Posts Tagged ‘ nyctaper ’

Dream Syndicate: December 2, 2017 Bowery Ballroom

December 7, 2017
By


[photo by Marcus Slade]

There was a point early during Saturday night’s Dream Syndicate show at Bowery Ballroom when I thought to myself, I can not believe that is only the second show of the band’s current tour. The amazement was based on the fact that the band was just so damned tight. Its true that Steve Wynn and guitarist Jason Victor have played together regularly for more than a decade, but Dream Syndicate was not that long ago a “reunion” band. A band coming back together after years apart isn’t supposed to sound this in-sync. But over the last couple of years the band started recording again, and the result was an excellent new album called How Did I Find Myself Here (Anti).

The Dream Syndicate is currently on an extensive tour to support the new record, and if the Bowery show is any indication, this tour is destined for legendary status. The set mixed in material old and new and was clearly high energy from the start. The band didn’t take many breaks between songs to banter, but just rolled on one ripping track after another. Its says a lot about the new record that the show-stopping number was a twelve-minute version of the title track that was absolutely shredded. But the classic material was also on display and an all-timer version of “Days Of Wine and Roses” ended the main set in furious fashion before the band returned for three encores. Don’t miss this tour. All dates are (here).

I recorded this set in our usual fashion in this venue mixing the strategically placed Schoeps with an excellent soundboard feed from the band’s touring FOH. Unfortunately, I inexplicably lost power for about thirty seconds during the second song, which now contains a noticeable splice. Otherwise, the quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Dream Syndicate
2017-12-02
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:36]
01 [introduction]
02 Halloween
03 The Circle
04 80 West
05 Armed With An Empty Gun
06 Like Mary
07 Out of My Head
08 [banter – NYC]
09 Filter Me Through You
10 Burn
11 Whatever You Please
12 The Medicine Show
13 How Did I Find Myself Here
14 [band introductions]
15 Forest for the Trees
16 That’s What You Always Say
17 The Days of Wine and Roses
18 [encore break]
19 When You Smile
20 Tell Me When It’s Over
21 [banter – thanks]
22 Glide

SUPPORT The Dream Syndicate: Website | Anti Records Site | Buy How Did I Find Myself Here?

the Mountain Goats: November 10, 2017 White Eagle Hall, Jersey City NJ

December 4, 2017
By


[photos by Greg Cristman]

I’ve never been to a Mountain Goats concert quite like this one. Generally speaking, the fans of the Mountain Goats are universally involved in the show. Sure, they shout out obscure requests but the people at these unique shows are there for the artist, for the music, and for the experience. There’s normally almost no chatter at a Mountain Goats show that’s unrelated to the music. Just listen to the recording we just recently posted from Brooklyn Steel, a large venue with a very large crowd and not a peep during the quiet moments. That Brooklyn crowd was at that show for all the right reasons, and the band seemed to feel it.

At White Eagle Hall in Jersey City, the front half of the crowd was the usual engaged Mountain Goats fans, but the back half of the sold out venue were almost defiantly yapping over the music. It was troubling and odd and I think it knocked the band off a kilter a couple of times. John specifically called out “hey talking guys, I’m trying to play guitar here”. I don’t have any explanation for this crowd that isn’t going to read as arrogant, so I’ll just attribute it to a Friday night, a sold out venue, and too-efficient bartenders.

Sadly, this is the reality for many events these days — the chatterers don’t really care. But this was a really solid show that I’m simply going to have to get over the crowd issues. For devotees to The Sunset Tree, however, this show is a must-listen. Along with regulars “This Year” and “Up The Wolves”, we were treated to infrequently performed versions of “You Or Your Memory” and “Broom People”. The balance of the setlist offered a slate of the new songs (from Goths) performed regularly on this tour and a couple of more surprises — “I’ve Got The Sex” and the return of “Beautiful Gas Mask” to the rotation. There are only three more dates on this tour — so get out and see the band, but please don’t talk over the music!

