Posts Tagged ‘ queens ’

Chris Forsyth & the Solar Motel Band: April 6, 2017 Trans-Pecos

June 1, 2017
By

Chris Forsyth’s appearance at Trans-Pecos a couple months ago heralded that most important of musical happenings: the possibility of a new release. With their latest No Quarter release The Rarity of Experience a proven success win fans, Forsyth and the Solar Motel Band used this intimate stage to show off some of their latest attractions. After hitting the ground running with “High Castle Rock,” we heard three new numbers in a row, including “History and Science Fiction” and “Mistaken the Bottle” (which we first heard at Union Pool back in late 2016) plus a new as-yet-unnamed (to us, anyway) number. When you add in “Dreaming In the Non-Dream I-II,” you’ve got a set chock-full of new material that continues to expand on Forsyth’s unique guitar vision, which blends a rock fan’s appreciation for shredding (he named a song after “Cocksucker Blues,” after all) with a Deadhead’s appreciation for sonic exploration, thematic variation, and little details. It’s always a treat to see Chris and the band, and we’ll be sure to keep you posted on what’s next.

I recorded this set with onstage Schoeps MK5 microphones into a warm-sounding Aerco preamp, plus a soundboard feed. The sound quality is excellent. Enjoy!

Stream and download the complete set on our bandcamp page:

Chris Forsyth & the Solar Motel Band
2017-04-06
Trans-Pecos
Queens, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (onstage, DFC, XY)>KCY>Aerco MP-2 + Soundboard >> Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.0.3>FLAC ( level 8 )

Tracks
01 High Castle Rock
02 American History and Science Fiction
03 [new1]
04 Mistaken The Bottle
05 The First Ten Minutes of Cocksucker Blues
06 Dreaming In the Non-Dream I-II

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Buy The Rarity of Experience from No Quarter

Herbcraft: November 13, 2016 Trans-Pecos

November 30, 2016
By

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The first time I saw Herbcraft, I had no idea who they were, had barely gotten set up, and had no idea what to expect. Two years later, I can say that that show by the Portland, Maine band remains one of the true gems of my entire recording “career,” and one of the most pleasant surprises I’ve ever come across from a live band period, let alone an opener. The band’s fluid, almost entirely improvisational sets are a thing of cosmic beauty, taking you to that comfortable yet foreign place where your mind and music unite. This set at Trans-Pecos, opening for MV & EE, continued in that vein, as the band played an extended thirty minute improv that even they couldn’t give a name to. This afternoon set required neither fancy lights nor the cover of darkness to take us back to that place, to open our minds and our imaginations to a better world that is not quite our own. Dig in.

I recorded this set with Schoeps MK4V microphones in the audience and Naiant X-X omnidirectional microphones split onstage. The sound quality is excellent. Enjoy!

Stream the complete set below. You can download it on a “Pay What You Will” basis from our bandcamp site if you click through.

Herbcraft
2016-11-13
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, DFC)>KCY>Z-PFA + Naiant X-X (split onstage)>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (compression, fades)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Live at Trans-Pecos

PLEASE SUPPORT Herbcraft: Bandcamp | Facebook | Woodsist

Eleven Twenty Nine: July 23, 2016 Trans-Pecos

August 15, 2016
By

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The beautiful thing about seeing a Tom Carter-related project is you never quite know what you’re going to get, but you know it will be transportive. It could be anything from his trio set with Chris Corsano and Carter Thornton late last year, to his ambient/drone work with Barry Weisblat, to one of his haunting solo guitar sets — whatever you see, you will be glad you did. On this night, we saw one of Carter’s best-loved projects, Eleven Twenty Nine, originally a collaboration with fellow guitarist Marc Orleans which has yielded an impressive album on Northern Spy Records and a followup on Drawing Room Records.

For this special performance at Trans-Pecos, Carter and Orleans were joined by Jimy SeiTang on bass and Rob Smith on drums, both of whom have seen time in our favorites Rhyton. The set consisted of three distinct improvisational pieces, each a rich, engaging tapestry of sound that blended the aesthetics of rock, free jazz and ambient music in the way for which these players have become known. What is an undulating, complex beast of a song, composed improvisationally out of many disciplines becomes a transcendent whole. Witness, for example, the climactic guitar at the end of the first piece, or the subtle, searching quality to the beginning of the last. You can certainly enjoy hearing it happen on a recording, but seeing these guys do their thing live is without parallel.

