Posts Tagged ‘ nyctaper ’

Heartless Bastards: October 27, 2012 Irving Plaza – FLAC/MP3/Streaming

October 31, 2012

[Photos by acidjack]

On what was sure to be one of the year’s biggest “amateur nights” nightlife-wise, Heartless Bastards showed up at Irving Plaza and did what they do best – play the hell out of material new and old – without costumes, gimmicks or bullshit. As I mentioned back in February when they sold out Webster Hall (that recording here), Heartless Bastards have hit the big time, playing to the broader audiences that their classic blues-driven rock deserves. Even with a thousand costumed pub crawls and theme parties competing for one’s entertainment dollar on this night, the Bastards packed the place and gave us 90 minutes of unadorned rock n’ roll joy. As in February, the addition of touring guitarist Mark Nathan added considerable meat to the band’s sound, giving them a guitar attack that is equal to the bigger spaces they’ve been playing. This set of 16 songs was slightly shorter than that in February, but no less powerful; songs from the band’s latest, Arrow are sounding better at each go round, as that record’s longer numbers like “Down In the Canyon” give the band opportunities for exploration. The crowd (mostly not costumed!), in turn, gave the band the level of enthusiasm they deserved. It doesn’t matter what night of the week or day of the year it might be; you can always count on the Heartless Bastards.

I recorded this set with my new MBHO KA200N cardiod microphones from the center of the floor. The sound is excellent. Enjoy!

Stream “Down In the Canyon”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Heartless Bastards
2012-10-27
Irving Plaza
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N (FOB, DFC, PAS)>MBP 603a>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (EQ, exciter)>Audacity 3.0 (set fades, tracking, light DR compression on peaks, amplify, balance, downsample to 16bit)>FLAC ( level 8 )

Tracks [Total Time: 1:29:40]
01 The Mountain
02 Out At Sea
03 Witchy Poo
04 Simple Feeling
05 Got To Have Rock N’ Roll
06 Only For You
07 Skin and Bone
08 The Arrow Killed the Beast
09 Down In the Canyon
10 Late In the Night
11 [banter]
12 Hold Your Head High
13 Parted Ways
14 Nothing Seems the Same
15 All This Time
16 [encore break]
17 Be So Happy
18 Gray

If you enjoyed this recording, PLEASE SUPPORT Heartless Bastards, like them on facebook, and buy Arrow and their other records from their online store [HERE]

Hans Chew: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

October 30, 2012

By acidjack

[Photos by acidjack]

Hans Chew plays a brand of old-time, piano-driven rock n’ roll you may not have even realized you were nostalgic for. As the piano man for Brooklyn country-psych stalwarts D. Charles Speer & the Helix, Chew proved himself as a composer and vocalist in his own right on his debut album Tennessee & Other Stories. Imbued with a honky-tonk barroom quality, Chew’s piano playing is even more central to his solo project than it is to his work with Speer, and that’s all to the good. As a Southerner now living in New York, Chew’s work remains rooted down south, and incorporates elements of country, bluegrass and Southern boogie. Like D. Charles Speer, Chew isn’t simply a revival act, but a modern performer who has taken a classic, regionally-rooted sound and imbued it with new ideas and new vitality.

We were thrilled to have a chance to invite Chew to play our fifth annual unofficial CMJ day show at Cake Shop, and Chew and the band delivered in a big way, with a set of almost all-new material that continued on Tennessee’s promise. “Strange Love” shone among the new numbers, with its funky guitar groove and catchy refrain. “Junker’s Blues”, which closed the set, was the kind of timeless-but-new number we expect from Chew, and it ended his part of the afternoon on a high note. We would have loved to have Chew at our show in any capacity, but getting this rare preview of new material made it an even bigger honor.

I recorded this set with house engineer Justin’s mix combined with Schoeps MK5 microphones in the cardiod setting mounted on the ceiling just in front of the stage lip and spread wide. The results are outstanding. Enjoy!

