Posts Tagged ‘ schoeps mk5 ’

Howlin’ Rain: February 8, 2012 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Songs

February 14, 2012
By


[Photos by acidjack]

Ethan Miller, the founder and frontman of Howlin’ Rain, knows his history.  Were it still the 1970s, the Humboldt County native and his band could have held their own with any of that era’s West Coast greats.  These days, some of the era’s dinosaurs may still roam, but among current acts, Howlin’ Rain have the mantle almost to themselves.  The band wear their influences proudly; as Miller put it to Rolling Stone, “Everyone dabbles in the history books to get their licks… We use the same roads and highways. But the weather, lights, cars and people, they’re never quite the same.”  Miller previously honed his chops in the psychedelic rock outfit Comets on Fire, who released their last record in 2006, the same year that Miller launched Howlin’ Rain’s outstanding self-titled debut.  Howlin’ Rain retains some of its predecessor’s psychedelic influences, and penchant for stretched-out songs, but focuses more on a melodic, classic rock style that takes full advantage of Miller and the band’s considerable talents.

This show at Brooklyn Bowl, the second of two local shows after a night at Mercury Lounge over in Manhattan, found the band and openers D. Charles Speer & the Helix playing material from the band’s forthcoming record to a moderately-sized but fired-up crowd ignoring the league night going on in the bowling portion of the room.  This gave plenty of opportunities for bowling jokes, sure, but by mid-set, bowling had fallen by the wayside, and Howlin’ Rain owned the room.  It’s no wonder that The Russian Wilds, their new album that dropped today, has been receiving ecstatic reviews – while some other classic-sounding bands (ahem, a certain duo who shall remain unnamed) have taken to putting out records that go through the motions, The Russian Wilds is the sound of a band that is still hungry and still getting better.  They kicked off this show with “Self Made Man” from that record, an eight-minute rocker that says all you need to know about the scale and scope of Miller’s ambitions.   Things only picked up from there, as the band displayed its versatility and its ability rock on songs like “Cherokee Werewolf”, “Dark Side” and “I Want To See the Bright Lights Tonight”.  The combination of the band’s throwback sound and the rock n’ bowl venue felt like a time machine of sorts – and that was a time machine I’d like to be in.

hi and lo and I recorded this set with two pairs of Schoeps microphones – MK5 cardiods and MK41 supercardiods – plus a soundboard feed provided by Brooklyn Bowl.  Thanks to Peter Costello for his hospitality.  Enjoy the recording!

Download MP3 and FLAC via the Live Music Archive.


Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Howlin’ Rain
2012-02-08
Brooklyn Bowl
Brooklyn, NY USA

Exclusive download at nyctaper.com
Recorded by hi and lo and acidjack
Produced by acidjack

Soundboard + Schoeps MK41>KCY>littlebox + Schoeps MK5c>NBox cables>PFA>PSP2 >> Tascam DR-680 (MK41 and SBD) + Edirol R-44 [Oade Concert Mod] (MK5)>6x24bit/48kHz WAV>Audacity (clock sync channels, mixdown, tracking, set fades, light EQ, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time approx 78min]
01 intro>Self Made Man
02 Phantom In the Valley
03 [banter]
04 Cherokee Werewolf
05 [banter]
06 Can’t Satisfy Me Now
07 [banter]
08 Strange Thunder
09 Dark Side
10 Dancers At the End of Time
11 Calling Lightning Pt. 2
12 [encore break]
13 I Want to See The Bright Lights Tonight
14 Roll On The Rusted Days

If you enjoyed this recording, PLEASE SUPPORT Howlin’ Rain, visit their website, like them on Facebook, and purchase The Russian Wilds directly from their site or from your favorite retailer.

