Posts Tagged ‘ schoeps mk5 ’

Noveller: April 19, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

May 1, 2012
By


[Photos by acidjack]

I have been a fan of the multi-talented guitarist and filmmaker Sarah Lipstate, aka Noveller, since seeing her open a slam-packed Bear In Heaven show at Glasslands back in 2010. Shortly thereafter, she released the EP Desert Fires, which at the time was the high watermark of her finely textured guitar compositions, especially the song “Three Windows Facing Three Doors”. Being a filmmaker, Lipstate’s songs have an abstract, cinematic quality to them; Lipstate carries you with her on her carefully constructed waves of sound. Although she was formerly with the bands Parts & Labor and Cold Cave, Lipstate is one of the few musicians who I would venture has more true potential on her own; her compositions feel complete without the trappings of a full band.

With her new eight-song LP Glacial Glow, Lipstate has 0nce again delivered compositions of layered, subtle beauty. She played two of those compositions – “Ends” and “Entering”, the bookends to Glacial Glow, on this night. Two new songs, “Cyanne” and “Darkheart”, joined “Starve” from her split LP with unFact (David Wm. Sims of the Jesus Lizard), to round out the set. Lipstate’s work continues to be absolutely mesmerizing – I can’t wait to hear what she comes up with next.

I recorded this set in the same manner as the Lotus Plaza and Disappears sets, and the sound is outstanding.  Enjoy!

Stream “Cyanne”
[audio:http://www.nyctaper.com/N9041Noveller2012/01 Cyanne.mp3]

Stream “Ends”
[audio:http://www.nyctaper.com/N9041Noveller2012/02 Ends.mp3]

Direct download of MP3 files [HERE] |  Direct Download location of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Noveller
2012-04-19
Glasslands
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK5c (DFC, STC22g, 8ft)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity 2.0 (align, mixdown, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Cyanne
02 Ends
03 Entering
04 Darkheart
05 Starve

If you enjoyed this recording, PLEASE SUPPORT Noveller, visit her website, and buy her records from her store there.

Lucero: April 20, 2012 Webster Hall & October 17, 2009 Webster Hall – FLAC & MP3 Downloads + Streaming Songs

April 29, 2012
By


[Photos by acidjack and Johnny Fried Chicken Boy]

There are two main paths that bands take to success these days: There are the bands with instant buzz, who find themselves on the late night TV circuit and playing large venues instantly. (They tend to flame out quickly, too). Then there are the bands who earn it the hard way – playing 200-plus shows a year, gigging every goddamn festival and radio station and bar in every corner of the country, putting thousands of miles on a broke down van and doubly more miles on their livers and sanity, all for the love of music, sure, but also for a shot at success.

Success, for a rock band these days, is a bit redefined, but Lucero have achieved it, and they’ve achieved it the hard way. An unabashedly masculine band, whose hardscrabble tales ring with authenticity, Lucero sometimes seems to be of another era. It’s hard to argue otherwise about a band that titles their current release (their eighth record, but first on ATO Records) Women and Work. After all, for the early 21st century American man, work is something he hasn’t got, and women – well, they’re too busy doing all the work.

But that’s the beauty of Lucero – they remind you of better days, but they also remind you of the simple pleasures of the days you’re in. The boys themselves always look like they’re having fun. Frontman Ben Nichols’ most frequently-uttered phrase between songs is “hell yeah!”, and the band made quick work of a handle of Jameson onstage. Lucero’s music, even when tackling sadder subjects, has good cheer to go with its honest grit. Today we are presenting two recordings  from Webster Hall – the first from October of 2009, the second from April 20 (yes, that date) of this year. These two shows are perhaps more telling in their similarities than in their differences; the band may have continued to expand their sound and personnel, but the core of their music is consistent and strong. Maybe there’s a bit more gravel in Nichols’ pipes, but that doesn’t hurt a thing. And despite spending virtually the entire past decade on the road, they sound as fresh and hungry as ever. For example, with its early curfew, Webster Hall practically demands short sets – but Lucero played a two-hour set of nearly 30 songs. Nobody told these guys about lowering expectations.

