Posts Tagged ‘ schoeps ’

AJJ: November 7, 2017 Bowery Ballroom

November 12, 2017
By


[photos by Ash Craiig]

This year is the tenth anniversary of AJJ’s (then known as Andrew Jackson Jihad) second release, their breakout album People Who Can Eat People Are the Luckiest People in the World. In celebration, the band’s founders Sean Bonnette and Ben Gallaty are touring as a duo and opening the shows by playing the album straight through. The second half of the show is a selection of material from this post-People period of their career. The tour reached Bowery Ballroom last week for an inspired and intimate show that permitted AJJ’s rabid fans an up close and personal experience of this duo show.

Sean and Ben were up for the challenge, as the acoustic guitar and stand-up bass/cello filled the room while Sean’s fervent vocals delivered the personal material with the commitment that made the album such an important step in the evolution of the anti-folk movement ten years ago. The sold out Bowery crowd sang along with every word and you can hear them clearly on the recording — not as hindrance but as a true part of the performance. AJJ also talked and joked with the crowd about a variety of experiences and random thoughts, so that it almost felt, as Ben quipped, like a session of “AJJ Storytellers”. There were a few positive wrinkles in the setlist for this show including a fan request honored for the Todd Snider cover “Just Like Old Times” that contained a very special introduction for us. AJJ also called a few audibles, the most notable being what appears to be the first tour appearance of “Small Red Boy”, the emotional center of the band’s most recent album The Bible 2. We are not sure when AJJ will return to NYC — likely on the cycle of a new album tour — but we’ll of course be there. The current tour continues throughout November and into December, all dates here. The band will also return East for what I believe is a full band show at the Front Bottoms Champagne Jam in Asbury Park NJ in December.

I recorded this set with the Schoeps mounted in our standard place at the front of the balcony and mixed with a perfect feed from house FOH Danielle. The mix captures both the clear sound of the feed and the audience participation of the room mics for a superbly balanced recording. We’re really happy with this one. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

AJJ
2017-11-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Danielle] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:19:36]
01 [introduction]
02 Rejoice
03 Brave as a Noun
04 Survival Song
05 Bad Bad Things
06 No More Tears
07 Bells and Whistles
08 Randy’s House
09 [banter – Apple Kore]
10 A Song Dedicated to the Memory of Stormy the Rabbit
11 People II The Reckoning
12 [banter – Creepy]
13 Personal Space Invader
14 People
15 American Body Rentals
16 Jesus Saves
17 American Tune
18 Fuckboi
19 Fucc The Devil
20 [banter – shoutout]
21 Just Like Old Times [Todd Snider]
22 All The Dead Kids
23 Unicron
24 Coffin Dance
25 [banter – yelling]
26 Growing Up
27 Sense and Sensibility
28 Small Red Boy
29 Linda Ronstadt
30 Little Prince
31 [banter – philharmonic]
32 Big Bird
33 [encore break]
34 American Body Rentals (again)

SUPPORT AJJ: Website | Facebook | Purchase The Bible 2 from SideOneDummy Records [HERE].

Dinosaur Jr.: October 3, 2017 Brooklyn Bowl

October 5, 2017
By


[photo courtesy of Omar Kasrawi and Pancakes and Whiskey]

From the very outset of Tuesday night’s Dinosaur Jr. show at Brooklyn Bowl — the second of a two night run — it was fairly obvious that the sonic onslaught was in full on mode. Monday’s show was an extraordinary show that we were happy to have attended and recorded, but Tuesday was fully in your face. Any decibel restrictions that the venue may have sought to impose were disregarded as J Mascis’ Marshall guitar stack was well utilized, and the thumping bass of Lou Barlow and Murph’s monster percussion rattled the rib cage. The band also switched up the setlist, so we got some oldies for Bug fans (rare “Budge” and ubiquitous “Freak Scene”), and You’re Living All Over Me diehards (“Little Fury Things”). J and Lou also brought out old friend and Deep Wound bassist Scott Helland to perform one of the first songs the guys ever recorded for that band. We also saw a handful of guests for the “Sub Pop version of The Wagon” including legendary guitarist Don Fleming. And if that wasn’t enough, the show ended with a mini Negative Approach set as singer John Brannon (also of openers Easy Action), drummer Opie Moore and guitarist Harold Richardson joined J and Lou to play two of the seminal Michigan hardcore band’s songs. If we learned anything from this outstanding two-fer of Dinosaur Jr. shows at Brooklyn Bowl, its that this band remains a powerful presence in today’s music. Our still-ringing ears agree.

