Posts Tagged ‘ Palisades ’

Dan Friel: March 6, 2016 Palisades

April 26, 2016
By

Dan Friel

Back in January we caught Dan Friel doing his noise pop thing at Palisades. That was somehow Friel’s first appearance on this site, despite us all being longtime fans of both his solo material and Parts & Labor. Last month we ran into Friel again at Palisades for an extra special set, opening up Sunwatchers’ record release show. This set features Friel joined by Sunwatchers’ Jeff Tobias on saxophone, Sam Kulik on trombone, and Jesse DeRosa on trumpet for “Life Part 2,” “Life Part 1,” and “Thumper.” While the setlist is similar to what we saw in January (aside from “Valedictorian”) the added brass section makes for a completely unique experience. It’s nice to see Friel doing collaborative sets and I hope this isn’t the last we’ll see of it.

I recorded this set with the AKG’s set up at the stage lip, combined with board feed from Palisades FOH Ariel. The brass section comes in nice and clear. Overall the sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Dan Friel
2016-03-06
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [30:55]
01. Life Part 2
02. Lungs
03. Valedictorian
04. Rattler
05. [banter]
06. Life Part 1
07. Thumper

If you enjoyed this recording, PLEASE SUPPORT Dan Friel. Visit his website, like him on Facebook, and buy Life from Thrill Jockey.

Nick Millevoi’s Desertion Quartet: March 6, 2016 Palisades

March 31, 2016
By

Nick Millevoi's Desertion Quartet

You may be most familiar with Nick Millevoi as one-half of the two-pronged guitar offensive of the Solar Motel Band. But you may not know that Millevoi leads his own band of psych-jazz merchants, the Desertion Quartet, featuring Jamie Saft (frequent John Zorn collaborator), Ches Smith (whose extensive credits include Marc Ribot’s Ceramic Dog), and Johnny DeBlase (who also plays with Millevoi in Many Arms). Named for Millevoi’s upcoming album, Desertion, the group’s longform instrumentals oscillate between heavy riffage and and free-jazz freakouts. The Quartet opened up for the like-minded Sunwatchers earlier this month and treated the crowd to a preview of that album, which is due out May 20 on Shhpuma. “Desertion and the Arsonist’s Match” was recently written up by NPR and encompasses the breadth of the band’s range; but for my money it’s the eight-minute noise breadown “The Fire That Partially Destroyed City Hall” that’s most compelling. Either way, the players have the credentials and the songs to make Desertion one of this year’s most anticipated releases.

I recorded this set from the stage lip, combined with a board feed from Palisades FOH Ariel. The sound is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Nick Millevoi’s Desertion Quartet
2016-03-06
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [31:19]
01. Where They Do Their Capers >
02. Desertion and the Arsonist’s Match
03. Just for a Moment, I Stood There in Silence
04. [banter]
05. The Fire That Partially Damaged City Hall

Support Nick Millevoi’s Desertion Quartet: Website | Preorder Desertion via Bandcamp

Sunwatchers: March 6, 2016 Palisades & March 11, 2016 The Studio at Webster Hall

March 13, 2016
By

Sunwatchers

Sunwatchers’ self-titled debut record was unleashed on unsuspecting turntables everywhere last week, via Castle Face Records. In celebration, the band embarked on a short tour bookended by two hometown shows: March 6th at Palisades for a late night vegan chili- and alcohol-fueled set, then March 11th opening for Yonatan Gat at the Studio at Webster Hall. We caught up with Sunwatchers for both.

The Palisades recording captures the band playing to an audience of friends and family who know what to expect from their jazz-psych excursions. Most of the record’s cuts are represented here, with a couple non-album additions: “There Are Weapons You Can Take to School” and “New Dad Blues.” For the raucous denouement of “Ape Phases” and “Moonchanges,” Sunwatchers are joined by Sam Kulik on trombone and Jesse DeRosa on trumpet to round out the brass section.

Meanwhile, their Studio at Webster Hall set finds the band among an audience who may not know Sunwatchers yet; but opening for Yonatan Gat, the open-minded had their minds opened indeed. For the shorter opening slot, Sunwatchers pared down to the essentials with album-opener “Heard of Creeps,” “For Sonny,” and “Moonchanges,” plus newcomer to their repertoire, “New Dad Blues.”