I recorded this set with Schoeps MK22 microphones up front, Naiant X-X microphones onstage, and a soundboard feed. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show

Eleven Twenty-Nine
2016-07-23
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (FOB, ROC)>KCY>Z-PFA + Soundboard + Naiant X-X (3’ split, onstage)>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (image, EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Track
01 Improvisation 1
02 Improvisation 2
03 Improvisation 3

Musicians
Tom Carter – Guitar
Marc Orleans – Guitar
Jimy SeiTang – Bass
Rob Smith – Drums

Support Eleven Twenty Nine: Facebook | Northern Spy | Drawing Room

Horse Lords: July 23, 2016 Trans-Pecos

July 26, 2016
By

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For most of its nearly ten-year history, this website has been a collaboration, reflecting the individual tastes and contributions of those who contribute to it. In the past two years, it’s hard to overstate the contribution that Eric PH has made to the team, introducing not only a number of great recordings, but a slew of new bands to the mix. Horse Lords, of Baltimore, are one of his very best finds, and since he first saw them in 2015, we’ve been hoping to do something with them directly. The band headlined a stacked bill this past Saturday at Trans-Pecos, which felt like a welcome, air-conditioned respite from the steaming heat outside. But more important than the change in temperature was the change in perspective, as each of the forward-thinking acts on the bill reminded us of how powerful experimental music can be. While too many bands of their ilk toil in obscurity, Horse Lords have received their due of late, in the form of stellar reviews for their latest album, Interventions (released by NYC label Northern Spy). 

The band’s heady combination of guitar, bass, drums, and at-times keys, sax, and second percussion isn’t the easiest to describe; it has a tinge of desert blues to it, the controlled chaos of free jazz, the music-school time shifts of math rock and the propulsiveness of, well, rock. The band brought all of that complexity to the stage and didn’t miss a beat, holding our attention through the latest album’s first single, “Truthers” straight through to the album’s centerpiece, “Toward the Omega Point,” at the end. As Eric PH pointed out in his review of the 2015 show, the band members know how to fill the spaces in the music when they need to, but also know when to leave some open air. We were floored by the band’s musicianship, their control, and their ability to craft a setlist that hung together through a diverse range of sounds. For anyone who cares about where music is going next, be sure to put Horse Lords on your list of things to see.

I recorded this set with a set of Schoeps MK22 open cardioids near the front of the room, a pair of Naiant X-X omnis split onstage, and a soundboard feed from the night’s engineer. The sound quality is phenomenal. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Horse Lords
2016-07-23
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (FOB, ROC)>KCY>Z-PFA + Soundboard + Naiant X-X (3’ split, onstage)>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (image, EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Truthers
02 Intervention III
03 Bending to the Lash
04 Untitled
05 Toward the Omega Point

Please support Horse Lords: Facebook | Bandcamp | Tumblr

Big Ups: July 16, 2016 Out In the Streets Festival

July 21, 2016
By

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Big Ups is one of the very best live bands in New York right now. At the core of that has to be the kinetic-but-controlled performance of vocalist Joe Galarraga, who reminds at times of a skinny Henry Rollins with a sense of humor. Mugging for the crowd, twisting his body into unusual positions, he never loses sight of the music or the message being delivered, which he propels at you in spoken word that rises at the right moments to scream. Brendan Finn (drums), Amar Lal (guitar) and Carlos Salguero (bass) make that performance possible, with controlled dynamics that pay as much attention to the softer interludes as to their songs’ frequent climaxes. Having seen these guys twice in 2014, promoting their first album Eighteen Hours of Static, and been blown away each time, we were eager to see where they’d gone from there.

The band’s 2016 record, Before A Million Universes, advances the conversation both lyrically and musically. At this performance at the Out In the Streets Festival, the band’s growth was evident in the current-album numbers “Contain Myself,” “Hope for Someone,” and “National Parks,” as well as a new piece that explores the soft/loud dynamic even further. On this sweltering, thunderstorm-pocked afternoon, the band commanded a friendly crowd who clearly knew them well, and made the most of the thirty minutes’ time allotted. The band’s music may be darker in tone, but Galarraga doesn’t let that get in the way of having a laugh with the crowd, or pulling faces that fall on the lighter side of serious. Even with the sun shining, by the time the set reached the band’s most straightforward hardcore number, “Goes Black,” we were all living in his world, and there was nothing else around.

