Posts Tagged ‘ schoeps ’

Phish: July 22, 2017 Madison Square Garden

July 23, 2017
By

Phish’s “Baker’s Dozen” at Madison Square Garden is an ambitious concert series that promises an unmatched level of musicianship and inventiveness never before seen in the history of the City’s “Most Famous Arena”. We’ve attended many shows at this formidable arena over the years, but never a series that offered such unique treats. The “Bakers” part of the equation has been taken quite seriously — we were met at the gates of the venue by the gift of a strawberry donut for Saturday night’s show. And this was no coincidence. The theme for this night’s show appeared immediately as Phish’s never-before cover of the Beatles “Strawberry Fields Forever” opened the night.

The first set for Saturday followed another development evident throughout the band’s Summer tour — first sets have become serious jam vehicles no longer relegated to straight song play-throughs. And on this night we were treated to an extended “Moma Dance” and a Page McConnell solo piece to complete the “Squirming Coil” set closer that portended unique events to come. The second set began with a lengthy “Down With Disease” which led into the night’s second major surprise — a cover of the thematically appropriate Brothers Johnson’s “Strawberry Letter 23”. This late-70s psychedelic funk piece offered a perfect vehicle for Phish to exercise its chops. The remainder of the second set followed the pattern for the evening as the band played extended versions of crowd favorites. The encore segment struck home in particular as Phish played a local favorite — The Talking Heads classic “Cities”, among a series of inventive covers. We were met upon the exit of the venue with a downpour of rain that perhaps dampened the night temporarily but given our advantageous taper’s section spot, wasn’t a killjoy for very long. This is uploaded as fast as I can these days, and I hope you enjoy a primo recording of a first-rate Phish show, with many more to come.

We will be attending at least four more Phish shows during this run. Stay tuned.

I recorded this set with the Schoeps cards mounted at twelve feet in the first row of the Taper’s Section. The band’s sound crew did a terrific job in this arena and sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Phish
2017-07-22
Madison Square Garden
New York NY

Digital Master Recording
First Row Tapers Section

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:22:03]
01 Strawberry Fields Forever [Beatles]
02 Halley’s Comet
03 The Moma Dance
04 Breath and Burning
05 Funky Bitch [Son Seals]
06 Mound
07 Foam
08 Roggae
09 The Squirming Coil

Set 2
[Total Time 1:22:42]
10 Down With Disease
11 Strawberry Letter 23 [Brothers Johnson]
12 Birds of a Feather
13 I Always Wanted It This Way
14 All of These Dreams
15 Split Open and Melt
16 Down With Disease Reprise
17 Shine a Light [Rolling Stones]
18 [encore break]
19 Peaches en Regalia [Zappa]
20 Cities [Talking Heads]
21 My Sweet One

SUPPORT Phish: Website | Store

Man Forever: June 14, 2017 Brooklyn Music School

June 26, 2017
By


[photo by Sarah Richardson]

Its not news to our readers that Kid Millions is one of this site’s favorite musicians, both as a member of site-regulars Oneida and as a solo artist under the moniker of Man Forever. We’ve chronicled Man Forever from their days as a team of drummers, through the addition of accompanying musicians, to its present incarnation. For the latest album, Kid compiled a roster of prime musicians and created a work of great imagination and invention that truly transports Man Forever to it ultimate fruition. Play What They Want (Thrill Jockey) is more than just a collection of Kid’s friends — Laurie Anderson, Yo La Tengo, and Mary Lattimore included — its a realization of a career of the scene’s ultimate percussionist as composer. The album is a musician at the peak of his compositional talents.

For the album’s release show at the most-appropriate setting of the Brooklyn Music School, Kid Millions brought together many of the album’s players (but none of the celebrities) as a profoundly talented orchestra. Among the many players too numerous to list in its entirety, there was the percussion group TIGUE, the harp of Brandee Younger, the vocals of Nina Dante and Nick Hallett, and the lively lead bass of Brandon Lopez. Kid introduces everyone on the recording and rest assured that this compilation of talent is truly remarkable. The band worked through three of the tracks from Play What They Want and one older piece in a well-paced set of material that touched on elements of jazz, prog and drone and highlighted the natural rhythmic talents of its protagonist.

