Posts Tagged ‘ schoeps ’

Radical Dads: November 9, 2010 Glasslands – FLAC and MP3 Downloads + Streaming Song

December 1, 2010
By


[iPhone 4 photo by acidjack]

Radical Dads is a recent offshoot of our friends Uninhabitable Mansions, consisting of drummer/vocalist Robbie Guertin (also of Clap Your Hands Say Yeah), Chris Diken, and vocalist Lindsay Baker. The band is still in its early stages, but the musical talent they have behind them speaks well of their potential. The band’s music leans toward the more raw, lo-fi side of the spectrum, but the pop sensibility of their predecessor bands is also evident. “Recklessness” is a great introduction to the band, a two-minute blast of emotion backed by an instantly catchy beat. The band have already been playing a number of gigs around town, and you should take care not to miss them the next time they are on a bill near you.

I recorded this set with a soundboard feed and the Schoeps microphones. I am admittedly not as pleased as I usually am with the sound quality – the mics were placed somewhat poorly in the room and the board feed was not able to compensate for the deficiencies in mic placement. Nonetheless, I think it is worth sharing with our readers, and please don’t blame the band! Enjoy!

Stream “Recklessness”:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Radical Dads
2010-11-09
Glasslands
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard+Schoeps CMC641>Edirol R-44 (Oade Concert Mod)
Position: At soundboard, ROC, mics at 7′ pointed at stacks
Mastering 2x24bit/48kHz WAV>Audacity (compress SBD, mixdown, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Little Tomb
02 Don’t Wanna Go
03 New Age Dinosaur
04 Pink Flag
05 banter
06 Alondra Rainbow
07 Recklessness
08 Walking Wires
09 I Am the Father of Myself

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Radical Dads, visit their website, and download “Recklessness,” which is also available on their site.

Bear In Heaven: November 19, 2010 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Song

November 21, 2010
By


[Photos by Keith Haskel]

There is now no denying it – Bear In Heaven have arrived. Since we first saw the band back in October of 2009, the band has seen their exposure surge and their live set finally get the treatment it deserves. Thanks to the always-helpful combination of Pitchfork accolades and a lot of touring, the rest of the world has come to love this Brooklyn band as much as we do. This set at Music Hall of Williamsburg closed out Bear In Heaven’s latest tour, and this homecoming was massive in every way. Music Hall was packed and there was a line down the street to get in. The sound was dialed in (finally – neither the sold-out Mercury Lounge or Glasslands shows we saw could boast the best house mixes we’ve heard), with Philpot’s vocals penetrating through and the bass rich, deep and tight. The band used a simple but mesmerizing light show that punctuated the hypnotic and often dark nature of their songs. And finally, and most importantly, the band clearly knew it was on tonight – knew that things were different now, and knew they ought to give this eager audience the Bear In Heaven show they would always remember. And indeed, for a solid hour, the band held us captive to their druggy sonic dreamscape, playing all of the highlights of their groundbreaking Beast Rest Forth Mouth as well as (I think) two new numbers. After their usual encore of “Casual Goodbye,” there was nothing more to say – Bear In Heaven may be of Brooklyn, but they are far beyond a mere “Brooklyn band” now. At one point, Philpot noted, “One year ago we were playing at [cozy Brooklyn venue] Zebulon.” For better or worse, Jon, those days are over.

I recorded this set from the center of the balcony with the Schoeps microphones aimed down at the stacks.  I am extremely pleased with the sound, which has virtually no crowd noise and has excellent clarity and detail.  Enjoy!

Stream “Lovesick Teenager”:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE]

Bear In Heaven
2010-11-19
Music Hall of Williamsburg
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC641>Naiant littlebox>Sony PCM-M10 (24/44.1)
Position: Balcony, center, mics pointed at stacks
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, amplify and balance, light EQ)>FLAC Level 8

Tracks [Total Time 59:17]
01 Wholehearted Mess
02 Ultimate Satisfaction
03 Dust Cloud
04 Lovesick Teenager
05 Beast In Peace
06 Deafening Love
07 Drug A Wheel
08 You Do You
09 [banter]
10 [unknown]
11 Fake Out
12 [unknown]
13 [encore break]
14 Casual Goodbye

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Bear in Heaven, visit their website, and purchase their official releases directly from the Hometapes Records’ site [HERE].

