Posts Tagged ‘ Saint Vitus ’

Suuns: February 11, 2017 Saint Vitus (Early Show)

February 14, 2017
By


It’s not easy to be a live band like Suuns. When you make spare, often trancelike music that relies on repetition, fueled by loops and electronics as well as live players, you need to be more than competent on your instruments; you need to be technically almost flawless. Their music can indeed put you in a trance, but the communion is broken if anything — almost anything — is out of time or introduced at the wrong moment. The amazing thing about Suuns is that nothing ever is — if “precision” was their band name instead, it wouldn’t be wrong. Their latest album Hold/Still continues their streak of infallible, tight production, made all the more impressive this time by the fact that they reputedly recorded most of it live. Hearing the songs live, it’s somewhat easier to believe. Suuns songs often tend toward modern paranoia and anxiety, but in execution of them, the band members’ melding of the human and technological is at ease.

On this winter night, the band played two full sold-out sets at Saint Vitus, an intimate, appropriate clime for the band’s dark, almost claustrophobic sound. Drawing on elements of krautrock and electronic music, Suuns’ sound is as distinct as it is penetrating. If escapist fare like “La La Land” and whatever pabulum won most Grammys last night is hailed as the right cultural output for our times precisely due to its unreality, Suuns owes equal claim to the title precisely because it sounds like just this moment. When vocalist Ben Shemie intones the single lyric from “Resistance,” over a fractured guitar line and its vaguely militaristic backbeat, you almost forget that this song was actually written in 2015. It meant something different to me when I first saw it, nearly two years ago to the date.

To that end, another exciting song to see come to fruition was “Infinity,” a number the band has worked on in various forms for several years, but finally laid down for Hold/Still. After a solid dose of newer material for the bulk of the set, Suuns took us back to their first record, Zeroes QC, for a bit, with “Arena” making an appearance, and the set closing with one of their best early songs, “Pie IX.” If Hold/Still is any guide, this band’s next few years are going to be equally fertile ones.

I recorded this set with Schoeps MK4V microphones and a soundboard feed. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC/Apple Lossless]

Stream the complete show:

Suuns
2017-02-11
Saint Vitus
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK4V (at SBD, PAS)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.0.5>FLAC ( level 8 )

Tracks [Total Time 1:01:12]
01 Images du Futur
02 Music Won’t Save You
03 Powers of Ten
04 Instrument
05 Translate
06 2020
07 Resistance
08 Infinity
09 Paralyzer
10 Arena
11 Edie’s Dream
12 Pie IX

If you enjoyed this recording, PLEASE SUPPORT Suuns, visit their Facebook page, and buy their albums on their bandcamp site or from Secretly Canadian.

Thou: January 7, 2017 Saint Vitus

January 16, 2017
By


[screen capture from Frank Huang’s video]

Thou’s return to NYC last week was a wealth of riches for their fans. The band played three full sets in less than forty-eight hours, including two sold-out shows at Saint Vitus and one matinee show at Silent Barn. In a way, the band was making up for lost time. Thou has been somewhat inactive since the best-of-year success of their 2014 album HeathenCrave, for example, gave the album a perfect score. We saw the Vitus show early on that tour and it was a superb night of Heathen material that pre-dated the album’s release by two days and started off a tremendously successful year.

Nearly three years later, Thou’s doom metal music continues to be intense and sprinkled with funny between-song banter and fan interaction. But at the second night at Saint Vitus, the music consisted of primarily new songs book-ended by two fantastic Nirvana covers. The new material is clearly strong and if developed live, we expect that the band’s anticipated 2017 release will equal Heathen’s quality.

Thou will be touring often this year, with shows posted on their website through July, dates [HERE].

