Posts Tagged ‘ schoeps ’

Dodgeball: September 9, 2018 Trans-Pecos

December 2, 2018
By


[photo by nyctaper]

Back in the last decade when every sub-genre of music had a silly moniker, a particular type of intelligent polyrhythmic punk was clumsily called “math rock”. These days there aren’t really blogs around anymore to invent awkward genres in lieu of actually reviewing the music, but the descendants of the bands who got tagged as “math rock” are having a heyday of sorts. Boston’s Pile seems to be the granddaddy of this little movement, which also includes bands like Spirit of the Beehive, Palm, and Brooklyn’s Dodgeball. In the several weeks since this September show where the band exhibited the best traits of the current crop of mathies — strong sense of rhythm, challenging but rewarding melodic structure, and a great songcraft — Dodgeball released a new four-song EP, three tracks of which appear on this recording. The EP Turns Out I Was Just Really Bored continues the evolution of a band we expect to continue to grow in stature to the point where these cozy nights at Trans-Pecos will likely be a thing of the past.

I recorded this set with the Schoeps capturing the onstage sound mixed with a solid board feed. The recording really captures the energy of the set quite well and we think it sounds great. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Dodgeball
2018-09-09
Trans-Pecos
Queens NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard [Engineer Eric Lemke] + Schoeps CCM4u’s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 26:04]
01 Edging
02 Swayze
03 Cig Bowl
04 Veggies
05 Robert Parsnip
06 Palm
07 Rock Song 1
08 Nu

PLEASE Support Dodgeball: Bandcamp | Facebook | Twitter

Pylon Reenactment Society: July 1, 2018 Mercury Lounge

July 18, 2018
By


[photos by Chris Sikich]

Pylon’s influence on their contemporaries is indisputable. Indeed, over the years REM has consistently cited Pylon for their positive impact on the 1980s Athens scene. What’s become more clear in the intervening years is that Pylon’s influence is more vast than their local time and place — their revolutionary sound can be heard in new bands even today. Pylon was enjoying a bit of a renaissance in their third reunion period of 2007-2008 when tragically guitarist Randy Bewley suffered a heart attack and passed away at the age of 53. At that point, the band was formally retired and it seemed as if Pylon’s music would only live on in recordings.

After a few one-off local performances, in 2014 lead singer Vanessa Briscoe Hay re-formed the band under the moniker Pylon Reenactment Society. With the blessing of her two former bandmates Michael Lachowski and Curtis Crowe, Vanessa compiled a group of performers from the Athens scene who were both intimately familiar with the music and personally known to the band. Guitarist Jason NeSmith and bassist Kay Stanton were not only members of Athens mainstays Casper & the Cookies, but were also bandmates with Vanessa in Supercluster. Drummer Joe Rowe was a founding member of Athens greats the Glands, who suffered their own deep loss with the 2016 death of leader Ross Shapiro. Vanessa also added a new touch with this new configuration, as her friend and University of Georgia music professor Damon Denton fortifies the sound of PRS with skillful keyboards. So with friendship, familiarity, and a common ethos, its easily understandable that Pylon Reenactment Society has generated universally positive reviews as both an tribute and a celebration of Pylon, and a contemporary band with its own story to write.

Pylon Reenactment Society doesn’t come North very often, but we were fortunate to catch this month’s appearance at Mercury Lounge, a venue where I captured the original band in 2007. With a full crowd there to party, PRS brought the goods — an animated set of old Pylon classics and two new numbers all performed with the precision the songs require but this a new touch from a different skilled set of performers, all fronted by the inimitable Vanessa Briscoe Hay. The set began with “Driving School” and “Volume” from the first Pylon record, 1980’s Gyrate. Indeed, the show would include almost all of the first album and the entirety of Side A of the band’s second album Chomp. The set even included uber-rare b-side “Altitude”, a song with which we were unfamiliar until the fantastic release in 2016 of Pylon Live (Chunklet). With a twenty-song, ninety-minute set, Pylon Reenactment Society gave the crowd of old and newer fans all that could have been asked for — a chance to relive the old classic material in a new configuration with plenty of heart. We hope they’ll be back North again soon.