The songs – well, there are those to talk about too. That word “honest” comes up again, when you think about a Memphis band whose sound pays homage to the country and blues and even R&B that fuel the town, but with a bit of a punk flavor thrown in. At the 4/20 show, the new songs were a blast; it’s hard to argue with the rocker “I Can’t Stand To Leave You” or the honky-tonk “Like Lightning”. A stripped-down group of personnel played “The War”, the World War II tale that could easily resonate with soldiers in Afghanistan and elsewhere today. And of course, Lucero played the favorites that the band is probably expected to play at every show, and why not? “Nights Like These” is one of those songs you never get tired of; same for the valedictory “Last Night In Town”.

Of the October 2009 show, JFCB said:

Lucero made quite the impression on me when I first saw them in early 2009. After the release of the excellent ‘1372 Overton Park’ album later that year, they embarked on a tour with fellow Memphis musician Amy LaVere and blues/rock duo Cedric Burnside & Lightnin’ Malcolm. Billed as the “Ramblin’ Roadshow and Memphis Revue”, it was also the first time the group ever toured with a horn section to mirror the sounds on their recent disc. Being on the road with this handpicked crew must’ve had a positive influence as both the band and the particularly boisterous crowd on this Saturday night seemed to have a great time. While drinking and fielding song requests, Lucero played the majority of ‘Overton Park’ and dug out a number of older nuggets that had the party whooping and hollering for more.

We can keep spilling words about them, but really, all you need to know about Lucero is contained in their sendoff to us at the 4/20 show: “We appreciate each and every one of y’all making dreams come true. Dreams do come true!” A lot of things about rock music have changed in the fourteen years of Lucero’s career; a lot of dreams have changed, many for the worst. We’re pleased to raise a glass to these guys realizing theirs – they deserve it.

I recorded the 4/20 show with Schoeps MK5 cardiod microphones in a wider NOS configuration from directly behind the soundboard in order to give the recording a spacious, open sound. Johnny Fried Chicken boy recorded the October 2009 show with AKG 414 large-diaphragm mics that are always great-sounding, but especially for this band. If this is your first time reading about Lucero, you might check out his recording of the band from Mercury Lounge last year first – it’s an instant classic. Enjoy these recordings, and support Lucero!

Thanks to Lucero and their management for their accommodating treatment of us at this show and many others. 

Stream “Like Lightning” from the 4/20/2012 show:
[audio:http://www.nyctaper.com/L2006Lucero9020/26 Like Lightning.mp3]

Stream “The Devil and Maggie Chascarillo” from the October 2009 show:
[audio:http://www.nyctaper.com/L2006Lucero9020/Lucero_-_The_Devil_and_Maggie_Chascarillo.mp3]

Stream “The War” from the 4/20/2012 show:
[audio:http://www.nyctaper.com/L2006Lucero9020/23 The War.mp3]

Download the April 2012 show: [MP3] | [FLAC]

Download the October 2009 show [MP3] | [FLAC]

Follow acidjack on twitter | Follow Johnny Fried Chicken Boy on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lucero
Friday, April 20, 2012
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, NOS)>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [Oade Concert Mod]>Izotope Ozone 5 (EQ, stereo image)>Audacity (set fades, additional EQ, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:54:33]
01 [intro]
02 That Much Further West
03 Downtown (Intro)>On My Way Downtown
04 Nights Like These
05 Kiss the Bottle [Jawbreaker]
06 Women & Work
07 Raising Hell
08 Hey Darlin’ Do You Gamble?
09 Juniper
10 Chain Link Fence
11 Sounds of the City
12 [banter]
13 It May Be Too Late
14 She’s Just That Kind Of Girl
15 Bikeriders
16 Slow Dancing
17 [banter]
18 I Can’t Stand To Leave You
19 Joining the Army
20 Last Night In Town