I recorded the Palisades set from the stage lip, combined with a board feed from Palisades FOH, Ariel, while Acidjack recording the Studio at Webster Hall set from our usual location at the soundboard with a board feed from the Studio’s FOH, John. The recordings each sound fantastic, presenting different shades of Sunwatchers—I highly recommend both.

Sunwatchers will be back in Brooklyn on March 22, at The Living Gallery. More info here.

Download the complete Palisades show: [MP3/FLAC]

Download the complete Studio at Webster Hall show: [MP3/FLAC/ALAC]

Stream the Palisades show:

Stream the Studio at Webster Hall show:

Sunwatchers

Sunwatchers
2016-03-06
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [59:17]
01. [Intro]
02. Herd of Creeps
03. [banter]
04. For Sonny
05. [banter]
06. There Are Weapons You Can Bring to School
07. [tech break]
08. New Dad Blues
09. [banter]
10. White Woman
11. [banter]
12. Ape Phases
13. [banter]
14. Moonchanges


Sunwatchers
2016-03-11
Studio at Webster Hall
New York, NY  USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (at SBD, DFC, PAS) + Soundboard (engineer: John)>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust balance of SBD, adjust levels)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Herd of Creeps
02 For Sonny
03 [banter]
04 New Dad Blues
05 Moonchanges

Support Sunwatchers: Facebook | Bandcamp | Buy Sunwatchers via Castle Face

Bambara: February 25, 2016 Palisades

March 2, 2016
By

IMG_1654

The Brooklyn post-punk band Bambara knows how to make noise. This show at Palisades, to celebrate the forthcoming release of their album, Swarm, this Friday (March 4), proved what those who’ve been paying attention already knew — that this band has the charisma, and the delivery, to take them beyond Bushwick DIY stages. They’ve already had a taste of that, of course, having toured with site favorites METZ and A Place to Bury Strangers, among others. But Swarm, the band’s first professionally-recorded effort, shows this band’s possibilities. It’s a gloomy, late-night sort of effort, sustained by its rhythmic appeal and the band’s dead-on delivery. In the live setting, they don’t hold back, with frontman Reid Bateh anchoring the effort with his considerable onstage charisma while his brother Blaze hammers the drums along to William Brookshire’s bass. This show covered some of the standout tracks on Swarm, as well as favorites from the band’s debut, Dreamviolence. You’ll have plenty of opportunities to see the band around NYC in the near future, with upcoming gigs at Berlin and Saint Vitus.

I made this recording with Schoeps MK22 open cardiod microphones at the stage lip plus a soundboard feed from Palisades FOH Leeor. While the sound is a little off balance (a tad heavy on bass guitar) it is overall a high quality listen. Stream the full show (minus banter) plus the available tracks from Swarm below as well. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Bambara
2016-02-25
Palisades
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (ORTF, stage lip)>NBob cables>PFA + Soundboard (engineer: Leeor)>Adobe Audition CS 5.5 (align, mix down, narrow onstage image)>Izotope Ozone 5 (effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Her Sister, Touya
02 Filled Up With Night
03 All the Same
04 [banter1]
05 An Ill Son
06 [banter2]
07 Stop
08 All the Ugly Things
09 I Don’t Mind

Check out Bambara on Facebook, and pre-order Swarm from Arrowhawk Records here.

Palm: January 29, 2016 Palisades

February 3, 2016
By

IMG_1376

The band Palm bring an impressive amount of music experimentation to the table, especially for a fairly young band. The compatriots, who met at Bard College upstate, but now reside in the independent music hotbed of Philadelphia, claim to be short on formal training, but I’m calling B.S. on that. Or rather, if their ability to produce intricate, jazz-inflected songs filled with unusual, shifting time signatures is something they just came up with on their own, then formal training may as well hang it up. On this packed weekend night at DIY-ish Palisades, the foursome came ready to wow us, playing only one song from their standout 2015 LP Trading Basics, released by Exploding In Sound. So we got the (relatively) hooky “Ankles” from that record, paired with a slew of relatively new or very-new songs, many of which the band themselves don’t have titles for. You could see that at points the members were feeling the songs out among each other, casting glances across the stage, but you wouldn’t have known it without looking at them; this material feels dialed-in and ready for primetime. What Palm are doing certainly has its cultural touchstones — some of the great “math rock” bands of mid-late-90s like Faraquet, Smart Went Crazy, June of 44 and Polvo — but it’s also daring and fresh at a time in “rock” music where the norm is more often party music that keeps a low bar. If the band’s subsequent releases have anything in common with what we heard tonight, or Trading Basics, then we’re going to be impressed by them for a very, very long time.