I recorded this set with the Schoeps cards set up next to the soundboard and mixed with an excellent feed and the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Pylon Reenactment Society
2018-07-01
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files >
Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:28:45]
01 Driving School
02 Volume
03 Look Alive
04 Cool
05 Messenger [new song]
06 Precaution
07 K
08 Italian Movie Theme
09 Human Body
10 [band introductions]
11 Working Is No Problem
12 Danger
13 Altitude
14 Buzz
15 Crazy
16 Try To Do That [new song]
17 Feast On My Heart
18 Beep
19 [encore break]
20 M Train
21 Dub
22 [banter – thanks]
23 Stop It

PLEASE SUPPORT Pylon Reenactment Society: Website | Bandcamp | Buy Pylon Live

King Gizzard and the Lizard Wizard: June 16, 2018 Brooklyn Steel

July 2, 2018
By


[photos by PSquared Photography]

One of the most advantageous aspects of our involvement in this site is our access and exposure to the world class music at a time before those bands hit it big. When it comes to King Gizzard and the Lizard Wizard, we were there at Day One of their time in the US, including seeing their first U.S. show at McCarren Park, a series of shows at Baby’s All Right, a semi-private Halloween party in a loft, their first show at Bowery Ballroom, and the “secret show” at Baby’s later that week. The three King Gizzard shows we saw in 2015 corresponded to the new music that would eventually become their major label debut and breakthrough album, 2016’s Nonagon Infinity (ATO Records). But it was in 2017 when The Gizz took their career to the next level, accomplishing a feat that will likely never be repeated — the release of five quality albums in one calendar year.

Its been two years since I last saw them in NYC and while much has changed, King Gizzard are still very much the same band. Although it wasn’t Baby’s, the three sold out shows at Brooklyn Steel were very much fan-friendly affairs with the band playing a very democratic selection of material. The show we recorded was the middle night of the three and fortunately for us contained an homage to the “old days”, a long “Head On / Pill” segue that contained long bits of three older numbers and a few other teases. We’d like to think it was the Gizz’s acknowledgement of how important those early days in New York were for the band’s career, days we captured here and remember well.

I recorded this set with the Schoeps cards set up inside the soundboard cage and mixed with a superbly mixed and well balanced soundboard feed. The resulting blend yielded another superb recording from this excellent sounding room. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

King Gizzard and The Lizard Wizard
2018-06-16
Brooklyn Steel
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:29:17]
01 Rattlesnake
02 Greenhouse Heat Death
03 Digital Black
04 Vomit Coffin
05 The Lord of Lightning
06 Alter Me I
07 Altered Beast II
08 Crumbling Castle
09 The Fourth Colour
10 Deserted Dunes Welcome Weary Feet
11 The Castle In The Air
12 Muddy Water
13 The Wheel
14 Robot Stop
15 Gamma Knife
16 People-Vultures
17 Head On-Pill
18 Cellophane
19 Sea of Trees
20 Am I In Heaven
21 Pill (Reprise)

PLEASE SUPPORT King Gizzard and the Lizard Wizard: Website | ATO Records Site | Bandcamp

Guerilla Toss: June 19, 2018 Union Pool (Residency Night 3)

June 28, 2018
By

The phenomenal Brooklyn band Guerilla Toss graced the hometown crowd with a monthlong residency at local haunt Union Pool that found the band trying out new songs and compelling covers, and generally driving the locals wild. This band’s bread and butter has always been the live setting, but these shows put the band at a new level. Against the backdrop of sick visuals from Macrodose, Kassie Carlson whipped the room into a frenzy, culminating in a room wide mosh pit during set-closing “Polly’s Crystal.” Whipping from one song straight into the next for almost the entire hour, the band served up sixteen songs that included an ESG cover and the new numbers “Come Up With Me” and “Green Apple.” In case you were worried, I think we can expect their next release to meet or exceed the outstanding GT Ultra.