[Ben With Rick and Todd]
21 Mom
22 Hold Me Close
23 The War

[Full band]
24 [banter]
25 All Sewn Up
26 Like Lightning
27 My Best Girl
28 Tears Don’t Matter Much
29 [encore break]
30 Mine Tonight
31 Go Easy

——————————-

Saturday, October 17, 2009
Webster Hall
New York, NY, USA

Source: AUD > AKG C 414 B-XLS’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by Johnny Fried Chicken Boy

Tracks:
[Total time: 1:47:06]
01 intro (“Welcome to the Jungle”)
02 Sounds of the City
03 That Much Further West
04 Can’t Feel a Thing
05 The Devil and Maggie Chascarillo
06 Nights Like These
07 What Else Would You Have Me Be?
08 Joining the Army
09 Last Night in Town
10 Sixes and Sevens
11 Goodbye Again
12 Kiss the Bottle [Jawbreaker]
13 I’ll Just Fall
14 Johnny Davis
15 Raising Hell
16 Hey Darlin’ Do You Gamble?
17 banter 1
18 Chain Link Fence
19 Sixteen
20 Sweet Little Thing
21 banter 2
22 The Last Pale Light in the West
23 Mom
24 Smoke
25 I Can Get Us Out of Here
26 Darken My Door
27 Tears Don’t Matter Much
28 encore break
29 All Sewn Up

If you enjoyed these recordings, please support Lucero by visiting their website, attending their shows, and buying their official releases, including Women & Work, from their web store [HERE]

Lotus Plaza: April 19, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

April 22, 2012
By


[Photos courtesy of Bleary Eyed Brooklyn]

There is a certain atmosphere that Glasslands has when the show you are attending has become a happening. The stage is swarmed by cameras; the AC unit is chugging to keep the room cool. The bar is slammed; the room is so packed there are people watching from the bathroom stairs. The anticipation is palpable; the night is electric. If there is something that can answer the question for you of why you are in this city, or why you “do this”, these nights are it. They don’t happen in other places; don’t feel the same, don’t smell the same, don’t sound the same. You know that as long as there are places like this in this city, as long as there are nights like this, you ought to be there. This Lotus Plaza show, following on the heels of the release of their critically-acclaimed second record, was one of those nights.

In terms of popularity, Lotus Plaza has the built-in advantage of being in an already-famous band – Lockett Pundt is the second half of the brilliant songwriting team that makes up Deerhunter – the McCartney to Bradford Cox’s Lennon (or is it the other way around?). Still, Lotus Plaza’s second record, Spooky Action at a Distance, stands on its own.  While the hilarious Pitchfork review included sentences like this gem – “Moreover, along the lines of Real Estate and especially the War On Drugs, Pundt embodies a wakeful, meditative state associated with various forms of transit: your physical being stays relatively still while being in motion, a symbiosis between human and mechanical effort” – fundamentally the site got it right in anointing the record with “Best New Music” status. The songwriting is sharper than on The Floodlight Collective; where that album felt more like a solo album, Spooky Action is loaded with standout tracks. “Eveningness” was a highlight in the live setting just as it is on the album, as was the set opener of “Untitled” into “Strangers”. But just so you won’t completely forget Pundt’s connection to Deerhunter, Pundt threw in a sprawling nine-minute track mid-set, “Come Back” from the band’s recent split 10″ single. Pundt may not be known for stage antics the way Cox is, but he more than holds his own as a frontman, not least because his music creates such immediate and powerful connections with his listeners. Most shows by recently-hyped bands draw a listless “see and be seen” crowd that ignores most of the music; Lotus Plaza held us all in thrall.

I recorded this set with Schoeps MK5 cardiod mics and a soundboard feed from Josh, the head FOH at Glasslands. The sound quality is excellent.  Enjoy!

This show was also recorded by Pitchfork.tv, and you should be able to see clips of it on Pitchfork soon. Thanks to the Pitchfork crew for their hospitality and sharing the recording area with us.