We recorded this set with the mic stand about midway on the right side of the venue and nyctaper used Schoeps cards while acidjack employed Schoeps hypers. The full sonic blast of this show is faithfully captured in both recordings. Enjoy!

Download the Complete Show:
nyctaper version [MP3] / [FLAC]
acidjack version [MP3] / [FLAC]

Stream nyctaper version:

Stream acidjack version:

Dinosaur Jr
2017-10-03
Brooklyn Bowl
Brooklyn NY

Digital Master Recording
FOB Audience

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:25:03]
01 Thumb
02 Goin Down
03 Lost All Day
04 Left Right
05 Watch the Corners
06 Pieces
07 Out There
08 Feel the Pain
09 Little Fury Things
10 [banter – Wagon intro]
11 The Wagon
12 Budge
13 Start Choppin
14 Training Ground [Deep Wound]
15 Freak Scene
16 Gargoyle
17 [encore break]
18 Just Like Heaven [Cure]
19 [banter – Negative Approach intro]
20 Can’t Tell No One [Negative Approach]
21 Nothing [Negative Approach]

*******************************

Dinosaur Jr.
2017-10-03
Brooklyn Bowl
Brooklyn, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK41V (FOB, ROC, PAS)>KCY>Z-PFA>Sound Devices MixPre6 (24/48)>WAV>Adobe Audition CC (fades, limiter, light compression)>Izotope Ozone 5 (EQ, image, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:24:56]
01 Thumb
02 Goin’ Down
03 Lost All Day
04 Left/Right
05 Watch the Corners
06 Pieces
07 Out There
08 Feel the Pain
09 Little Fury Things
10 The Wagon*
11 Budge
12 Start Choppin’
13 Training Ground [Deep Wound]^
14 [tuning]
15 Freak Scene
16 Gargoyle
17 [encore break]
18 Just Like Heaven [The Cure]
19 Can’t Tell No One [Negative Approach]%
20 Nothing [Negative Approach]

*w/ Don Fleming, John Moloney and Marc Seedorf
^ w/ Scott Helland
% w/ Negative Approach

SUPPORT Dinosaur Jr.: Facebook | Website | Buy Their Records

Nicole Atkins: September 9, 2017 Mercury Lounge

September 25, 2017
By


[photos by Will Oliver and We All Want Someone To Shout For blog]

Its hard to believe that the last time we checked in with Nicole Atkins, it was three years ago. Our extended review of her album Slow Phaser and the Bowery Ballroom show that we recorded concentrated mostly on the record’s clear 1970s AM radio influences. For that album, Nicole put her stamp on the diverse styles prevalent in that decade’s pop. Three years later, several major events in Nicole’s life have guided her approach to the new album Goodnight Rhonda Lee, including her move to Nashville, dedication to sobriety, and marriage.

Goodnight Rhonda Lee is clearly an album faithful to its surroundings — both in the existence of multiple regional session players, and in the distinct sound of the record. Similarly to Slow Phaser, Goodnight Rhonda Lee is clearly influenced by the 1970s, perhaps not AM radio but more from that unique time in Nashville when the permissiveness of the 60s finally seeped into the old music town and brought a freedom to the country music capital that it had never experienced before. For about three or four years, the long hairs finally reached the mainstream — perhaps personified best through the career of Kris Kristofferson. When legend Johnny Cash recorded Kristofferson’s “Sunday Mornin’ Comin’ Down” in 1970 and took the song to Number 1, it represented the triumph of the new. And on the other side of Tennessee, Elvis welcomed new bloods Eddie Rabbit and Ronnie Milsap in the recording of his 1970 hit “Kentucky Rain”. Both songs communicate a drop-out melancholy that seemed to permeate the best of the new country during this time frame. But the melancholy also represented a distinctively different feel to the sound in the studio itself. The newly available technologies offered greater multi-tracking and effects not standard to country music that permitted the use of rock-styled guitars, reverbed piano, horns, and strings. Its that identifiable early 70s new Nashville sound that Nicole Atkins captured with stunning authenticity on Goodnight Rhonda Lee. Sure, there’s the album opener co-penned with Chris Isaak that could have been written for Patsy Cline or the neo-soul of “Listen Up” that would sound great covered by Aretha. But for the most part, the album really feels like a Nashville record and the songs themselves — struggles with alcohol, love, and a life in the music world feel at home in the country capital. And ultimately though its remarkable that the album itself wasn’t even recorded in Nashville, but rather at Niles City Sound in Fort Worth Texas.