I recorded this set with Schoeps MK22 open cardiod microphones onstage together with a soundboard feed from Palisades FOH Ariel. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Palm
2016-01-29
Palisades
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK22 (ORTF, stage lip)>NBob cables>PFA + Soundboard (engineer: Ariel Bitran)>Adobe Audition CS 5.5 (align, mix down, narrow onstage image)>Izotope Ozone 5 (effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 [new song 1]
02 I Don’t Want to know
03 Ankles
04 [new song 2]
05 Crank
06 [new song 3]
07 [new song 4]
08 Two Toes

SUPPORT Palm: Facebook | Bandcamp

Mothers: January 29, 2016 Palisades

February 1, 2016
By

Mothers Palisades
[photo by acidjack]

Its a beautiful thing to watch the deserved ascent of a high quality band. Mothers began as the solo project of Kristine Leschper before the full band formed about eighteen months ago. The addition of three superb musicians has elevated Mothers to entirely new level. When the band played the NYCTaper CMJ show in October at Cake Shop, the capacity crowd seemed to recognize that they witnessed something special — it was the best received set of the day and perhaps my favorite performance of the entire show. In the intervening three months the band’s status has grown further, so as a result Friday night’s show at Palisades was absolutely packed. This was the largest crowd we’ve seen at the venue, as it was difficult to even navigate from our taping position upfront to the back of the venue during the night. Kristine did in fact acknowledge the special nature of the evening, and indeed it also happened to be her birthday. The band itself has grown tighter musically, as lead guitarist Drew Kirby, bassist Patrick Morales and drummer Matt Anderegg (from the Athens GA musical collective Marching Banana) are clearly in sync with Leschper’s unique melodies and advanced sense of tempo.

But the remarkable aspect about the size and the energy of the Palisades crowd is the fact that Mothers has not even yet released their debut album. When You Walk A Long Distance You Are Tired (Grand Jury Music) will be released on February 26, and this set featured four songs from the album. The show also featured one unreleased song that the band has been playing since last year (“Fat Chance”) and an entirely new untitled song. Mother’s will be touring extensively over the next few months, including a trip to London and dates at SXSW, and they will ultimately return to NYC in late April.

However, NYC is fortunate that Mothers hasn’t left town yet. The band has a show tonight Monday Feb 1 at Berlin in the East Village.

We recorded this set with acidjack’s Schoeps open cardioid mics mounted at the front and center of the stage lip and mixed with a board feed provided by house FOH Ariel. The sound quality is superb, enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Set:

Mothers
2016-01-29
Palisades
Brooklyn NY

Digital Master Recording
Soundboard + Stagelip Audience

Soundboard [Engineer Ariel Bitran] + Schoeps MK22 > NBob cables > PFA > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper and acidjack

Setlist:
[Total Time 39:05]
01 Copper Mines
02 It Hurts Until It Doesn’t
03 [Kristine’s birthday]
04 [new song – Lay Down]
05 Lockjaw
06 Fat Chance
07 No Crying In Baseball

SUPPORT Mothers: Website | Facebook | Bandcamp | Twitter

Dan Friel: January 9, 2016 Palisades

January 28, 2016
By

Dan Friel
[photo by Rocketman]

Sure, you can call Dan Friel an electronic musician and you wouldn’t be wrong. But to do so would be to describe his instrumentation and the way he makes music, rather than to describe the actual music he makes. Friel got his start with Parts & Labor, a band that epitomized the late 2000s era of Brooklyn indie and noise rock, and his solo work sounds more like a continuation of that aesthetic than a departure from it, even if he is dispensing with the more traditional rock instrumentation. That’s all to say that if you’re a fan of Parts & Labor, Friel’s solo work is going to be a welcome addition to your record collection. Friel’s latest album for Thrill Jockey, last year’s Life, is his most engaging yet, and his set from Palisades a few weeks ago showcases those tracks nicely. The final song, “Thumper” from 2013’s Total Folklore, perfectly encapsulates Friel’s music: a pulsing, distorted beat is overlaid with intertwining keyboard melodies that dis- and re-integrate through the course of the song. Be sure to mark your calendars for March 6, when Dan Friel will return to Palisades for a show with jazz-psych rockers and NYCTaper favorites, Sunwatchers.