Royal Baths: December 9, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 15, 2011
By


[Photos by acidjack]

I have wanted to see Royal Baths for over at least a year now, since this site last attempted to cover one of the band’s New York shows. Last year’s ill-fated attempt was a gig at Monster Island Basement that, let’s just say, suffered from some human failings. But I didn’t care – the band’s debut album on Woodsist Records, Litanies, was one of my absolute favorites of last year. Woozy, dark and catchy as hell, the record sounded perfectly like their hometown of San Francisco, evoking that city’s 60s fixation without being trapped by it. Knowing that this Kanine Records (their new label) party at Glasslands would feature a strong lineup of bands and top-notch sound engineering, I calculated that this would be our chance to capture a memorable set.

I was right.  The band that showed up for this show was lightyears beyond the act we saw a year ago – focused, poised, and powering their way through a number of songs that will appear on their forthcoming record on Kanine, Better Luck Next Life. The new tunes continue in the dark vein of Litanies, but feel a bit tighter, with a tad less of the ramshackle feel that characterized Litanies.  They also offered up some of my favorite tunes from that record, including “Sitting In My Room”, and rolled out a truly bizarre cover – Nina Simone’s “Be My Husband” (I had to Google lyrics to figure that one out, and still had it wrong the first time..)  They closed out with a lengthy psychedelic new number that once again highlighted their musical chops. Clearly, moving to New York was good for these guys.  I can’t wait for the new record.

hi and lo and I recorded this set with Schoeps MK5 cardiod microphones and a flawless soundboard feed from Josh, the house engineer at Glasslands.  The sound quality is outstanding.  Enjoy!

Better Luck Next Life will be released on Kanine Records on February 7, 2012.  Pre-order the record [HERE]  Thanks to Kanine Records for granting permission to record.

Stream “Sitting In My Room”
[audio:http://www.nyctaper.com/R9012RoyalBaths2011/06 Sitting In My Room.mp3]

Stream “Be My Husband [Nina Simone]”
[audio:http://www.nyctaper.com/R9012RoyalBaths2011/05 Be My Husband.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Royal Baths
2011-12-09
Glasslands
Brooklyn, NY USA

Recorded by hi and lo
Produced by acidjack for nyctaper.com

Schoeps MK5(c)>CMR>PFA>EAA PSP2>Sonic AD2K+ + Soundboard >> Tascam DR-680 (24/48)>2x24bit/48kHz WAV>Audacity (mixdown, set fades, very light EQ (about -1db cut @ 125Hz and below) tracking, amplify, balance and downsample)>FLAC ( level 8 )

Tracks
01 [new song – “Morning Birds”]
02 [new song – “She’s the Hunter and You’re the Prey”]
03 [new song – “Shadow World”]
04 Drudgery
05 Be My Husband [Damien Rice]
06 Sitting In My Room
07 [new song]

If you enjoyed this recording, PLEASE SUPPORT The Royal Baths, visit their website, and pre-order Better Luck Next Life from Kanine Records [HERE]

Funky Meters: September 14, 2011 Brooklyn Bowl – FLAC / MP3 Downloads + Streaming Songs

September 23, 2011
By

funky meters
[Photo by Jill for fortheloveofbrooklyn]

NOLA’s legendary Funky Meters, the successor to the even-more-legendary Meters, put on one of their now-regular multi-night stands at Brooklyn Bowl earlier this month, and this Wednesday night show was a standout.  While the band’s shows back in February faced some hiccups, the band was fully on point this night as they delivered an almost two-hour set of nearly-continuous music.  Along with NOLA classics from themselves, the Meters, Allen Touissant and others, the band showed their virtuosity with rock n’ roll as well, with numbers like the opening “Down By the River” (Neil Young) and the Dylan classic “Rainy Day Women #12 & 35”, stretched into a 7-minute funk number.  “Just Kissed My Baby,” which we had seen covered by Soulive at this very venue earlier this year, was positively on fire, but with apologies to that fine band, the (almost) original blew the newcomers out of the water.  As the best shows at this venue tend to, this one got the dance floor packed and the brews and good times flowing.  Sure, we were a long way from the Treme – but at least the Funky Meters could make us feel a little closer.

hi and lo, Johnny Fried Chicken Boy and I recorded this set with six high-end microphones and preamps from a close-up spot in the venue. The sound is excellent.  Enjoy!

