Posts Tagged ‘ schoeps ’

Diet Cig: September 8, 2017 Bowery Ballroom

September 14, 2017
By


[photos by Joe Saturday]

Its hard for me to imagine that someone exists who actually doesn’t like Diet Cig. The duo exudes such positive energy and real enthusiasm for their music that it’s infectious in a live setting. This is not world-changing music, but two-minute pop song relatable slices of life. When Pitchfork assigned an intern whose last piece was likely in an Annandale creative writing class to review Diet Cig’s most recent album, the result was a tragically misdirected hit piece that managed to be both tone-deaf and indicative of a wider problem with publications like Pitchfork. Sometimes music doesn’t have to have a larger meaning and when the writer savages the musicians for failing to meet a false standard, it says more about the writer’s inadequacies than anything the music set out to achieve. To paraphrase Billy Bragg, Diet Cig don’t want to change the world, they’re just looking to sing some pop songs.

At Bowery Ballroom on Friday night, the band played to a sold-out crowd and all of the good vibes coming from the stage were returned all night. This was a crowd in love with the band for all the right reasons. Sure, lead singer Alex Luciano opened the set by declaring that all of the band’s show are safe spaces and later she gently chided the dancers in front to keep it fun and not too physical, but it was more than that. Luciano played a wireless guitar on a nearly bare stage — drummer Noah Bowman was set up to the far left — in order to be able to dance, run, jump and literally never stop moving throughout the set. Her unbridled ebullience drove the hour-long set from start to finish, to the point where the briefest of breaks were only to catch her breath. Diet Cig performed just about every song they’ve ever recorded — from their debut EP and a double-sided single on Father/Daughter Records, and all but one song from their first album I Swear I’m Good At This released this year on Frenchkiss. The show also featured the debut performance of the song the band wrote for the Amazon tv show “American Girl” called “Together We Can Conquer Whatever”. When the band returned to play their very first recorded track “Harvard” as an encore, it brought me back to the initial time I heard a pre-release promo of that very track. The song made me smile that day and a few years later, this Bowery show did it again many times over.

Diet Cig has a handful of US dates remaining before they spend much of the Fall touring throughout Europe, all dates here.

I recorded this set in our usual manner in this venue, Schoeps from the front of the balcony mixed with a board feed. Other than a few bits of static from Alex’s wireless guitar, the sound quality is very representative of the set with bundles of energy and non-stop movement. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Diet Cig
2017-09-08
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 51:00]
01 [introduction]
02 Sixteen
03 Bite Back
04 Leo
05 Dinner Date
06 [banter – slumber party]
07 Cardboard
08 Sleep Talk
09 Breathless
10 [banter – rollercoaster]
11 Scene Sick
12 Pool Boyz
13 Apricots
14 Maid of the Mist
15 [Tummy intro]
16 Tummy Ache
17 Blob Zombie
18 [Conquer intro]
19 Together We Can Conquer Whatever
20 Link in Bio
21 Bath Bomb
22 Barf Day
23 [encore break]
24 Harvard

PLEASE SUPPORT Diet Cig: Website | Frenchkiss Records Page | Father/Daughter Records Page | Bandcamp

Sunburned Hand of the Man: August 28, 2017 Rough Trade NYC

September 12, 2017
By

Sunburned Hand of the Man are such a disparate psychedelic force (with over 100 releases to their name) that you can’t ever guarantee what’s going to come out of them. For this set, we got a ten-person band on the stage of Rough Trade NYC to play a four-part improvisation that the band referred to as the “Blizzard of Zoz.” Compared to some of the sets we served up to you last year, the “Blizzard of Zoz” was a bit more of a groove-driven affair, expanding over 42 mind-melting minutes from a low drone into a tight groove, then heading into freakout territory. Don’t worry, these sets were plenty noisy, too. The intensity of the proceedings was maximized by the Mad Alchemy liquid light show going on behind the band, which absorbed us all through the end.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a soundboard feed from Noel Ford, engineer of Dinosaur Jr. and several other bands. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/Apple Lossless]