Stream “Strange Love”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Hans Chew
2012-10-18
NYCTaper CMJ Day Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Justin) + Schoeps MK5>KCY>Z-PFA>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mix down, fades, align, adjust levels)>Izotope Ozone 5 (EQ, thicken, exciter)>Audacity 3.0 (tracking, amplify, balance, light DR compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Chango>
03 Tom Hughes Town
04 Strange Love
05 Magnet Moon
06 [banter]
07 Junker’s Blues

If you enjoyed this recording, PLEASE SUPPORT Hans Chew, visit his website, and buy Tennessee and Other Stories from Three Lobed/Divide By Zero Records [HERE]

Heliotropes: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

October 29, 2012

By acidjack

[Photo courtesy of MaryAnne Ventrice]

At first, it’s hard to grasp that the women of Heliotropes are your showcase’s heaviest band by far. From looking at them, you might not guess that the diverse group of young women makes monster, Sabbath-inspired rock with chunky, wah wah riffs and a raging backbeat. Also one of the newest acts on our CMJ day show bill, these ladies are kindred spirits of modern stoner/psych rockers like The Midnight Ghost Train, Pontiak and others, and they don’t hold back onstage. For a band whose current output consists of some singles on their bandcamp page, Heliotropes already have a well-developed sound and delivery – and based on this set at our unofficial CMJ day show at Cake Shop, are well on their way to an LP. Most of the tracks played at this show were new other than the released single “Ribbons”, and that new material is consistently hard hitting. The band closed out with a favorite of mine from Nirvana’s first album Bleach, the scorching “Negative Creep”, which the women of Heliotropes brought down in tempo a touch to give a more dirge-like sound to the song.

I recorded this set with a soundboard feed provided by the day’s excellent engineer Justin together with Schoeps MK5 microphones in the cardiod setting mounted directly in front of the stage. The sound is “in your face” and excellent. Enjoy!

Stream “Quatto”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is no longer working, email nyctaper for the FLAC filesFollow acidjack on twitter

Heliotropes
2012-10-18
NYCTaper CMJ Day Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Tracks
01 Psalms
02 Early In The Morning
03 Light and Dark
04 Ribbons
05 Quatto
06 Negative Creep

If you enjoyed this recording, PLEASE SUPPORT Heliotropes, like them on Facebook, and check out their music on their bandcamp page.

Crime & The City Solution: October 22, 2012 Music Hall of Williamsburg – Flac/MP3/Streaming

October 27, 2012

By nyctaper

[photo by P-Squared Photography]

These twenty-year reunions can be mixed affairs. Some bands are content to simply play the “hits” (i.e. Pixies, Wedding Present), while others re-establish themselves as working bands performing both old and newer material (Dinosaur Jr., Mission of Burma). When Crime & The City Solution announced their first tour and album in more than twenty years, the hope would be that they would follow the latter course. Crime didn’t really have any “hits” to recycle anyway. At Music Hall last week, it was quite apparent from the outset that this was indeed a vital working band and while just three new songs were performed, the title track from the new album (American Twilight) was played in the final encore slot. The other obvious positive sign was that Crime was not just mailing it in — in fact it was quite the opposite. This performance was intense, tight, and inspired. Band founder and leader Simon Bonney anchored the centerstage with his dramatic and confident vocals while the twin guitars of Alex Hacke and David Eugene Edwards were both powerful and animated. The eight-piece band wasted precious little time with formalities but simply rocked hard from start to finish. I left the venue encouraged that sometimes second acts (or for Crime, third or fourth acts) can be just as compelling as the brand new. While their US tour is now complete, Crime & The City Solution will continue to tour in Europe for the balance of this month. We expect that they will return to NYC in the not too distant future, as American Twilight will be released on Mute Records in the Spring.

I recorded this set from the center of the balcony with the Sennheisers mounted on the railing at a lower level to line up with the stacks. While the sound in the venue was somewhat boomy, we EQ’d a little bass roll-off and boosted the highs. The clarity (and vocals) now supplement the rich bottom end for an excellent recording. Enjoy!

Stream “Six Bell Chime:

Download the Complete show in [MP3] / [FLAC]

Crime And The City Solution
2012-10-22
Music Hall of Williamsburg
Brooklyn, NY USA

Digital Master Recording
Recorded from Center Balcony Rail

Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-10-25

Setlist:
[Total Time 1:30:02]
01 The Bride Ship
02 Keepsake
03 The Colonel Does Not Call Anymore
04 Rose Blue
05 Steal To The Sea
06 I Have The Gun
07 My Love Takes Me There
08 Hunter
09 On Every Train (Grain Will Bear Grain)
10 The Last Dictator (1 and 2)
11 The Dolphins And The Shark
12 [band introductions]
13 All Must Be Love
14 [encore break]
15 Six Bells Chime
16 American Twilight

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Crime & The City Solution, visit their website, and purchase their official releases from Mute Records [HERE].