I recorded this set with the AKG’s set up at the stage lip, combined with board feed from Palisades FOH Leeor. The results are excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Dan Friel
2016-01-09
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leeor) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [29:15]
01. Bender
02. Life Part 2
03. Lungs
04. Rattler
05. Life Part 1
06. Pink Helicopters
07. Thumper

If you enjoyed this recording, PLEASE SUPPORT Dan Friel. Visit his website, like him on Facebook, and buy Life from Thrill Jockey.

Oneida: January 9, 2016 Palisades

January 20, 2016
By

Oneida
[photos by Rocketman]

Way back in 2013, in a prehistoric Williamsburg where you could still catch a show on Kent Ave., we called Oneida shows “a standing appointment.” To drive that point home, and proof that we’ve lived up to our end of the bargain, we’ve since then posted a whopping seven Oneida shows in the past two years. 2015 brought not only an increase in activity from the band but also a return to more song-based sets, compared to the lengthy jamming typical of Oneida sets in 2012 and 2013. Some old favorites have even entered the rotation, including “People of the North” from 2001’s Anthem of the Moon, “Caesar’s Column” from 2003’s Secret Wars, and most surprising, “Happy New Year” from, well, Happy New Year. Of all the many, many Oneida shows I’ve seen, this was the first time I’ve seen them do “Happy New Year,” making this recording something special indeed. The set rounds out those classics with some newer tunes: two from Oneida’s next album, “Reputation” and “Cock Fight,” plus two from their recent Positions EP, covers of This Heat’s “S.P.Q.R.” and Chrome’s “All Data Lost.”

If you’re just dying to see Oneida break out some classics new and old, you’re in luck. They’ll tour six cities in March, and we’ll see you at Shea Stadium March 11.

I recorded this set with the AKG’s set up at the stage lip, combined with board feed from Palisades FOH Leeor. The results are excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Oneida

Oneida
2016-01-09
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leeor) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [01:09:24]
01. [Intro]
02. I Will Haunt You
03. Economy Travel
04. Caesar’s Column
05. People of the North
06. Happy New Year
07. Reputation
08. S.P.Q.R. [This Heat]
09. Cock Fight
10. [Untitled]
11. All Data Lost [Chrome]

If you enjoyed this recording, PLEASE SUPPORT Oneida. Visit their website, like them on Facebook, and buy the Positions EP from Rocket Recordings.

Baby Birds Don’t Drink Milk: January 9, 2016 Palisades

January 19, 2016
By

DSC_0202
[photos by Rocketman]

Odd name aside, the band called Baby Birds Don’t Drink Milk is really just a bunch of regular guys playing some compelling drone-ish electric folk. The band is originally from Lawrence Kansas and has existed for ten years (minus a bit of a hiatus). This year finds a new release, a full length due in March called Burritos (Fire Talk Records). But for this Palisades show opening for Oneida, the band concentrated mostly on last year’s “mini-LP” release Kill The Fuzz with four of the six songs performed culled from that 2015 release. The thirty-five minute set offered a bunch of different looks at Baby Birds, including the quiet intro, some noisy segments, some folk harmonies and ultimately a little bit of psych. There was even a little drum solo. But the takeaway is that this band is very easy to like, and they will be showing up on these pages in the future.

Eric recorded this set with the AKGs mounted on a stand at the front of the stage. I mixed that with the fine soundboard recording and the results are quite excellent. Enjoy!

Download the Complete show [MP3] / [FLAC]

Stream the Complete Show:

Baby Birds Don’t Drink Milk
2016-01-09
Palisades
Brooklyn, NY

Digital Master Recording
Soundboard + Stage Lip Audience Matrix

Soundboard (engineer: Leeor) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2×24/48 wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded by EricPH
Produced by nyctaper

Setlist:
[Total Time 35:31]
01 D Roar -> Randy’s Video Game Box
02 Zebra Boy
03 Okay Mr Pancake
04 I Ain’t Been Working -> Jam
05 Bombchu Girl
06 Wizard Sleeve

If you download this recording from NYCTaper, PLEASE SUPPORT Baby Birds Don’t Drink Milk, visit their website, and purchase their official releases from the Fire Talk Records website [HERE].