The tour in support of Goodnight Rhonda Lee finds Nicole Atkins fronting a five piece band performing stripped down versions of the album material. There are no horns or strings but the album’s piano is present and guitarist Steven Cooper fills up the rest of the sound with tremendous tone and technique. Cooper is a young Nashville guitar wiz who seems destined for a long and productive career. At a packed Mercury Lounge last week, Nicole and the band performed a 75-minute set with much of the Rhonda Lee material and a few surprises. The set opened with a nice tribute to the recently passed Holger Czukay as Nicole brought back her cover of Can’s “Vitamin C”. Another major moment came when guest Tommy Stinson joined the band to perform a world premiere of his duet with Nicole called “Too Late”. The song was actually released this week. And the Slow Phaser track “Who Killed The Moonlight” took a detour through the Rolling Stones “Miss You” (remember that 70s pop influence). But the focus of this show was the fantastic material from the new album and it was clear that not only the massive talent of the singer but also a crack band were able to pull off the songs live. This show was that good.

Nicole Atkins has one more show on this tour, Friday night in Virgina. But she’ll be back with a bunch of shows in November, all dates [here].

I recorded this set with the Schoeps cards mounted at the soundboard and mixed with a perfect feed from house FOH Alex. This recording is absolutely superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Nicole Atkins
2017-09-09
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Alex] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:10:16]
01 Vitamin C [Can]
02 Darkness Falls so Quiet
03 Brokedown Luck
04 [banter – sinkhole]
05 A Little Crazy
06 Listen Up
07 Maybe Tonight
08 Cry Cry Cry
09 [banter – Louise Goffin]
10 If I Could
11 Goodnight Rhonda Lee
12 Who Killed The Moonlight/Miss You
13 [banter – Tommy intro]
14 Too Late [with Tommy Stinson]
15 [banter – so horny]
16 Sleepwalking
17 A Night Of Serious Drinking
18 A Dream Without Pain
19 [encore break]
20 The Way It Is

PLEASE SUPPORT Nicole Atkins: Website | Pledge Music | Single Lock Records

Diet Cig: September 8, 2017 Bowery Ballroom

September 14, 2017
By


[photos by Joe Saturday]

Its hard for me to imagine that someone exists who actually doesn’t like Diet Cig. The duo exudes such positive energy and real enthusiasm for their music that it’s infectious in a live setting. This is not world-changing music, but two-minute pop song relatable slices of life. When Pitchfork assigned an intern whose last piece was likely in an Annandale creative writing class to review Diet Cig’s most recent album, the result was a tragically misdirected hit piece that managed to be both tone-deaf and indicative of a wider problem with publications like Pitchfork. Sometimes music doesn’t have to have a larger meaning and when the writer savages the musicians for failing to meet a false standard, it says more about the writer’s inadequacies than anything the music set out to achieve. To paraphrase Billy Bragg, Diet Cig don’t want to change the world, they’re just looking to sing some pop songs.

At Bowery Ballroom on Friday night, the band played to a sold-out crowd and all of the good vibes coming from the stage were returned all night. This was a crowd in love with the band for all the right reasons. Sure, lead singer Alex Luciano opened the set by declaring that all of the band’s show are safe spaces and later she gently chided the dancers in front to keep it fun and not too physical, but it was more than that. Luciano played a wireless guitar on a nearly bare stage — drummer Noah Bowman was set up to the far left — in order to be able to dance, run, jump and literally never stop moving throughout the set. Her unbridled ebullience drove the hour-long set from start to finish, to the point where the briefest of breaks were only to catch her breath. Diet Cig performed just about every song they’ve ever recorded — from their debut EP and a double-sided single on Father/Daughter Records, and all but one song from their first album I Swear I’m Good At This released this year on Frenchkiss. The show also featured the debut performance of the song the band wrote for the Amazon tv show “American Girl” called “Together We Can Conquer Whatever”. When the band returned to play their very first recorded track “Harvard” as an encore, it brought me back to the initial time I heard a pre-release promo of that very track. The song made me smile that day and a few years later, this Bowery show did it again many times over.