I recorded this set with the fortunate use of Brandon’s excellent board feed mixed with some of the room mics mounted inside the board area centered in the balcony. Other than the crowd din recognizable during quiet moments, this recording is quite good. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Mountain Goats
2017-11-10
White Eagle Hall
Jersey City NJ

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Brandon Eggleston] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:43:39]
01 [Vivaldi introduction]
02 The Grey King and the Silver Flame Attunement
03 Cotton
04 In the Craters on the Moon
05 Beautiful Gas Mask
06 [banter – Debbie snorts coke]
07 Unicorn Tolerance
08 Rain in Soho
09 Andrew Eldritch Is Moving Back to Leeds
10 Night Light
11 Moon Over Goldsboro
12 I’ve Got The Sex
13 Snow Crush Killing Song
14 [banter – Fenders]
15 Paid in Cocaine
16 Shelved
17 Birth Of Serpents
18 Broom People
19 Harlem Roulette
20 Against Pollution
21 Spent Gladiator 2
22 [encore break]
23 The Diaz Brothers
24 Up the Wolves
25 This Year
26 [second encore break]
27 See America Right
28 You Or Your Memory
29 The Young Thousands

SUPPORT the Mountain Goats: Website | Twitter | Buy Official Releases | Tour Dates

Luna: November 18, 2017 Brooklyn Steel

November 27, 2017
By


[photos by Will from We All Want Someone blog]

At some point in the last three years, Luna transitioned from a “reunion” to an actively recording and touring band. This year saw two new Luna releases, a full album of eclectic covers (A Sentimental Education) and an all-instrumental EP (A Place Of Greater Safety). For A Sentimental Education, the band placed their own unique stamp on an interesting selection of covers. It was the first new Luna album in 13 years and it hit all the right buttons — 70s and 80s influences and one 90s contemporary. The selection of songs are for the connoisseur, no obvious tracks to be found.

The final night of Luna’s most recent tour reached Brooklyn Steel two Saturdays ago. This was the largest venue the band had played in NYC maybe ever, and a healthy crowd showed up in support. The band began the night with opening track from Greater Safety and proceeded to treat the fans to a nice selection of classic material mixed with the new versions of memorable tracks from Sentimental. Indeed the set ended with an inspired performance of Mercury Rev’s “Car Wash Hair” followed by a series of encores. On this night, the rarity was an infrequent appearance of the Galaxie 500 classic “Tugboat”.

I recorded this set with the Neumann hypercards mounted at the soundboard and mixed with a superb feed mixed by the band’s outstanding FOH Paul. The blend of the two sources produced perhaps the best of our many recordings of Luna to appear on this site. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Luna
2017-11-18
Brooklyn Steel
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Paul] + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:31:50]
01 GTX3
02 Gin [Willy Loco Alexander]
03 Sideshow by the Seashore
04 Bobby Peru
05 Fire in Cairo [Cure]
06 Malibu Love Nest
07 Tracy I Love You
08 Still at Home
09 Freakin and Peakin
10 One Fine Summer Morning [Evie Sands]
11 Chinatown
12 Friendly Advice
13 I Want Everything
14 Car Wash Hair [Mercury Rev]
15 [encore break]
16 Tugboat
17 23 Minutes in Brussels
18 [second encore break]
19 Moon Palace

SUPPORT Luna:  Website | Bandcamp | Buy A Sentimental Education

AJJ: November 7, 2017 Bowery Ballroom

November 12, 2017
By


[photos by Ash Craiig]

This year is the tenth anniversary of AJJ’s (then known as Andrew Jackson Jihad) second release, their breakout album People Who Can Eat People Are the Luckiest People in the World. In celebration, the band’s founders Sean Bonnette and Ben Gallaty are touring as a duo and opening the shows by playing the album straight through. The second half of the show is a selection of material from this post-People period of their career. The tour reached Bowery Ballroom last week for an inspired and intimate show that permitted AJJ’s rabid fans an up close and personal experience of this duo show.

