Posts Tagged ‘ psych rock ’

Dead Meadow: February 11, 2014 Bowery Ballroom – Flac/MP3/Streaming

February 16, 2014
By

dead-meadow-14
[photos by PSquared Photography]

Before there was Wooden Shjips or Black Angels or Black Mountain, there was Dead Meadow who in the late 90s began to play psych rock in Washington DC in an era when the local hard rock was dominated by Dischord bands. Despite the stylistic clash with the music of the day, Dead Meadow nevertheless succeeded on talent and ingenuity. Fifteen years, a few personnel changes, and a move to LA later, the band is still producing intense stoner rock and recently released their eighth studio album Warble Womb (Xemu Records). Dead Meadow hasn’t played NYC in several years, but this week they were in town for two shows. We caught the Bowery Ballroom show on Tuesday night where Dead Meadow worked through a ninety minute set of exactly what we came to hear — a mix of old and new material, some spacey jamming, and outstanding sound quality. Given the weather, the crowd was not as packed as might have been expected in nicer climes, but the fans were certainly animated. There seemed to be a duel between the guy calling out for older material and the guy who yelled “play the record”. I guess the newer fan won, because the band added “1000 Dreams” from Warble even though it wasn’t on the setlist. We are streaming that track below because the band nailed the off-the-cuff selection. Dead Meadow’s tour continues through February with multiple East Coast and Midwestern dates, see “tour” at their website.

I recorded this set in our usual manner in this venue, with the Sennheiser cards mounted in our perch to the left of the soundboard and mixed with a board feed. We were fortunate that Dead Meadow FOH Chris Preston was with the band and provided a customized feed with well balanced guitars and effects. The result is that the sound quality is superb. Enjoy!

Stream “1000 Dreams”:

Stream “Til Kingdom Come”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dead Meadow
2014-02-11
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Chris Preston] + Sennheiser MKH-8040s > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:24:22]
01 [intro]
02 Greensky Greenlake
03 Everything’s Going On
04 Such Hawks Such Hounds
05 Six to Let the Light Shine Thru
06 The Whirlings
07 1000 Dreams
08 In The Thicket
09 Good Moanin
10 At Her Open Door
11 Rains in the Desert
12 Sleepy Silver Door
13 Til Kingdom Come
14 Heaven

If you enjoyed this recording, please support Dead Meadow, visit their website, and purchase Warble Womb from your preferred retailer, or iTunes [HERE]

MMOSS: August 6, 2012 Knitting Factory – FLAC / MP3 / Streaming

September 13, 2012
By


[Photos by acidjack]

We first checked in with the Dover, NH psych rockers MMOSS back in May, when they opened for Woods at 285 Kent. This show at the somewhat more “formal” Knitting Factory in Brooklyn gave the band an opportunity to wow Brooklyn audiences with a significantly more capable sound system, and the results show in this recording. As with the May show, the band played a five song set that ended with the mammoth “War Sux”, though this set swapped in their April single release, “Spoiled Sun”, which became another of our favorites immediately. With the addition of flute to the mix of organs and guitars, MMOSS has a distinctly retro vibe that puts them in good company with many 60s forebears, and their album i is, as we noted before, a collection of instant classics. “War Sux” was even more extended this night than at the last show, giving the band a chance to show off their jamming chops.

I recorded this set with Schoeps MK5 microphones and a soundboard feed from the Knit’s engineer, Rob. The sound is excellent.  Enjoy!

Stream “Spoiled Sun”
[audio:http://www.nyctaper.com/M0505MMOSS1202/04 Spoiled Sun.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

MMoss
2012-08-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity (set fades, EQ, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Wonder
02 Another Day
03 Another Dream
04 Spoiled Sun
05 War Sux

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT MMOSS, visit their Bandcamp and Facebook pages, and purchase their album i from Burger Records [HERE].