Diet Cig has a handful of US dates remaining before they spend much of the Fall touring throughout Europe, all dates here.

I recorded this set in our usual manner in this venue, Schoeps from the front of the balcony mixed with a board feed. Other than a few bits of static from Alex’s wireless guitar, the sound quality is very representative of the set with bundles of energy and non-stop movement. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Diet Cig
2017-09-08
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 51:00]
01 [introduction]
02 Sixteen
03 Bite Back
04 Leo
05 Dinner Date
06 [banter – slumber party]
07 Cardboard
08 Sleep Talk
09 Breathless
10 [banter – rollercoaster]
11 Scene Sick
12 Pool Boyz
13 Apricots
14 Maid of the Mist
15 [Tummy intro]
16 Tummy Ache
17 Blob Zombie
18 [Conquer intro]
19 Together We Can Conquer Whatever
20 Link in Bio
21 Bath Bomb
22 Barf Day
23 [encore break]
24 Harvard

PLEASE SUPPORT Diet Cig: Website | Frenchkiss Records Page | Father/Daughter Records Page | Bandcamp

Sunburned Hand of the Man: August 28, 2017 Rough Trade NYC

September 12, 2017
By

Sunburned Hand of the Man are such a disparate psychedelic force (with over 100 releases to their name) that you can’t ever guarantee what’s going to come out of them. For this set, we got a ten-person band on the stage of Rough Trade NYC to play a four-part improvisation that the band referred to as the “Blizzard of Zoz.” Compared to some of the sets we served up to you last year, the “Blizzard of Zoz” was a bit more of a groove-driven affair, expanding over 42 mind-melting minutes from a low drone into a tight groove, then heading into freakout territory. Don’t worry, these sets were plenty noisy, too. The intensity of the proceedings was maximized by the Mad Alchemy liquid light show going on behind the band, which absorbed us all through the end.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a soundboard feed from Noel Ford, engineer of Dinosaur Jr. and several other bands. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/Apple Lossless]

Sunburned Hand of the Man
2017-08-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (at SBD, DFC, PAS bar)>KCY>Z-PFA + Soundboard (engineer: Noel Ford)>>Sound Devices MixPre 6>24bit polyWAV>Adobe Audition CC (align, mix down, adjust levels, compression, limiter)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify)>FLAC ( level 8 )

Tracks
01 Blizzard of Zoz Pt 1
02 Blizzard of Zoz Pt 2
03 Blizzard of Zoz Pt 3
04 Blizzard of Zoz Pt 4

Support Sunburned Hand of the Man: Website | Buy Sunburned releases via Bandcamp

Creeper Lagoon: August 10, 2017 Mercury Lounge

August 15, 2017
By


[photo from Chris Quartly twitter]

The relative enjoyability quotient of a band reunion almost always depends upon the reason for the get together. When long-departed groups decide to get together and play shows for the simple fun of it, count us in. Creeper Lagoon had a brief but productive career that petered out in 2004. After being named Spin’s Best New Artist in 1998, the band went on to produce a couple of major label releases before splitting up after a difficult European tour. The 2001 release Take Back the Universe and Give Me Yesterday remains the peak of the Creeper Lagoon catalog and the music sounds as vibrant now as it did nearly two decades ago. After the split, all of the band members went on to successful careers and happy lives outside of the music industry. This excellent interview of band founder Sharky Laguana gives all the details, but suffice to say that all of the band member were in a good place when this reunion was contemplated and then announced late last year. After a couple of shows at the Noise Pop Fest’s 25th Anniversary in San Francisco in February, Creeper came to NYC for their first show in 16 years, a one-off at Mercury Lounge with no plans to return.