I recorded this set with the Schoeps mounted in front of the stage and mixed with a superb soundboard feed provided by the talents of house FOH Ben Manley. The result is an outstanding capture with depth and clarity. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Man Forever
2017-06-14
Brooklyn Music School
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Schoeps CCM4u’s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Please support this excellent band:
http://www.thrilljockey.com/artists/man-forever

Recorded and Produced
by nyctaper

Setlist:
[Total Time 43:53]
01 [introduction]
02 You Were Never Here
03 Ten Thousand Things
04 The Clear Realization
05 Twin Torches
06 [outro]

PLEASE SUPPORT Man Forever: Website | Facebook | Purchase Play What They Want

Ween: June 7, 2017 Brooklyn Steel

June 9, 2017
By

For the second night of Ween‘s run at shiny new venue Brooklyn Steel, the band continued to reiterate what has made them such a cult favorite. As a newcomer to the band, I can’t claim to be any kind of expert in the ins and outs of the setlists, but if you’re curious what has made them one of the more welcome “reunions” of recent years, I can offer some thoughts. First, the musical diversity of the band’s sound has long been well-known, mixing bar-room rock, punk, psychedelia, country, new wave, funk and more. Though the recent accumulation of Phish fans to their ranks has been talked about, the more logical touch points for understanding this band are willfully-weird bands like the Butthole Surfers and the Meat Puppets, who similarly can’t be pigeonholed into a genre so much as a vibe. Second, in Ween’s case, there’s a brand of outrageous humor at work in many of their songs, of a kind that prompts debate on the Internet over the funniest Ween songs. Whether or not songs like “Deez Nutz” or “Bananas and Blow” are your thing doesn’t necessarily determine whether you have to like or dislike the live show, just as some Phish get more turned on by the Gamehendge element than others. Personally, I was more fired up about songs like the sprawling 1994 jam “A Tear for Eddie,” or 1990’s Butthole Surfers-esque “Licking the Palm for Guava” (also dedicated here to Gibby Haynes).

Since I know fairly little about the band, I decided to consult a long time fan on the show to get his take. In his read, compared to the previous Brooklyn Steel show, this was a relatively sedate affair, focusing more on the band’s country sound and skipping some of what this fan deemed “essential” Ween songs such as a classic cover, or any of “Dr. Rock,” “Spinal Meningitis (Got Me Down),” “Push the Little Daisies,” “You Fucked Up,” “Golden Eel,” and “Buckinham Green” — all of which made it into the first night setlist.  Along with the “A Tear For Eddie” that I did, he pointed out that “Mushroom Festival In Hell” and “I’ll Be Your Johnny On the Spot” as highlights.

Wherever you are in your Ween fandom, you can’t deny that they’re as hard working a band as they come. When they promised “an evening” with them, we got one, a full two hours and ten minutes of mostly uninterrupted playing that fired up the slam-packed Brooklyn Steel floor. I have no doubt that the show was ten times more engaging for those better acquainted with the inside jokes and the general band lore, but based on this performance, I’d be up for finding out more.

Finally, if you haven’t been to Brooklyn Steel yet, know that longtime sufferers of its predecessor will finally have a mid-large venue for more popular bands that offers a full view of the stage from almost every place in the room. We’ve already enjoyed a few shows here so far, and look forward to many more. As always thanks to the professional staff of Bowery Presents for making our presence there feel both safe and welcome.

I recorded this set from the “taper’s section” with Schoeps MK41V microphones. The sound quality is excellent. Enjoy!

Night one was also recorded and will be posted soon.