This recording combines engineer Doug’s awesome house mix plus my Schoeps MK5 mics from the center of the balcony. The sound is excellent. Enjoy!

Download the complete show from its Live Music Archive page: [MP3] | [FLAC]

Guerilla Toss
2018-06-19
Union Pool
Brooklyn, NY USA

Recorded and produced for nyctaper.com by acidjack

Shoutout to NCArchive for recording/posting three of the nights of this series and for the setlist

Schoeps MK5 (XY, FOB, DFC)>KC5>CMC6 + Soundboard (engineer: Doug)>>Sound Devices MixPre 6>24/48 polyWAV>Adobe Audition CC (compression, fades, limiter)>Audacity 2.0.3 (track, amplify)>FLAC ( level 8 )

Tracks
01 Betty Dreams of Green Men >
02 Erase You [ESG]>
03 TV Spell>
04 Operate >
05 Come Up With Me>
06 TV Do Tell [Jane La Onda Cover]>
07 Grass Shack Pt 1>
08 Green Apple
09 Diamond Girls>
10 Skull Pop>
11 Drip Decay>
12 Multibeast TV>
13 Billy Blood Idol >
14 Dog In The Mirror
15 [encore break]
16 Polly’s Crystal

PLEASE SUPPORT Guerilla Toss: Bandcamp | Facebook | DFA Records Page

Deer Tick: June 9, 2018 The Junction Long Beach NY – Brull Foundation Benefit

June 17, 2018
By


[photos by Kurt Christensen]

The Tommy Brull Foundation and Deer Tick have grown together over the years since the band’s appearance at the Foundation’s first fundraising concert under the “Shine A Light” moniker in 2011. The Brull Foundation has more than a decade long record of providing funding and leadership for a variety of inspired causes, all motivated by the work of the late Tommy Brull, who dedicated so many of his days to working with the disabled at Camp Anchor in Lido Beach. Last weekend’s event was organized to fund a special needs playground in Rockville Centre and the concert having sold out well in advance, the Foundation again achieved its goal. So that by the date of the show, it was time to celebrate.

Deer Tick themselves also have a decade’s worth of work under their belts. And with time, the band itself has changed in personnel and approach, including the recent departure of keyboardist Robert Crowell. While the quartet still enjoys a good time, Deer Tick’s most recent double album release (Deer Tick Vol 1 and Vol 2) represents the most contemplative material of its catalog with issues such as sobriety, marriage, and fatherhood elevating the focus of the band’s lyrics. And not surprisingly given the surnames of all four members of the band, Deer Tick seems to have rediscovered its Irish roots, which on this night included a Pogues cover and a traditional Irish reel in the closing segment of Ian O’Neill’s “Hope Is Big”. We were also fortunate to hear John McCauley jamming on “Dirty Old Town” on the mandolin backstage before the show. The show however was all inclusive, and the setlist was a fine retrospective of the band’s entire career including four numbers from as far back as 2007’s War Elephant and moving forward to a good half dozen tracks from Vol 1 and Vol 2. In between there were interactions with the exuberant crowd, interplay between the band members, acknowledgements of the Brulls, and a lengthy and well-performed classic Deer Tick show. All things considered, this night may have been the ultimate performance of Deer Tick’s four Brull shows, and the good news is that its almost certainly not the last pairing of these two excellent groups of people.

I recorded this set with the Schoeps cards set up at the stage lip and mixed with a soundboard feed. The sound quality combines the liveliness of the sound at the stage fortified by instrumentation and vocals in the board feed. The final result is a superb recording. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set (minus banter):

Deer Tick
2018-06-09
The Junction
Long Beach NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:35:10]
01 Don’t Hurt
02 Dream in the Ditch
03 [banter – fire alarms]
04 Clownin’ Around
05 The Bump
06 Easy
07 S.M.F.
08 Cocktail
09 Card House
10 Hope Is Big
11 Twenty Miles
12 Baltimore Blues No. 1
13 Art Isn’t Real
14 Dancing In The Dark [Springsteen]
15 The Rock
16 Wants Needs
17 White City [Pogues]
18 Look How Clean I Am
19 These Old Shoes [Chris Paddock]
20 Mange
21 [encore break]
22 Jumpstarting
23 Sleepwalk [Santo and Johnny]
24 Ashamed
25 You Are So Beautiful [Billy Preston]