Stream “Rainy Day Women #12 & 35 [Bob Dylan]”:
[audio:http://www.nyctaper.com/F1904FunkyMeters2101/funkymeters2011-09-14t04.mp3]

Stream  “Fire On the Bayou”:
[audio:http://www.nyctaper.com/F1904FunkyMeters2101/funkymeters2011-09-14t10.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Funky Meters
2011-09-14
Brooklyn Bowl
Brooklyn, NY USA

Recorded by hi and lo, Johnny Fried Chicken Boy and acidjack for nyctaper.com
Produced by acidjack and Johnny Fried Chicken Boy

Schoeps MK5>littlebox + DPA 4021>Sound Devices MixPre + Schoeps MK41>CMC6>Sound Devices USBpre2 >> Tascam DR-680 > 3x24bit/48kHz WAV > Audition (mixdown, normalize) > FLAC > Audition (tracking) > FLAC ( level 8 )

Position: ROC, miss at 15ft, DPAs and MK41s PAS, MK5 DIN

Tracks
[Total time: 1:53:23]
01. intro
02. Down by the River [Neil Young]
03. Sing a Simple Song [Sly Stone]
04. Rainy Day Women #12 & 35 [Bob Dylan]
05. Good Morning Little Schoolgirl [Sonny Boy Williamson]
06. Iko Iko [James “Sugar Boy” Crawford / The Dixie Cups]
07. No More Okey Doke
08. Just Kissed My Baby
09. He Bite Me
10. Fire on the Bayou
11. I Walk on Guilded Splinters [Dr. John]
12. Marie Laveau [Bobby Bare]
13. Hoochie Coo
14. Africa
15. Africa outro / Cissy Strut intro
16. Cissy Strut
17. Get Out of My Life, Woman [Allen Toussaint]
18. Big Chief [Earl King / Wardell Quezergue]
19. Big Chief Got a Golden Crown [George Landry / The Wild Tchoupitoulas]
20. Ride Yu Donkey [The Tennors] (> Shake, Rattle and Roll tease [Charles E. Calhoun])

If you enjoy this recording, PLEASE SUPPORT The Funky Meters, visit their website, and purchase their records from their online store [HERE]

Umphrey’s McGee: September 9, 2011 Brooklyn Bowl – FLAC / MP3 Downloads + Streaming Song

September 12, 2011
By

Umphreys BBowl
[still from this video]

If you look at the bands I generally post about on this site, most of them tend to fall pretty far from the “jam band” category.  But you can’t really be in the hobby of taping without being aware of this rich, diverse and somewhat pejoratively-titled genre, and the Chicago band Umphrey’s McGee are one of the rising stars of the scene.  So, three of us – hi and lo, Johnny Fried Chicken Boy, and myself – hit up UM’s final show at Brooklyn Bowl, the culmination of a five-night stand at the venue that has rapidly become a staple for improvisationally-minded bands when they come through the NYC area (a trend even picked up on by the review of Thursday’s show in The New York Times).  It being a Friday night, fans came ready to party, and UM rewarded with two full sets of their staple extended numbers as well as their usual offerings of fun covers like Van Halen’s “Hot For Teacher”, all backed by an outstanding light show.

The vibes from the band and crowd were all good, although the Brooklyn Bowl PA was oddly not very loud (good for conversation, bad for music).  Still, you couldn’t deny the virtuosity of the band, whose dense musical explorations often turned in unexpected directions, led by their dueling guitarists Brendan Bayliss and Jake Cinninger.  UM are known for a heavier sound that references prog-metal acts like King Crimson, Yes, Pink Floyd and Iron Maiden (and if you closed your eyes during a few parts, Metallica) that sets them in a unique position between the traditional funk/bluegrass/folk sound of some of the older bands in the scene and the “rocktronica” sound that has gained popularity of late.  Heady instrumentals like “Push the Pig” demonstrate that intersection of prog and “jam” music perfectly, combining a funky groove with a proggy guitar sound.  And, it should be mentioned, as a live experience, these guys just throw a hell of a party.  The three of us stumbled out of the show happy, for sure.

