Posts Tagged ‘ nyctaper ’

The Antlers: May 6, 2011 Knitting Factory – Flac and MP3 Downloads + Streaming Song

May 8, 2011
By


[photos by Amanda Hatfield]

On Friday night, The Antlers played a surprise midnight show at Knitting Factory. The show was a brooklynvegan-presented impromptu CD release show for Burst Apart (Frenchkiss), which will be released on Tuesday. The Antlers treated their fans who missed SXSW to a encore of the show they presented in March — Burst Apart from start to finish. The Brooklyn crowd also got a very special bonus in superb renditions of two Hospice songs as encores, including a powerful “Wake” set closer. But the real focus of this evening was the new material. Burst Apart is perhaps the best album you will purchase this year. The album’s production is flawless and the strength of the songs are apparent from start to finish. From the opening “I Don’t Want Love” through standout tracks (and future singles) “French Exit”, “No Widows” and “Every Night My Teeth Are Falling Out”, the album reaches its climax with the future song of the year, the hopeful-but-guarded “Putting the Dog to Sleep”. The live version of “Dog” (streaming below) is an affirmation and was a exclamation point for this incredible evening, as the band extended the closing section to a powerful finish.

Burst Apart can still be pre-ordered online and the special packages offer bonuses [HERE].

I recorded this set with the warmer DPA microphones set up at the soundboard area and mixed them with an excellent feed from the board. The Antlers FOH Dan did an excellent job on the mix this evening and the result is a recording with superb sound quality. Enjoy!

Stream “Putting the Dog to Sleep”:
[audio:http://www.nyctaper.com/A3398Antlers3200/11.%20Putting%20the%20Dog%20to%20Sleep.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

The Antlers
2011-05-06
The Knitting Factory
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-05-07

Setlist:
[Total Time 1:15:57]
01 I Don’t Want Love
02 French Exit
03 Parentheses
04 No Widows
05 [banter]
06 Rolled Together
07 Every Night My Teeth Are Falling Out
08 [banter2]
09 Hounds
10 Corsicana
11 Putting the Dog to Sleep
12 [encore break]
13 Two
14 Wake

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Antlers, visit their website, and pre-order Burst Apart from their site [HERE].

Celebration: April 22, 2011 Union Pool – Flac and MP3 Downloads + Streaming Song

May 6, 2011
By


[photo from Celebration Facebook page]

While the soul of music is fueled by a panoply of human emotions, some measure of distance is necessary for the artist to maintain a perspective on those emotions. Katrina Ford was not given an opportunity to have that distance on Thursday last at Union Pool. Celebration had booked this show months ago, but it was a cruel and tragic coincidence that her good friend and fellow performer Gerard Smith passed away a few short days before. Katrina dedicated the band’s set to Gerard and all three of the bands who played on this evening selflessly donated the show’s proceeds to Gerard’s family. While the raw emotions of a recent and painful loss is evident throughout the set, Celebration powerful performance is also fueled by those same feelings. We are streaming “Heartbreak” below, which closed the show with a peak version, and also encapsulated the band’s loss.

I recorded this set with the Neumanns mounted on the balcony rail and mixed it with an excellent board feed. The sound quality is superb. Enjoy!

Stream “Heartbreak”:
[audio:http://www.nyctaper.com/C2204Celebration1102/14.%20Heartbreak.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Celebration
2011-04-22
Union Pool
Brooklyn, NY USA

Digital Master Recording
Four Channel Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-05-02

Setlist:
[Total Time 54:00]
01 [introduction]
02 Stone
03 Battles
04 I Will Not Fall
05 [banter]
06 In This Land
07 [banter2]
08 What’s This Magical
09 [banter – lee scratch perry]
10 Generals
11 Solstice Rite
12 Walk On
13 Charios
14 Heartbreak

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Celebration, visit their website, and purchase their official releases from the Friends Records website [HERE].

…And You Will Know Us By the Trail of Dead: April 29, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Song

May 3, 2011
By


[Photo by EardrumNYC]

Starting with their band name, Austin’s …And You Will Know Us By the Trail of Dead have never been concerned with doing things the way that other bands do them. They are the kind of band that opens a co-headlining (yet nonetheless, technically opening) set at the Bowery Ballroom on a Friday night with a fifteen minute song (“Strange News From Another Planet”) from a new record (2011’s Tao of the Dead) that likely even the fans in attendance knew less well than their classic material. They are also the kind of band who, when they do that, cause the crowd to go apeshit.