Sunburned Hand of the Man
2017-08-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (at SBD, DFC, PAS bar)>KCY>Z-PFA + Soundboard (engineer: Noel Ford)>>Sound Devices MixPre 6>24bit polyWAV>Adobe Audition CC (align, mix down, adjust levels, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify)>FLAC ( level 8 )

Tracks
01 Blizzard of Zoz Pt 1
02 Blizzard of Zoz Pt 2
03 Blizzard of Zoz Pt 3
04 Blizzard of Zoz Pt 4

Support Sunburned Hand of the Man: Website | Buy Sunburned releases via Bandcamp

Creeper Lagoon: August 10, 2017 Mercury Lounge

August 15, 2017
By


[photo from Chris Quartly twitter]

The relative enjoyability quotient of a band reunion almost always depends upon the reason for the get together. When long-departed groups decide to get together and play shows for the simple fun of it, count us in. Creeper Lagoon had a brief but productive career that petered out in 2004. After being named Spin’s Best New Artist in 1998, the band went on to produce a couple of major label releases before splitting up after a difficult European tour. The 2001 release Take Back the Universe and Give Me Yesterday remains the peak of the Creeper Lagoon catalog and the music sounds as vibrant now as it did nearly two decades ago. After the split, all of the band members went on to successful careers and happy lives outside of the music industry. This excellent interview of band founder Sharky Laguana gives all the details, but suffice to say that all of the band member were in a good place when this reunion was contemplated and then announced late last year. After a couple of shows at the Noise Pop Fest’s 25th Anniversary in San Francisco in February, Creeper came to NYC for their first show in 16 years, a one-off at Mercury Lounge with no plans to return.

The excitement of the event was evident in the crowd from the outset as the band interactions will attest. Mercury was quite sold out and Creeper Lagoon’s energy reflected that fact throughout the night. The setlist was a lengthy run through the band’s back catalog with a nice cross-section of material. Universe was well represented as expected. The reality is that this night was exactly the reunion show you would have hoped for if you’re a Creeper Lagoon fan — fun, interactive, energetic, and well paced. If the reactions of the many fans who approached me after the show asking about the recording is any evidence, this document should also be exactly what the fans want.

I recorded this set with the Schoeps cards mounted in front of the Soundboard and mixed with a superb feed provided by the band’s FOH Kim Griess. This was a rambunctious and happy crowd, although there was a near-fight audible to my left during the encore break. Other than that and some other obvious chatter, the sound quality is quite excellent. Enjoy!

Download and Stream the Complete Show from our Bandcamp Page:

Creeper Lagoon
2017-08-10
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Kim Griess] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:32:34]
01 Chance of a Lifetime
02 Claustrophobia
03 Under the Tracks
04 Dead Man Saloon
05 Second Chance
06 [Tracy false start]
07 Tracy
08 [Patrick intro]
09 Dreaming Again
10 Sylvia
11 Empty Ships
12 Motor Away [Guided By Voices]
13 [banter – lawyer shit]
14 Hey Sister
15 Roman Hearts
16 Wrecking Ball
17 Bloodbuzz Ohio [National]
18 Sunfair
19 Keep from Moving
20 [encore break]
21 [Tonight long intro]
22 Tonight Was Fun
23 Wonderful Love
24 Dear Deadly

SUPPORT Creeper Lagoon: Website | Facebook

Phish: August 4, 2017 Madison Square Garden

August 5, 2017
By

Phish did it again last night. On the 11th night of the historic Baker’s Dozen shows at Madison Square Garden, this one themed on a Lemon donut, the band again delivered a unique set of breakouts, first-time covers, and surprisingly placed jams. You could excuse Phish for maybe missing the mark once on this run, but its clear that every single show has been an all-timer and this is why we continue to insist that this a bellwether stand for the band.