Stream “Eveningness”
[audio:http://www.nyctaper.com/L4019LotusPlaza2012/07 Eveningness.mp3]

Stream “Come Back”
[audio:http://www.nyctaper.com/L4019LotusPlaza2012/04 Come Back.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lotus Plaza
2012-04-19
Glasslands
Brooklyn, NY USA

Exclusive download hosted at NYCTaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK5c (DFC, STC22g, 8ft)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mixdown, balance, compression on SBD)>Izotope Ozone 5 (EQ, harmonic exciter (crisp rock), hard limit)>Audacity 2.0 (set fades, tracking, additional EQ, amplify)>FLAC ( level 8 )

Tracks
01 Untitled
02 Strangers
03 White Galactic One
04 Come Back
05 [unknown 1]
06 [unknown 2]
07 Eveningness
08 Remember Our Days
09 Jet Out of the Tundra

If you enjoyed this recording, please support Lotus Plaza by liking them on Facebook and purchasing Spooky Action at a Distance directly from Kranky [HERE].

Bowerbirds: March 23, 2012 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

March 26, 2012
By


[Photos by acidjack]

The Raleigh, NC based folk band Bowerbirds pulled off quite an achievement when they sold out the Bowery Ballroom – what they called “the best room that we’ve ever played” – on a Friday night and managed to keep the crowd rapt for their full 70-minute set. Theirs is not party music; the band strikes a modern chord with their lush instrumentation and arrangements, but keeps their vocal and melodic style more traditional than, say, the Devendra Banharts of the world. Band anchors Philip Moore and Beth Tacular have had several ups and downs during the band’s six-year history – the two have been together, broken up, and reunited during that time, and most recently, Tacular suffered a life-threatening illness.  The Clearing, the band’s latest record, is the product of both.  Perhaps it’s fitting, then, that this show opened with the climactic narrative track from that album, “This Year.”  For Moore and Tacular, it has been a tough one.

From there came a set that was full of elegance and poise, as the band worked through a solid portion of The Clearing material, as well as several songs from 2009’s Upper Air.  The live performances of these songs added additional depth not found on those records, as well as as surprising amount of energy.  Several songs boasted reworked arrangements, guitar solos, and best of all, a few crowd sing-alongs.  Moore thanked that crowd repeatedly throughout the night, and by set’s end, there was nobody left to win over.  The show had been a success from start to finish.

I recorded this set with Schoeps MK5 cardiod microphones and a nicely balanced soundboard feed from the Bowery team.  The quality is excellent.  Enjoy!

Stream “In Our Talons”
[audio:http://www.nyctaper.com/B2303Bowerbirds2012/19 In Our Talons.mp3]

Stream “This Year”
[audio:http://www.nyctaper.com/B2303Bowerbirds2012/01 This Year.mp3]

This recording is now available as a direct download in FLAC and MP3 formats at Archive.org [HERE].

Follow acidjack on twitter

Bowerbirds
2012-03-23
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5(c)>KC5>CMC6>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (light EQ on AUD source, mixdown, set fades, additional light EQ, tracking, amplify and balance, downsample/dither to 16/44.1)>FLAC ( level 8 )

Tracks [Total Time: 1:09:37]
01 This Year
02 In the Yard
03 Chimes
04 [banter]
05 Stitch the Hem
06 Walk the Furrows
07 House of Diamonds
08 Crooked Lust
09 [banter]
10 Death Wish [new]
11 [banter]
12 Brave World
13 Now We Hurry On
14 Northern Lights
15 Hush
16 Tuck the Darkness In
17 [encore break]
18 Hooves
19 In Our Talons
20 Overcome With Light

If you enjoyed this recording, PLEASE SUPPORT Bowerbirds, visit their website, and order The Clearing and their other releases from their online store [HERE]

Team Genius: February 22, 2012 Glasslands – FLAC and MP3 Downloads + Streaming Songs

March 17, 2012
By


[Photos by acidjack]

Here are some things I found out about Team Genius at their recent Glasslands show.  First, they really are a “team” – a seven-person, co-ed band with players handling a variety of instruments.  Second, they love party gags – from the Reagan masks available for sale at the merch table to the kazoos, confetti and other party staples in heavy use in the crowd.  Third, their crowd comes to party – you can’t miss the good-natured heckling on this record.  And finally, despite the evident sense of humor they have about the whole thing, they write some pretty damn good pop songs.