Chelsea Light Moving: September 12, 2012 285 Kent – Flac/MP3/Streaming

October 24, 2012

By nyctaper

[photo by acidjack]

Chelsea Light Moving is Thurston Moore’s new band. As Sonic Youth is on hiatus and has left the future of the band somewhat of a mystery, the various members have pursued their own projects. Thurston chose to debut Chelsea Light Moving with a series of concerts throughout Europe, but their very first show in NYC took place in mid-September at 285 Kent. The show was presented by Issue Project as a Benefit for Tom Carter, which acidjack outlined in his post of the Gunn-Truscinski Duo set from this show. Suffice to say, we applaud the artists who performed for Tom at this show. You too can support Tom by following this link.

Chelsea Light Moving has released four songs at Matador and through various media outlets in anticipation of a full length release later this year, or early next. At 285 Kent, the band began the set with those four songs. We’re streaming “Frank O’Hara Hit” in which Thurston riffs on the concept of having a birthday in July. Its also the most “familiar” sounding song of the bunch for SY fans. The balance of the set consisted of material that has not yet been released, and the song titles are approximated from our research into info about CLM online. The song we’ve titled “I Come to Get Wasted” (at the suggestion of this Spin review of the show) gave Thurston an opportunity to really stretch and his guitar playing on this track is notable for both its aggression and imagination. We expect that Thurston will continue to grow this material and we look forward to the development of this new project.

I recorded this show in the usual manner for this venue. The Sennheiser Cards were mounted near the stage and after requesting and receiving permission to supplement the somewhat boomy room with a board feed, we mixed in about 25% of the board for clarity in the vocals and guitars. The result is an overall excellent recording, as SY’s FOH Aaron mixed this difficult room about as well as anyone has done. Enjoy!

Stream “Frank O’Hara Hit”:

Download the Complete show in MP3 [HERE] or FLAC [HERE]

Chelsea Light Moving
2012-09-12
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-10-23

Setlist:
[Total Time 47:48]
01 Groovy and Linda
02 Burroughs
03 [tuning]
04 Frank O’Hara Hit
05 Empires of Time
06 Sleeping Where I Fall
07 I Come to Get Wasted
08 [instrumental]
09 [banter]
10 Too Fucking Bad

LEARN HOW YOU CAN HELP TOM CARTER – BY BUYING MUSIC AND DONATING TO HIS MEDICAL EXPENSES – HERE

Support Thurston Moore and Chelsea Light Moving by visiting the band’s page at Matador Records, the band blog, the Sonic Youth site, and purchasing Thurston’s official releases at the Store [HERE].

Thieving Irons: October 7, 2012 Backyard Brunch Sessions – FLAC/MP3/Streaming

October 23, 2012

By acidjack

[Photos by Dominick Mastrangelo]

Thieving Irons, the current project of Brooklyn musician Nate Martinez, is a fairly gentle, vibey sort of band even in its electric format, so I was excited to see how their sound would change in a true “acoustic” setting. The band’s second album, Behold, This Dreamer! is a lovely piece of rainy-afternoon music, with gauzy production and at-times confessional lyrics that also incorporate historical and literary references. This most recent installment of the Backyard Brunch Sessions – held due to weather in a Prospect Heights apartment – gave Martinez the chance to distill his vision further, stripping his band to a duo of himself on vocals and guitar and longtime collaborator Dan Brantigan on a rare instrument called the EVI (a sort of synth trumpet, and a large component of that “vibey” sound). As a crowd gathered around with organizer David Chaitt’s spicy granola (made spicy by local Mike’s Hot Honey), Martinez and Brantigan played us eight songs that represented the range of Martinez’s current vision, all of them but two from Behold.

Two of the album’s biggest rockers, “Sleepwalking Into the Ocean” and “So Long” were among my favorite reinterpretations, not least because they differed the most from the album tracks. Even without the anthemic guitars and keyboards, “Sleepwalking” retained its resolute hopefulness and uplift; the poetry of “So Long” – possibly the album’s most memorable song – shone through, as Brantigan’s EVI provided a spare dreamscape in the background. Another of the show’s highlights, dedicated to GOP presidential candidate Mitt Romney, was a cover of the Kinks classic “Strangers”, a song that ought to resonate in a modern, more self-absorbed time. The band closed with “Gentle Hands”, a pastiche of images that, at its conclusion, suggests a longing for home.