Last night’s set opened with a first-time cover of the blues standard “See That My Grave is Kept Clean” or “One Kind Favor”, performed by a litany of artists but first attributed to Blind Lemon (get it?) Jefferson. The set also featured stand-out performances of not-classics “Ocelot” and “Winterqueen”, two songs of recent vintage that got the full jam treatment at this show. The set finale of “First Tube” was truly remarkable, an intensely jammed version that ended with Trey literally waving his guitar around above his head in some sort of feedback devotional ritual.

The second set started off slowly with a puzzling silly acapella “Dem Bones” but quickly moved into jam mode. “No Man’s Land” is another new-y that got some peak extended play, before unfinished it quietly segued into a song that had some heads scratching and phones clicking. Radiohead’s “Everything In Its Right Place” fit the theme (“sucking a lemon”) but certainly seemed like “worlds colliding” of musical genres. But the band did a bang-up job on the number — if a bit spacier than the original. Moving forward, a sample of the “sucking a lemon” vocals would continue to pop up during the set. Phish continued this strong set with a “Scent and Subtle Sounds” which not only reached jammy peaks but also contained a neatly interposed reprise of “No Man’s Land” tucked into the jam. The set ended with crowd-favorites “Prince Caspian” and a now-infrequent visit with “Fluffhead” before the band returned with a non-unfamiliar cover of the Edgar Winter Group’s classic “Frankenstein”.

This was my own personal final show of this run — acidjack is scheduled to capture tonight’s show — but I have to remark that this was all-in-all clearly the highlight of my lengthy but limited relationship with Phish. I suspect its also a highlight of the long-time and truly dedicated Phishheads, and that’s saying something.

I recorded this show from the dead center area of the taper’s section on the rail behind the video cage. The sound in the venue was extraordinary this night and our centered position was advantageous. As a result, the sound quality is superb and I believe this is my best sounding recording of the three shows I attended. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Phish
2017-08-04
Madison Square Garden
New York NY

Digital Master Recording
Sixth Row Center Tapers Section

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:09:49]
01 See That My Grave Is Kept Clean [Blind Lemon Jefferson]
02 Punch You in the Eye
03 Party Time
04 Big Black Furry Creature From Mars
05 Dinner and a Movie
06 Ocelot
07 Poor Heart
08 Winterqueen
09 Bold as Love [Hendrix]
10 First Tube

Set 2:
[Total Time 1:24:19]
11 Dem Bones
12 No Men in No Man’s Land
13 Everything in Its Right Place [Radiohead]
14 What’s the Use
15 Scents and Subtle Sounds*
16 Prince Caspian
17 Fluffhead
18 [encore break]
19 Frankenstein [Edgar Winter]

*with No Man’s Land Reprise

SUPPORT Phish: Website | Store

Phish: July 29, 2017 – Madison Square Garden

August 3, 2017
By

While EricPH took less than twenty-four hours to post his recording of this show, I’ve taken way too long to make mine available and as a result I’m doing a new post and using the opportunity to gather some thoughts about these shows.

Its pretty amazing watching musical history in the making — as it happens. Now that the “Baker’s Dozen” Phish run at Madison Square Garden is more than halfway done, it has become apparent that this isn’t just a big run of shows at one venue but an event never quite seen before in musical history. The band has dedicated to making sure that no song is repeated during the entire run, created themes for each night, and playing against all of the expectations that come with a band that’s existed for longer than some of its fans have been alive. The first sets aren’t just single song play-throughs, the shorter songs can now be jam vehicles, and there’s no predictable place for a song in the setlist. Add to that a bunch of break-outs, rare numbers and first-time covers, and Phish has pretty much committed themselves to “Baker’s Dozen” perhaps becoming the bell-weather upon which to measure their lengthy career. And as this Uproxx article from earlier today notes, Phish has created a model for fan-friendly artist presentation that most bands with significant fan-bases should follow.