This show featured several bands from the Paper Garden Records family, and it’s a label/publicity firm that always keeps you guessing.  Rather than laser in on a particular genre, sound, or aesthetic, Paper Garden is willing to take risks with a wide spectrum of bands.  One thing their bands do have in common, though, is musical chops and pop sensibility, and Team Genius is no exception.  Their almost relentlessly upbeat sound and sense of humor belies some serious musicianship that is in evidence throughout this set, which began strong with “Chase You Down” and closed equally strongly with the band’s cover of Van Morrison’s “Gloria”.  Team Genius currently have a few releases to their name, but now that they have joined the Paper Garden fold, expect a new full-length soon.

hi and lo and I recorded this set with Schoeps MK5 cardiod mics in our usual spot in the venue, plus a soundboard feed from Jeremy of Glasslands.  Other than a few instances of static from the band’s equipment, the sound quality is excellent, and the good natured heckling only adds to the experience.  Enjoy!

Stream “Chase You Down”
[audio:http://www.nyctaper.com/T0222TeamGenius1220/01 Chase You Down.mp3]

Stream “Gloria [Van Morrison]”
[audio:http://www.nyctaper.com/T0222TeamGenius1220/10 Gloria.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Team Genius
2012-02-22
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by hi and lo and acidjack
Produced by acidjack

Schoeps MK5c [DFC, DIN]>KC5>PFA + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Chase You Down
02 Dying Cow Sounds
03 Ronald Reagan’s Cousin
04 Who Farted
05 Lebron
06 Jesus Mary and Broseph
07 All Ours
08 Updawg
09 Hippies
10 Gloria [Van Morrison]

If you enjoyed this recording, PLEASE SUPPORT Team Genius, visit their website, and purchase their records on iTunes or directly from the band [HERE].

Zambri: December 9, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

March 13, 2012
By


[Not very good photos in low light by acidjack. The recording is much better than the photos]

I first saw Zambri back in January of 2010 at Rock Shop (which predates their “first show” according to their Wikipedia page by about 8 months, but anyway), when sisters Cristi Jo and Jessica Zambri were still working out the kinks of their live act and presentation – though they were already pretty compelling.  By the time hi and lo and I caught them on this night at Glasslands nearly two years later, the group had just released their EP, Glossolalia, and polished the live versions of their songs – a difficult feat for songs constructed from layers of studio sounds.  Glossolalia is a thrilling EP for that reason, combining a scary and sexy vibe (see, for example, “Heather”).  While the album is a great headphone listen, the songs work in the live setting as well, not least because the sisters have developed ways to let them move around the stage and perform rather than being stuck behind consoles all show.  Of the many times I have seen Zambri in the past couple years (including backing Hooray for Earth, whose Noel Heroux has a mixing credit on Glossolalia), this was by far the best.  If the sisters’ forthcoming full-length, House of Baasa, has an album’s worth of tracks of Glossolalia’s quality, and keep performing like this, they should be finding themselves at the next level in no time.  We are streaming two of the best of the night’s tracks, “Heather” and “To Keep Back”, below.

Thanks to Kanine Records for permitting us to record and share this performance.  House of Baasa will be released on April 10.

hi and lo recorded this set with Schoeps MK5 cardiod microphones, his rare analog preamp and a soundboard feed.  While you can hear some DI noise in the board feed during quiet segments, the sound quality of this recording is outstanding.  Enjoy!