Magic Trick: August 16, 2012 Mercury Lounge – FLAC / MP3 / Streaming

September 9, 2012
By


[Photos courtesy of Bleary Eyed Brooklyn]]

As avowed fans of The Fresh & Onlys, we were thrilled to get a chance to see their frontman Tim Cohen’s bedroom project, Magic Trick, come to life as a full band for a set at Mercury Lounge. While Cohen’s lo-fi solo efforts have their charms, the songs feel more fully-realized with a real band, outshining even the latest official release, Ruler of the Night. Cohen and the band took a rapidly-filling room through many of Ruler’s new numbers, as well as a few from his older catalog (all of which can be heard on his bandcamp page). Compared to the Onlys, Cohen’s Magic Trick material is a bit more subdued and has less over psychedelic overtones; these songs veer much closer to confessional singer-songwriting than Nuggets-era jams. What hasn’t changed is Cohen’s knack for hooks and compelling songwriting. “Same People” is one of those songs that will stick in your head for days, while “Weird Memory” has a similar appeal to Real Estate’s blissfully diffident stylings. The Onlys have a tour and new record on the way shortly, but Magic Trick deserves a look on its own.

I recorded this set with Schoeps MK41 microphones and an excellent soundboard feed by Kevin of the Mercury Lounge.  The quality is excellent. Enjoy!

Stream “Same People”

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Magic Trick
2012-08-16
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KC5>CMC6>Aerco MP-2 + Soundboard>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Audacity (set fades, tracking, amplify, additional EQ, balance, downsample)>FLAC ( level 8 )

Tracks
01 Torture
02 I Am Never Going to Die
03 Sunny
04 Ruby
05 Same People
06 Tunnel of Love
07 Weird Memory
08 Invisible at Midnight
09 I Say Your Name

If you enjoyed this recording, PLEASE SUPPORT Magic Trick, like them on Facebook, and buy Ruler of the Night directly from Hardly Art [HERE]

Eidetic Seeing: August 9, 2012 Public Assembly – FLAC / MP3 / Streaming

August 23, 2012
By


[photos by acidjack]

For fans of heavy, psychedelic, experimental and improvisational rock, the current Brooklyn and NYC scene is an embarrassment of riches. To an illustrious list that includes White Hills, The Psychic Paramount, Oneida, Naam and many others (many of whom have been featured on this site), make sure to include the Brooklyn trio Eidetic Seeing in the canon. I first caught the band in their infancy, when they opened for White Hills at Cake Shop back in 2009. At the time, I was impressed, but clearly the band was just getting started. After releasing an EP that year, they laid down the until-recently vinyl only Drink the Sunin 2011. The absence of the record from the digital realm may have kept Eidetic Seeing a bit under the radar (it’s now available on their bandcamp page, and the vinyl is still featured at local record stores like Earwax and Academy), but they aren’t likely to stay that way for long.

This show at Public Assembly turned out to be an extra-special performance, as the band ran freeform through forty-five minutes of all-new material that they hope to lay down in the studio in the coming months. Several of these songs were newly-rehearsed, giving them a raw, exciting quality and giving the band members a chance to expand upon their ideas in real time. Mostly devoid of lyrics, at least for now, new songs like “Untitler” expand upon and extend the band’s palette, adding free jazz flourishes to guitarist Sean Forleza, drummer Paul Feitzinger, and bassist Danilo Randjic-Coleman’s dense, spaced-out stew. The songs flowed seamlessly from one to the next, with the highlight coming with the mid-set sequence of “Ashplant Blues” and “White Flight”, which gave Forleza a few vocal turns. Keep an eye on the band’s website for future shows in Brooklyn and beyond. These guys will melt your face if given the chance.

I recorded this set with Schoeps MK5 microphones in an optimal spot in the venue, coupled with a light amount of soundboard feed provided by the Public Assembly engineer, Theo. The house mix and room sound in the Public Assembly was outstanding on this night, and it is reflected in this recording. Enjoy!