This Saturday night show had some serious highlights as noted by Eric’s review. There was the surprise first set closer of “Walrus”, the twenty-three minute second set opener “Blaze On” that might be the best version of that song the band has ever played, and the set closing Hood. I’ve also always been partial to the band’s goofy anthem “Meatstick” and this version was a hoot. Overall, it was just another prime show in a classic run and we’re lucky to be capturing two more of these nights this coming weekend. Stay tuned.

I recorded this in the exact same place and manner as the July 22 recording (first row taper’s section with cards) and the sound is equally excellent. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Phish
2017-07-29
Madison Square Garden
New York NY

Digital Master Recording
First Row Tapers Section

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:16:54]
01 Llama
02 Wilson
03 Stealing Time From the Faulty Plan
04 Ya Mar [Cyril Ferguson]
05 Tela
06 The Birds
07 The Line
08 Water in the Sky
09 Vultures
10 Train Song
11 Horn
12 I Am the Walrus [Beatles]

Set 2:
[Total Time 1:21:51]
13 Blaze On
14 Twenty Years Later
15 Alumni Blues – Letter to Jimmy Page – Alumni Blues
16 Meatstick
17 Dirt
18 Harry Hood
19 [encore break]
20 Cinnamon Girl [Neil Young]

SUPPORT Phish: Website | Store

Phish: July 29, 2017 Madison Square Garden

July 30, 2017
By

Night seven of the Baker’s Dozen was dubbed the cinnamon donut night. And while there are an overwhelming number of obvious and not-so-obvious songs that fit thematically, the band didn’t go overboard with cinnamon references aside from the semi-predictable Neil Young cover (which they pulled off perfectly). Otherwise it’s a varied set—at least for this Phish newbie—that has them jamming on a (pardon me) blazing “Blaze On” to open the second set, a first-set closing “I Am the Walrus,” and a killer “Alumni Blues” with the “Letter to Jimmy Page” bridge. While nothing could hold a candle to the previous night’s “Chalk Dust Torture,” this is no doubt a solid set throughout.

Eric PH recorded this set with the Schoeps MK41V’s mounted in the official taper’s section, from row 1 seat 1. NYCTaper will follow up with his Schoeps source shortly. Enjoy!

Download the complete show (Schoeps MK41V source): [MP3 / FLAC16 / FLAC24]

Stream the complete show (Schoeps MK41V source):

Phish
2017-07-29
Madison Square Garden
New York, NY

Baker’s Dozen #7

Recorded and produced by Eric PH for nyctaper.com

Schoeps MK41V (OTS, LOC) > Aerco MP-2 > Zoom F8 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01. Llama
02. Wilson
03. Stealing Time From the Faulty Plan
04. Ya Mar [Cyril Ferguson]
05. Tela
06. The Birds
07. The Line
08. Water in the Sky
09. Vultures
10. Train Song
11. Horn
12. I Am the Walrus [The Beatles]

Set 2:
13. Blaze On
14. Twenty Years Later
15. Alumni Blues > Letter to Jimmy Page > Alumni Blues
16. Meatstick
17. Dirt
18. Harry Hood
19. [encore break]
20. Cinnamon Girl [Neil Young]

SUPPORT Phish: Website | Store

Phish: July 28, 2017 Madison Square Garden

July 29, 2017
By

The sixth night of Phish’sBaker’s Dozen” shows at Madison Square Garden was thematically the “double chocolate” donut show. This presented some challenges for song selection as Phish’s vast catalog does not contain a song with the word “chocolate” in its title. But ultimately, in a run of never-ending surprises and first-time covers, Phish chose to open with the 2007 novelty one-hit wonder “Chocolate Rain” by Tay Zonday. The balance of the first set was comprised of fairly short dips through some obscure numbers (“Destiny Unbound”) and the classic material (“Divided Sky”), with the set-closing “Sand” perhaps the highlight of the eleven-song set.