Stream “Heather”
[audio:http://www.nyctaper.com/Z0812Zambri1102/06 Heather.mp3]

Stream “To Keep Back”
[audio:http://www.nyctaper.com/Z0812Zambri1102/07 To Keep Back.mp3] 

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Zambri
2011-12-09
Glasslands
Brooklyn, NY USA

Exclusive download offered at nyctaper.com
Recorded by hi and lo
Produced by acidjack

Schoeps MK5c>CMR>PFA>EAA PSP2 + Soundboard>Tascam DR-680>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 On Call
02 [unknown]
03 Carry
04 ICBYS
05 From the Start
06 Heather
07 To Keep Back
08 On Call (Biddibiddi)

If you enjoyed this recording, PLEASE SUPPORT Zambri, visit their website, like them on Facebook, and purchase Glossolalia directly from Kanine Records.

Donora: February 22, 2012 Glasslands – FLAC/MP3 Downloads + Streaming Songs

March 9, 2012
By

Photos by Acidjack
[Photo by Acidjack]

In the wonderful melting pot that is Glasslands, we caught a short but powerful performance by Donora. Admittedly, this is a band that should have been on my radar long ago, so I was happy they were able to travel in from Pittsburgh while crashing the living room of Ball of Flame Shoot Fire for their most recent stint in Brooklyn.

Playing in support of Team Genius, Donora cruised through a mix of songs from their 2008 self-titled EP Donora and their 2011 EP Boyfriends, Girlfriends. Catchy pop songs like “Shhh” and “Boom Boom” were balanced by songs like “The Chorus” which has an epic, almost Arcade Fire, feel to it when (ironically) the chorus ensues.

Acidjack and I recorded this with an excellent soundboard feed from the house engineer as well as pair of Schoeps MK5 cardioid microphones located in our usual, optimal spot. We ran directly into an Oade modified R44 recorder this night and probably don’t run this combination as often as we should because despite its simplicity, the outcome never fails to please. We captured a fantastic performance with a great setup and really hope you enjoy the recording!

Stream “The Chorus”
[audio:http://nyctaper.com/D2220Donora1202/donora2012-02-22.nyctaper.thechorus.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Donora
Glasslands
Brooklyn, NY, US
2012-02-22

Recordist : hi and lo, Acidjack
Source : Soundboard + Schoeps MK5 > KC5(MK) > Naiant PFA >> Edirol R-44 [Oade Concert Mod] @ 24 bit / 48 kHz
Edit : WaveLab V5.01b (fades/gain/eq/dither/resmpaling)
Encoding : FLAC v1.2.1 Level 8 with TLH v2.6.0 Build 168

Tracklist:

01. The Untouchables
02. And Then the Girls
03. The World Is Ours
04. Boom Boom
05. Mancini’s Dance Hall
06. Champion
07. Shhh
08. The Chorus

Running Time: 31:20

Please support Donora by checking out their Official Website, by following them on Facebook, and by purchasing their albums on iTunes.

Snowmine: February 16, 2012 Pianos – FLAC and MP3 Downloads + Streaming Songs

February 29, 2012
By


[photo by acidjack]

For those who like melodic, somewhat anthemic, approachable rock music, it probably hasn’t been a great last few years for you.  Making fun of the banality of bands like Coldplay isn’t even fun anymore; sure you’ve got your Bon Iver types out there, but they won’t exactly whip crowds into a frenzy. Younger bands are doing a whole range of things, but it seems too often that gimmickry, rather than greatness, wins the day.  Surely there’s a place for good music in this style that doesn’t sound like it’s trying too hard, or bored with itself.

Enter Snowmine to cure what ails you.  With their style of music – lush soundscapes, soaring vocal runs, atmospheric samples – words like “beautiful” or “pleasant” don’t have negative or ironic connotations.  Frontman Grayson Sanders has a sweet voice with range to spare, and he puts it to good use on songs like “Rome”, which has a similarly uplifting vibe to some of the better stuff in the Yeasayer catalog. Sanders lends the band’s songs some lovely vocal runs, but without the bombast that afflicts some of his peers.  Snowmine are still a young band, and this show was part of that rite of passage any New York band is familiar with, the Pianos residency.  The band took over the incubator-style room with a level of effort that suggests they have a real shot, bringing to bear a full-on stage setup with video projections, and even playing an (gasp!) encore.  Their fully-realized sound seems more than up to the task of taking down venues ten or a hundred times this size.  My money’s on that they make it.

hi and lo and I recorded this set with Schoeps MK5 cardioid microphones and a stereo soundboard feed.  While Pianos crowds are notoriously chatty, the soundboard feed’s excellent balance allowed the mics to remain in the background, and as a result, we have an excellent recording.  Enjoy!