Stream “Ashplant Blues”
[audio:http://www.nyctaper.com/E0078EideticSeeing0212/04 Ashplant Blues.mp3]

Stream “White Flight”
[audio:http://www.nyctaper.com/E0078EideticSeeing0212/05 White Flight.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Eidetic Seeing
2012-08-09
Public Assembly
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [OCM]>Adobe Audition CS 5.5 (mixdown, compress SBD, balance)>Izotope Ozone 5 (light EQ and exciter)>Adobe Audition CS 5.5 (amplify)>Audacity (tracking, set fades, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [crowd/intro]
02 Untitler
03 [interlude]
04 Ashplant Blues
05 White Flight
06 A Snake Whose Years Are Long
07 Frauleuse

If you enjoyed this recording, PLEASE SUPPORT Eidetic Seeing, visit their website, and purchase Drink the Sun in digital or vinyl format from their bandcamp page.

Amen Dunes: June 17, 2012 Glasslands and June 24, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

July 13, 2012
By


[Photos by acidjack]

The Sacred Bones Records showcase was the last show I saw at the Northside Festival, and it was also one of the ones I anticipated the most. First, because I try to never miss a chance to see bands I like at Glasslands, and second, because it was a stellar lineup from beginning to end. Of the bands playing, Amen Dunes were one I had not seen before, but they won me over early with their hypnotic, dark sound that recalls Syd Barrett, the Velvet Underground, Suicide and 13th Floor Elevators, among others. Founder and frontman Damon McMahon has claimed that he gets nervous performing live, but you wouldn’t have known it during this confident, if too short, set. Of course, it’s unlikely that McMahon could see us any more clearly than we could see him given the huge clouds of man-made fog he played in. If nothing else, the fog gave the show even more of a narcotic vibe.

This set gave us a taste of some of McMahon’s best songs from his recent record, Through Donkey Jaw. McMahon’s songs, now produced by a three-man band, tend to be downtempo affairs, but they held this crowd rapt, especially on numbers like the opener to Donkey Jaw, “Baba Yaga”.  We were fortunate enough to catch a second, slightly longer Amen Dunes show on the following Sunday at the Knitting Factory when nyctaper saw Amen Dunes opened for another of our favorite bands, the Wooden Shjips (that recording [HERE]). McMahon is one of those artists whose integrity and brilliance you recognize instantly, and we both felt that way when we caught our respective sets.

I recorded the Glasslands set with a soundboard feed and Schoeps MK5 microphones; the Knitting Factory set was similarly recorded with Sennheiser MKH-8040 microphones and a soundboard feed. Both are outstanding, with excellent house mixes. The Glasslands recording favors the soundboard more, while the Knitting Factory recording favors the sound from the Sennheiser microphones.  Enjoy!

Stream “Lower Mind” from the Knitting Factory:
[audio:http://www.nyctaper.com/A1706AmenDunes0212/02 Lower Mind.mp3]

Stream “Baba Yaga” from Glasslands:
[audio:http://www.nyctaper.com/A1706AmenDunes0212/05 Baba Yaga.mp3]

Download the MP3s: [Glasslands] | [Knitting Factory]

Download the FLACs: [Glasslands] | [Knitting Factory]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Amen Dunes
2012-06-24
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper
Produced by acidjack

Sennheiser MKH-8040 + Soundboard>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Diane
02 Lower Mind
03 Swim Up Behind Me
04 Bedroom Drum
05 Not A Slave
06 Baba Yaga
07 [unknown]
_____________________________
Amen Dunes
2012-06-17
Glasslands Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (cardiod, DFC, DIN, 8ft)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown, balance)>Izotope Ozone 5 (EQ, analog effects)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Diane
02 Lower Mind
03 Swim Up Behind Me
04 Bedroom Drum
05 Baba Yaga

If you enjoyed these recordings, PLEASE SUPPORT Amen Dunes, like them on Facebook, and buy their records directly from Sacred Bones Records.