DSC_0232

Parquet Courts: February 9, 2015 Palisades – FLAC/MP3/Streaming

February 10, 2015
By

PQ 1
[screen capture from this recent YouTube video. Other photos on this page are acidjack’s shots from the show]

Each succeeding year that we’ve seen Parquet Courts, they’ve become more and more assured and impressive. The Brooklyn band — who are now “big” enough to have headlined Webster Hall at the end of last year — decided to end their latest stint on the road in the best possible way. The foursome landed this time at Bushwick’s Palisades, a resolutely scrappy DIY venue where the room is spare, the drinks are cheap and the vibe is warm (even if the temperature is not) for a two-night stint. This level of ticket sell-out reminded me of the best days of 285 Kent (also, not coincidentally, booked by legend-in-the-making Ric Leichtung‘s Ad Hoc), with wall-to-wall bodies flooding the front, each step closer to the stage a squeeze you just might not be able to make.

Parquet Courts inspires that kind of loyalty, and deserves to. Their style may be rooted in garage and punk, but they play like serious musicians, shredding their way through material from both of their 2014 records, Sunbathing Animal and the newer Content Nausea (released under the name “Parkay Quarts”). Besides Andrew Savage’s lead vocals that are easy to actually make out (and display his obvious sense of humor), the band’s most notable calling card is their ability to construct earworm riffs that make you remember songs of theirs even if you’ve only heard them once. This set did a fine job of mixing up short masterpieces of the band’s like “Light Up Gold II” and “Careers In Combat” with pieces that give Savage, guitarist Austin Brown, bassist Sean Yeaton and drummer Max Savage a chance to stretch out and show their chops, especially the “Instant Disassembly” that came earlier in the set. At times it felt like the band wasn’t even taking a breath between songs, with the riff of the next number cranking up at the last downbeat of the one before. It made for a kind of momentum that reminded me of Parquet Courts’ current career.

Befitting their love for the hometown crowd, the set we got here was longer than than other recent shows, and included a new song mix, including a cover. At first, the Monday night crowd felt a little sedate, to the point that you can hear a fan screaming “Wake the fuck up!” at least once on this recording. But the only blame for that can go to how densely packed it was in there — sardines can’t dance, either. By mid-set, the true believers had assumed their rightful places up front, and the pogoing and pit were in effect. The band kept joking with the crowd about how any of us got tickets in the first place. But that’s one advantage of having your tour-ending shows at Palisades on a Monday and Tuesday night — you can make a pretty educated guess that the people who choose to be there are the ones that actually give a shit.

The band is off to Australia and New Zealand, and then the festival circuit, in March. At their current pace, they may as well have another album done by summer. Until then, we wish them well. Success sits well with them.

I recorded this set with spaced DPA 4061 omnidirectional microphones on a post right at the front of the venue (see the photo below), plus a soundboard feed set up by Ben of Palisades, with the mix created by Parquet Courts’ touring engineer (whose name I would appreciate having). The sound quality is in-your-face excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show: 

Parquet Courts
2015-02-09
Palisades
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

DPA 4061 (FOB, spaced on pole, slightly ROC)>Sound Devices USBPre2 + Soundboard (engineer: [Parquet Courts FOH — please share his name if you have it])>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression on SBD and AUD sources, channel adjustments, fades)>Izotope Ozone 5 (EQ, tape exciter, imaging)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:08:31]
01 You’ve Got Me Wonderin’ Now
02 Bodies Made Of
03 Black and White
04 Instant Disassembly
05 Always Back in Town
06 Ducking and Dodging
07 New Age [Blitz]
08 [banter1]
09 Everyday It Starts
10 Master of My Craft
11 Borrowed Time
12 Careers In Combat
13 Dear Ramona
14 [banter2]
15 What Color Is Blood
16 No Ideas
17 Pretty Machines
18 Psycho Structures
19 Content Nausea
20 Light Up Gold II
21 Sunbathing Animal

If you enjoyed this recording, PLEASE SUPPORT Parquet Courts, visit their website, and buy their albums here.

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