Download the complete set from its home on the Live Music Archive: [MP3] | [FLAC]

Ween
2017-06-07
Brooklyn Steel
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (at SBD, PAS)>KCY>Z-PFA>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (fades, compression, limiter)>Izotope Ozone 5 (EQ, effects)
>Audacity 2.0.5 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 2:10:07]
01 Chocolate Town
02 Tried and True
03 Birthday Boy
04 Help Me Scrape the Mucus off My Brain
05 [banter1]
06 Take Me Away
07 Fat Lenny
08 Cold & Wet
09 Boys Club
10 [banter2]
11 Nan
12 Gabrielle
13 Bananas and Blow
14 My Own Bare Hands
15 A Tear for Eddie
16 [banter3]
17 Licking the Palm for Guava
18 Mushroom Festival in Hell
19 I Can’t Put My Finger on It
20 [banter4]
21 Baby Bitch
22 Flutes of Chi
23 [banter5]
24 I Saw Gener Cryin’ in His Sleep
25 I’ll Be Your Jonny on the Spot
26 [banter6]
27 Learnin’ to Love
28 Deez Nutz
29 Polka Dot Tail
30 [tuning]
31 Drifter in the Dark
32 Powder Blue
33 Hey There Fancypants
34 [encore break]
35 Don’t Shit Where You Eat
36 What Deaner Was Talkin’ About

Support Ween: Website | Store

Horse Lords: June 4, 2017 Sunnyvale

June 8, 2017
By


[photo by nyctaper]

Last Summer during a heat wave we hosted a show headlined by Horse Lords at Trans-Pecos and it was a glorious night of cool air and even cooler music. EricPH “found” this band for the site in 2015, but by 2016 their Northern Spy album Interventions put them on the map for all of us. Horse Lords is comprised of four superb musicians with not only music-school skills but the touch and timing to play incredibly intricate music in complete sync with each other. They combine the best parts of prog, jazz and math rock into extended suites in the live setting that inspires repeated listens.

On Sunday night at Sunnyvale, Horse Lords brought out the diehards and there are now quite a few of these enlightened folks. The crowd wasn’t overwhelming, but those who were there were all-in — the band’s peaks and valley and twists and turns had the entire crowd hanging on for dear life. The set was culled primarily from Interventions but also included one extended older cut to finish the set. From my vantage point at the front of the stage, it was a quite an impressive image of four musicians instinctively in tune with each other. Horse Lords are a band not to be missed, and we will continue to follow this outstanding group.

Horse Lords are currently on a short midwest tour which visits Toronto, Cleveland and Chicago beginning tonight through Friday. All dates and venues here.

I recorded this set with the Schoeps cards mounted at the front of the stage and mixed with an excellent board feed. The mix of the two sources compliments perfectly and the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Horse Lords
2017-06-04
Sunnyvale
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Schoeps CCM4u’s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 58:42]
01 Truthers
02 Toward the Omega Point
03 Intervention II
04 Time Slip – Intervention III
05 Bending to the Lash
06 Wildcat Strike

Please support Horse Lords: Facebook | Bandcamp | Tumblr

Chris Forsyth & the Solar Motel Band: April 6, 2017 Trans-Pecos

June 1, 2017
By

Chris Forsyth’s appearance at Trans-Pecos a couple months ago heralded that most important of musical happenings: the possibility of a new release. With their latest No Quarter release The Rarity of Experience a proven success win fans, Forsyth and the Solar Motel Band used this intimate stage to show off some of their latest attractions. After hitting the ground running with “High Castle Rock,” we heard three new numbers in a row, including “History and Science Fiction” and “Mistaken the Bottle” (which we first heard at Union Pool back in late 2016) plus a new as-yet-unnamed (to us, anyway) number. When you add in “Dreaming In the Non-Dream I-II,” you’ve got a set chock-full of new material that continues to expand on Forsyth’s unique guitar vision, which blends a rock fan’s appreciation for shredding (he named a song after “Cocksucker Blues,” after all) with a Deadhead’s appreciation for sonic exploration, thematic variation, and little details. It’s always a treat to see Chris and the band, and we’ll be sure to keep you posted on what’s next.

I recorded this set with onstage Schoeps MK5 microphones into a warm-sounding Aerco preamp, plus a soundboard feed. The sound quality is excellent. Enjoy!