I recorded this set with AKG 414 large-diaphragm microphones set to “wide cardiod” in an X/Y pattern (pictured below) in order to reduce the directionality and provide a more stable stereo image. The sound is excellent. Enjoy!

Stream “So Long”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Thieving Irons
2012-10-07
Backyard Brunch Sessions
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

AKG C 414 B-XLS (wide cardiod, x/y)>Edirol R-44 [OCM]>24bit/48kHz WAV>Adobe Audition CS 5.5 (set fades, compression, adjust L/R balance, cleanup)>Izotope Ozone 5 (EQ, exciter, imaging)>Audacity 3.0 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Babylon
03 End of September
04 Behold, This Dreamer!
05 Sleepwalking Into the Ocean
06 So Long
07 Swimming With Minnows
08 [banter]
09 Strangers [The Kinks]
10 Gentle Hands

If you enjoyed this recording, PLEASE SUPPORT Thieving Irons, like them on Facebook, and buy their records and merchandise from their online store [HERE]

Gunn-Truscinski Trio: September 12, 2012 285 Kent (Issue Project Room Benefit for Tom Carter) – FLAC/MP3/Streaming

October 22, 2012

By acidjack

[Photos by acidjack]

LEARN HOW YOU CAN HELP TOM CARTER – BY BUYING MUSIC AND DONATING TO HIS MEDICAL EXPENSES – HERE

The guitarist Steve Gunn joined longtime collaborator John Truscinski (with whom he comprises the unit Gunn-Truscinski Duo), and bassist Justin Tripp (along with Laura Ortman on violin for most of the set) for a very special trio performance to benefit the guitarist Tom Carter. Carter, who has worked on many projects over the years but is best known for his work in Charalambides, contracted a serious form of pneumonia while on tour in Europe, and has incurred significant medical bills while being treated in intensive care and, more recently, at recovery centers in both Germany and the United States. This show at 285 Kent, sponsored by the Issue Project Room, was designed to raise funds for Carter’s ongoing recovery. The community of avant-garde guitarists and musicians is incredibly tight-knit and supportive, and this contribution in New York was one of many efforts to support Tom around the world.

This set consisted of both new material and work from Gunn’s two most recent LPs for Three Lobed Recordings, one highlight of which was “The Lurker”, Gunn’s side from the out-of-print Three Lobed 10th anniversary box set. For that song, Gunn & co. were joined by Marc Orleans, who most recently collaborated with Carter on the Northern Spy Records release Eleven Twenty Nine. The song, like much of Gunn’s work, showcases a range of styles and unique phrasing, and Orleans’ participation made it all the more memorable. Streaming below is a rollicking full-band version of the 2012 Gunn classic “Trailways Gramble”, which appeared on Three Lobed’s compilation of work of eight outstanding American underground guitarists, Eight Trails, One Path. While a lot of this night’s crowd may have been there for the headliner, Thurston Moore’s Chelsea Light Moving, it was perhaps this unique collaboration of guitar talents that was the most fitting tribute to Carter and the work he has done to this point in his life. We wish Carter a speedy recovery, and encourage you to donate by buying music, donating via PayPal, or attending other benefit shows, all of which can be done by clicking the link at the top of this post.

nyctaper and I recorded this set in our usual manner for this venue with Sennheiser MKH-8040 microphones and a soundboard feed. While 285 Kent can always be a bit of a challenge with quieter acts, we feel this is a recording of excellent quality. Enjoy!

The Chelsea Light Moving set was also recorded and will be posted this week.

Stream “Trailways Gramble”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Gunn-Truscinski Trio
2012-09-12
285 Kent
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Soundboard + Sennheiser MKH-8040>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ and compression to individual files)>Audition CS 5.5 (mixdown)>

Tracks [Total Time 48:00]
01 [intro]
02 [unknown1]
03 [banter/tuning]
04 Old Strange
05 [tuning]
06 Banh Mi Ringtones
07 [banter/tuning]
08 The Lurker (w/ Marc Orleans)
09 [banter/tuning]
10 Trailways Gramble

Players
Steve Gunn (guitar)
John Truscinski (drums)
Justin Tripp (bass)
Laura Ortman (violin)

If you enjoyed this recording, PLEASE SUPPORT Steve Gunn, visit his website, and purchase his records from Three Lobed [HERE]. Please also support Tom Carter by visiting helptomcarter.org, buying his music, and donating to his medical expenses.