Maps & Atlases: August 12, 2010 Mercury Lounge – FLAC/MP3 Downloads

September 16, 2010
By


[Photos courtesy of The Owl Mag]

With this stellar set at Mercury Lounge, Chicago’s Maps & Atlases announced their arrival as strong contenders on the indie scene.  Touring behind their third release (but first official full length), the quantum-leap-forward Perch Patchwork, the band gave fans far more than originally promised, closing out with an acoustic set on the floor of the venue.  Albeit in a very different way, these Chicagoans, like their neighbors in Tortoise, don’t sound like anybody else.  For lack of a better term, I like to call their sound freak folk meets math rock.  While the concept of “freak folk-meets-math rock” may be hard to grasp, the band’s technical rhythmic sense (including dual percussion at times), combined with singer/guitarist Dave Davison’s vocals and a vaguely folk-based guitar approach make them hard to describe otherwise.  This crowd at Mercury, like many I have seen at the venue recently, were rowdy and going wild for the headliners after a strong night of music.  One group was screaming for “Solid Ground” from the get go, and the version heard here does not disappoint.   That song, like many from their new record, demonstrates the band’s emerging pop sensibility, and the promise of greater things to come.  These guys could go in many directions from here; I can see them wearing the indie crown just as easily as ingratiating themselves to the Bonnaroo scene.  As they are not easily categorized, different fans will understand them in different ways.  Ultimately that acoustic set on the floor tells the story best – these guys want to play music even after most of the crowd has gone home, even after the contractually agreed set time.  They can’t help themselves.  Listen to Perch Patchwork and tell me if you can resist.

I recorded this set with a top quality board feed combined with the Schoeps microphones.  The sound quality of the main set is among the finest of my recordings with this rig and is a testament to the hard work of the Mercury production team.  The acoustic set – which I had to record a bit on the fly – is a bit rougher given that there was no board feed, and the mics picked up some handling noise, but it is still quite good.  Enjoy!

Maps & Atlases are touring Iowa and Europe in September and October.  See the dates on their MySpace page.

Direct download of MP3 files [HERE] | Direct Download of the FLAC Files [HERE].

Maps & Atlases
2010-08-12
Mercury Lounge
New York, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC641+stereo soundboard feed>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: Right side of soundboard, mics at 7.5ft, pointed at stacks
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, set fades, EQ (1dB cut of sub-100Hz frequencies, slight brilliance bump at 10-12kHz), tracking, amplify and balance channels, hard limit clapping on acoustic set, delete some clapping on acoustic set)>FLAC Level 8

Tracks
01 Living Decorations
02 Israeli Caves
03 Ted Zancha
04 Will
05 The Charm
06 [tuning]
07 Witch
08 [banter]
09 If This Is
10 Carrying the Wet Wood
11 Everyplace Is A House
12 Solid Ground
13 Daily News
14 Glamorous Glowing [Cast Spells]
15 The Sounds They Make

Acoustic Set:
16 You Me and the Mountain
17 Banished Be Cavalier
18 Pigeon
19 [tuning]
20 The Ongoing Horrible

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Maps & Atlases, visit their MySpace page, and purchase Perch Patchwork from their official store here.

These United States: August 28, 2010 Mercury Lounge – FLAC/MP3/Streaming

September 6, 2010
By


[These United States at Mercury Lounge last year.  Photo by Anna Tucker]

The romance of a hard-working band is undeniable.  These are bands that never flag, no matter how many stages in how many cities they’ve sweated on, who above all else evince a percolating creative urge.  That is precisely how to describe These United States.  These boys from Lexington, KY and Washington, D.C. have become regulars in NYC and just about everywhere else in America over the past two years, bringing their Southern-inspired rock far beyond its natural borders.  Along with nearly non-stop touring, they have been releasing albums like crazy, with two in 2008, one in 2009, and their latest, What Lasts this July.  While they have undoubtedly lost a good deal of sleep in the process, what they haven’t lost is their generosity to their fans and their ability to give them a rowdy, spirited show.  This late show at the Mercury Lounge was the second-to-last of their latest tour, but you wouldn’t have known it, with amiable frontman Jesse Elliott chatting up the equally chatty crowd.  I am told that New York is one of the band’s favorite places to play, and if you consider the reception of at least vaguely kindred spirits (i.e., Southern rockers) like Kings of Leon and the Drive-By Truckers, it isn’t difficult to see why — New Yorkers can’t get enough of the sound of the South.