The band’s recent blitz of NYC was to promote their new record, Death By Stereo. Although it was largely ignored at this show, there are some amazing packages available if you buy DBS online, including the opportunity to tune into all-request webcasts where the band will play fan requests, band favorites, and acoustic and solo material.

Three of us recorded this show from one of the usual taping spots in the venue with our mic stand as high as it would go (about 15′) to avoid crowd chatter, using three sets of high-end mics and a variety of similarly high-end pre-amps.  Although the somewhat low PA volume meant a few chatterers here and there weren’t completely drowned out, and the venue’s layout presents certain sonic limitaitons, hi and lo’s outstanding post-production mix of these three sources has produced a recording that captures the sound and feel of the show perfectly.

Stream “Nemo”:
[audio:http://www.nyctaper.com/U8709Umphreys1192/um2011-09-09.nemo.mp3]

Download the FLAC/MP3 files and stream this entire show on the Live Music Archive [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Umphrey’s McGee
Brooklyn Bowl
Brooklyn, NY, US
2011-09-09

Digital Master Audience Recording
Recorded and produced for nyctaper.com

Recordist : hi and lo, acidjack, and Johnny Fried Chicken Boy
Location : Right side on-stand, ~ 30 yds
Source : Schoeps MK5 > CMR > PFA > PSP-2 + Schoeps MK41 > CMC6 > Oade M248 + DPA 4021 > Sound Devices MixPre >> Tascam DR-680 @ 24 bit / 48 kHz
Edit : WaveLab v5 (fades/dither/+11dB gain), Izotope SRC/Dither
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 ( level 8 ) with TLH v2.6.0 (Build 168)

Tracklist:

Set I

01. Jazz Odyssey
02. Prowler
03. Words
04. All In Time
05. Push the Pig
06. Nemo
07. Pay the Snucka
08. Hot For Teacher [Van Halen]
09. Wizard Burial Ground

Set II

10. Divisions > “Jimmy Stewart” > Divisions
11. Bridgeless
12. Eminence Front [Townshend]
13. Hurt Bird Bath
14. America the Beautiful [Bates/Ward]
15. Soul Food I
16. 1348
17. (Encore Call 1)
18. Front Porch
19. (Encore Call 2)
20. All In Time

Running Time: 2:44:13

We expect that you will PLEASE SUPPORT Umphrey’s McGee, visit their website, go see them on tour, and purchase Death By Stereo directly from their online store [HERE]

Exitmusic: August 19, 2011 Glasslands – FLAC/MP3 Downloads + Streaming Songs

August 30, 2011
By

Photo courtesy of Jill and For the Love of Brooklyn
[photos courtesy of Jill and For the Love of Brooklyn]

A Friday night show at Glasslands, setup by PopGun Booking, featured four great bands including Exitmusic, a duo of Aleksa Palladino and Devon Church. This Secretly Canadian band has been on the scene for a number of years, but recently signed to their new label and are slated to release their upcoming EP, From Silence. While we missed Exitmusic during their recent residency at Pianos, the show at Glasslands did not disappoint as they played six songs, two of which we had not heard before. Their first song, “The Sea,” filled the room with a complex, layered sound that immediately had the listener fully immersed. By the last song, a seven minute epic titled “Sparks of Light,” it was clear that Exitmusic has a captivating sound that will, no doubt, continue to evolve with each live performance.

This set was recorded with a pair of Schoeps Cardioid microphones clamped high on a column dead-center in the room. Derek, Glassland’s sound engineer, provided an incredibly well balanced feed which resulted in one of the best mixes I’ve heard from Glasslands. The sound quality is excellent and we hope you enjoy!