In a crowded festival season, Out In the Streets is a perfect, smaller-scale local standout, with a tent to shield the bands and the music part of the crowd in the middle of Ridgewood’s historic Onderdonk House’s ample backyard, ringed with vendors, lounge chairs and picnic tables, and (not to be underestimated) plenty of bathrooms. The lineup, of course, reflected that ethos, with many of the best local acts (including Big Ups and, coming soon, Guerilla Toss) that Brooklyn fans see year-round at clubs like Shea Stadium and Baby’s All Right. It was one of those days that brought together like-minded people in a comfortable, manageable way — and gave us yet another serious jones for more Big Ups.

nyctaper and I recorded this set with his Neumann TLM-102 large-diaphragm microphones and an excellent house mix by Cliff Ribeiro. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the full set:

Big Ups
2016-07-16
Out In the Streets Festival
Onderdonk House
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Neumann TLM-102 (FOB, DFC, PAS) + Soundboard (engineer: Cliff Ribeiro)>Sound Devices 744T>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix
down, compression)>Izotope Ozone 5 (light EQ, exciter, image)>Audacity 2.0.5 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Contain Myself
02 Hope for Someone
03 Not Today
04 Wool
05 [new song]
06 T.M.I.
07 Goes Black
08 National Parks

If you enjoyed this recording, PLEASE SUPPORT Big Ups, visit their websitelike them on Facebook and buy Before A Million Universes from Exploding In Sound.

Journalism: May 21, 2016 Trans-Pecos

June 7, 2016
By

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You can’t always be sure that a band that sounds good in the studio — and Journalism sounds great on their debut, Faces — will measure up live. We’re extra-excited to report that Journalism are one of those bands, and then some, and we were grateful to host them at Trans-Pecos on a recent Saturday night. Lead singer/guitarist Kegan Zema is a savvy live performer, one who works to look and act the part, and the crack band of Mike Greene (guitar), Owen Keiter (bass) and Brendan Mehan (drums) has a well-oiled and well-practiced sound. Sound-wise, I hear a little bit of Television and Ride in them, as well as some later younger bands like DIIV and Cloud Nothings. This show led off with a new song, “Passenger,” before taking us through most of Faces. The band saved their best song (so far) for last, the propulsive, engaging “Faces I,” a rather dark take on the business of rock n’ roll itself, especially coming from a young band. In this day and age I wouldn’t disagree with Zema’s cynicism, but for his sake and ours, I hope Journalism keep on finding this ride to be worth it.

I recorded this set with Schoeps MK22 microphones at the stage lip, plus Schoeps MK41V supercardiod mics on the room and a stereo soundboard feed. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Stream Faces (then buy it!):
Journalism
2016-05-21
Trans-Pecos
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22>NBob Cables>PFA> + Soundboard + Schoeps MK41V (at SBD, ROC, PAS)>KCY>Z-PFA>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (EQ, compression, tube effect)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Passenger
02 Watching & Waiting
03 Faces II
04 Time Being
05 Night of Knife
06 Denim Jesus
07 Faces I

SUPPORT Journalism: Facebook | bandcamp

Chuck Johnson: March 24, 2016 Union Pool and March 29, 2016 Trans-Pecos

April 29, 2016
By

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We saw a lot of our friend Chuck Johnson lately, between his one-of-a-kind full band performance at the Three Lobed Sweet Sixteen Spectacular, to these two NYC shows, the latter of which we sponsored. Both of these performances — the first at Union Pool, the second at Trans-Pecos — showcased Chuck’s recent album on Trouble In Mind Records, Velvet Arc. It’s a more electric-focused project than some of his other recent work, but continues with their strong sense of narrative, and Chuck’s refreshing, ingenious phrasing. We were grateful that Chuck was able to make time for two New York performances — and that we were able to sponsor one of them. Chuck is back out west and off the tour trail for a bit, but we’ll be waiting for his return.

The Union Pool set was recorded by EricPH in our usual manner in the venue, with engineer Doug’s soundboard feed and AKG microphones. The Trans-Pecos show was recorded with Schoeps MK4V microphones at the stage lip only. The sound quality of both is excellent. Enjoy!