Sean and Ben were up for the challenge, as the acoustic guitar and stand-up bass/cello filled the room while Sean’s fervent vocals delivered the personal material with the commitment that made the album such an important step in the evolution of the anti-folk movement ten years ago. The sold out Bowery crowd sang along with every word and you can hear them clearly on the recording — not as hindrance but as a true part of the performance. AJJ also talked and joked with the crowd about a variety of experiences and random thoughts, so that it almost felt, as Ben quipped, like a session of “AJJ Storytellers”. There were a few positive wrinkles in the setlist for this show including a fan request honored for the Todd Snider cover “Just Like Old Times” that contained a very special introduction for us. AJJ also called a few audibles, the most notable being what appears to be the first tour appearance of “Small Red Boy”, the emotional center of the band’s most recent album The Bible 2. We are not sure when AJJ will return to NYC — likely on the cycle of a new album tour — but we’ll of course be there. The current tour continues throughout November and into December, all dates here. The band will also return East for what I believe is a full band show at the Front Bottoms Champagne Jam in Asbury Park NJ in December.

I recorded this set with the Schoeps mounted in our standard place at the front of the balcony and mixed with a perfect feed from house FOH Danielle. The mix captures both the clear sound of the feed and the audience participation of the room mics for a superbly balanced recording. We’re really happy with this one. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

AJJ
2017-11-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Danielle] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:19:36]
01 [introduction]
02 Rejoice
03 Brave as a Noun
04 Survival Song
05 Bad Bad Things
06 No More Tears
07 Bells and Whistles
08 Randy’s House
09 [banter – Apple Kore]
10 A Song Dedicated to the Memory of Stormy the Rabbit
11 People II The Reckoning
12 [banter – Creepy]
13 Personal Space Invader
14 People
15 American Body Rentals
16 Jesus Saves
17 American Tune
18 Fuckboi
19 Fucc The Devil
20 [banter – shoutout]
21 Just Like Old Times [Todd Snider]
22 All The Dead Kids
23 Unicron
24 Coffin Dance
25 [banter – yelling]
26 Growing Up
27 Sense and Sensibility
28 Small Red Boy
29 Linda Ronstadt
30 Little Prince
31 [banter – philharmonic]
32 Big Bird
33 [encore break]
34 American Body Rentals (again)

SUPPORT AJJ: Website | Facebook | Purchase The Bible 2 from SideOneDummy Records [HERE].

Horse Lords: March 25, 2017 Big Ears Festival – Knoxville TN

October 31, 2017
By


[photo by Johnson Giles – courtesy of Big Ears Festival]

As you may have noticed, we’re pretty excited here for tomorrow’s announcement of the 2018 lineup for the Big Ears Festival. As Fests go, this one is for the real music aficionados — the people who are just as comfortable listening to rock as they are noise, jazz or any amalgamation of genres. We will be there in full in March and can’t wait to see what treats await us. As we’ve been treating our viewers to outstanding recordings of last year’s fest, this Horse Lords set is pretty much exactly the kind of inventive and intelligent band we’d like to hear. It isn’t rock or jazz or noise, but Horse Lords are a quartet of superb musicians who create pretty unique music that draws in the listener from the very outset. We’ve see this band multiple times, the most recent of which was a killer set at Sunnyvale in June. This Big Ears set is similar but with a slightly rearranged setlist, drawing mostly from the band’s outstanding 2016 release Interventions (Northern Spy). They’ve also played one of our shows at Trans-Pecos in 2016, and we are guaranteed to continue to capture their sets moving forward. Horse Lords are a must see for us, they’re that good.