Stream “The Sea”
[audio:http://nyctaper.com/E1908ExitMusic1210/exitmusic2011-08-19.thesea.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Exitmusic
Glasslands
Brooklyn, NY, US
2011-08-19

Recordist : hi and lo
Source : Soundboard + Schoeps MK5/CMR > EAA PSP-2 >> Tascam DR-680 @ 24 bit / 48 kHz
Encoding : Flac Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. The Sea
02. [Unknown]
03. The Hours
04. The Night
05. [Unknown]
06. Sparks of Light

Running Time: 32:05

Please support Exitmusic by visiting their MySpace page and by purchasing their upcoming release, From Silence. A digital download of “The Sea” is available, for free, here.

David Bazan: June 22, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Song

July 26, 2011
By

Bazan
[Photos courtesy of Vicki Boardman. Visit her website]

Seattle singer-songwriter David Bazan first made his name recording under the moniker Pedro the Lion, a project that yielded some excellent records such as 1998’s It’s Hard to Find a Friend, and gave Bazan a fuzzed-out forum to air his beliefs – most notably among them his belief in Christianity (Christian publications even referred to his records as “crossover” records, i.e., to the secular mainstream), a relatively rare thing to find in a critically-acclaimed indie songwriter. Since then, Bazan has “broken up” in a sense with Christianity, as well as his former cast of bandmates and continued performing under his own name, making what some have called the best music of his career. His first solo effort, 2009’s Curse Your Branches, laid bare his spiritual conflict with cleanly constructed songs built around his mournful voice.

That voice took center stage at this Bowery Ballroom show, sure, but what was striking about this performance was the quality of everything around that voice – catchy, strong rock riffs evident from the opening notes of “Wolves at the Door,” and a crack backing band. While it may have been a “singer-songwriter” show in a sense, this was also a rock show through and through. Unsurprisingly, Bazan played 80% of his latest, 2011’s Strange Negotiations, but he also delved into the early Pedro the Lion catalog, including “Big Trucks” and “Of Up and Coming Monarchs” from It’s Hard to Find a Friend. Those who say Bazan’s current period is his brightest could have a point – the newer material not only held its own, but might have surpassed the Pedro material.

hi and lo recorded this set with a combination of Schoeps supercardiod microphones and Schoeps omnidirectional microphones, which given the extremely respectful crowd and the outstanding acoustics of the venue, gives the perfect sound balance. Enjoy!

Stream “Virginia”:
[audio:http://www.nyctaper.com/D2106DavidBazan0211/davidbazan2011-06-22.virginia.mp3]

Stream “Wolves at the Door”:
[audio:http://www.nyctaper.com/D2106DavidBazan0211/davidbazan2011-06-22.wolves.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

David Bazan
Bowery Ballroom
New York, NY, US
2011-06-22

Recordist : hi and lo
Location : Left Balcony, on stand @ 8ft
Source : Schoeps MK5 (omni) > Nbox+ + Schoeps MK41/CMR > Naint PFA > E.A.A. PSP-2 >> Tascam DR-680 @ 24 bit / 96 kHz
Edit : WaveLab v5 (fades/dither/+11dB gain), Izotope SRC/Dither
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 ( Level 8 ) with TLH v2.6.0 (Build 168)

Tracks [Total Time 1:17:15]
01. Wolves at the Door
02. How I Remember
03. Level with Yourself
04. Bless This Mess
05. Of Up and Coming Monarchs
(Q&A #1)
06. Virginia
07. Big Trucks
08. Don’t Change
09. Eating Paper
10. Bearing Witness
11. Magazine
12. Won’t Let Go
13. People
14. Transcontinental
15. Cold Beer and Cigarettes
16. When They Really Get to Know You, They Will Run
(Q&A #2)
17. Strange Negotiations
18. (Encore Call)
19. April the 14th, Part 1 (Gillian Welch)
(Q&A #3)
20. Hard to Be
[Note: All banter and Q&A tracks have been removed at artist request]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT David Bazan, visit his website, and purchase Strange Negotiations from Barsuk Records [HERE]