Stream and download the complete set on our bandcamp page:

Chris Forsyth & the Solar Motel Band
2017-04-06
Trans-Pecos
Queens, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (onstage, DFC, XY)>KCY>Aerco MP-2 + Soundboard >> Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.0.3>FLAC ( level 8 )

Tracks
01 High Castle Rock
02 American History and Science Fiction
03 [new1]
04 Mistaken The Bottle
05 The First Ten Minutes of Cocksucker Blues
06 Dreaming In the Non-Dream I-II

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Buy The Rarity of Experience from No Quarter

Xenia Rubinos: April 13, 2017 Bowery Ballroom

April 26, 2017
By


[photo from Xenia Rubinos Twitter]

There’s no earthly reason why Xenia Rubinos should not be a household name in the very near future. She is an artist of immense talents as a writer, composer and performer and her art is true. The musical genres that are home to Xenia Rubinos’ exemplary music have been previously culturally appropriated by the likes of well-to-do Ivy League grads, a Smith grad from Connecticut, and a guy from Forest Hills. But as a person of color who has lived the bitter mistreatment of her protagonists, Xenia is in a position to present a necessary point of view at a troubling historical time when authenticity is crucial. The world needs more voices like Xenia Rubinos and her time is now.

In July Xenia Rubinos released Black Terry Cat, her first album for the Anti- label and second overall. The album received an 8.0 from Laura Snapes over at Pitchfork and pretty much universally positive reviews worldwide. In support, she’s toured tirelessly throughout the US and this month saw her triumphant return to NYC.

The Bowery Ballroom show was a special night for Xenia. Not only was it her largest show to date, but it was also her mother’s birthday. Given that her first album was in part a tribute to her recently passed father, it was particularly moving that this performer had a close family connection on such an important career night. The other important participants at Bowery were the crowd, who were both voluminous and dancing throughout, and her two accompanying musicians — longtime collaborator and producer Marco Buccelli who played a variety of drums, keys and effects, and for this tour Jack Hill on bass, moog and guitar. The set began with the opening track from Cat before the trio blasted through a fifteen-song set that fully represented Xenia’s catalog thus far. There were multiple pockets of fans who literally did not stop dancing throughout the entire set and were engaged with the performer throughout. But it was Xenia who was the well-deserved center of attention as she pivoted from keys to bass to solo vocals as an unstoppable kinetic ball of energy. At the end of the hour-long set she was called back for multiple encores — a true affirmation that an artist with integrity and abundant talent will ultimately succeed.

Xenia Rubinos just began an extensive eleven-date tour of Europe in April and May before she returns to the US for a variety of Summer shows, dates [HERE].

I recorded this set with the Schoeps cards set up in our usual front balcony position and mixed with an excellent board feed. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Xenia Rubinos
2017-04-13
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:10:45]
01 Romeo
02 Lonely Lover
03 Just Like I
04 Help
05 Don’t Wanna Be
06 See Them
07 Right?
08 I Won’t Say
09 Whirlwind
10 Cherry Tree
11 Laugh Clown
12 Black Stars
13 [encore break – Happy Birthday]
14 Pan y Cafe
15 Hair Receding
16 [band introductions]
17 Mexican Chef

PLEASE SUPPORT Xenia Rubinos: Facebook | Bandcamp | Artist Page at Anti- | Purchase Black Terry Cat [HERE]

Son Volt: April 7, 2017 Bowery Ballroom

April 16, 2017
By


[photo by Joe Kelly]

Son Volt is currently on tour in support of their new album Notes of Blue, the band’s ninth record in more than twenty years of work. Despite the early years as torch-carriers for the alt-country/No Depression movement, Son Volt has built a career on solid roots/Americana rock. Like band leader Jay Farrar, there’s nothing particularly flashy about the group, they’re just built on a consistent foundation of high quality music. The new album continues in that vein, if not a tad bit more focused on the “roots” sound more representative of the Son Volt’s recent output.

The Son Volt tour came through NYC last week for a few local dates, and we were fortunate to attend the Bowery Ballroom show which sold out months ago. Like the band, the fans of this band are consistent and faithful — members of our group for the Bowery night came from Ireland, Boston and Missouri to see this show. And the band did not disappoint. After the early set concentrated heavily on Blue material, Son Volt delivered a twenty-six song show with a setlist pulled democratically from all eras of the band. Indeed there were three Uncle Tupelo songs in the encore set, and the night ended with Keith Richards penned Stones cover. Son Volt will be on tour throughout the next two months mostly in the West and Midwest, dates here.