The excitement of the event was evident in the crowd from the outset as the band interactions will attest. Mercury was quite sold out and Creeper Lagoon’s energy reflected that fact throughout the night. The setlist was a lengthy run through the band’s back catalog with a nice cross-section of material. Universe was well represented as expected. The reality is that this night was exactly the reunion show you would have hoped for if you’re a Creeper Lagoon fan — fun, interactive, energetic, and well paced. If the reactions of the many fans who approached me after the show asking about the recording is any evidence, this document should also be exactly what the fans want.

I recorded this set with the Schoeps cards mounted in front of the Soundboard and mixed with a superb feed provided by the band’s FOH Kim Griess. This was a rambunctious and happy crowd, although there was a near-fight audible to my left during the encore break. Other than that and some other obvious chatter, the sound quality is quite excellent. Enjoy!

Download and Stream the Complete Show from our Bandcamp Page:

Creeper Lagoon
2017-08-10
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Kim Griess] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:32:34]
01 Chance of a Lifetime
02 Claustrophobia
03 Under the Tracks
04 Dead Man Saloon
05 Second Chance
06 [Tracy false start]
07 Tracy
08 [Patrick intro]
09 Dreaming Again
10 Sylvia
11 Empty Ships
12 Motor Away [Guided By Voices]
13 [banter – lawyer shit]
14 Hey Sister
15 Roman Hearts
16 Wrecking Ball
17 Bloodbuzz Ohio [National]
18 Sunfair
19 Keep from Moving
20 [encore break]
21 [Tonight long intro]
22 Tonight Was Fun
23 Wonderful Love
24 Dear Deadly

SUPPORT Creeper Lagoon: Website | Facebook

Phish: August 4, 2017 Madison Square Garden

August 5, 2017
By

Phish did it again last night. On the 11th night of the historic Baker’s Dozen shows at Madison Square Garden, this one themed on a Lemon donut, the band again delivered a unique set of breakouts, first-time covers, and surprisingly placed jams. You could excuse Phish for maybe missing the mark once on this run, but its clear that every single show has been an all-timer and this is why we continue to insist that this a bellwether stand for the band.

Last night’s set opened with a first-time cover of the blues standard “See That My Grave is Kept Clean” or “One Kind Favor”, performed by a litany of artists but first attributed to Blind Lemon (get it?) Jefferson. The set also featured stand-out performances of not-classics “Ocelot” and “Winterqueen”, two songs of recent vintage that got the full jam treatment at this show. The set finale of “First Tube” was truly remarkable, an intensely jammed version that ended with Trey literally waving his guitar around above his head in some sort of feedback devotional ritual.

The second set started off slowly with a puzzling silly acapella “Dem Bones” but quickly moved into jam mode. “No Man’s Land” is another new-y that got some peak extended play, before unfinished it quietly segued into a song that had some heads scratching and phones clicking. Radiohead’s “Everything In Its Right Place” fit the theme (“sucking a lemon”) but certainly seemed like “worlds colliding” of musical genres. But the band did a bang-up job on the number — if a bit spacier than the original. Moving forward, a sample of the “sucking a lemon” vocals would continue to pop up during the set. Phish continued this strong set with a “Scent and Subtle Sounds” which not only reached jammy peaks but also contained a neatly interposed reprise of “No Man’s Land” tucked into the jam. The set ended with crowd-favorites “Prince Caspian” and a now-infrequent visit with “Fluffhead” before the band returned with a non-unfamiliar cover of the Edgar Winter Group’s classic “Frankenstein”.

This was my own personal final show of this run — acidjack is scheduled to capture tonight’s show — but I have to remark that this was all-in-all clearly the highlight of my lengthy but limited relationship with Phish. I suspect its also a highlight of the long-time and truly dedicated Phishheads, and that’s saying something.