This set was recorded by sound engineer David Clifton using the H4 at the booth, mixing a superbly mixed soundboard feed with some room feel from the internal mics. The sound quality is outstanding. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Horse Lords
2017-03-25
The Standard
Big Ears Festvial
Knoxville TN

Digital Master
Soundboard/Audience Matrix Recording

Soundboard + internal mics > Zoom H4 > wav file > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by David Clifton
Produced by nyctaper

Setlist:
[Total Time 1:02:05]
01 Truthers
02 Toward the Omega Point
03 Intervention II
04 Intervention III
05 Bending to the Lash
06 Encounters I – Transfinite Flow
07 Wildcat Strike

Please support Horse Lords: Facebook | Bandcamp | Tumblr

Clearance: October 13, 2017 Rough Trade NYC

October 20, 2017
By

The Chicago band Clearance have been at it for a few years now, having first gained broader notice with a track debut from their current full-length, Rapid Rewards, on Stereogum. Various corners of the Internet have compared them to Pavement, having more (to this listener) to do with their wry sense of humor than their exact musical style, which falls into the broad camp of “indie rock” or “alt-rock” or “garage-rock” or whatever you want to call guitar-driven music that isn’t made by meatheads these days, but is delivered, at this stage, with a certain professionalism that wasn’t Pavement’s stock-in-trade until career end.

This set at Rough Trade NYC represents a solid eleven (with one additional that was aborted) song introduction to the band, including “You’ve Been Pre-Approved.” But among the set, I was most taken with the band’s latest single, “Are You Aware,” an upbeat burst of optimism that might fit less within the “ironic slacker” framework, but is just the dash of musical Prozac you want on a Friday after a wearying week. By the time the song downshifts in its final segment, you’re feeling the relaxation wash over you. We also got some new songs in the mix, including “Chances Are” and “Haven’t You Got the Time,” the latter of which has a bit more of a 90s Britpop feel than some of the band’s other songs. The band closed with the short-burst anthem “She’s A Peach,” which ended abruptly in under two minutes. At first it seemed like a mistake or a joke, but then it became clear — the song had said all it needed to say. Clearance are that kind of band.

I recorded this set in the same manner as the Widowspeak set, with Schoeps MK5 microphones and a soundboard feed from Jeremy. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Clearance
2017-10-13
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com

Recorded and produced by acidjack

Soundboard (engineer: Jeremy) + Schoeps MK5 (DFC, at SBD, PAS)>KC5>CMC6>>Sound Devices MixPre6 (24/48)>polyWAV file>Adobe
Audition CC (align, mix down, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, dither, downsample)>FLAC ( level 8 )

Tracks
01 Had A Fantastic
02 The Prospect
03 Destination Wedding
04 Frozen Orange / No Wonder
05 Gallery Glare
06 Are You Aware
07 You’ve Been Pre-Approved
08 Owner/Operator
09 Chances Are
10 Haven’t You Got The Time?
11 Another Arrow [stops]
12 She’s A Peach

PLEASE SUPPORT CLEARANCE: bandcampFacebook 

Widowspeak: October 13, 2017 Rough Trade NYC

October 17, 2017
By


Widowspeak just released their fourth album, Expect the Best. It gave me a little jolt of nostalgia to see what’s now by any definition a veteran band taking the stage in Brooklyn again, six years after I caught one of their earliest shows at Glasslands. It also gave me hope: Here’s a band that has thrived from day one on the very simple proposition of writing good songs and performing them well, and continues to be well-received.

This show at Rough Trade marked the end of the band’s recent tour in support of Expect the Best, and it had that triumphal homecoming feel about it, from the crowd of friends and showgoing regulars to the career-spanning setlist. After all, it’s not like Widowspeak need to hunt around Brooklyn for converts. Expect the Best feels like a darker, slightly less pop-driven record than 2015’s All Yours, as befits the times and singer Molly Hamilton’s recent decamping to her home in the Pacific Northwest. Likewise, the new record also has more of a “live” sound to it, a bit looser than the band’s recent efforts, and that also works to the advantage of these songs like, particularly the set opener, “Right On,” which reminded us that despite the association of this band with more of a hazy, laid-back sound, they are more than capable of rocking out. As noted, the set also reached back to the band’s first album for three of their best-loved numbers, the unforgettable “In the Pines,” “Gun Shy” and Hamilton’s Pacific Northwest in-joke “Harsh Realm.” Hearing those songs played by a tightly-knit four-piece — a much fuller sound than the trio had back in 2011 — only reminded me again that some things do improve with time. Widowspeak are one of those bands that has not only stayed consistent, but keeps putting out great new music. That album title they chose this time says it all.