I recorded this set with the Schoeps on a stand in front of the soundboard and mixed with a feed from the board. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Thou
2017-01-07
Saint Vitus
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:01:09]
01 Something in the Way [Nirvana]
02 [banter – tuning]
03 Transcending Dualities
04 [banter – Dr Fish]
05 Restless River
06 The Only Law
07 Untitled New Song
08 Deepest Sun
09 Unfortunate Times
10 The Lasting Dose [Crowbar]
11 Fucking Chained to the Bottom of the Ocean
12 [encore break]
13 Scentless Apprentice [Nirvana]

PLEASE SUPPORT Thou:  Website | Bandcamp | Purchase albums from Gilead Media [HERE]

Girls Against Boys: November 3, 2016 Saint Vitus

December 20, 2016
By



It’s been quite a few years since I’ve gotten to see two Girls Against Boys shows in the same calendar year. So despite whatever else 2016 threw our way, I’ll always have that. While there are a few overlaps here with September’s Baby’s All Right setlist, this set from a couple months later at Saint Vitus goes significantly deeper. “Wilmington” was outed rarely back in the day; “Park Avenue” is the only song off 1998’s Freak*on*ica to be played in either set; and I can honestly say that in twenty-one years of seeing GVSB this is the first time I’ve seen them play “Wow Wow Wow” or “My Night of Pleasure,” both off the unfairly neglected Tropic of Scorpio. If September’s show came off energized if slightly rusty, this one finds the band a well-oiled machine, chugging through sixteen songs in a little over an hour.

I recorded this with the mics pretty much dead center, perfectly capturing the energy of the entire band here. The sound, as usual for Saint Vitus, is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Girls Against Boys
2016-11-03
Saint Vitus
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

AKG C480B/CK61 (DFC, PAS, at SBD) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Tracks [1:08:06]
01. Kill the Sexplayer
02. Cash Machine
03. TheKindaMzkYouLike
04. Super-fire
05. In Like Flynn
06. Wilmington
07. Click Click
08. Let Me Come Back
09. Park Avenue
10. Distracted
11. [banter]
12. Go Be Delighted
13. Bulletproof Cupid
14. Wow Wow Wow
15. Learned It
16. [encore break]
17. My Night of Pleasure
18. Crash 17 (X-Rated Car)

Buy The Ghost List via Epitonic
• • Connect with the band via Facebook
• • • Visit gvsb.com

Kohoutek: May 13, 2016 Saint Vitus

July 13, 2016
By

Kohoutek
[photos courtesy of Kohoutek]

Kohoutek are a long-running, loose collective improvisational psych band from Washington, DC and Philadelphia. While the extended Kohoutek family is massive, their core members are Scott Verrastro, Craig Garrett, Scott Allison and Vic Salazar. These guys don’t get out together too much these days owing to geographical differences, but they’ve lately seen some increased activity due to their most recent release, Curious Aroma. We caught up with Kohoutek opening for Dead Meadow a few months back and got lost in this explorative jam that starts off slow and tentative before finding its groove a few minutes in. After about a half hour the band eases things out with their noisier side. If this recording has you curious, Kohoutek have a gig this upcoming weekend, Saturday July 16, at their Philly headquarters—check here for more details.

I recorded this set from our usual location at Saint Vitus. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Kohoutek
2016-05-13
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK61 (PAS, LOC) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [28:21]
01. Live at Saint Vitus

• Buy Curious Aroma from Forced Exposure in the US, and MIE in the UK.
• • Connect with the band at their Website
• • • Check their Facebook for updates

Dead Meadow: May 13, 2016 Saint Vitus

June 27, 2016
By

Dead Meadow
[photos courtesy of P Squared Photography]

For many of us who grew up on indie rock, Dead Meadow was our introduction to psych/stoner/metal/whathaveyou, owing to a few early aughts tours with the likes of Stephen Malkmus and Sleater-Kinney (among others), and putting out records on indie-rock-label-of-record Matador. In those opening slots, Dead Meadow’s long, plodding nods seemed out of place—it’s only years later that the connected headspace between acts has become obvious. Dead Meadow is among the best at what they do and I’m sure many a thirty-something psych-freak owes at least some of their formative taste to the band. We last caught up with Dead Meadow in 2014 at the Bowery Ballroom, and the intervening couple years saw another change of drummers. But the core of the band and what they do is still there, the proof being this career-spanning set they cooked up for the second of a two-night stand at Saint Vitus.

I recorded this set from our usual location in the venue with a board feed from Dead Meadow’s FOH (if anyone knows his name, please let us know so we can credit him). The sound is outstanding, and you’re guaranteed to enjoy this one!