The second set began with another acapella number (The Might Diamonds’ “Have Mercy”) before Phish launched into the first serious jam of the night—a tremendous “Chalkdust Torture.” The chocolate theme appeared again with a cover of Hot Chocolate’s “You Sexy Thing” with Mike on vocals. The second chance to jam was the segues between “Mercury,” “Sexy Thing Reprise” and an extended “Backwards” that ended the set in fine fashion. The encore segment closed with another acapella number, this time an inventive and entertaining version of Bowie’s “Space Oddity.”

Eric PH recorded this set with the AKG CK61’s mounted in the official taper’s section, while acidjack recorded with Schoeps MK4V on the same stand. The sound quality of both is excellent. Enjoy!

Download the complete Show [Schoeps source] [MP3/ALAC/FLAC16/FLAC24]

Download the Complete Show [AKG source] [MP3 / FLAC16 / FLAC24]

Stream the complete show (Schoeps source):

Stream the Complete Show (AKG Source):

Phish
2017-07-28
Madison Square Garden
New York, NY

The Baker’s Dozen

Recorded and produced by Eric PH for nyctaper.com

AKG C480B/CK61 (DIN, OTS, DFC) > Aerco MP-2 > Zoom F8 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01. Chocolate Rain [Tay Zonday]
02. Ass Handed
03. Free
04. Weigh
05. Undermind
06. The Oh Gee Pa Ceremony
07. The Dogs
08. Destiny Unbound
09. The Divided Sky
10. Things People Do
11. Sand

Set 2:
12. Have Mercy [The Mighty Diamonds]
13. Chalk Dust Torture
14. You Sexy Thing [Hot Chocolate]
15. Mercury > You Sexy Thing
16. Backwards Down the Number Line
17. Rock & Roll [The Velvet Underground]
18. [encore break]
19. Fee
20. Space Oddity [David Bowie]

______________________

Phish
2017-07-28
Madison Square Garden
New York, NY

The Baker’s Dozen

Recorded and produced by acidjack for nyctaper.com

Schoeps MK4V (PAS, OTS, DFC) > Sound Devices MixPre6 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01 Chocolate Rain [Tay Zonday]
02 Ass Handed
03 Free
04 Weigh
05 Undermind
06 The Oh Kee Pah Ceremony
07 The Dogs
08 Destiny Unbound
09 The Divided Sky
10 Things People Do
11 Sand

Set 2:
12 Have Mercy [The Mighty Diamonds]
13 Chalk Dust Torture
14 You Sexy Thing [Hot Chocolate]
15 Mercury > You Sexy Thing
16 Backwards Down the Number Line
17 Rock & Roll [The Velvet Underground]
[encore break clipped]
18 Fee
19 Space Oddity [David Bowie]

SUPPORT Phish: Website | Store

Phish: July 22, 2017 Madison Square Garden

July 23, 2017
By

Phish’s “Baker’s Dozen” at Madison Square Garden is an ambitious concert series that promises an unmatched level of musicianship and inventiveness never before seen in the history of the City’s “Most Famous Arena”. We’ve attended many shows at this formidable arena over the years, but never a series that offered such unique treats. The “Bakers” part of the equation has been taken quite seriously — we were met at the gates of the venue by the gift of a strawberry donut for Saturday night’s show. And this was no coincidence. The theme for this night’s show appeared immediately as Phish’s never-before cover of the Beatles “Strawberry Fields Forever” opened the night.

The first set for Saturday followed another development evident throughout the band’s Summer tour — first sets have become serious jam vehicles no longer relegated to straight song play-throughs. And on this night we were treated to an extended “Moma Dance” and a Page McConnell solo piece to complete the “Squirming Coil” set closer that portended unique events to come. The second set began with a lengthy “Down With Disease” which led into the night’s second major surprise — a cover of the thematically appropriate Brothers Johnson’s “Strawberry Letter 23”. This late-70s psychedelic funk piece offered a perfect vehicle for Phish to exercise its chops. The remainder of the second set followed the pattern for the evening as the band played extended versions of crowd favorites. The encore segment struck home in particular as Phish played a local favorite — The Talking Heads classic “Cities”, among a series of inventive covers. We were met upon the exit of the venue with a downpour of rain that perhaps dampened the night temporarily but given our advantageous taper’s section spot, wasn’t a killjoy for very long. This is uploaded as fast as I can these days, and I hope you enjoy a primo recording of a first-rate Phish show, with many more to come.