Thanks to Teen Wolf Management for inviting us to the show!

Stream “Rome”
[audio:http://www.nyctaper.com/S1602Snowmine1202/Rome.mp3]

Stream “Let Me In”
[audio:http://www.nyctaper.com/S1602Snowmine1202/Let Me In.mp3]

Direct download of complete show in MP3 files (HERE) |  Direct Download location of the FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Snowmine
2012-02-16
Pianos
New York, NY, USA

Exclusive download hosted at nyctaper.com
Recorded and produced by hi and lo

Source : Soundboard + Schoeps MK5c > Nbox Cables > Naiant PFA > EAA PSP-2 >> Tascam DR-680 @ 24 bit / 48 kHz
Edit : WaveLab V5.01b (fades/gain/eq/dither/resmpaling)
Encoding : FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)

Tracklist (total time 43:38)
01 Plans
02 Rome
03 Curfews
04 [Banter]
05 Further Along, Further Away
06 Let Me In
07 Silver Sieve
08 Cutting Canyons
09 Beast in Air, Beast in Water
10 The Hill

If you enjoyed this recording, PLEASE SUPPORT Snowmine, like them on Facebook, and purchase their music on their bandcamp page on a “pay what you will” basis.

Heartless Bastards: February 24, 2012 Webster Hall – FLAC and MP3 Downloads + Streaming Songs

February 27, 2012
By


[photos by acidjack]

When their debut album Stairs and Elevators dropped seven years ago, Rolling Stone described the Heartless Bastards, accurately, as a small town (well, Cincinnati, anyway) band that was ready for the big time.  In 2012, with three more records under their belt, and their latest release, Arrow garnering solid-to-great reviews (The Onion’s A.V. Club called it the band’s best to date), I think it’s safe to say that the big time has been hit.  This show at Webster Hall sold out handily, and even this Friday night crowd was mostly hanging on every word.  Brooklyn-based Partisan Records is no doubt proud of their latest signing and the album they’ve put out for them, which was produced by Spoon drummer Jim Eno in Austin.

Arrow, like the band’s previous efforts, is a work of direct, honest American rock n’ roll songcraft, but it is also a more focused one, stripped of some of the production flourishes of The Mountain and letting lyricist and frontwoman Erika Wennerstrom’s voice and songwriting carry the load once again.  Arrow is obviously the product of a working, touring songwriter, and that gives it some instantly appealing thematic material to work with.  Also, as with a lot of the Bastards’ work, the songs are just good.  The melancholy “Skin and Bone” was a favorite of mine when the band debuted it for New York audiences in two semi-acoustic shows last July at Mercury Lounge, and I’m pleased to say that the final album version was equally fantastic as a full-band number at Webster Hall.  As it deserved to, most of Arrow received some attention during the show, with songs like “Parted Ways,  “Only For You” and “Down In the Canyon” standing shoulder to shoulder with band classics like “Sway” and “All This Time” (whose live version always gets an extended drum intro from the band’s underrated drummer Dave Colvin).  As Erika so aptly sings on “Low Low Low”, “my future is bright”.  We certainly agree.

I recorded this set with a soundboard mix provided by the band’s engineer, Jack, and Schoeps MK5 cardiod microphones mounted at the corner of the soundboard booth in the balcony.  The results are truly outstanding.  Enjoy!

Thanks to Heartless Bastards, Partisan Records, and Bowery Presents for their hospitality.

Stream “Only For You”
[audio:http://www.nyctaper.com/H6602HB9922/07 Only For You.mp3]

Stream “Sway”
[audio:http://www.nyctaper.com/H6602HB9922/13 Sway.mp3]

Stream “Low Low Low”
[audio:http://www.nyctaper.com/H6602HB9922/11 Low Low Low.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is no longer working, email nyctaper directly.

