshield
20 Shape I’m In
21 [banter3]
22 Old Barns
23 Clinch Mountain Backstep
24 Leap Year
25 [encore break]
26 Atlantic City

If you enjoyed this recording, PLEASE SUPPORT Greensky Bluegrass, visit their website, and order If Sorrows Swim and buy their other records in their store.

Thee Oh Sees: October 29, 2013 Irving Plaza – Flac/MP3/Streaming [TWO Sources]

November 5, 2013
By

IMG_6193
[photo by acidjack]

Just two days removed from the amazing for-the-ages Thee Oh Sees show at 285 Kent on Sunday, one would expect a let-down of sorts for the band’s Tuesday show at Irving Plaza. But Thee Oh Sees are not a band short on energy or seemingly in need of any particular motivation to deliver a crowd-pleasing garage-rock show. On Tuesday, the band worked through some technical problems throughout much of the show but continually rose above the issues to deliver song after song of high energy numbers. The venue was prepared in advance for the crowd and had installed a metal grating in front of the stage — the floor was completely maniacal, the band played off the crowd’s response. While 285 was the show of this tour, there were transcendent moments at Irving that reached the same peaks. We are streaming two of those highlights, “Tidal Wave” was three minutes of pure punk goodness, and “Dead Energy” was ten minutes of extended psychedelic jamming that rivaled any live band around these days. Thee Oh Sees have become one of today’s must-see live bands, and these two nights confirmed that we must not miss them whenever they’re in town.

We recorded this set from a 12-foot stand in the middle of the floor. Both set of mics were mounted on the same stand inches away from each other. nyctaper used the Neumann TLM-102 large diaphragm cardioids and acidjack utilized Schoeps Cards. We believe the sound is representative of that in the venue that night, which had some issues. Overall, both sources offer slightly different takes on the same show and both are excellent. Enjoy!

Stream “Dead Energy” (nyctaper source):

Stream “Tidal Wave” (acidjack source):

Download the Complete Show:
nyctaper Source [MP3] / [FLAC]
acidjack Source [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

nyctaper Source:
Thee Oh Sees
2013-10-29
Irving Plaza
New York NY

Digital Master Audience Recording

Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:03:44]
01 I Come From The Mountain
02 Toe Cutter – Thumb Buster
03 Block Of Ice
04 Contraption – Soul Desert
05 Tidal Wave
06 The Dream
07 Tunnel Time
08 Strawberries 1 and 2
09 Meat Step Lively
10 Dead Energy
11 Lupine Dominus
12 Minotaur

acidjack Source:
Thee Oh Sees
2013-10-29
Irving Plaza
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (PAS)>KCY>Z-PFA>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects) > Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:04:09]
01 I Come From The Mountain
02 Toe Cutter – Thumb Buster
03 Block Of Ice
04 Contraption – Soul Desert
05 Tidal Wave
06 The Dream
07 Tunnel Time
08 Strawberries 1 and 2
09 Meat Step Lively
10 Dead Energy
11 Lupine Dominus
12 Minotaur

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase Floating Coffin from Castle Face Records [HERE].

Noah and the MegaFauna: June 24, 2012 Joe’s Pub – FLAC / MP3 / Streaming Song

June 24, 2013
By

photo09_620[Photos courtesy of Mark A.]

How a musician makes the transition from indie rock to big-band gypsy jazz is anyone’s guess, let alone being able to pull it off successfully.  But that’s exactly what Noah Lit, the namesake of Los Angeles’ Noah and the MegaFauna, did.  Rising from the ashes of his previous band, Oliver Future, Lit enlisted friends and family (brothers Joshua and Gabriel are part of the gang) to work on and produce their great 2011 debut, ‘Anthems for a Stateless Nation‘.  And on their return to New York for this performance, the group played all of its tracks with its intricately appealing rhythms, notes and layers.  Far more than a straight run-through of the album, this crew absolutely killed it live with an energy and tautness that comes with having a talented group of musicians that really enjoy what they’re playing, for an audience that really appreciates it.  Additionally, we had the treat of a new song which we hope will appear on the band’s forthcoming record, ‘Psychopomps and Circumstance‘.

On this night, we were set up just about dead-center in the terrific sounding Joe’s Pub.  Our location was ideal and the results are quite excellent.  We hope you like what you hear as much as we did.  Enjoy!

Special thanks to Noah and the MegaFauna and Joe Rogers at Silence Breaks for making this recording possible, and to the staff at Joe’s Pub for their courtesy and cooperation.

Noah and the MegaFauna will soon be returning to the NYC area and performing on July 2nd at Mercury Lounge with Silence Breaks labelmate Kelli Scarr

Stream “When You’re Down (The Slackjaw’s Serenade)”:

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Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

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photo13_620

Noah and the MegaFauna
Sunday, June 24, 2012
Joe’s Pub
New York, NY, USA

Source: AUD > Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:02:28]
01. We Knew We Had It Coming
02. Those Already Blessed
03. Au Revoir Shoshanna (We Shall Meet Again)
04. Moan All Night
05. [banter]
06. When You’re Down (The Slackjaw’s Serenade)
07. Until We Break Through
08. On and On
09. Gusano Coco
10. [banter]
11. R Futuristique
12. [band intros]
13. Liquid Modernity (You Can Never Go Home)
14. [banter / tuning]
15. We’ll Sail Above This

If you download this recording, we expect that you will PLEASE SUPPORT Noah and the MegaFauna, visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.

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