Indeed, for the younger generation that was there to see the co-headliner Surfer Blood, this intense hour of no-compromise punk/art-rock may have been a departure from their usual Friday night fare. Surfer Blood is a great band, but Trail of Dead is many things they are not: loud, audacious, and visceral. But whether you came for Trail of Dead or not, they had to have won you over by the time they left the stage; frontman Conrad Keely bounced and pogo’d all over the stage while Jason Reece and Jamie Miller traded turns playing guitar and hammering the skins. With Autry Fulbright, also of Midnight Masses, joining on bass, the band has a killer lineup, even compared to the many variously-sized ones they have had. They were clearly enjoying themselves, as well as the energy from the crowd, which peaked in size during their set. The set covered a wide range of the band’s material, from the new material to classics such as “It Was There That I Saw You”, the leadoff track to their Pitchfork “perfect 10” album, Source Tags & Codes. The soaring song about intoxicating, damaged love is both jubilant and sad, a classic whether you’re hearing it for the first or fiftieth time. It also made for a tight under-four-minute contrast to some of the more epic numbers that bookended the set (including a 7+ minute “Perfect Teenhood” from Madonna to close out the set) …And You Will Know Us By the Trail of Dead don’t just defy expectations – they exceed them.

I recorded this set with the DPA microphones and a handmade analog preamp from my usual spot in the venue. The sound quality is excellent. Enjoy!

Please note that the Surfer Blood set was recorded, but per our agreement with Kanine Records, will not be posted until the release of Surfer Blood’s forthcoming EP.

Stream “It Was There That I Saw You”:
[audio:http://www.nyctaper.com/T2402TrailOfDead1122/09 It Was There That I Saw You.mp3]

This Recording is now available to Download in FLAC and MP3 and to Stream at Archive.org [HERE].

Follow acidjack on Twitter

And You Will Know Us By the Trail of Dead
2011-04-29
Bowery Ballroom
New York, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248>Sony PCM-M10 (24/44.1)
Position: Slightly LOC, clamp to balcony rail at engineers’ head level, pointed at stacks
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, amplify and balance, light EQ (-1dB at 150-200Hz), smooth peaks, downsample)>FLAC ( level 8 )

Tracks [Total Time 59:27]
01 [intro]
02 Strange News From Another Planet
03 Summer of All Dead Souls
04 [banter]
05 Ebb Away
06 Will You Smile Again
07 Caterwaul
08 [banter]
09 It Was There That I Saw You
10 [banter]
11 Relative Ways
12 Fake Fake Eyes
13 A Perfect Teenhood

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Trail of Dead, visit their website, and purchase Tao of the Dead at your favorite retailer, including here.

Buffalo Tom: April 28, 2011 Bowery Ballroom – Flac and MP3 Downloads + Streaming Song

May 2, 2011
By


[photo courtesy of Oscar Anjewierden]

The conventional wisdom about Buffalo Tom is that they are a quintessential “90s sound” band forever interwoven with the cultural milieu of that period — specifically, their connection to the short-lived but iconic tv show “My So Called Life”. The problem with boxing in the Tom with a sound or with a decade is that those relationships are almost entirely anecedotal. Buffalo Tom is a trio with a universal guitar/bass/drums/earnest-vocals “roots rock” sound with influences from any of the last five decades, and which retains substantial relevance to this day. In that spirit, the band released Skins in March and that album is as strong as anything the band has released in the last twenty years. At Bowery Ballroom on Thursday, the Skins tracks were interwoven with the band’s most classic tracks in a strong well-paced ninety-minute set. The band even reserved “Don’t Forget Me” for the first encore slot. Bill Janovitz has also never shied away from difficult covers — the band played a Gun Club song at the Mercury Lounge show in November. At the Bowery, the Van Morrison classic “Into The Mystic” flowed naturally from the Tom’s “Larry”, and we’re streaming that set highlight below.

I recorded this set with the four microphone rig from our standard balcony location in this venue and the sound quality is superb. Enjoy!