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Heartless Bastards
2012-02-24
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c>KC5>CMC6>Sound Devices USBPre2 + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (various effects, EQ, resample to 44.1kHz)>Audacity (tracking, amplify and balance, downsample to 16bit)>FLAC ( level 8 )

Tracks [Total Time 1:35:20]
01 Marathon
02 Out At Sea
03 Parted Ways
04 Got To Have Rock N’ Roll
05 [banter – intro Heidi Johnson]
06 Blue Day*
07 Only For You
08 Skin and Bone
09 Simple Feeling
10 The Arrow Killed the Beast
11 Low Low Low
12 The Mountain
13 Sway
14 Hold Your Head High*
15 Late In the Night
16 Down In the Canyon
17 [encore break]
18 All This Time
19 Nothing Seems the Same

If you enjoyed this recording, PLEASE SUPPORT Heartless Bastards, visit their website, and purchase Arrow from Partisan Records [HERE]

D. Charles Speer & the Helix: February 8, 2012 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Song

February 22, 2012
By


[Live at Glasslands in April 2011. Photo courtesy of EardrumNYC]

Warming us up for Howlin’ Rain’s set of modern classic rock two Wednesdays ago at Brooklyn Bowl was another band led by a musician of varied talents that draws its inspiration from an earlier time.  D. Charles Speer & the Helix frontman Dave Shuford is also a player in No Neck Blues Band, the avant-garde New York-based improvisational collective that traffics in free jazz, experimental folk and noise rock, but the Speer clan travels the seemingly more familiar territory of country and Americana, albeit with their own dynamic style.  Don’t call it alt-country – a term that now connotes suburban rock more than serious musical development.  What Shuford and Co. are serving up is something else, incorporating Shuford’s experimental background, Southern roots (he is from Atlanta) and literary talent.  If you don’t listen carefully, you could miss the shifting time signatures in one number, or that someone is using a Greek bouzouki to carve out an Appalachian riff in another, or that canny biblical reference. If you do listen carefully, you will discover a band that is anything but conventional, taking traditional Americana and making it weird again.  This set at Brooklyn Bowl was hardly the best attended Speer set I’ve seen, nor is this venue the proper setting – a giant multipurpose bowling alley/restaurant/bar/music venue is kind of the opposite of a place to focus on music’s subtleties – but the band did a bang-up job anyway, with an eight-song set that jumped around the band’s catalog, including their 2011 release, Leaving the Commonwealth on Thrill Jockey.  They are the type of band whose live and recorded experiences are very similar; Shuford’s deep, slightly mournful baritone (think David Berman, but deeper) isn’t the sort of thing you augment with studio trickery, and the band’s chemistry onstage is natural and deeply satisfying.  This recording leans fairly heavily on the nicely-balanced soundboard feed provided by the Brooklyn Bowl house team, both in order to minimize the sounds of bowling and to give the listener an almost album-like experience of this band.

hi and lo and I recorded this set with the aforementioned soundboard feed and Schoeps MK41 supercardioid microphones. The results are excellent. Enjoy!

Stream “Furze”
[audio:http://www.nyctaper.com/D0028DCharlesSpeer2012/speer2012-02-08bbowl_acidjack-05.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

D. Charles Speer & the Helix
2012-02-08
Brooklyn Bowl
Brooklyn, NY USA

Exclusive download offered at nyctaper.com
Recorded by hi and lo and acidjack
Produced by acidjack

Soundboard + Schoeps MK41>KCY>littlebox>Tascam DR0680>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Razorbacked
02 [new]
03 Days in the Kitchen
04 Le Grand Cochon
05 Furze
06 Gravedigger
07 Freddie’s Lapels
08 Leaving the Commonwealth

If you enjoyed this recording, PLEASE SUPPORT D Charles Speer & the Helix, visit their website, and purchase their records directly from Thrill Jockey [HERE]

SUPPORT NYCTaper




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