Please SUPPORT Deer Tick: Website | Buy Albums | Bandcamp

Alejandro Escovedo and Richard Barone: May 23, 2018 Berlin NYC

May 28, 2018
By


[photo from Alejandro Escovedo Instagram Page]

Alejandro Escovedo is in the midst of a five-week NYC residency that has featured as guests some of the most renowned musicians in the history of New York music, including Sylvain Sylvain, Lenny Kaye, and Richard Barone. The residency was the brainchild of Escovedo, Jesse Malin, and Diane Gentile, and is a celebration of Alejandro’s long-time connection to NYC (with The Nuns he moved here in 1978), but is also a tribute to musical heroes Lou Reed and David Bowie, and is also in support of his latest album, the outstanding Burn Something Beautiful. We chose to capture the night at Malin’s club Berlin NYC with Richard Barone, a long-time favorite of this site. Oh, and what a show it was. Alejandro was as ever a gracious host, and the two headliners basically shared the lead microphone throughout the night, alternating between Escovedo material, Barone material, and a selection of classic covers of Velvet Underground and David Bowie. There were also heartfelt tributes, crowd interaction, and a guest spot from Barone’s partner in the Bongos James Mastro. Interestingly, the set also featured two songs from the great lost classic, the Barone/Mastro duo album Nuts & Bolts. Through it all, the old punks in the crowd were boisterous in their support (with a few over-served unfortunately) and the performers reflected back the love and support. Alejandro Escovedo has one show left in this residency, May 30 at Bowery Electric, attendance much recommended.

Many thanks to Alejandro Escovedo for permitting this show to be recorded and to Nancy Rankin Escovedo and Mike Thompson for making the arrangements!

I recorded this set with the Schoeps cards mounted to the back left of the soundboard booth, which is only about 15 feet from the stage in this intimate venue. The mics are mixed with an excellent feed from house sound tech Mike, and the resulting mix is quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show (songs only – talking tracks via download):

Alejandro Escovedo and Richard Barone
2018-05-23
Berlin
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Mike] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:30:01]
01 [introduction]
02 Gravity – Falling Down Again
03 Street Hassle [Lou Reed]
04 The Bulrushes
05 Train Round The Bend [Velvets]
06 [Richard meets Lou Reed]
07 I’ll Be Your Mirror [Velvets]
08 Sensitive Boys
09 [Falcon introduction]
10 Flew A Falcon
11 Moonage Daydream [Bowie]
12 [band introductions]
13 Sister Lost Soul
14 [Candy introduction]
15 Candy Says [Velvets]
16 [James Mastro introduction]
17 I’ve Got a Secret
18 Number With Wings
19 Always a Friend
20 [thanks]
21 All the Young Dudes [Bowie – Mott the Hoople]
22 [encore break]
23 Rock and Roll [Velvets]
24 [outro]

PLEASE SUPPORT Alejandro Escovedo and Richard Barone: Website | Website | Buy Music | Buy Music

Animal Flag: April 27, 2018 Trans-Pecos

May 17, 2018
By


[photo from Animal Flag Instagram]

This night from a couple of weeks ago at Trans-Pecos was Animal Flag’s local release show for their excellent album Void Ripper. This release represents a full two years of work since the Boston band’s last album and also saw a change in the band. No longer the solo project of singer/guitarist Matthew Politoski, Animal Flag is now a band with regular members. The familiarity with the material and with each other gave the band a tight and inspired approach to the music. The band worked straight through the new album (sans one track) before being called back and performing an encore. This well-attended and musically strong show created a really nice night for the band, fans, and venue and we expect it won’t be long before Animal Flag returns to Pecos. Animal Flag has a bunch of tour dates this Summer, including a show on cruise in NYC in August.