We will be attending at least four more Phish shows during this run. Stay tuned.

I recorded this set with the Schoeps cards mounted at twelve feet in the first row of the Taper’s Section. The band’s sound crew did a terrific job in this arena and sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Phish
2017-07-22
Madison Square Garden
New York NY

Digital Master Recording
First Row Tapers Section

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:22:03]
01 Strawberry Fields Forever [Beatles]
02 Halley’s Comet
03 The Moma Dance
04 Breath and Burning
05 Funky Bitch [Son Seals]
06 Mound
07 Foam
08 Roggae
09 The Squirming Coil

Set 2
[Total Time 1:22:42]
10 Down With Disease
11 Strawberry Letter 23 [Brothers Johnson]
12 Birds of a Feather
13 I Always Wanted It This Way
14 All of These Dreams
15 Split Open and Melt
16 Down With Disease Reprise
17 Shine a Light [Rolling Stones]
18 [encore break]
19 Peaches en Regalia [Zappa]
20 Cities [Talking Heads]
21 My Sweet One

SUPPORT Phish: Website | Store

Man Forever: June 14, 2017 Brooklyn Music School

June 26, 2017
By


[photo by Sarah Richardson]

Its not news to our readers that Kid Millions is one of this site’s favorite musicians, both as a member of site-regulars Oneida and as a solo artist under the moniker of Man Forever. We’ve chronicled Man Forever from their days as a team of drummers, through the addition of accompanying musicians, to its present incarnation. For the latest album, Kid compiled a roster of prime musicians and created a work of great imagination and invention that truly transports Man Forever to it ultimate fruition. Play What They Want (Thrill Jockey) is more than just a collection of Kid’s friends — Laurie Anderson, Yo La Tengo, and Mary Lattimore included — its a realization of a career of the scene’s ultimate percussionist as composer. The album is a musician at the peak of his compositional talents.

For the album’s release show at the most-appropriate setting of the Brooklyn Music School, Kid Millions brought together many of the album’s players (but none of the celebrities) as a profoundly talented orchestra. Among the many players too numerous to list in its entirety, there was the percussion group TIGUE, the harp of Brandee Younger, the vocals of Nina Dante and Nick Hallett, and the lively lead bass of Brandon Lopez. Kid introduces everyone on the recording and rest assured that this compilation of talent is truly remarkable. The band worked through three of the tracks from Play What They Want and one older piece in a well-paced set of material that touched on elements of jazz, prog and drone and highlighted the natural rhythmic talents of its protagonist.

I recorded this set with the Schoeps mounted in front of the stage and mixed with a superb soundboard feed provided by the talents of house FOH Ben Manley. The result is an outstanding capture with depth and clarity. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Man Forever
2017-06-14
Brooklyn Music School
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Schoeps CCM4u’s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Please support this excellent band:
http://www.thrilljockey.com/artists/man-forever

Recorded and Produced
by nyctaper

Setlist:
[Total Time 43:53]
01 [introduction]
02 You Were Never Here
03 Ten Thousand Things
04 The Clear Realization
05 Twin Torches
06 [outro]