Rhyton: June 14, 2012 NYCTaper Northside Festival Showcase at 285 Kent – FLAC and MP3 Downloads + Streaming Songs

June 16, 2012
By


[Photos by Jill Harrison at For the Love of Brooklyn]

Rhyton is the latest project helmed by Dave Shuford – best known for his work with No Neck Blues Band and D. Charles Speer and the Helix – and compatriots Jimy SeiTang (Psychic Ills) and Spencer Herbst (Messages, Matta Llama). I have been an admirer of Shuford’s for awhile now; he is a musician’s musician, who pursues his vision relentlessly without regard to genre, style, texture or time. While Shuford has played everything from country-blues to Greek folk music during his career, Rhyton expresses he, SeiTang and Herbst’s experimental impulses. The band’s first self-titled LP is a masterwork of improvisation – the result of a three-day recording session, the record captures the raw, live feel of these players at their best.

I invited Rhyton to be the second band at the NYCTaper 2012 Northside Festival Showcase in hopes of seeing the exact kind of set they delivered – a two-segment, free flowing live jam so new that these songs did not have formal titles. This is music that rewards set and setting, and the post-industrial 285 Kent space, with its psychedelic wall art, was the perfect venue for the band’s mind-bending style of playing. While we (and the band) would have loved for it to be longer, Rhyton’s set hinted at the new thrills to come on their forthcoming Three Lobed Recordings LP The Emerald Tablet, due out later this year.

I recorded this set with Audio Technica 3031 microphones split wide at the stage lip, combined with a soundboard feed, to create an upfront, “in your face” style of recording that provides maximum separation between instruments.

The entire set is streaming in full below. Enjoy!

Special thanks to Dave Shuford and Rhyton for playing the show.

Stream “Transitory Screed”
[audio:http://www.nyctaper.com/R1406Rhyton2012/rhyton2012-06-14_285kent_acidjack-01.mp3]

Stream “Paroon”
[audio:http://www.nyctaper.com/R1406Rhyton2012/rhyton2012-06-14_285kent_acidjack-02.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Rhyton
2012-06-14
285 Kent
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 3031 (stage lip, NOS)>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, tube effect)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Transitory Screen
02 Paroon

If you enjoyed this recording, please support Rhyton, visit their page on Thrill Jockey Records, and purchase their self-titled LP directly from Thrill Jockey [HERE] and look for their forthcoming album on Three Lobed Recordings.

Naam: May 12, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

June 6, 2012
By


[Live at the Comet Tavern, Seattle WA. Photo courtesy of Bridget Christian under Creative Commons License. See her Flickr stream [HERE]]

After catching the Brooklyn psych metal band Naam opening for Monster Magnet at the beginning of the year (recording [HERE]), I couldn’t wait to hear more. We got the chance on a recent Saturday as the band headlined at Glasslands to celebrate the release of their new Ballad of the Starchild EP by playing almost the entire record straight through. Starchild is styled as five-part suite, and adds overt Eastern influences (sitar anyone?) to the band’s bottom-heavy psych rock sound. And by “bottom heavy”, I simply mean that bassist John Preston Bundy need not fear being an underappreciated member of this band.

Starchild is beautifully mixed in an overtly classic rock style that suits the band’s sound- and I’m pleased to report that Naam’s live sound once again possessed all of the power and poise of their recorded output. It’s no accident that this is a band that has “crossover appeal” between metalheads and psych rock fans alike; they strike a balance between musical exploration and raw power that almost anyone can appreciate. Foregoing the last track of Starchild in evident frustration at an early closing time for the venue, the band instead rewarded us with the sprawling “Kingdom”, their longest number and one of their best. Although this was a shorter set than we (and they) would have liked, it was still a great introduction to this EP.

hi and lo recorded this set with the NYCTaper-installed “house rig”, a Studio Projects LSD2 large-diaphragm stereo mic, plus a well-balanced soundboard feed. There is some DI-related distortion in the first song, but once that clears up, this set is flawless in sound. Enjoy!