Stream “Larry – Into The Mystic” (Van Morrison):
[audio:http://www.nyctaper.com/B1811BuffaloTom2010/21.%20Larry%20-%20Into%20the%20Mystic.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Buffalo Tom
2011-04-28
Bowery Ballroom
New York, NY USA

Four-Track Digital Master Recording
Recorded Balcony Railing

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-05-01

Setlist:
[Total Time 1:35:43]
01 Tree House
02 Summer
03 She’s Not Your Thing
04 Arise, Watch
05 Your Stripes
06 Mineral
07 Darl
08 [banter]
09 Sunday Night
10 [banter2]
11 Tangerine
12 [banter3]
13 Late At Night
14 [banter4]
15 Reason Why
16 Taillights Fade
17 Here I Come
18 Guilty Girls
19 Rachael
20 [banter5]
21 Larry / Into the Mystic
22 I’m Allowed
23 [encore break]
24 Don’t Forget Me
25 [banter – Butterscotch tease]
26 Staples
27 Kitchen Door
28 You’ll Never Catch Him
29 [banter – thanks for coming]
30 Sodajerk

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Buffalo Tom, visit their website, and purchase Skins from the front page of their website.

Low: April 27, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Song

May 2, 2011
By


[Photos by wagz2it and courtesy of A Heart Is A Spade]

Low are perhaps the best musical example of the value of speaking softly.  Since 1993, they have been playing perfectly expressed, understated American music with a deftness and grace that eludes all but the very best artists.  Much is made of the fact that, throughout a musical period where brash, loud and reckless are the touchstones of popular indie bands, they have won legions of fans with songs that are none of those things.  Indeed, their songs are tightly written concoctions; their primary strength lies in the singular vocal harmonies of guitarist Alan Sparhawk and drummer Mimi Parker, who plays a limited set of drums standing up. But really, being different is not what makes Low stand out.  What makes people pay attention to them – to cause them to watch their entire 90-minute performance in stunned rapture, punctuated only by bouts of furious applause – is what should always make people pay attention to anything.  That is, that they are excellent at what they do, phenomenally talented, dedicated and musically almost perfect (one little false start notwithstanding).  Although the band have many, many fine albums under their collective belt at this point, their recent release C’mon nonetheless represents another high watermark for the band, as it is not only contains some amazing new numbers like “Witches” and the expansive rocker “Nothing But Heart,” but is flawlessly recorded in an old church that captures the warmth of the band’s sound ideally.

This being a Wednesday night, the band was rewarded with an attentive and devoted Bowery Ballroom crowd that watched Sparhawk, Parker and bassist Steve Garrington give a majestic performance that was one of the best I have seen in my entire life.  What struck me most about Low was their level of control; Sparhawk and Parker are a seamless vocal instrument, such as on the lovely first encore, “Sunflower” from 2001’s Things We Lost In the Fire, and their command of their material a pleasure to watch unfold in the live setting.  The venue was ideal for the band – intimate enough for us to be able to hang on every word, but large enough to let them unleash the power of their more soaring songs, including the epic quiet/loud combo on their second encore, “When I Go Deaf”.  That they played a second encore is a sign of what a rich and outstanding show this was; everything was going right. At a quiet show like this, you often worry about people not paying attention, talking, and generally distracting other listeners; Low don’t seem to have that problem. It is impossible to be torn away. Sometimes, there is value in speaking softly.

I recorded this set with the DPA microphones in my usual location in the venue with a hand-built analog preamp for added warmth and detail. Because the band was playing very quietly at certain points, there are some moments of perceptible hiss from both the venue PA and my equipment, as well as some spots of light wind noise from the venue’s HVAC system that are almost never audible during louder shows.  Despite these minor flaws, I think this is overall an excellent recording and a great capture of the evening  (including the very respectful and very enthusiastic crowd).

 

Download the MP3 and FLAC files on the Live Music Archive [HERE]

Follow acidjack on Twitter

Low
2011-04-27
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248>Sony PCM-M10 (24/44.1)
Position: Slightly ROC, clamp to balcony rail, pointed at stacks
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, amplify and balance, select noise reduction, smooth peaks, hard limit clapping, balance and amplify individual tracks, amplify entire performance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:27:24]

01 Point of Disgust
02 Breaker
03 Try to Sleep
04 You See Everything
05 Monkey
06 Silver Rider
07 Witches
08 Especially Me
09 Last Snowstorm of the Year
10 $20
11 Majesty/Magic
12 Nightingale
13 Nothing But Heart
14 Something’s Turning Over
15 [false start]
16 Murderer
17 [encore break 1]
18 Sunflower
19 Violent Past
20 Cue the Strings
21 [encore break 2]
22 When I Go Deaf