Download: [MP3/FLAC]

Stream:

Dead Meadow
2016-05-13
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK61 (PAS, LOC) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:24:49]
01. [Intro]
02. Greensky Greenlake
03. Babbling Flower
04. To the One
05. Mr Chesty
06. Golden Cloud
07. Let It All Pass
08. What Needs Must Be
09. Good Moanin’
10. Keep Your Head
11. Rains in the Desert
12. Sleepy Silver Door
13. At Her Open Door

• Visit their Website
• • Shop the Dead Meadow store (once they’re back from touring)
• • • Connect with the band on Facebook

Dead Meadow

craw: March 12, 2016 Saint Vitus

March 17, 2016
By

craw-5
[photos by PSquared Photography]

Ohio is an interesting place. In some ways its an Eastern industrial state and in other ways its an agricultural Midwestern state. Its a state with large cities and large swaths of farmlands. Its largest metropolitan area of Cleveland is itself a unique place which is geographically both a lake city and a river city. Despite that Cleveland also happens to be the home of the Rock and Roll Hall of Fame, it’s music has always indicated a similar off-kilter personality. Its most well known punk band was also one of the first art-rock outfits — Pere Ubu. Its early 70’s classic rock band was also a unique mix of jazz and blues — The Numbers Band. Its 80s alternative band was also a “gunk punk” act — Death of Samantha. And its 90s hardcore band was also its 90s metal band — the inimitable craw.

Even craw‘s reunion didn’t follow the standard script. We’ve seen a ton of these 80s and 90s band reunions. Generally speaking, the usual scenario is that the continued existence of a cabal of fans manages to finally convince a band of some repute to bury the hatchet and reuite. Most times the band enters the reunion with the advantages of maturity and sobriety and does their legacy proud. But the craw reunion was in large part the result of one uber fan who grew up to be a respected journalist and musician himself. Hank Shteamer is a senior editor at Rolling Stone and he plays in the bands Aa (Big A little a) and STATS, but as a teenager he was one of a few very rabid craw fans who saw the band repeatedly. His fanship never went away, and as outlined in this excellent Observer piece, when Hank teamed up with local record label Northern Spy the pairing produced 1993-1997, a remastered box set of craw’s long out of print first three records along with a 200-page book with an essential history of the band. The final piece of the puzzle was realized when craw agreed to play two reunion shows, one of course in Cleveland and the other at Saint Vitus in Brooklyn.

I arrived early on Saturday to record the show at Saint Vitus and was immediately met with the good news that the venue was sold out. As the crowd filtered in during the opening sets, it was an interesting amalgam of various types of people of various ages and styles, and as we found out when the band took the stage, from various geographical areas — people traveled from far and wide to see this show. But the crowd did all have one thing in common, they were there to hear the music, as all attention was focused forward to the stage and there’s almost no talking on this recording. craw took the stage and immediately recognized the large contingent of traveling fans before launching directly into a lengthy “Caught My Tell” from their still-in-print 2002 album Bodies for Strontium 90, and then stuck with that album for the next few songs. The remainder of the show consisted of material that appears on the current box set as the songs were roughly grouped by album in reverse-chronological order. By the time craw reached their self-titled debut album and one of its highlights “405”, the show was virtually complete. While craw didn’t leave the stage, the final two “encore” numbers were performed by the entire 7-piece band the represented every player who had appeared on all of their albums.

For a band that hadn’t performed live in the better part of a decade, and who has always relied on mathematical precision in their riffs, this show was phenomenally tight and focused. At the center of it all was lead vocalist Joe McTighe, whose sing/scream/talk approach to the strangely literary lyrics are part of the unique draw of this singular band. Although this show is purportedly the final craw show of this all-too-brief reunion, honestly I can’t imagine that the band won’t keep playing gigs. When something is this good and the fans are calling for more, there’s no reason not to give them more. At least that’s what we hope is the case.