Stream “The Starchild”
[audio:http://www.nyctaper.com/N1310Naam2110/naam_the_starchild.mp3]

Stream “Lands Unknown”
[audio:http://www.nyctaper.com/N1310Naam2110/naam_lands_unknown.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Naam
2012-05-12
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by hi and lo
Produced by acidjack

Soundboard + Studio Projects LSD2 (xy cardiod)>Tascam DR-680 (24/48)>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Sentry of Skies
02 Lands Unknown
03 History’s Son
04 The Starchild
05 [banter]
06 Kingdom

If you enjoyed this recording, PLEASE SUPPORT Naam, visit their website, and purchase The Ballad of the Starchild and their other releases from Tee Pee Records [HERE]

NYCTaper Announces 2012 Northside Festival Showcase

June 4, 2012
By

For the second year in a row, we are thrilled to be participating in the Northside Festival, which is more or less north Brooklyn’s answer to CMJ.  This year’s NYCTaper showcase will take place next Thursday, June 14 at 285 Kent on the festival’s opening night, and will feature four bands whose music we are very excited about.  Our Facebook page for the event is [HERE] and tickets can be purchased [HERE].

Co-headliners and Thrill Jockey labelmates Pontiak and White Hills are two bands I have been digging for awhile now, and I couldn’t be happier to have them on the bill.  I last checked in with Pontiak at the Memory Burn Psych Festival a couple years ago (that recording [HERE]) and since then, they have put out some excellent new material, most recently the record Echo Ono.  White Hills are fresh off the release of Frying On this Rock, which we recently got a taste of at Glasslands (recording [HERE]).  The trio has an avid following, and the recording makes it clear why.

Rhyton are a fairly new project (also on Thrill Jockey) from longtime NYC-area musicians whose other projects have been on this site. Dave Shuford, also of D. Charles Speer and the Helix (our recording of them [HERE]) and formerly of No Neck Blues Band, founded the band along with Jimmy SeiTang (Psychic Ills – our recording of them [HERE]) and Spencer Herbst (Messages, Matta Llama) to once again give voice to some of his heavier, more experimental influences that don’t find their was obviously into the Speer material.  Rhyton’s eponymous first record is a masterwork of jazz/psych experimentation, and we can’t wait to see the material in the live setting.

EULA are a Brooklyn band that we’ve caught out and about a few times (for me, most recently at Cameo Gallery (recording [HERE]). Frontwoman Alyse Lamb has established herself as one of the most compelling bandleaders of late in the local scene, and she and her bandmates will be kicking off the night with their high-energy postpunk sound.

Stream “Young” by Pontiak from the Bell House:
[audio:http://www.nyctaper.com/P2011Pontiak2010/Pontiak-Young.mp3]

Stream “Dead” by White Hills from Glasslands:
[audio:http://www.nyctaper.com/W0049WhiteHills2012/08 Dead.mp3]

Stream Rhyton’s music from their MySpace page

Stream “Maurice Narcisse” by EULA
[audio:http://www.nyctaper.com/E2020EULA2012/07 Maurice Narcisse.mp3]

We hope to see you at the show, and please grab your tickets [HERE]!

The Phantom Family Halo: April 30, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

May 17, 2012
By


[Photos by acidjack]

After catching them back in January on the cusp of the release of their latest record, When I Fall Out, back in January, I relished the chance to catch The Phantom Family Halo after a few more months of touring on the record. Opening for the legendary Japanese psych-rock band Acid Mothers Temple (that recording [HERE]), the band took the Knitting Factory stage with a poise and confidence equal to that veteran band. The combination of a cool light show and a clean house mix gave a fervent power and energy to the most-new material on offer. “Vital Energy” was not only the name of one of the best songs of the night; it was an accurate descriptor for the band’s entire performance that night. As I did back in January, I continued to marvel at how the band could switch gears between a more psychedelic, exploratory style and a harder, punkish bite, even within the same song. Much of the credit for that goes to frontman Dominic Cipolla, whose vocals are angrier and more aggressive, and kept higher in the mix, than those of many of the band’s genre contemporaries, giving them a harder edge. This show was a step forward all around from the January show, and makes for the ideal introduction to this band. The only thing better would be seeing them for yourself.