I recorded this set with a soundboard feed from house engineer Jeremy combined with Schoeps MK5 microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Widowspeak
2017-10-13
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com

Recorded and produced by acidjack

Soundboard (engineer: Jeremy) + Schoeps MK5 (DFC, at SBD, PAS)>KC5>CMC6>>Sound Devices MixPre6 (24/48)>polyWAV file>Adobe
Audition CC (align, mix down, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify,
dither, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:13:35]
01 Right On
02 Perennials
03 Warmer
04 In the Pines
05 Narrows
06 All Yours
07 [banter1]
08 Ballad of the Golden Hour
09 The Dream
10 Expect the Best
11 Gun Shy
12 [banter2]
13 Dog
14 The Swamps
15 Harsh Realm
16 Fly On the Wall
17 [banter3]
18 Coke Bottle Green

PLEASE SUPPORT Widowspeak: Facebook | Captured Tracks | Bandcamp

 

Tom Petty and The Heartbreakers: September 6, 2014 Lockn Festival

October 11, 2017
By


[screen shot from this video]

Since the sad and untimely death of the great Tom Petty, the tributes and remembrances have come in from all corners. Of those I was fortunate to read, the first-person tribute from Lucinda Williams seemed particularly heartfelt and authentic. Of the “fan” tributes, the writing of Patterson Hood from the Drive By Truckers seemed to mostly mirror my own personal experiences. Petty’s music provided a soundtrack of sorts for multiple periods of my life — from his early power-pop hits to his mid career LA-based American folk. He produced songs that instantaneously transport the listener back to that time in their life that the song represents. For me, the Full Moon Fever album represented my return to NYC to live full time and those songs bring me back to my first apartment in Sheridan Square. Oh, the days.

This performance at the second annual Lockn Festival is vintage Petty. The nearly two-hour Fest set draws from all periods in his career and while the tour was ostensibly to promote his then-new album Hypnotic Eye, which would sadly be his last album with The Heartbreakers, he didn’t rely heavily on new material performing just four songs from the record. The rest were the hits and some moderately deep cuts that had the crowd singing, swaying and cheering. This recording is our way to remember this truly great artist who left us all too soon.

The “legality” of NYCTaper hosting this recording is quite simple. The Lockn Festival is an open taping Festival, and indeed in 2014 the Fest’s website contained language that taping was “encouraged” and recordings could be distributed through free channels. With a written clear policy, Lockn Festival undoubtedly contracted with the artists who consented through their concert riders.

This excellent recording was captured by Kubacheck with the same equipment and location from the Wilco recording from this Festival posted on this site three years ago. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream “Runnin’ Down A Dream”:

Tom Petty and The Heartbreakers
2014-09-06
Lockn Festival
Arrington VA

Digital Master Audience Recording
Recorded at Taper’s Section

MBHO 603a – KA-500 > Naiant Tinybox > Roland R-05 > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac
(320 MP3 and tagging via Foobar)

Recorded by Kubacheck
Produced by nyctaper

Setlist:
[Total Time 1:43:21]
01 So You Want to Be a Rock N Roll Star [Byrds]
02 Mary Jane’s Last Dance
03 American Dream Plan B
04 Into the Great Wide Open
05 Forgotten Man
06 [banter – happy birthday]
07 I Won’t Back Down
08 Free Fallin
09 [band introductions]
10 A Woman in Love
11 U Get Me High
12 Rebels
13 Yer So Bad
14 Learning to Fly
15 Shadow People
16 I Should Have Known It
17 Refugee
18 Runnin Down a Dream
19 [encore break]
20 You Wreck Me
21 American Girl

SUPPORT the legend of Tom Petty: Website | Store

Kevin Morby: September 9, 2017 Hopscotch Music Festival, King’s (Raleigh, NC)

October 10, 2017
By

Kevin Morby’s star continues to rise, and deservedly so, with his latest album City Music continuing the confident vein of his previous work. Like most of Kevin’s recent shows that I’ve attended, this headlining night at King’s during Hopscotch Music Festival was packed. I’m not sure how much of a contribution the Volvo commercial has made to Kevin’s popularity, but anything that gets more people in the door for him, I’ll take it. Certainly, Morby is now far beyond the “formerly of Woods” label; he’s a big deal in his own right.