The Mountain Goats: October 13, 2012 Music Hall of Williamsburg – Flac/MP3/Streaming

October 17, 2012

By nyctaper

[photo by John R. Parker]

Transcendental Youth is the fourteenth proper Mountain Goats album. Its another strong record that continues the themes that the Mountain Goats often explore, misfits and tragi-comedic characters. The new album also spurred a tour, and although John Darnielle played a show as part of the Ecstatic Music Fest in March, this was the band’s first proper visit to NYC in more than a year and half, and it resulted in four sold out shows. On Saturday night at Music Hall, the Mountain Goats performed eight songs from the new album within a set of both tMG standards and a few rare nuggets. John was particularly effusive and hilarious on this night with the between-song banter, and for this tour tMG were joined for part of the set with show-opener Matthew E. White’s horn section. The result was a long and thoroughly entertaining night of music, one of the best Mountain Goats shows we’ve seen.

I recorded this show from the center balcony rail with the Sennheisers mounted fairly low. The room was mixed to perfection by tMG sound engineer Brandon, and the result is one of our best recordings from the balcony spot in this venue. Enjoy!

(the Mountain Goats performance on Tuesday night at Bowery was also recorded and will be posted soon)

Stream “San Bernardino”:

This Recording is now available for Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Mountain Goats
2012-10-13
Music Hall of Williamsburg
Brooklyn, NY USA

Digital Master Recording
Recorded from Center Balcony Rail

Recorded and Produced
by nyctaper
2012-10-14

Setlist:
[Total Time 1:47:05]
01 Transcendental Youth
02 Amy aka Spent Gladiator 1
03 [banter – baby]
04 Up the Wolves
05 [banter – Rush]
06 First Few Desperate Hours
07 Pure Milk
08 Heretic Pride
09 [banter – barefoot]
10 Dance Music
11 Woke Up New
12 [banter – Lon Chaney Jr]
13 Rotten Stinking Mouthpiece
14 [banter – misogynist garbage]
15 The Day the Aliens Came (Hawaiian Feeling)
16 Ezekiel 7 and the Permanent Efficacy of Grace
17 Lakeside View Apartments Suite
18 [banter – old patterns]
19 White Cedar
20 [banter – 9 piece string section]
21 In Memory of Satan
22 [banter – Judas intro]
23 Cry for Judas
24 Palmcorder Yajna
25 Spent Gladiator 2
26 [encore break]
27 The Diaz Brothers
28 [banter]
29 This Year
30 [second encore break]
31 No Children
32 San Bernardino

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT the Mountain Goats, visit their website, and purchase the latest album Transcendental Youth from Merge Records [HERE].

Thee Oh Sees: September 24, 2012 Death By Audio – Flac/MP3/Streaming

October 16, 2012

By nyctaper

[photo by Jeremy D. Larson – courtesy of Consequence of Sound]

As I wrote in the review of Ty Segall’s set, this show was one of the most fun nights of the year. DBA has always been a venue with a kinetic energy, but on a night when two bands who these days play much larger venues came in for a special secret show, the atmosphere was electric. Thee Oh Sees are a great live band — leader John Dwyer is indefatigable, and on this night the band played an extended set. From the very outset opening with “The Dream”, the band never really came up for air as they delivered garage-rock rave ups one after another. Seemingly at the end of their show, the crowd wouldn’t let them leave the stage and Thee Oh Sees played two more songs, including an extended jam on “Destroyed Fortress” that veered back into the melody of “Dead Energy” before closing at more than ten minutes. We don’t expect to see Thee Oh Sees at a venue the size of DBA again, but this show certainly left a lasting memory.

I recorded this show in the same manner as the Ty Segall set and the sound is excellent. Enjoy!