PLEASE SUPPORT Man Forever: Website | Facebook | Purchase Play What They Want

Ween: June 7, 2017 Brooklyn Steel

June 9, 2017
By

For the second night of Ween‘s run at shiny new venue Brooklyn Steel, the band continued to reiterate what has made them such a cult favorite. As a newcomer to the band, I can’t claim to be any kind of expert in the ins and outs of the setlists, but if you’re curious what has made them one of the more welcome “reunions” of recent years, I can offer some thoughts. First, the musical diversity of the band’s sound has long been well-known, mixing bar-room rock, punk, psychedelia, country, new wave, funk and more. Though the recent accumulation of Phish fans to their ranks has been talked about, the more logical touch points for understanding this band are willfully-weird bands like the Butthole Surfers and the Meat Puppets, who similarly can’t be pigeonholed into a genre so much as a vibe. Second, in Ween’s case, there’s a brand of outrageous humor at work in many of their songs, of a kind that prompts debate on the Internet over the funniest Ween songs. Whether or not songs like “Deez Nutz” or “Bananas and Blow” are your thing doesn’t necessarily determine whether you have to like or dislike the live show, just as some Phish get more turned on by the Gamehendge element than others. Personally, I was more fired up about songs like the sprawling 1994 jam “A Tear for Eddie,” or 1990’s Butthole Surfers-esque “Licking the Palm for Guava” (also dedicated here to Gibby Haynes).

Since I know fairly little about the band, I decided to consult a long time fan on the show to get his take. In his read, compared to the previous Brooklyn Steel show, this was a relatively sedate affair, focusing more on the band’s country sound and skipping some of what this fan deemed “essential” Ween songs such as a classic cover, or any of “Dr. Rock,” “Spinal Meningitis (Got Me Down),” “Push the Little Daisies,” “You Fucked Up,” “Golden Eel,” and “Buckinham Green” — all of which made it into the first night setlist.  Along with the “A Tear For Eddie” that I did, he pointed out that “Mushroom Festival In Hell” and “I’ll Be Your Johnny On the Spot” as highlights.

Wherever you are in your Ween fandom, you can’t deny that they’re as hard working a band as they come. When they promised “an evening” with them, we got one, a full two hours and ten minutes of mostly uninterrupted playing that fired up the slam-packed Brooklyn Steel floor. I have no doubt that the show was ten times more engaging for those better acquainted with the inside jokes and the general band lore, but based on this performance, I’d be up for finding out more.

Finally, if you haven’t been to Brooklyn Steel yet, know that longtime sufferers of its predecessor will finally have a mid-large venue for more popular bands that offers a full view of the stage from almost every place in the room. We’ve already enjoyed a few shows here so far, and look forward to many more. As always thanks to the professional staff of Bowery Presents for making our presence there feel both safe and welcome.

I recorded this set from the “taper’s section” with Schoeps MK41V microphones. The sound quality is excellent. Enjoy!

Night one was also recorded and will be posted soon.

Download the complete set from its home on the Live Music Archive: [MP3] | [FLAC]

Ween
2017-06-07
Brooklyn Steel
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (at SBD, PAS)>KCY>Z-PFA>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (fades, compression, limiter)>Izotope Ozone 5 (EQ, effects)
>Audacity 2.0.5 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 2:10:07]
01 Chocolate Town
02 Tried and True
03 Birthday Boy
04 Help Me Scrape the Mucus off My Brain
05 [banter1]
06 Take Me Away
07 Fat Lenny
08 Cold & Wet
09 Boys Club
10 [banter2]
11 Nan
12 Gabrielle
13 Bananas and Blow
14 My Own Bare Hands
15 A Tear for Eddie
16 [banter3]
17 Licking the Palm for Guava
18 Mushroom Festival in Hell
19 I Can’t Put My Finger on It
20 [banter4]
21 Baby Bitch
22 Flutes of Chi
23 [banter5]
24 I Saw Gener Cryin’ in His Sleep
25 I’ll Be Your Jonny on the Spot
26 [banter6]
27 Learnin’ to Love
28 Deez Nutz
29 Polka Dot Tail
30 [tuning]
31 Drifter in the Dark
32 Powder Blue
33 Hey There Fancypants
34 [encore break]
35 Don’t Shit Where You Eat
36 What Deaner Was Talkin’ About

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