I recorded this set with the Schoeps cards mounted in front of the soundboard and mixed with an excellent feed provided by Vitus’s FOH wiz Nick. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

craw-29

craw
2016-03-12
Saint Vitus
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Nick] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:16:48]
01 [introduction]
02 Caught My Tell
03 Chop Shop
04 Space Is the Place
05 Unsolicited Unsavory
06 Killer Microbes Devour Cleveland
07 New Plastics Diet Alters Man’s DNA
08 Parasitic Dad Evades Biocops
09 Divinity of Laughter
10 The Adventures of Cancerman
11 Botulism Cholera and Tarik
12 Sound of Every Promise
13 Strongest Human Bond
14 Cobray to the North
15 My Sister’s Living Room
16 To the Child Reader
17 405
18 Elliot
19 [outro]

SUPPORT craw: Website | Buy 1993-1997 | Facebook | Bandcamp

craw-32

Alan Licht: March 4, 2016 Saint Vitus

March 16, 2016
By

Alan Licht
[photos by PSquared Photography]

Since 2011, Alan Licht has been playing guitar in Lee Ranaldo’s backing band, The Dust. For someone normally associated with the downtown No Wave and Minimalist set, The Dust has been an outlet for Licht to play song-oriented guitar rock. His recent album, Currents, splits the difference between experimental and rock music, blending minimalist and melodic solo guitar work into one of the most compelling solo-guitar records of the last few years.

Last week at Saint Vitus, opening for Rangda (that recording here), Licht devoted most of his set to tracks off Currents, adding a special cover that he has only recently begun playing solo. Openers “Riding on the S’s” and “First Love, Haleema” recall Licht’s guitar work with The Dust, and accomplish what even the most seasoned guitar players have difficulty doing: creating a narrative without words. Those tracks are followed by “Raw Deal” and the album-closer, “(Thems the) Breaks,” which despite their titles manage not to sound like downers.

For his closing piece, Licht looks back to his performance at the 2004 No Fun Fest (where he and band were billed as Alan Licht’s 1970), for a fifteen-minute explorative composition based on The Stooges’ “1970.” What begins as an earnest cover with that most-recognizable riff, wanders into a thematic meditation on that tune before returning back to the original. While I normally expect some audience chatter to seep in to a solo guitar set, in this recording you can almost feel the crowd’s collective breath held for the length of Licht’s set. The performance of this Stooges—and Licht—classic tops off an already excellent set.

I recorded this set from our usual location at Saint Vitus, the room mics combined with a board feed from FOH Nick. I mixed those two sources, favoring the room sound. The quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Alan Licht

Alan Licht
2016-03-04
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Nick) + AKG C480B/CK61 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [35:57]
01. Riding on the S’s
02. First Love, Haleema
03. [banter]
04. Raw Deal
05. (Thems the) Breaks
06. 1970 [The Stooges]

Support Alan Licht: Buy Currents via VDSQ

Rangda: March 4, 2016 Saint Vitus

March 8, 2016
By

Rangda
[photos by PSquared Photography]

When the first Rangda record, False Flag, arrived in 2010, it was a transmission out of the multiverse—from an alternate reality where Corsano, Bishop, and Chasny wielded their instruments for evil instead of good. The roaring cacophonies bore titles like “Waldorf Hysteria,” “Bull Lore,” “Fist Family,” “Sarcophagi,” and “Serrated Edges” (to literally list in order the first five of the six songs on that record), ensuring that Rangda was not for the psych-tourist or those with pacemakers. At the time, who knew if these three could sustain this cosmic energy, or even find overlap in three busy touring schedules to make Rangda more than a one-off supergroup.

Two albums later, even if they aren’t the most prolific band out there, Rangda is sticking around. 2012’s Formerly Extinct softened their approach only slightly, trading in the instrumental clash for interlocking rhythms and something resembling rock songs. Their latest, The Heretics Bargain, continues on that trajectory, making Rangda downright palatable. Songs like “The Sin Eaters” and “Spiro Agnew” sound upbeat, anthemic even. But if the album itself isn’t proof Rangda is drawing the newly-initiated, last week saw the band play their largest yet NYC venue and crowd, with a set focused most-heavily on Formerly Extinct and the new material.

False Flag is here represented by the sole “Bull Lore.”  Formerly Extinct by “Majnun,” “Silver Nile,” “Idol’s Eye,” “The Vault,” and “Plugged Nickel.”  From The Heretic’s Bargain, it’s “The Sin Eaters,” “To Melt the Moon,” “Spiro Agnew,” and the song nearly as long as its title, “Mondays Are Free at the Hermetic Museum.” For opening night of their tour, the band is on fire. I can only imagine the many realities ahead.

Rangda may be coming to your very hometown! Full tour dates over at Drag City.