Givers: June 18, 2011 Backyard Brunch Sessions – FLAC and MP3 Downloads + Streaming Song

July 1, 2011
By

givers2011-06-18-1
[photo by acidjack]

Before heading over to McCarren Park a few Saturdays ago to catch Guided By Voices and others on the Northside Festival main stage, I had the privilege of catching the inaugural show of the 2011 Backyard Brunch Sessions, starring Lafayette, LA’s Givers.  With their good attitudes and laid back vibe, I liked this band before hearing a note of their music. Having recently signed to Glassnote Records for the release of their debut album, In Light, the band are enjoying a big push in the press lately, having been nominated as “buzzworthy” by MTV, a “band to watch” by Stereogum, and written about favorably by NPR.  It’s not hard to see why; not only is this five-piece eminently likable, but their music has that “something extra.”  In this case, that something is a touch of Afrobeat that gives their music a bouncy, percussive feel.  Male lead vocalist/guitarist Taylor Gaurisco’s sweet voice is nicely paired with female lead/percussionist Tiffany Lamson’s more smoky, soulful vocal approach.  For this backyard show, the band did not have their full arsenal of instruments, which pushed the emphasis to their songwriting.  I am pleased to report that the songwriting held up to the stripped-down scrutiny, particularly their much-talked-about leadoff single “Up Up Up.”  Though this set was short, it told us all we needed to know about the talent level of this young and exciting band.

hi and lo and I recorded this set with a variety of high end microphones (pictured) miking individual band members.  The results are outstanding, possibly the best Backyard Brunch recording we have offered to date!

Stream “Up Up Up”:
[audio:http://www.nyctaper.com/G1806Givers1102/03 Up Up Up.mp3]

This recording is now available for download in FLAC and MP3 format at Archive.org [HERE].

Follow acidjack on Twitter

Givers
2011-06-18
Backyard Brunch Sessions
Brooklyn, NY  USA

An acidjack master recording
Recorded by acidjack and hi and lo for nyctaper.com
Produced by acidjack

Equipment: Schoeps Mk5 (omni)>EAA PSP2 + AKG C414 B-XLS (hypercardiod and omni modes) + DPA 4021 >> Tascam DR-680 (24/48)
Mastering: 6x24bit/48kHz WAV>Audition (multitrack mixdown, normalize, set fades)>Audacity (tracking, amplify)>FLAC ( level 8 )

Tracks
01 Saw You First
02 [banter]
03 Up Up Up
04 Meantime

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Givers, like them on Facebook, and purchase In Light from iTunes or your favorite retailer.

Guided By Voices: June 18, 2011 Northside Festival, McCarren Park – Streaming Songs + Download Link for Offsite Purchase

June 27, 2011
By


[Photos courtesy of MaryAnne Ventrice]

There is no doubt that the single most highly anticipated performance at all of this year’s Northside Festival was the McCarren Park performance of Guided By Voices.  Touring with the reunited mid-90s “classic” lineup of the band since last year, frontman Robert Pollard has proven that he hasn’t lost a step – or his ability to guzzle alcohol onstage.  The first time I saw GBV, with this same lineup, he went through a case of beer during a 90-minute set.  Here, Pollard did himself one better, throwing back a bottle of Cuervo as he complimented our neighborhood (lots of bars, after all), mused negatively about Pittsburgh and some of his non-classic lineups, and – oh yeah – performed a monster 40-song set (equaling, thanks to GBV’s short songs, just under 110 minutes).