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Low, like them on Facebook, and purchase C’mon directly from SubPop Records [HERE]

She Keeps Bees: April 16, 2011 Music Hall of Williamsburg – Flac and MP3 Downloads + Streaming Song

April 30, 2011
By


[photos by Amanda Hatfield]

We have seen She Keeps Bees five times in the last year, and they have never failed to deliver the goods. Of the 12 bands at our 2010 CMJ show, they were perhaps the best received of all the excellent acts. She Keeps Bees opening set at Music Hall of Williamsburg on Thursday last was no exception. Due to the sound mix up in the balcony, Jessica’s vocals were not as prominent as usual, but this gave us the opportunity to focus on Andy’s precise percussion work. As the entirety of the “rhythm section”, the drums in this duo are crucial — to keep the time but also to fill the gaps between Jessica’s vocal flourishes. As She Keeps Bees continues to impress and develop a much-deserved reputation for excellent performances, the duo anticipate a productive 2011. Dig On will be released in the Summer, and much touring will follow. We’ll tweet the dates when we have them.

I recorded this set in the same manner as the Sharon Van Etten set, and the sound quality is clear, but we would have preferred a greater vocal presence in the house mix. Enjoy!

Stream “New Seed”:
[audio:http://www.nyctaper.com/S5001SheKeepsBees0210/12.%20New%20Seed.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

She Keeps Bees
2011-04-16
Music Hall of Williamsburg
Brooklyn, NY USA

Digital Master Audience Recording
Recorded from Balcony Rail
Far Right 15 feet from Stacks

Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-04-29

Setlist:
[Total Time 27:02]
01 [introduction]
02 Release
03 [banter1]
04 Make It Easy
05 [banter2]
06 I Don’t Believe You
07 [banter3]
08 Gimme
09 Ribbon
10 [banter4]
11 [new song]
12 New Seed
13 [banter5]
14 [new song2]
15 [banter6]
16 Cold Eye

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT She Keeps Bees, visit their website, and purchase their excellent releases from their Bandcamp Page [HERE].

Maps & Atlases: April 19, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

April 25, 2011
By


[Photo by Megan Barron.  See her Flickr stream here]

It is a not-uncommon trope on this site that bands tend to give it their absolute best when playing their first Bowery Ballroom show – it’s a big moment for any band, and the venue itself is nearly perfect – spacious yet intimate, welcoming, and outfitted with an excellent sound system. Maps & Atlases took full advantage of their breakout moment this Tuesday night, as they played an outstanding set to a welcoming 16+ crowd fueled more by the band’s incredible music than the typical NYC crowd’s favorite combo of alcohol and smartphones. In note-perfect form the band covered the best material from their first full-length, Perch Patchwork, as well as classics from their EPs like “Ted Zancha,” “Artichokes” and “Everyplace Is A House.” Maps don’t sound like any other band out there today; vocalist/guitarist Dave Davison’s voice remains in a class by itself, and their unique, polyrhythmic rock could probably wow a class of music students as easily as it did this young Bowery crowd. That uniqueness may have been an impediment at first, but people are clearly “getting it” now. It doesn’t hurt that their live show is a bit of a contrast from their more lo-fi sounding albums; turned up loud, their music is more celebratory than it seems on a scratchy EP, and more importantly, live, you just cannot miss how dialed-in these guys are as musicians. That was best in evidence during an epic seven-minute version of “Daily News” from the You Me & the Mountain EP, a mostly-instrumental track that was perhaps the strongest song of the night. The band also gave us a rare treat by doing a cover song (not part of their usual repertoire, other than their cover of Cast Spells’ “Glamorous Glowing”), a short, faithful rendition of Elvis Costello’s “Radio Radio”. While there was no post-show acoustic set from the floor like there was at the intimate Mercury Lounge show last year, this set still outshone that one. It kind of had to – it was their “Bowery moment.”

Kenny, the regular sound engineer at Bowery Ballroom, truly outdid himself this evening with a flawless mix. While the Mercury show also included a soundboard feed, the sound quality of this set, with the Schoeps microphones running into a custom built analog preamp, is better than that one, in my opinion. Enjoy!