Download the Union Pool show: [MP3/FLAC]

Download the Trans-Pecos show: [MP3/FLAC/ALAC]

Stream the complete shows:

Chuck Johnson
2016-03-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Doug) + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:43]
01. Florets
02. [tuning]
03. Sail Away Ladies
04. [tuning]
05. Anamet
06. Middle Water
07. [tuning]
08. Velvet Arc

________________________

Chuck Johnson
2016-03-29
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>NBob Cables>PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Florets [fades in]
02 [tuning]
03 Sailaway Ladies
04 [tuning2]
05 Anamet
06 Middle Water
07 Velvet Arc

Support Chuck Johnson: Website | bandcamp | Trouble In Mind Records 

Courtesy Tier: March 30, 2016 Trans-Pecos

April 22, 2016
By

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It took an impromptu interview with two of us and the band Courtesy Tier for me to realize that we had been following them for six years. Having first impressed at a Backyard Brunch Session, then at our CMJ show, we were struck early on by the easy interplay between Layton Weedeman and Omer Leibovitz who, being a duo who play blues-driven rock n’ roll, earn easy comparisons to The Black Keys. But at the 2015 Rough Trade show we wrote about recently, the band had expanded to a three piece, and with Alex Picca on bass, the three became more than the sum of their parts. The band is promoting their Little Rock EP, in anticipation of a full-length album they are hard at work on, and we were thrilled to have them join us to preview some of that material such as their new single, “When You Were Young.”

While they may share a gulf in years with Wussy, for whom they opened this Trans-Pecos show, Courtesy Tier share many good qualities with their stagemates that night: an unpretentious, quality-based approach to music; an ability to write distinct, memorable songs around a cohesive sound; and a general ability to grab control of a room. I’d hazard that much of the audience at this show was new to Courtesy Tier, so we knew we’d made the right pick for an opener as we watched the crowd grow throughout their set, rather than the all-too-common flight for the bar. But then, you’d have had to be crazy to bolt during any of these songs, from the propulsive kickoff track and longtime band favorite “Cold” to the lighters-in-the-air closeout singalong, “Home.”

As with the Wussy set, I recorded this with Schoeps MK4Vs at the stage lip, Neumann KM150s on the room, and a soundboard feed from David Fine. The quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Courtesy Tier
2016-03-30
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK4V>NBob Cables>PFA>Aeta PSP3 + Soundboard (engineer: David Fine) + Neumann KM150 (at SBD, ROC, PAS)>>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (EQ, compression, tube effect)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Cold
02 [removed]
03 [banter1]
04 Childish Blues
05 And We Don’t Know
06 [banter2]
07 When You Were Young
08 Jackson
09 Roll On
10 [banter3]
11 Home

SUPPORT Courtesy Tier: Website | Facebook | Get “When You Were Young”

Wussy: March 30, 2016 Trans-Pecos

April 4, 2016
By

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[photos by Rich Tarbell]

How unlikely, really, that a band that represents its frontman’s second act (Chuck Cleaver was in Ass Ponys), that’s several albums into its career (Forever Sounds is the band’s sixth; Attica, its fifth, could be called its breakout), that comes from a city (Cincinnati) that nobody accuses of being a cultural or media hub, and that seems delightfully uninterested in the posing, PR machine and gimmicks that tend to attract notice, would end up at a career peak here in New York, on a Wednesday night, in Ridgewood, Queens, and a lot of people would show up.

Whether you think of Wussy as a band that defies odds or that is the picture of what hardworking, road-hardened rock musicianship ought to look like probably depends on some combination of your generation and your cynicism level. You don’t have to fall into one camp or the other to admire the 100-minute set on display here, which shot like a cannon from the oddly-lit but accommodating stage of Trans-Pecos last Wednesday. This site has flogged this band incessantly since 2010, and we relished the chance to come full circle and serve as promoters of the show. And, true to Cleaver’s observation when we caught them in 2015, they “suddenly” had a crowd.

It’d be hard to cherry pick all the specific things that were exceptional about this set, but one quick glance at the 100-minute run time should give an idea of where we’re headed. Unbothered by the pesky time limits you find at corporate venues, the band stretched into a set that spanned their career, from 2005’s Funeral Dress to their 2016 album, Forever Sounds. Rarely-played gems like the opener, “Little Paper Birds” from their self-titled 2009 record merged perfectly with regular rotation winners like “Pizza King” and new, shoegaze-leaning favorites like “Dropping Houses” and “Donny’s Death Scene.” We got one but not two encores, the first of which included a rare cover of New Order’s “Ceremony.”

If the setlist came as a welcome surprise, what was on usual display was the band’s hardworking, crowd-pleasing mojo, including Cleaver and Lisa Walker’s wry onstage banter. She was the one, after all, who refused to leave the stage for the pretend “encore break,” preferring instead to use it as an opportunity to play another song. And if that first encore, with “Ceremony” went well, it still wasn’t clear that the band were going to convince themselves to throw it back in for a second, but the crowd wouldn’t let them leave. Two more songs later, and well past midnight, the band finally closed things out for real, and everyone left happy. In the band’s fine tradition, they once again got more than their money’s worth.

nyctaper and I recorded this set with Schoeps MK4V microphones at the stage lip, Neumann KM150s capturing the room sound, and a soundboard feed from engineer David Fine. The sound quality s excellent. Enjoy!