True to the best years of the “classic lineup,” this set focused on the band’s mid-90s classics Alien Lanes (with “Pimple Zoo,” “Watch Me Jumpstart,” “Striped White Jets” and “Motor Away”, among others) and Bee Thousand (“Tractor Rape Chain,” “Hot Freaks”, “I Am A Scientist,” etc.) among the many other records covered.  For this show, Pollard was his usual freewheeling, unhinged self, swigging his drink and belting out the lyrics to his songs like a rock star 25 years his junior.  GBV were among the first bands to be referred to as “lo-fi” because of Pollard’s use of barely-functional recording equipment on his earlier records, but live, it is evident how tight these songs are, filled with classic hooks and absent filler.  Pollard has long had the rare gift of churning out these nuggets of greatness in vast quantities, and bless him for that –  he has more good songs on one record than most bands have in their careers. (It should be added that he has more good records out than ten good bands are likely to put out in their careers).  As a result, this set never faltered, even through three encores, with Pollard delivering humorous crowd banter with an economy equal to his songwriting and the familiar hits coming and coming, punctuated by between song chants of “GBV! GBV!”  It rarely slowed down, either, except for a tidy acoustic “Awful Bliss,” after which Pollard reminded us, “You’ve gotta do the acoustic songs, man.  That’s what makes a rock concert… it’s like Emerson, Lake and Palmer.”  And then he played another song.  And another.  And another.

When the show finally wrapped up at nightfall with a rocking “Weed King,” we knew we had gotten our money’s worth.  We also knew that of all the “lo-fi” bands we might see during the weekend, they’d have a hell of a time competing with the gold standard, even if the gold standard was born in 1957.  I don’t know whether Pollard thrives because or in spite of all that alcohol, but he does.  And our night, our weekend, our Northside Festival, wouldn’t have been half of what it was without him.

This show presented a unique opportunity for the NYCTaper crew.  GBV has been officially releasing all of their reunion performances on their online store, gbvdigital.com.  Because we wanted the band and the fans to have the best recording possible for the site, we agreed to record this show for gbvdigital for free, in exchange for the chance to record the show and host a couple of the streaming tracks on this site.  As a result, the full show cannot be downloaded here, but can be purchased from gbvdigital in MP3, FLAC or AAC format via the link below.

Stream “Don’t Stop Now”:
[audio:http://www.nyctaper.com/G8160GBV2011/GBV-Don’t Stop Now2011-06-18.mp3]

Stream “I Am A Scientist”:
[audio:http://www.nyctaper.com/G8160GBV2011/GBV-I Am A Scientist2011-06-18.mp3]

PURCHASE THE FULL SET [HERE]

Guided by Voices
2011-06-18
Northside Festival
McCarren Park
Brooklyn, NY  USA

Recorded and produced by NYCTaper.com for gbvdigital.com
[nyctaper, hi and lo, johnny fried chicken boy, and acidjack]

Equipment: Soundboard + Schoeps Mk41>NBox+ + Schoeps Mk5 (omni)>EAA PSP2 >> Tascam DR-680 (24/48)
Position: FOB, DFC, Mk5s NOS, Mk41s DINa
Mastering: 6x24bit/48kHz WAV>Audacity (EQ omni source, Dyson compression on soundboard source, adjust and balance levels, mixdown, set fades, tracking,  additional EQ, smooth peaks)>FLAC ( level 8 ) and >MP3 (VBR0)

Tracks [Total Time 1:48:53]
01 [Intro]
02 Pimple Zoo
03 Expecting Brainchild
04 #2 In the Model Home Series
05 Watch Me Jumpstart
06 Melted Pat
07 Shocker In Gloomtown
08 Kicker of Elves
09 Buzzards and Dreadful Crows
10 Always Crush Me
11 Gleemer
12 Tractor Rape Chain
13 Hot Freaks
14 Striped White Jets
15 Squirmish Frontal Room
16 14 Cheerleader Coldfront
17 Dodging Invisible Rays
18 Gold Star For Robot Boy
19 Goldheart Mountaintop Queen Directory
20 Cut-Out Witch
21 Sad If I Lost It
22 Matter Eater Lad
23 A Good Flying Bird
24 Awful Bliss
25 Quality of Armor
26 Jane of the Waking Universe
27 Unleashed! The Large-Hearted Boy
28 Exit Flagger
29 I Am A Scientist
30 Game of Pricks

ENCORE 1
31 [First Encore Intro]
32 Echos Myron
33 Bright Paper Werewolves
34 Motor Away
35 Don’t Stop Now
36 Smothered In Hugs

ENCORE 2
37 A Salty Salute
38 My Valuable Hunting Knife
39 Over the Neptune>Mesh Gear Fox

ENCORE 3
40 [Third Encore Intro]
41 My Impression Now
42 Some Drilling Implied
43 Weed King

We encourage you not only to purchase this set from GBVdigital, but to also support Guided By Voices by visiting their website and buying their official albums (which you should already own anyway).