Stream “The Dream”:

Download the Complete Show in [MP3] / [FLAC]

Thee Oh Sees
2012-09-24
Death By Audio
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Berliner CM-33 > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2012-10-11

Setlist:
[Total Time 1:13:56]
01 [introduction]
02 The Dream
03 Lupine Dominus
04 Carrion Crawler
05 I Was Denied
06 Robber Barons
07 Block of Ice
08 Contraption/Soul Desert
09 Enemy Destruct
10 Dead Energy
11 [new song]
12 [encore break]
13 Tidal Wave
14 Destroyed Fortress Reappears/Dead Energy Reprise

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase the latest album Putrifiers II from In The Red Records [HERE].

Vetiver: September 21, 2012 Glasslands – FLAC/MP3/Streaming

October 15, 2012

By acidjack

[Photos by acidjack]

Vetiver aren’t the kind of band you usually find at the top of the bill on a Friday night at Glasslands. The Williamsburg club is best known for cutting-edge young rock and wild DJ nights – all good things, but not exactly this band’s style. Vetiver, on the other hand, seems at times to come from a different era, with a measured, melodic 60s-inspired sound that has more to do with Simon and Garfunkel and the Grateful Dead than what’s is trending in Brooklyn right now. They are a grown-up style of band in sound, style and sentiment, and they are outstanding at what they do. It’s a testament to the good taste of both the PopGun Booking team (who run Glasslands) and that of the ATP Festival, where the band was playing the following night, that quality counts for more than trend-following. Like fellow travelers and Sub Pop labelmates Fruit Bats, Vetiver’s music transcends trends and era-specific fixations; while there’s a strong vein of the late 60s going on with the San Francisco band, their melodic, lightly psychedelic sound doesn’t simply stay there. The leadoff track to their 2011 album and current release, The Errant Charm, was one of my favorites of last year, a slow-builder whose anthemic acoustic guitar riff combines with frontman Andy Cabic’s sweet, soothing vocal to create a six-and-a-half minute slice of blissed-out perfection. This show found the band playing to a fully-packed house, and despite the early set time (Friday nights at Glasslands means late-night DJs) they gave us a fantastic 13-song set into the 65 minutes they had. The set focused on Errant Charm material, but they did reach all the way back to their 2005 debut to give us “Luna Sea” and to its 2006 double LP followup, To Find Me Gone for “Idle Ties”. The band made the most of their encore, too,firing off a faithful rendition of Townes Van Zandt’s “Standin'”.

I recorded this set with Berliner CM-33 cardiod microphones and a soundboard feed provided by Josh Thiel, the head engineer at Glasslands. The sound quality is excellent. Enjoy!

Stream “Standin'”[Townes Van Zandt]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Vetiver
2012-09-21
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Berliner CM-33 (DFC, ORTF)>Aerco MP-2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity 3.0 (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total time approx 64 min.]
01 It’s Beyond Me
02 Strictly Rule
03 [banter]
04 Hard to Break
05 Streets of Your Town
06 Wonder Why
07 Can’t You Tell
08 [banter]
09 Pay No Mind
10 Idle Ties
11 You May Be Blue
12 Luna Sea
13 Another Reason To Go
14 Ride Ride Ride
15 [encore break]
16 Standin’ [Townes Van Zandt]

If you enjoyed this recording, PLEASE SUPPORT Vetiver, visit their website, and purchase The Errant Charm and their other excellent releases directly from Sub Pop.

Page 57 of 84

« 1 … 55 56 57 58 59 … 84 »

Categories

Recent Comments

Blogroll

Music Sites

Taper Blog Fraternity

Archives

Posts Tagged ‘ nyctaper ’

Heartless Bastards: October 27, 2012 Irving Plaza – FLAC/MP3/Streaming

Hans Chew: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

Heliotropes: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

Crime & The City Solution: October 22, 2012 Music Hall of Williamsburg – Flac/MP3/Streaming

Chelsea Light Moving: September 12, 2012 285 Kent – Flac/MP3/Streaming

Thieving Irons: October 7, 2012 Backyard Brunch Sessions – FLAC/MP3/Streaming

Gunn-Truscinski Trio: September 12, 2012 285 Kent (Issue Project Room Benefit for Tom Carter) – FLAC/MP3/Streaming

The Mountain Goats: October 13, 2012 Music Hall of Williamsburg – Flac/MP3/Streaming

Thee Oh Sees: September 24, 2012 Death By Audio – Flac/MP3/Streaming

Vetiver: September 21, 2012 Glasslands – FLAC/MP3/Streaming

Email

Recent Posts

DISCLAIMER and LEGAL NOTICE