I recorded this show from the dead center area of the taper’s section on the rail behind the video cage. The sound in the venue was extraordinary this night and our centered position was advantageous. As a result, the sound quality is superb and I believe this is my best sounding recording of the three shows I attended. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Phish
2017-08-04
Madison Square Garden
New York NY

Digital Master Recording
Sixth Row Center Tapers Section

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:09:49]
01 See That My Grave Is Kept Clean [Blind Lemon Jefferson]
02 Punch You in the Eye
03 Party Time
04 Big Black Furry Creature From Mars
05 Dinner and a Movie
06 Ocelot
07 Poor Heart
08 Winterqueen
09 Bold as Love [Hendrix]
10 First Tube

Set 2:
[Total Time 1:24:19]
11 Dem Bones
12 No Men in No Man’s Land
13 Everything in Its Right Place [Radiohead]
14 What’s the Use
15 Scents and Subtle Sounds*
16 Prince Caspian
17 Fluffhead
18 [encore break]
19 Frankenstein [Edgar Winter]

*with No Man’s Land Reprise

SUPPORT Phish: Website | Store

Phish: July 29, 2017 – Madison Square Garden

August 3, 2017
By

While EricPH took less than twenty-four hours to post his recording of this show, I’ve taken way too long to make mine available and as a result I’m doing a new post and using the opportunity to gather some thoughts about these shows.

Its pretty amazing watching musical history in the making — as it happens. Now that the “Baker’s Dozen” Phish run at Madison Square Garden is more than halfway done, it has become apparent that this isn’t just a big run of shows at one venue but an event never quite seen before in musical history. The band has dedicated to making sure that no song is repeated during the entire run, created themes for each night, and playing against all of the expectations that come with a band that’s existed for longer than some of its fans have been alive. The first sets aren’t just single song play-throughs, the shorter songs can now be jam vehicles, and there’s no predictable place for a song in the setlist. Add to that a bunch of break-outs, rare numbers and first-time covers, and Phish has pretty much committed themselves to “Baker’s Dozen” perhaps becoming the bell-weather upon which to measure their lengthy career. And as this Uproxx article from earlier today notes, Phish has created a model for fan-friendly artist presentation that most bands with significant fan-bases should follow.

This Saturday night show had some serious highlights as noted by Eric’s review. There was the surprise first set closer of “Walrus”, the twenty-three minute second set opener “Blaze On” that might be the best version of that song the band has ever played, and the set closing Hood. I’ve also always been partial to the band’s goofy anthem “Meatstick” and this version was a hoot. Overall, it was just another prime show in a classic run and we’re lucky to be capturing two more of these nights this coming weekend. Stay tuned.

I recorded this in the exact same place and manner as the July 22 recording (first row taper’s section with cards) and the sound is equally excellent. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Phish
2017-07-29
Madison Square Garden
New York NY

Digital Master Recording
First Row Tapers Section

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:16:54]
01 Llama
02 Wilson
03 Stealing Time From the Faulty Plan
04 Ya Mar [Cyril Ferguson]
05 Tela
06 The Birds
07 The Line
08 Water in the Sky
09 Vultures
10 Train Song
11 Horn
12 I Am the Walrus [Beatles]

Set 2:
[Total Time 1:21:51]
13 Blaze On
14 Twenty Years Later
15 Alumni Blues – Letter to Jimmy Page – Alumni Blues
16 Meatstick
17 Dirt
18 Harry Hood
19 [encore break]
20 Cinnamon Girl [Neil Young]

SUPPORT Phish: Website | Store

Phish: July 29, 2017 Madison Square Garden

July 30, 2017
By

Night seven of the Baker’s Dozen was dubbed the cinnamon donut night. And while there are an overwhelming number of obvious and not-so-obvious songs that fit thematically, the band didn’t go overboard with cinnamon references aside from the semi-predictable Neil Young cover (which they pulled off perfectly). Otherwise it’s a varied set—at least for this Phish newbie—that has them jamming on a (pardon me) blazing “Blaze On” to open the second set, a first-set closing “I Am the Walrus,” and a killer “Alumni Blues” with the “Letter to Jimmy Page” bridge. While nothing could hold a candle to the previous night’s “Chalk Dust Torture,” this is no doubt a solid set throughout.

Eric PH recorded this set with the Schoeps MK41V’s mounted in the official taper’s section, from row 1 seat 1. NYCTaper will follow up with his Schoeps source shortly. Enjoy!