Stream “Daily News”:
[audio:http://www.nyctaper.com/M2180M&A0210/16 Daily News.mp3]

Stream “Radio Radio”:
[audio:http://www.nyctaper.com/M2180M&A0210/20 Radio Radio.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

Maps & Atlases
2011-04-19
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps Mk41>CMC6>Oade M248>Sony PCM-M10 (24/44.1)
Position: Balcony, LOC, mics on clamp extended toward soundboard, DIN
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 1:01:25]
01 Pigeon
02 The Sounds They Make
03 Artichokes
04 [tuning]
05 Israeli Caves
06 [banter]
07 Ted Zancha
08 [banter]
09 Will>
10 The Charm
11 [banter]
12 Witch
13 Everyplace Is A House
14 Living Decorations
15 Glamorous Glowing [Cast Spells]
16 Daily News
17 [banter]
18 Solid Ground
19 [encore break]
20 Radio Radio [Elvis Costello]
21 If This Is>
22 Was

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Maps & Atlases, visit their MySpace page, and purchase Perch Patchwork from their official store here.

British Sea Power: April 21, 2011 Bowery Ballroom – Flac and MP3 Downloads + Streaming Song

April 23, 2011
By


[photo courtesy of blir]

On the final night of their US tour British Sea Power let loose the likes we have not seen before. Three years ago, their final night show at Maxwell’s was a hoot, but what went down at Bowery Ballroom on Thursday night was a grade above. The show began with unbridled energy as the band ripped through a series of Yan songs normally reserved for the end of the set. And it was that end of the set where things pretty much became anarchy. Following a strong version of “Stunde Null” from 2011’s Valhalla Dancehall, the show took on a decidedly crazy bent, as show-opener and former BSP keyboardist and current Brakes leader Eamon Hamilton pranced around the stage and ultimately the entire venue with a single drum and space helmet — an act he was reprising from his days in the band. The rare-ish “Apologies to Insect Life” followed and led through a cacophonous transition to the improv number “The Spirit of St. Louis”. As “Spirit” is generally reserved for the end of the show hijinks, the last half hour was as unpredictable as it was uncontrolled. The band shelved the encore on-off stage cliche, but instead launched directly into their early Top 40 UK single “Carrion” followed by a version of “Rock in A” that led to about half the crowd joining the crowd on stage, along with Eamon and the other opener A Classic Education. After nearly two hours, the show didn’t end as much as it just devolved into mayhem, as band and crowd danced on stage until the beat was lost and exhaustion caused the band to give up trying to hold it together. It was perhaps the perfect ending for a show as crazy, inspired, and completely entertaining as we have seen all year.

I recorded this set from the standard balcony location in this venue with the four-microphone rig. The sound quality is excellent. Enjoy!

Stream “No Lucifer”:
[audio:http://www.nyctaper.com/B1050BSP8005/15.%20No%20Lucifer.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

British Sea Power
2011-04-21
Bowery Ballroom
New York, NY USA

Four-Track Digital Master Recording
Recorded Balcony Railing

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-04-22

Setlist:
[Total Time 1:53:21]
01 Lights Out For Darker Skies
02 Atom
03 Who’s In Control
04 We Are Sound
05 Oh Larsen B
06 [banter]
07 Luna
08 Blackout
09 Baby
10 Once More Now
11 It Ended On An Oily Stage
12 [banter2]
13 Living Is So Easy
14 Mongk II
15 No Lucifer
16 Stunde Null
17 Apologies To Insect Life
18 The Spirit Of St. Louis
19 Waving Flags
20 The Great Skua
21 Carrion – All In It
22 Rock in A (and mayhem)

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT British Sea Power, visit their website, and purchase their new release Valhalla Dancehall from Rough Trade Records.