I recorded this set with the Schoeps at the stage lip mixed with a fine feed from the soundboard mixed by talented FOH Denim Casimir. The resulting blend captures the strengths of both feeds and the sound quality is excellent. Enjoy!

Download the Complete Show: [MP3] / [FLAC]

Stream the Complete Show:

Animal Flag
2018-04-27
Trans-Pecos
Queens NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard [Engineer Denim] + Schoeps CCM4u’s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 36:48]
01 [introduction]
02 Morningstar
03 Void Ripper
04 Candace
05 Stray
06 Fair
07 Lord of Pain
08 Why
09 Five
10 [encore break]
11 Sensation

PLEASE SUPPORT Animal Flag: Bandcamp | Website | Facebook

Phish: December 28, 2017 Madison Square Garden

December 30, 2017
By


[photos by LazyLightning55 and Jeff]

We had such a good time at the “Baker’s Dozen” shows this Summer at Madison Square Garden, so that when a taper’s ticket for the first night of the Phish four-show New Year’s run became available, I jumped at the chance to relive recent glory. Phish v3.0 is in a good place right now. They didn’t play as many shows in 2017 as in recent years, but what they did was quite memorable. The band themselves also seem to be personally doing well — clean and sober and enjoying each other’s company.

The first night of previous New Year’s runs of shows has been jokingly criticized as the “practice” night, a show used to work out the kinks and get back into the groove. But the current version of Phish isn’t playing by the old rules and this debut night was strong and confident from the outset. The band also is unencumbered by the mandate of playing different songs on every night of thirteen shows, so that the setlist was chock full of prime material. The abundant first set highlights included a solid “Wolfman’s Brother”, and extended “Roggae” and a peak version of “Back on the Train”. The second set started with the familiar, but the highlight of the set and perhaps the entire show was the twenty-four minute “No Men” which worked through a series of often melodic and thematic jams so that the extended length didn’t drag or seem indulgent. This was just the v3.0 of Phish playing to its strengths and operating on all cylinders. Far from “practice”, this night was a year-long highlight show and quite a cap to a perfect year for our experiences with Phish.

Thanks to Noah for the ticket and Walt for the clamp space!

I recorded this set from the first row of the taper’s section on the right side. Due to our fortunate position next to the great Charlie Miller, we were able on this night to maneuver the stand onto a raised platform in the center area, and that advantageous position helped this recording to achieve its maximum potential. Its perhaps our best capture of this year’s MSG shows. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Phish
2017-12-28
Madison Square Garden
New York NY

Digital Master Recording
First Row Tapers Section

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1 [Total Time 1:16:01]
01 ACDC Bag
02 Wolfman’s Brother
03 Roggae
04 Tube
05 Bouncing Around the Room
06 Back on the Train
07 Your Pet Cat
08 Waking Up Dead
09 Theme From the Bottom

Set 2 [Total Time 1:40:57]
10 Wilson
11 No Men In No Man’s Land
12 Twist
13 Everything’s Right
14 Also Sprach Zarathustra
15 Harry Hood
16 [encore break]
17 The Wedge
18 Slave to the Traffic Light

SUPPORT Phish: Website | Store

Alone & Together: December 15, 2017 Music Hall of Williamsburg

December 20, 2017
By


[photos courtesy of Andrew Scott Blackstein]

The concept of an all-star band can be a hit or miss prospect, but the people at Golden Gate Presents have pretty much been all hits. The organization that brought together an impressive amalgam of talent to perform the Complete Last Waltz, has now produced four “Alone & Together” tours, and the latest version was on display at Music Hall of Williamsburg this past weekend and it too was a resounding success.