This being the end of the night, the crowd was fired up and rowdy, and Morby and his band handled that gamely, putting on a loose-but-rocking set to go with the overall mood. Morby kept the set focused on the new record, while sprinkling it with some of his best-loved songs, including “Harlem River” from Kevin’s first album, of the same name, plus “I Have Been to the Mountain,” “Dorothy,” and “Destroyer” from Singing Saw. But it was the “encore” portion of this show that will probably be best remembered, as Morby took us through his version of reggae-rockers Sublime’s mid-90s classic, “What I Got,” followed by his special version of the Velvet Underground’s “Rock & Roll.” It was the perfect kind of end-of-festival show, with a meeting of the minds between performer and audience that benefited both.

I recorded this set with our friend Randy’s installed AKG 460 microphones in the “FOB/DFC” position, plus a feed of Evan Lamb’s house mix. The sound quality is excellent. Enjoy!

You can catch Kevin on his fall tour of Europe right now. See the dates on his website here.

Download the complete show: [MP3/FLAC/ALAC]

Kevin Morby
2017-09-09
Hopscotch Music Festival
King’s
Raleigh, NC USA

Recorded and produced by acidjack for nyctaper.com

Soundboard (engineer: Evan Lamb) + AKG 460/CK61>Zoom F8>24bit/48kHz WAVs>Adobe Audition CC (align, mix down, compression, fades)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks [Total Time 1:01:00]
01 intro>City Music
02 Crybaby
03 [banter1]
04 Aboard My Train
05 Harlem River
06 Destroyer
07 I Have Been to the Mountain
08 [banter2]
09 Dry Your Eyes
10 Dorothy
11 What I Got [Sublime]
12 Rock & Roll [Velvet Underground]

PLEASE SUPPORT Kevin Morby: Facebook | Website | Store

Chris Forsyth & the Solar Motel Band: September 21, 2017 Union Pool

October 9, 2017
By

No matter how many times we see Chris Forsyth & the Solar Motel Band, we always have something new to look forward to. This set celebrated the official release on No Quarter records of Dreaming In the Non-Dream, whose material we had heard live in various stages of completion over the past year. The outstanding final album versions are a can’t miss, so it was interesting for us to see how they’ve evolved live since the album’s release. This show at Union Pool covered three quarters of the album (meaning, three out of four songs) as well as two favorites from The Rarity of Experience, “High Castle Rock” and set-closer “The First Ten Minutes of Cocksucker Blues.” Forsyth broke this show into three parts, which he characterized as the “high-impact instrumental section, the singing section, and the long section.” As Forsyth regulars, we were jazzed to get a rare cover — Neil Young’s “Don’t Be Denied” as part of the vocal portion. But really, any appointment with Chris and his excellent band is one worth keeping. Catch them out on the road stateside for a few November shows, including November 18 at Brooklyn Steel with Luna.

I recorded this set with MBHO cardiod microphones, together with Doug’s house. The sound quality is excellent. Enjoy!

Chris Forsyth & the Solar Motel Band
2017-09-21
Union Pool
Brooklyn, NY USA

MBHO MBP603/KA200N (at SBD, PAS) + Soundboard (engineer: Doug)>Sound Devices MixPre6 (24bit/48kHz WAV)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 History & Science Fiction
02 High Castle Rock
03 Have We Mistaken the Bottle for the Whiskey Inside
04 Don’t Be Denied [Neil Young]
05 Dreaming In the Non-Dream
06 The First Ten Minutes of Cocksucker Blues

SUPPORT Chris Forsyth: Website | Bandcamp

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.