Wye Oak: April 14, 2011 Bowery Ballroom – Flac and MP3 Downloads + Streaming Song

April 18, 2011
By


[photo by Amanda Hatfield – courtesy of Matt at A Heart Is A Spade]

When we last saw Wye Oak in January, they were wowing as the openers for The Decemberists and then playing an intimate surprise show at Rock Shop in anticipation of the release of their new album. As acidjack predicted based upon the Rock Shop performance, Civilian (Merge Records) has been the well-deserved breakout release for Wye Oak. At Bowery Ballroom on Thursday, the band seemed propelled by the sell-out crowd and exuded confidence and focus. Jenn Wasner has developed a great stage presence as she aggressively handles her axe while her bright blonde hair swirls about — all while providing vocals with depth and personality. Meanwhile, Andy Stack drums and plays keyboards and effects simultaneously — a musical accomplishment that must require intense concentration. Their set at Bowery contained eight of the ten songs from Civilian, along with two songs from their 2010 EP (“I Hope You Die” is streaming below), several songs from The Knot, and a wild Danzig cover. As the band reached the powerful climax of the set closing “For Prayer” it was obvious to all present that Wye Oak have truly arrived.

I recorded this set with the four microphone rig from our standard balcony rail location and the sound is excellent. Enjoy!

Stream “I Hope You Die”:
[audio:http://www.nyctaper.com/W2701WyeOak2011/16.%20I%20Hope%20You%20Die.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Wye Oak
2011-04-14
Bowery Ballroom
New York, NY USA

Four-Track Digital Master Recording
Recorded Balcony Railing

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-04-15

Setlist:
[Total Time 1:07:15]
01 The Alter
02 Holy Holy
03 [banter]
04 Plains
05 [banter2]
06 Hot As Day
07 My Creator
08 Dogs Eyes
09 Civilian
10 That I Do
11 [banter3]
12 Mother [Danzig]
13 Take It In
14 We Were Wealth
15 [banter4]
16 I Hope You Die
17 [encore break]
18 Doubt
19 For Prayer

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Wye Oak, visit their website, and purchase Civilian from Merge Records here.

Sharon Van Etten: April 16, 2011 Music Hall of Williamsburg – Flac and MP3 Downloads + Streaming Song

April 17, 2011
By


[photos by Amanda Hatfield]

After months on the road playing to bigger crowds in bigger venues than she has ever seen, Sharon Van Etten came home last night to a vocally adoring local crowd. Music Hall of Williamsburg was sold out (as she had done at Bowery in January), and the floor was packed. From my vantage point in the front right of the balcony, I could see the faces of the rapt fans in the first ten rows. On this recording, you can hear the calls of adoration in between each song. Sharon’s music has always spoken (almost brutally) honestly about real emotions, and as her popularity grows its inevitable that she’s going to connect on a deeper level with fans who relate to those emotions. But fortunately for Sharon, she seems to have truly grasped a perspective on this phenomenon both on stage and off, and keeps a healthy distance from the adoration. Last night’s set contained most of what has catapulted her to this success, the 2010 release Epic, along with an abundant amount of strong new material and some solo classics. The night also featured two special guests — Jessica Larabee from show opener She Keeps Bees (recording of their set coming soon) on “Save Yourself”, and Aly Spaltro (Lady Lamb The Beekeeper) on “For You”. I am privy to some news about Sharon, but can only say to expect an exciting announcement from the Van Etten camp soon. In that vein, we’re streaming one of the newer songs “Tell Me”, which has developed since its August debut into a powerful number that will likely be featured on any new release.

I recorded this set from the front right of the balcony about fifteen feet from the right PA speaker, and used the hyper-directional Neumanns for what is known as a “stack tape”. The clarity is outstanding, but there is less depth than the recording from January. Additionally, the balcony at Music Hall has always had lower vocals in the mix than can be heard on the floor, and this recording is no exception. With those caveats, enjoy!

Stream “Tell Me”:
[audio:http://www.nyctaper.com/S0606SharonVE8008/10.%20Tell%20Me.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

Sharon Van Etten
2011-04-16
Music Hall of Williamsburg
Brooklyn, NY USA

Digital Master Audience Recording
Recorded from Balcony Rail
Far Right 15 feet from Stacks

Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-04-17

Setlist:
[Total Time 1:17:42]
01 Heart In The Ground
02 I Am Bad
03 [banter]
04 Peace Signs
05 Save Yourself
06 Don’t Do It
07 [banter2]
08 One Day
09 [banter3]
10 Tell Me
11 [banter4]
12 Tornado
13 [banter5]
14 All I Can
15 [banter6]
16 For You
17 [banter7]
18 Love More
19 [encore break]
20 Damn Right
21 Kevin’s
22 [banter8]
23 A Joke Or A Lie

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Sharon Van Etten, visit her website, and purchase her new CD epic from Bada Bing Records [HERE].

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