This year’s A&T tour included old favorites Eric D. Johnson (Fruit Bats), Elvis Perkins, and Sam Cohen (Yellowbirds) sharing various instruments and the vocal duties, and accompanied by a rhythm section of Joe Russo (JRAD, The Duo), and Josh Kaufman (Yellowbirds). This particular night also saw the return of last year’s participant Kevin Morby as a guest for two numbers. The quintet performed their own material, performed each other’s songs, and sprinkled in a few tasty covers. If this band seemed to naturally gravitate towards each other, its of course from their rich talents as ensemble players but also because the various members have performed in a variety of configurations in the past (including the Last Waltz). So when it came time for Sam Cohen to sing an Elvis Perkins song for example, the performance seemed both familiar and natural but also instinctively a tribute. This was one of those shows that was so comfortable and enjoyable for the listener that a two-hour set seemed to fly by. Undoubtedly, we’ll be seeing these individual players in the near future in their other projects, but this Music Hall performance makes me hope there’s a fifth edition of the Alone & Together series.

I recorded this set with the Schoeps cards mounted inside the soundboard booth and mixed with an extraordinarily well balanced feed from FOH Pete Costello. The blend of sources is about 50/50 because the room mix was so strong and our advantageous position yielded excellent results. The sound quality of this recording is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream Two Tracks:

Alone & Together
2017-12-15
Music Hall of Williamsburg
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Pete Costello] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:59:18]
01 I Must Be in a Good Place Now [Bobby Charles]
02 Mean Maybe
03 So Long
04 Let the Mountain Come to You
05 All The Night Without Love
06 All Today
07 Absolute Loser
08 Doomsday
09 [banter – Clockwork intro]
10 Clockwork
11 Humbug Mountain Song
12 One Day At A Time [Willie Nelson]
13 And Eveline
14 Dead Rider
15 Destroyer
16 Beautiful Strangers
17 There Go The Nightmericans
18 When U Love Somebody
19 [encore break]
20 There is a War [Leonard Cohen]
21 Duncan [Paul Simon]
22 Awaiting On You All [George Harrison]

PLEASE SUPPORT Alone & Together: Website

Chad VanGaalen: December 6, 2017 Rough Trade BK

December 13, 2017
By


[screenshot from this video]

Chad VanGaalen is a modern day Rennaisance man. He’s a Juno nominee, Polaris prize nominee, music producer, artist, composer (for Adult Swim TV Series Dream Corp LLC) — the Calgary native is an all around talented guy. One wonders where the man gets time to write, record and release his own albums, but this year he did just that. Light Information (Sub Pop / Flemish Eye) is VanGaalen’s first record in three years, and of course he played all of the instruments and recorded it in his own studio.

Chad VanGaalen just completed an extensive tour in support of Light Information and the near-end of the tour reached NYC last week. We were fortunate to finally get to see this superb artist at Rough Trade after several near misses over the last decade or so. And it was well worth the wait. This performance by Chad and his four piece band was a rip-roaring post-punk trek through much of the new album and some VanGaalen classics. The show also featured some hilarious and downright weird banter, but it all fit with the proceedings. Chad is a unique artist with a very specific sound and vision and the opportunity to see him at the top of his game touring on an A+ album was truly a treat. I hope he comes back to NYC soon.

I recorded this set in our usual manner in this venue, which our Schoeps cards mounted centered at the soundboard booth and mixed with an outstanding feed provided by house FOH Dustin. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Chad VanGaalen
2017-12-06
Rough Trade
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Dustin Myers] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:15:03]
01 Mind Hijacker’s Curse
02 Locked in the Phase
03 [banter – arcade]
04 Host Body
05 Mystery Elementals
06 Old Heads
07 Golden Oceans
08 Faces Lit
09 You Fool
10 [banter – Dogs]
11 Pine and Clover
12 [band introductions]
13 Clinically Dead
14 Release This High
15 Heavy Stones
16 Static Shape
17 Peace on the Rise
18 [encore break]
19 City of Electric Light
20 Weird Love
21 Rabid Bits of Time
22 [outro]

SUPPORT Chad VanGaalen: Bandcamp | Flemish Eye Records Page | Buy Light Information from Flemish Eye or Sub Pop

Support nyctaper

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

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