I recorded this set with an excellent board feed provided by the Mercury staff, and the Schoeps hypercardiod microphones.  The overall sound quality is outstanding, but the one caveat is so noteworthy I have to comment on it – a few songs, especially in the beginning, are marred by rude people talking.  Consider that the amount of conversation you hear at points in this recording is recorded from highly directional mics that are eight feet in the air, mixed almost 50/50 with a source that has no crowd noise at all.  Then consider how loud this would be to human ears in the crowd – or worse, on stage.  A rock concert isn’t church – everyone gets that.  But if you want to have a conversation, ignoring the band entirely, please show respect for both the other fans who paid to actually see music – and more importantly, the artists – and take your conversation to the bar or outside.  Whether they actually tell you or not, it bums both the other fans and the band out to have their concert experience marred by someone talking loudly over the music.  With that out of the way, enjoy!

Stream and download this set in FLAC, MP3 and other formats at the Live Music Archive [HERE]

Stream “The Great Rivers”:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

These United States
2010-08-28
Mercury Lounge
New York, NY  USA

An acidjack master recording
Recorded and produced by acidjack exclusively for nyctaper.com

Equipment: Schoeps CMC641+stereo soundboard feed>Edirol R-44 (24/44.1)
Position: Clamp to right side of sound booth, mics at 7.5?, pointed at stacks
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, EQ, set fades, tracking, amplify and balance channels)>FLAC (level 8 )

Tracks [Total Time 1:11:03]
01 Nobody Can Tell
02 [banter]
03 Dug Him In the Dirt
04 One You Believe
05 The Great Rivers
06 Susie at the Seashore
07 The Business
08 [banter]
09 Honor Amongst Thieves
10 [banter]
11 Study the Moon
12 [banter]
13 First Sight
14 Six Fast Bullets (Five Complaints)
15 [banter]
16 Life & Death She & I
17 The Important Thing
18 I Want You To Keep Everything
19 [banter]
20 What Lasts
21 [encore break]
22 Get Yourself Home

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT These United States, visit their website, visit their MySpace page, and purchase their official releases from the buy.it link at their site [HERE].

Medications: July 23, 2010 Littlefield – FLAC and MP3 Downloads + Streaming Song

July 28, 2010
By


[Photos courtesy of Jonny Leather]

Our friend Jonny Leather has been putting on well-rounded and uniformly excellent showcase shows for awhile now, and we were pleased to have the chance to cover another of them last Friday night at Littlefield. As Jonny’s shows often do, this show spotlighted some bands from outside New York; in this case, the headliners Medications and Deleted Scenes are our Amtrak neighbors from Washington, D.C. Medications may not be a household name up here (yet), but they have an impeccable Dischord pedigree. The band is the brainchild of Devin Ocampo and Chad Molter, who also founded the influential math rock outfit Faraquet. Prior to that, Devin did time in one of my all-time favorite D.C. bands, the short-lived but phenomenal Smart Went Crazy. Medications are a more accessible band than either of its predecessors, retaining the intricate, instantly recognizable guitar work that Faraquet was known for, but with more melodic vocals and traditionally structured songs that reflect the members’ love of not only 70s punk and their contemporaries in the Dischord scene, but also their love of 60s pop. Despite the fact that all hell was breaking loose outside weather-wise, the weather couldn’t keep fans away from this show, which found the band playing through almost all of their recently released CompletelyRemoved, which is one of the strongest new records I have heard this year. Ocampo and Molter (as well as Mark Cisneros, who joined the band for this record) gave the crowd ample evidence of their chops at this show, playing the hell out of their instruments even after the PA feed was shut down due to the venue’s noise restrictions!

I recorded this set with a combination of a stereo soundboard feed provided by the Littlefield staff and the Schoeps microphones. The sound quality is excellent, though I do note that there were some fluctuations in the volume of the soundboard feed as the sound team had to reduce the volume due to the aforementioned noise restrictions. These adjustments should be mostly inaudible to the listener. All tracks are tagged for easy importing into iTunes or your favorite MP3 system. Enjoy!

This Recording is now available to Download in FLAC or MP3 and to Stream at Archive.org [HERE].

Medications
2010-07-23
Littlefield
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC641+Stereo Soundboard Feed>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: ROC, at left side of sound booth, mics at 7.5?, pointed at stacks
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, compression of peaks, set fades, volume adjustments, downsample to 16bit)>FLAC Level 8

Tracks [Total Time 42:21]
01 Seasons
02 Home Is Where We Are
03 Long Day
04 [banter/tuning]
05 We Could Be Others
06 Tame on the Prowl
07 [tuning/banter]
08 Postcards
09 Brasil ‘07
10 Rising to Sleep
11 [tuning/banter]
12 For WMF

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Medications, visit their website, and purchase CompletelyRemoved direct from Dischord records here.