I recorded this set in the same manner as the Acid Mothers Temple recording, with AKG large diaphragm microphones. I preferred the house mix and the mics’ performance on this set over the AMT set, and think that this was the best recording of the night.  Enjoy!

Stream “Vital Energy”
[audio:http://www.nyctaper.com/P1106PFHalo0212/03 Vital Energy.mp3]

Stream “Broken By the Way”
[audio:http://www.nyctaper.com/P1106PFHalo0212/09%20Broken%20By%20the%20Way.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

 

The Phantom Family Halo
2012-04-30
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded and produced by acidjack

AKG C 414 B-XLS (cardiod, slightly ROC, at SBD, 7.5ft, POS)>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ)>Audacity (set fades, tracking, additional EQ, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro music]
02 Sun Behind the Sun
03 Vital Energy
04 Light Year Girl
05 White Hot Gun
06 [tuning]
07 Dirty Blade
08 Masters of the Universe
09 Broken By the Way

If you enjoyed this recording, PLEASE SUPPORT The Phantom Family Halo, like them on Facebook, and order When I Fall Out and their other official releases from Knitting Factory Records [HERE]

Acid Mothers Temple: April 30, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

May 2, 2012
By


[Photos by acidjack]

Acid Mothers Temple (well, the full name of this ensemble being Acid Mothers Temple & the Melting Paraiso U.F.O.) blew my mind the first time I saw them, back in 2010, and they did so again on this night at the Knitting Factory.  With two new studio albums under their belt from 2011, the band came out and delivered a mind-melting 104 minute performance that showed off the new tracks. Unconfined by the strictures of expectation or conventional song structure, each of this night’s songs was a study in improvisation. Rather than the wonky soloing that often typifies improvisational bands, the Mothers took their journey as a tight and focused unit, obviously cueing off of each other. This show had more vocal-heavy songs than the previous show, which gave some of the songs a more cohesive feel despite their even-more-extended jamming. As was the case even before its release, the instant-classic “Pink Lady Lemonade” with its Zeppelinesque main riff was the crowd favorite.  The show ended with the wallop of “Chinese Flying Saucer”, one of the tighter songs in the set, as the band continued to rock furiously, right until the last guitar hit the floor.

I recorded this set with AKG large-diaphragm cardiod microphones and a naturally “warm” handbuilt preamp, plus an excellent soundboard feed provided by the Knitting Factory FOH Devin. In retrospect, the choice of microphone and preamp was not ideal, as this combination is better suited to the fine detail of acoustic and less-bassy shows. Nonetheless, with a bit of editing, the resulting capture is excellent.  Further, please let me know of any tracking errors – I think I did better than last time, but there may still be mistakes in song names.  For convenient listening and breaking up into CDs, I broke up long improvisational pieces into multiple parts in order to make them a bit easier to navigate.

Brooklyn’s own Phantom Family Halo opened this show, and that recording will be posted soon.

Stream “Pink Lady Lemonade Pt. 1”
[audio:http://www.nyctaper.com/A0740AMT0210/05 Pink Lady Lemonade.mp3]

Stream “Chinese Flying Saucer”
[audio:http://www.nyctaper.com/A0740AMT0210/10 Chinese Flying Saucer.mp3]

This recording is now available to download as FLAC or MP3 at Archive.org [HERE].

Acid Mothers Temple
2012-04-30
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded and produced by acidjack

AKG C 414 B-XLS (cardiod, slightly ROC, at SBD, 7.5ft, POS)>Aerco MP-2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown)>Izotope Ozone 5 (EQ, harmonic exciter)>Audacity (set fades, tracking, additional EQ, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 1:44:26]
01 Space Ritual Jam
02 Shine On You Crazy Dynamite
03 Shine On You Crazy Dynamite Pt. II
04 Shine On You Crazy Dynamite Pt. III
05 Pink Lady Lemonade
06 Pink Lady Lemonade Pt. II
07 Pink Lady Lemonade Pt. III
08 Cometary Orbital Drive>Speed Guru
09 [encore break]
10 Chinese Flying Saucer

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