White Suns: June 16, 2011 Northside Festival, Glasslands – FLAC and MP3 Downloads + Streaming Song

June 23, 2011
By

white suns
[Photo courtesy of L Magazine]

The arresting noisecore squall of White Suns is not for everybody. The band makes challenging, relentless music that pushes boundaries and often defies conventional understandings of song structure and composition. To the unitiated or unready, their music might just sound like an unholy racket – discordant, squealing guitars, sporadic gunfire bursts of drumming, demolished electronics. But White Suns are clearly fine with that – this is not a band that bends its will to the masses, clearly. But unlike a lot of the bands of their type, they are not merely cerebral avant-rockers pushing boundaries for boundaries’ sake. Their songs seethe volatility and anger a la more traditional punk and hardcore, but without their often rote structure and dynamics. The crowd at Glasslands on this opening night of Northside Festival was clearly ready for White Suns, and the band gave a short but powerful set, opening up with a brooding, clangorous improvisation into the song “Voyeur,” followed by an untitled new number that was the most straight-ahead hardcore song of the night, and ending with a seven-minute “Fire Sermon,” a masterful exploration of noise dynamics that found singer/guitarist Kevin Barry repeatedly knocking his mic stand to the floor. Although their set came and went in about 20 minutes, White Suns left an indelible impression.

hi and lo and I recorded this set from the same location as the Mr. Dream and Sleepies recordings. The sound of this one is particularly good. Enjoy!

Stream “Fire Sermon”:
[audio:http://www.nyctaper.com/W1606WhiteSuns2011/whitesuns2011-06-16glasslands_acidjack-03.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

White Suns
2011-06-16
Northside Festival
Glasslands Gallery
Brooklyn, NY  USA

An acidjack master recording
Recorded by acidjack and hi and lo
Produced by acidjack

Equipment: Schoeps Mk5 (omni)>EAA PSP2 + Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: Clamp to center post, about 7.5ft up, 30cm split
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Improv>Voyeur
02 untitled
03 Fire Sermon

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT White Suns, visit their website, and purchase their latest record [HERE]

Sleepies: June 16, 2011 Northside Festival, Glasslands – FLAC and MP3 Downloads + Streaming Song

June 20, 2011
By

sleepies
[Photo from Sleepies Facebook page]

Sleepies are a Brooklyn punk band that I have now had the pleasure of seeing twice, both times on bills shared with their friends Mr. Dream. This Northside Festival show found them in fine form, delivering their raw brand of punk rock to a crowd that was hungering for it. The band’s sound takes several cues from the Sex Pistols, such as on the ragged “Summer Bummer.” Sleepies already have some solid recorded output, including two songs on bandcamp that are produced by Mr. Dream’s Nick Sylvester, and an LP available here. Check them out the next time you can!

Stream “Feelers”:
[audio:http://www.nyctaper.com/S0616Sleepies2011/Feelers.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

Sleepies
2011-06-16
Northside Festival
Glasslands Gallery
Brooklyn, NY USA

An acidjack master recording
Recorded by acidjack and hi and lo
Produced by acidjack

Equipment: Schoeps Mk5 (omni)>EAA PSP2 + Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: Clamp to center post, about 7.5ft up, 30cm split
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Hypochondriac Blues
02 Summer Bummer
03 Combat
04 Cool Boy
05 Feelers
06 Temporary Setback
07 Sludge River Mouth

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Sleepies, like them on Facebook, and purchase their official releases from the links above.

SUPPORT NYCTaper




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