Download the complete show: [FLAC/ALAC/MP3]

Stream the complete show (less banter tracks):

Wussy
2016-03-30
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK4V>NBob Cables>PFA>Aeta PSP3 + Soundboard (engineer: David Fine) + Neumann KM150 (at SBD, ROC, PAS)>>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (EQ, compression, tube effect)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:38:03]
01 Little Paper Birds
02 She’s Killed Hundreds
03 Gone
04 Donny’s Death Scene
05 [banter – Dangerbird]
06 Teenage Wasteland
07 [banter – Ed Ames]
08 In The Tall Weeds
09 Pulverized
10 Pizza King
11 Better Days
12 [banter – thanks]
13 Hello, I’m a Ghost
14 Sidewalk Sale
15 To The Lightning
16 [banter – Job’s Daughter’s Club]
17 Dropping Houses
18 Aliens In Our Midst [The Twinkeyz]
19 I Give You All
20 Beautiful
21 [encore break]
22 Majestic-12
23 [banter]
24 Ceremony [New Order]
25 Airborne
26 [second encore break]
27 Gene, I Dream
28 Rigor Mortis

SUPPORT Wussy: Website | Buy Forever Sounds | Bandcamp

Chris Forsyth & the Solar Motel Band: March 19, 2016 Trans-Pecos

March 24, 2016
By

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[photos by Joe Lops]

Chris Forsyth extended a recent run of excellent work with The Rarity of Experience, a double LP that earned plaudits from Pitchfork to The New York Times. Much has been made of the record’s unequivocal commitment to out-and-out riffage, but that has always been Forsyth’s MO with the Solar Motel Band. The side of him that produced The Island, the delicate, mellowed out collaboration with Koen Holtkamp, is still out there, but when he takes the stage with this band, expect an out and out rock show.

That’s what we got at this NYCTaper-sponsored show at Trans-Pecos, which represented the formal NY album release party for the record.  Things kicked into high gear immediately with “High Castle Rock” from the new record, followed by its appropriately-named Anthems I and II, and then its title track. Our only detour to Forsyth’s earlier work came in the form of “The Ballad of Freer Hollow” from 2014’s Intensity Ghost, which nestled in well with the extended two-part jams “Anthem” and “The Rarity of Experience” (notable also for adding vocals to the mix). In a nod to the band who inspired so much of improvisational guitar music (not to mention the practice of fan-based live concert recording), Forsyth and crew gave us their take on the Dead’s “Cold Rain and Snow.” It was a worthwhile reminder that while Forsyth’s name is front and center in the proceedings, part of what makes these performances special is the interplay among a very, very talented group of band members. Forsyth’s delivery wouldn’t be what it is without bassist Peter Kerlin and drummer Ray Kubian doing more than just making a backbeat, nor fellow guitarist Nick Millevoi providing the other half of the guitar attack. You don’t get a sound this all-encompassing with a “solo” artist and some guys; this is truly a band. And, for those of you who missed them this time around, head to Union Pool on May 28, where you can catch the band opening for Heron Oblivion.

I recorded this set with a pair of Schoeps MK22 microphones at the stage lip, another pair of Schoeps MK4V back by the soundboard, and a direct soundboard feed of house engineer Ned’s mix. The sound quality is outstanding, and a perfect representation of the enormity of the Solar Motel Band’s sound. Enjoy!

Download the complete set: [FLAC/Apple Lossless/MP3]

Stream the complete set: 

Chris Forsyth & the Solar Motel Band
2016-03-19
Trans-Pecos
Queens, NY USA

Exclusive download hosted by nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (stage lip, DFC, ORTF)>Nbob Cables>PFA>Aeta PSP3 + Soundboard (engineer: Ned) + Schoeps MK4V (at SBD, ROC, PAS)>>Zoom
F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust balance of SBD, compress SBD, adjust levels)>Izotope Ozone 5 (effects, EQ)
>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 High Castle Rock
02 Anthem I
03 Anthem II
04 The Rarity of Experience pt. 1
05 The Rarity of Experience pt. 2
06 The Ballad of Freer Hollow
07 [banter]
08 The First Ten Minutes of Cocksucker Blues
09 Cold Rain and Snow [Grateful Dead]
10 [banter2]
11 Boston Street Lullaby

If you enjoyed this recording, please visit his website and buy The Rarity of Experience from No Quarter Records.

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