I recorded this set from our usual location at Saint Vitus, the room mics combined with a board feed from FOH Nick. I mixed those two sources, favoring the room sound. The quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Rangda

Rangda
2016-03-04
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Nick) + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [56:36]
01. Majnun
02. The Sin Eaters
03. Bull Lore
04. [tuning]
05. To Melt the Moon
06. Silver Nile
07. [tuning]
08. Idol’s Eye
09. Spiro Agnew
10. [tuning]
11. The Vault
12. [tuning]
13. Plugged Nickel
14. [tuning]
15. Mondays Are Free at the Hermetic Museum

Support Rangda: Buy The Heretic’s Bargain and other records from Drag City

Holy Sons: August 27, 2015 Saint Vitus – FLAC/MP3/Streaming

September 24, 2015
By

Holy Sons

Holy Sons is the seventies-inspired heavy rock solo project from Om/Grails drummer Emil Amos. If you’ve ever seen either of those bands live, you’ll have surely noted Amos’ irrepressible energy behind the kit. It’s clear that in his free time that energy translates into some incredibly prolific songwriting—since 2000, he’s released eleven albums as Holy Sons. The most recent two, this year’s Fall of Man and last years’s The Fact Facer, were both released on Thrill Jockey, always an indicator of high quality. For his touring in support of Fall of Man, Amos has tapped Dommengang‘s rhythm section of Brian Markham and Adam Bulgasem. To say this trio rocks is an understatement—these guys could break concrete using only guitar, bass, and drums.

Holy Sons will be back in NYC on October 30 at City Winery as part of a tour with Jay Farrar. That show is sold out, but if you’re lucky enough to have gotten tickets, be sure to show up early for Holy Sons. The full listing of tour dates is over at Thrill Jockey.

I recorded this set from our usual spot in the venue, with a soundboard feed from Saint Vitus’ FOH. The results are outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Holy Sons
2015-08-27
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG C480B/CK63 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:08]
01. Drifter’s Sympathy
02. Fall of Man
03. Mercenary World
04. The Feral Kid
05. Transparent Powers
06. No Self Respect
07. More Mind Briars
08. Ready to Die
09. The Fact Facer

Support Holy Sons: Bandcamp | Facebook | Buy Fall of Man and The Fact Facer from Thrill Jockey

The Gotobeds: August 30, 2015 Saint Vitus

September 15, 2015
By

The Gotobeds
[photo by Amanda Hatfield, full set here]

By all indications, The Gotobeds are having a tremendous year: riding their accolades from last year’s well-received debut album, Poor People are Revolting (on 12XU), the Pittsburgh band recently signed with Sub Pop and their second full-length is highly anticipated for sometime next year. They’ve played NYC a few times in 2014 and 15, but I’ve somehow slept on them until they showed up on an excellent triple bill with Royal Headache and Sheer Mag a couple weeks back. The Gotobeds apparently drove out from Pittsburgh just to make this show, and they’re in rare form: drinking heavily and clearly in good spirits, the band covers the entirety of the first Redd Kross EP. This is sure to be one of those shows that’s talked about for many years to come, so dig in now and soon when these guys are headlining much larger venues, you can talk as if you were there, man.

I recorded this set from our usual spot in the venue, with a soundboard feed from Saint Vitus FOH, Jeff. The results are excellent. Enjoy!

The Gotobeds will be back in NYC for CMJ, October 15–19. Keep an eye out for details.

Download: [MP3/FLAC]

Stream:

The Gotobeds
2015-08-30
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Jeff) + AKG C480B/CK63 (FOB, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [32:05]
01. [Intro]
02. “Bodies”
03. Affection
04. Rope
05. Crisus Time
06. [banter]
07. Cover Band [Redd Kross]
08. Annette’s Got the Hits [Redd Kross]
09. I Hate My School [Redd Kross]
10. Clorox Girls [Redd Kross]
11. S & M Party [Redd Kross]
12. Standing in Front of Poseur [Redd Kross]
13. [banter]
14. New York’s Alright (If You Like Sex & Phones)
15. [banter]
16. Wimpy Garcia (Brotherfucker)

Support The Gotobeds: Buy Poor People are Revolting and more via Bandcamp

Support nyctaper

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