Download the complete show (Schoeps MK41V source): [MP3 / FLAC16 / FLAC24]

Stream the complete show (Schoeps MK41V source):

Phish
2017-07-29
Madison Square Garden
New York, NY

Baker’s Dozen #7

Recorded and produced by Eric PH for nyctaper.com

Schoeps MK41V (OTS, LOC) > Aerco MP-2 > Zoom F8 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01. Llama
02. Wilson
03. Stealing Time From the Faulty Plan
04. Ya Mar [Cyril Ferguson]
05. Tela
06. The Birds
07. The Line
08. Water in the Sky
09. Vultures
10. Train Song
11. Horn
12. I Am the Walrus [The Beatles]

Set 2:
13. Blaze On
14. Twenty Years Later
15. Alumni Blues > Letter to Jimmy Page > Alumni Blues
16. Meatstick
17. Dirt
18. Harry Hood
19. [encore break]
20. Cinnamon Girl [Neil Young]

SUPPORT Phish: Website | Store

Phish: July 28, 2017 Madison Square Garden

July 29, 2017
By

The sixth night of Phish’sBaker’s Dozen” shows at Madison Square Garden was thematically the “double chocolate” donut show. This presented some challenges for song selection as Phish’s vast catalog does not contain a song with the word “chocolate” in its title. But ultimately, in a run of never-ending surprises and first-time covers, Phish chose to open with the 2007 novelty one-hit wonder “Chocolate Rain” by Tay Zonday. The balance of the first set was comprised of fairly short dips through some obscure numbers (“Destiny Unbound”) and the classic material (“Divided Sky”), with the set-closing “Sand” perhaps the highlight of the eleven-song set.

The second set began with another acapella number (The Might Diamonds’ “Have Mercy”) before Phish launched into the first serious jam of the night—a tremendous “Chalkdust Torture.” The chocolate theme appeared again with a cover of Hot Chocolate’s “You Sexy Thing” with Mike on vocals. The second chance to jam was the segues between “Mercury,” “Sexy Thing Reprise” and an extended “Backwards” that ended the set in fine fashion. The encore segment closed with another acapella number, this time an inventive and entertaining version of Bowie’s “Space Oddity.”

Eric PH recorded this set with the AKG CK61’s mounted in the official taper’s section, while acidjack recorded with Schoeps MK4V on the same stand. The sound quality of both is excellent. Enjoy!

Download the complete Show [Schoeps source] [MP3/ALAC/FLAC16/FLAC24]

Download the Complete Show [AKG source] [MP3 / FLAC16 / FLAC24]

Stream the complete show (Schoeps source):

Stream the Complete Show (AKG Source):

Phish
2017-07-28
Madison Square Garden
New York, NY

The Baker’s Dozen

Recorded and produced by Eric PH for nyctaper.com

AKG C480B/CK61 (DIN, OTS, DFC) > Aerco MP-2 > Zoom F8 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01. Chocolate Rain [Tay Zonday]
02. Ass Handed
03. Free
04. Weigh
05. Undermind
06. The Oh Gee Pa Ceremony
07. The Dogs
08. Destiny Unbound
09. The Divided Sky
10. Things People Do
11. Sand

Set 2:
12. Have Mercy [The Mighty Diamonds]
13. Chalk Dust Torture
14. You Sexy Thing [Hot Chocolate]
15. Mercury > You Sexy Thing
16. Backwards Down the Number Line
17. Rock & Roll [The Velvet Underground]
18. [encore break]
19. Fee
20. Space Oddity [David Bowie]

______________________

Phish
2017-07-28
Madison Square Garden
New York, NY

The Baker’s Dozen

Recorded and produced by acidjack for nyctaper.com

Schoeps MK4V (PAS, OTS, DFC) > Sound Devices MixPre6 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) + Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (tracking, tagging) > FLAC (24/48, level 8)

Set 1:
01 Chocolate Rain [Tay Zonday]
02 Ass Handed
03 Free
04 Weigh
05 Undermind
06 The Oh Kee Pah Ceremony
07 The Dogs
08 Destiny Unbound
09 The Divided Sky
10 Things People Do
11 Sand

Set 2:
12 Have Mercy [The Mighty Diamonds]
13 Chalk Dust Torture
14 You Sexy Thing [Hot Chocolate]
15 Mercury > You Sexy Thing
16 Backwards Down the Number Line
17 Rock & Roll [The Velvet Underground]
[encore break clipped]
18 Fee
19 Space Oddity [David Bowie]

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