Wavves: June 24, 2010 Northside Festival, Knitting Factory – FLAC/MP3/Streaming

June 25, 2010
By


[photo courtesy of Dave Wharton]

Sweaty bodies were flying all over the place at the Knitting Factory as Wavves headlined the official kickoff show of the 2010 Northside Festival.  Wavves may have been on the bill, and frontman Nathan Williams was certainly there, but otherwise, this was a very different band than the the duo I recorded at the Bowery Ballroom last year, when Nathan came onstage in a cast, chastened after a string of unfortunate incidents and bad press (which, if one judges by Brooklynvegan commenters, earned the man a lot of haters) – and blew the doors off the place in spite of it.  Now, Williams is back with new songs, and more importantly, a new rhythm section consisting of bassist Stephen Pope and drummer Billy Hayes, formerly known as Jay Reatard’s (RIP) band.  The new band does wonders for Wavves, for one thing, Wavves is now, in fact, a full actual band.  It may be party music, fine – but it’s good party music now.  Hayes keeps things lively in between songs with what seems to be the assumed mantle of stage banter duties, and Williams seems grateful not to have the burden.  As for the band’s new songs, from the forthcoming King of the Beach (out August 3rd), in the live setting, the departure is less dramatic than the well-mixed, lighter-feeling and less home-demo sounding songs that have been released to the Internet so far, but they are still a clear step forward.  Tonight we heard several forthcoming examples of what King of the Beach will have to offer, including the first single, “Post Acid,” “King of the Beach,” and “Green Eyes”.  Northside has stepped up its game even further and has the fans pumped – we can’t wait for the next few nights (and days) of shows.

I recorded this set with a stereo soundboard feed and Schoeps CMC641 microphones eight feet up.  The result is a nicely balanced and spot-on rendition of the night.  Enjoy!

Stream “Post Acid”:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Wavves
2010-06-24
Knitting Factory
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC641+Stereo soundboard feed>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: Clamp to right side of sbd booth, 8 ft up, DIN
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, set fades, slight EQ, adjust levels, downsample to 16bit)>FLAC Level 8

Tracks
01 intro
02 Friends Were Gone
03 King of the Beach
04 To the Dregs
05 Idiot
06 [interlude]
07 Wavves
08 Green Eyes
09 So Bored
10 Weed Demon
11 Post Acid
12 Take On the World
13 Stupid
14 In the Sand
15 [encore break]
16 Beach Demon
17 No Hope Kids

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Wavves, attend their shows, visit their website, and pre-order King of the Beach from Fat Possum records.

Emanuel and the Fear: June 21, 2010 Knitting Factory – FLAC and MP3 Downloads + Streaming Entire Show

June 23, 2010
By


[iPhone photos by acidjack]

Emanuel and The Fear continue to expand their horizons and win over new fans with a multi-faceted sound that references classical music, bluesy barroom rock, folk, and indie pop.  On this Monday night at the Knitting Factory, the band was hosted by the Onion A/V Club for a showcase that featured The Silent League and NYCTaper pals Dinosaur Feathers. Since we last saw the band, they have debuted their new full length album Listen, which delivers on the promise of their lauded first EP.  This set gave ample coverage to the many different styles this 11-member band is capable of, including a new solo number by Emanuel Ayvas called “Drinking Song,” as well as many of the standouts from the 19-track Listen.  Thanks to Paper Garden Records for hosting us at this event.

I recorded this set with a four-microphone rig that perfectly captured both the room and the direct sound from the PA system.  You can stream the entire show below, and the files have been properly tagged for importing into iTunes or your favorite music player.  Enjoy!

Stream entire show:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Direct download of MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Emanuel and the Fear
2010-06-21
Knitting Factory
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps CMC641+DPA 4021>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: Clamp to right side of SBD cage, at 8?, 4021s XY, hypers pointed at stacks
Mastering: 2×24bit/44.1kHz WAV>Audacity (mixdown, tracking, amplify channels, downsample)>FLAC Level 8

01 Intro
02 Song for A Girl
03 Jimme’s Song
04 tuning/noise
05 Guatemala
06 Whatever You Do
07 The Rain Becomes The Clouds
08 banter
09 Want To Be
10 Drinking Song
11 Same Way
12 Over & Over
13 Alright
14 [encore break]
15 The Raiman

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Emanuel and the Fear, visit their website, and purchase their first full-length, Listen, from Paper Garden Records here.

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.