I recorded this set with room mics only, running the Schoeps from our traditional spot in the front center of the balcony. The sound quality reflects the show experience — excellent quality sound supplemented by some feisty fans. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Son Volt
2017-04-07
Bowery Ballroom
New York NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:26]
01 Cherokee St
02 Lost Souls
03 Buzz and Grind
04 Static
05 Damn Shame
06 The Picture
07 Dynamite
08 Tear-Stained Eye
09 Midnight
10 Sinking Down
11 Back Into Your World
12 Catching On
13 Cairo and Southern
14 Ten Second News
15 Promise the World
16 [band introductions]
17 Back Against the Wall
18 Bandages and Scars
19 Driving the View
20 Route
21 Drown
22 Afterglow 61
23 [encore break]
24 Still Be Around
25 Windfall
26 Graveyard Shift
27 Chickamauga
28 [second encore break]
29 Happy [Rolling Stones]

PLEASE SUPPORT Son Volt, visit their website, and purchase Notes of Blue and other official releases directly from the Official Son Volt store [HERE].

Bardo Pond: April 1, 2017 Knockdown Center

April 10, 2017
By

It was heartening to see The New York Times give such prominent billing to this Bardo Pond show, held at Maspeth’s somewhat-remote but welcoming Knockdown Center this past weekend. If the use of the phrase “noise rock” to describe the band was reductive in extremis, it at least got at the notion that Bardo Pond shows are loud, distortion-drenched, hallucinatory affairs. But give a listen to Under the Pines, which the band played in full at this show to celebrate its release, and vocalist Isobel Sollenberger features more prominently for much of this journey, at least compared to past pairing with the Gibbons brothers and Clint Takeda’s guitar attack. A vocalist is almost always a critical component of a band’s sound, of course, but it feels like Sollenberger is a more confident and featured presence than she’s been at any time in their long career.

We first saw many of these songs at the Three Lobed Sweet Sixteen show we recorded last year, and again at Union Pool in November, and they’ve only gotten sharper and better since. This full-album run through told the album’s story well, demonstrating both its cohesive flow and the diversity of sounds. “My Eyes Out” continues to be one of the more “pretty” songs in the catalog, while “Moment to Moment” continues to establish itself as one of the band’s most vital new long-form songs. In a rare treat (at least, not seen by us since the 2011 Death By Audio show), this set wrapped with the vital combo of “Don’t Know About You” directly into “The Stars Behind.” There’s no new tour information for the band yet, but expect a fun one once they return to the road.

I recorded this set about 10 feet from the left PA stack with Schoeps MK41V microphones and a soundboard feed. The characteristics of the room and the sound being amplified through the stacks (mostly vocals) mean the vocals are a bit more prominent in this recording than would be optimal. Nonetheless, it is an enjoyable listen!

Download this show from the Live Music Archive: [MP3] | [FLAC]

Bardo Pond
2017-04-01
Knockdown Center
Maspeth, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (FOB, LOC)>KCY>Z-PFA + Soundboard>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (align, mix down, hard limiter)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03. (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:14:54]
01 Crossover
02 Out of Reach
03 My Eyes Out
04 [banter1]
05 Moment to Moment
06 Under the Pines
07 Effigy
08 [banter2]
09 Don’t Know About You>
10 The Stars Behind

SUPPORT Bardo Pond: Website | Three Lobed Recordings | Fire Records

Lambchop: March 30, 2017 Bowery Ballroom

April 6, 2017
By


[photo by PSquared Photography]

In my not so humble opinion, Lambchop’s FLOTUS was the best album of 2016. In a similar regard, “In Care of 8675309” is the best song released this decade. What makes it more remarkable is that the album represents for Kurt Wagner a stylistic pivot from a twenty-five year career of eclectic americana. For FLOTUS, Wagner used modern technology juxtaposed with his intimate lyrics to create a masterpiece about the maintenance of an interpersonal connection in a world increasingly enslaved to machines.

We were fortunate to capture the live debut of the FLOTUS material at Hopscotch in September. Since that time Lambchop has toured the world and performed this material more than fifty times in a live setting, so that by the time they arrived at Bowery Ballroom last Friday, we were excited for the development of the songs. Our expectations were met early in the proceedings when Wagner sweetly crooned a subdued version of “NIV” that blended seamlessly into a guitar-driven truncated version of “The Hustle” that was transformed from the hypnotic electronic bifurcated melody on the album to a more unified alt-folk ballad live. “8675309” was placed in the middle of the set but Wagner’s intense vocal performance of the epic number was perhaps the highlight of the evening. The band’s setlist included a handful of older numbers and one cover, but this night was dedicated to FLOTUS and sans the title track, the album was nearly completely performed. The keyboardist Tony Crow provided several ace solos (and some hilarious banter) and the band also includes veteran bassist Matt Swanson and Wye Oak’s percussionist/electronic wiz Andy Stack, whose expert multitasking we’ve noted previously in this pages. But it was Wagner centerstage, and while his abundant use of vocals effects may have startled some of the old guard, the packed house was clearly on board for the FLOTUS sound and hovered on every note. Lambchop’s current tour comes to a close in the next few weeks, and they’re going back to Europe in the Summer festival season, but we expect that they will return to NYC in the Fall.

I recorded this set with the Schoeps mounted in our usual balcony spot and mixed with a flawless soundboard feed. The crowd’s great respect for this performer and this material permitted us to capture the often quiet moments of this set without distraction and as a result the sound quality of this recording is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Lambchop
2017-03-30
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:16]
01 NIV
02 The Hustle
03 Directions to the Can
04 Poor Bastard
05 Old Masters
06 Writer
07 [banter – physical comedy]
08 In Care Of 8675309
09 [band introductions]
10 The New Cobweb Summer
11 [banter – build character]
12 Howe
13 JFK
14 Relatives #2
15 Harbor Country
16 [encore break]
17 My Blue Wave
18 When You Were Mine [Prince]

PLEASE SUPPORT Lambchop: Website | Buy FLOTUS at Merge Records

Robyn Hitchcock: March 1, 2017 Bowery Ballroom

March 6, 2017
By


[photos by Ellen]

The night after Robyn Hitchcock’s very memorable Rough Trade show, the performer and backing band performed in Manhattan for what proved to be an entirely different experience from the the previous show. Aside from the fact that the venue is twice the capacity than in Brooklyn, a sold-out show at Bowery Ballroom tends to have a discernible buzz and an energetic crowd. And for this particular special event, many long-time fans and some industry folk were in attendance and let their voices be heard.

As a full album two-set show, it was in the second set where this night diverged from the previous show. After a set of Black Snake Diamond Role in which Robyn bantered more and dealt with some vocal microphone issues, the band returned for a second set that mixed it up quite a bit from the Rough Trade show. At Bowery we got a mini quiet set with “I Often Dream of Trains” as the highlight, a chugging version of Dylan’s “Obviously Five Believers” and a pretty rare Love cover in the encore set. These two nights of prime Robyn Hitchcock and band playing at the peak of their skills were best-of-year quality shows and I expect we will be revisiting them often.

I recorded this set with the Schoeps mounted next to the soundboard booth in the front of the balcony. The sound in the venue was again outstanding and other then some crowd rowdiness, this is another superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Robyn Hitchcock
2017-03-01
Bowery Ballroom
New York NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:46:52]
Set 1 (Black Diamond Snake Role)
01 The Man Who Invented Himself
02 Brenda’s Iron Sledge
03 Do Policemen Sing
04 The Lizard
05 [banter – chocolate]
06 Meat
07 [banter – precision]
08 Acid Bird
09 [banter – New York Rocker]
10 I Watch the Cars
11 [banter – grey dove]
12 Out of the Picture
13 City of Shame
14 Love
Set 2
15 Wey Wey Hep Uh Hole
16 It’s a Mystic Trip
17 Give Me a Spanner Ralph
18 [banter – British Rail]
19 I Often Dream of Trains
20 Winter Love
21 Let There Be More Darkness
22 Obviously Five Believers [Dylan]
23 Going Down to Liverpool [The Waves]
24 Kingdom of Love
25 [banter – thanks]
26 He’s a Reptile
27 [encore break]
28 Rock ‘n’ Roll Toilet
29 Stephanie Knows Who [Love]
30 Airscape

PLEASE SUPPORT Robyn Hitchcock: Website | Twitter | Buy Official Releases

Support nyctaper

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.