Posts Tagged ‘ Sennheiser MKH-8040 ’

Nicole Atkins: February 13, 2014 Bowery Ballroom – Flac/MP3/Streaming

February 17, 2014
By

Nicole Bowery Will Oliver
[photo by Will Oliver – courtesy of We All Want Someone to Shout For]

Large swaths of my childhood were spent in the backseat of a late model Chrysler listening to WABC AM radio on long roadtrips. Top Forty music in the 1970s was a lot different than today’s popular music — that is to say that it was far more diverse and significantly less predictable. WABC played only the current hits, which in any given year in the 1970s could have included funk, disco, folk, laurel canyon, psychedelia, brit pop, soul, and countless other styles. You could hear Janis Ian “At Seventeen” followed by “Do The Hustle” followed by solo Paul Simon. You could hear KC and the Sunshine Band segue into Marvin Gaye and then directly into the Eagles. It was an era of sexual and racial liberation and the music reflected that reality. But in all that diversity were some consistent sounds. The advent and growth in the technology of synthesized and electric keyboards meant that every band played with the new toys often to excess. And if the 70s pop is known for any particular instrument other than the Fender Rhoades, its the pronounced bass guitar in many memorable tracks. Growing up listening to this music on the AM radio was an education that endures today — my musical interests are diverse and unpredictable.

While Nicole Atkins wasn’t actually born until the tail end of that decade, her music has always shown an influence from classic 70s pop. As she grew up near the Jersey coast, perhaps her influences were in part fashioned from hearing countless transistor radios blasting on the beach in Summer. And while the 70s sound has always bubbled under the surface of her contemporary pop, Nicole’s brilliant new album Slow Phaser isn’t as much influenced by, but is in fact an homage to the 70s AM radio represented so well by WABC on those long summer drives. There are moments in the album — whether its the prominent Donna Summer influence in the break in “Who Killed the Moonlight?”, or the disco-era bass line of “Girl You Look Amazing”, or the 70s-era harmonies in “Cool People” (streaming below), or the synthesizer rush in the middle of “What Do You Know?” or the “Me and Julio Down by the Schoolyard” guitar strum in “Sin Song” or the reference to an “operator” in “The Worst Hangover” — where the homage is clear as day. But Slow Phaser is much more than the sum of its influences. It is the master work of an artist who has a clear understanding of who she is and how she arrived at the point where she can successfully crowd-source her album, choose her band, and dictate the production. Gone are the early career times of the major-label albatross. Slow Phaser is Nicole Atkins finally realizing her identity, in full control, and its truly glorious.

At Bowery Ballroom on Thursday night, the Slow Phaser Tour began with a show that combined all of these aspects. Nicole took the stage in a 70s-style kimono and played the role of the chanteuse. She’s ditched the guitar and left the music to a band of ringers and these guys can really play — check out the dual guitar solos in “The Tower”. The entire new album sans one track was played along with only three older numbers. But this show was all about Slow Phaser and the live versions were as kinetic as the studio album. The band nailed all of the special parts of the album so expertly and when I closed my eyes I swear I could hear WABC all over again.

I recorded this set in the usual manner — Sennheiser cards mounted in the balcony and combined with an expertly mixed board feed. There is some minor static in the left channel in first two songs from what sounds like a faulty guitar amp. But it was fixed. Otherwise, the sound quality is superb. Enjoy!

Stream “Cool People”:

This Recording is now available to Download in FLAC and MP3 and to Stream the Entire Show at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Nicole Atkins
2014-02-13
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:08:22]
01 Vultures
02 Who Killed the Moonlight
03 Cool People
04 Girl You Look Amazing
05 We Wait Too long
06 What Do You Know
07 Gasoline Bride
08 Red Ropes
09 The Way It Is
10 [band intro]
11 Cool Enough
12 The Worst Hangover
13 Sin Song
14 [thanks]
15 Its Only Chemistry
16 [encore break]
17 The Tower

If you enjoyed this recording, please support Nicole Atkins, visit her website, and purchase Slow Phaser through her Pledge Music Campaign [HERE]

Dead Meadow: February 11, 2014 Bowery Ballroom – Flac/MP3/Streaming

February 16, 2014
By

dead-meadow-14
[photos by PSquared Photography]

Before there was Wooden Shjips or Black Angels or Black Mountain, there was Dead Meadow who in the late 90s began to play psych rock in Washington DC in an era when the local hard rock was dominated by Dischord bands. Despite the stylistic clash with the music of the day, Dead Meadow nevertheless succeeded on talent and ingenuity. Fifteen years, a few personnel changes, and a move to LA later, the band is still producing intense stoner rock and recently released their eighth studio album Warble Womb (Xemu Records). Dead Meadow hasn’t played NYC in several years, but this week they were in town for two shows. We caught the Bowery Ballroom show on Tuesday night where Dead Meadow worked through a ninety minute set of exactly what we came to hear — a mix of old and new material, some spacey jamming, and outstanding sound quality. Given the weather, the crowd was not as packed as might have been expected in nicer climes, but the fans were certainly animated. There seemed to be a duel between the guy calling out for older material and the guy who yelled “play the record”. I guess the newer fan won, because the band added “1000 Dreams” from Warble even though it wasn’t on the setlist. We are streaming that track below because the band nailed the off-the-cuff selection. Dead Meadow’s tour continues through February with multiple East Coast and Midwestern dates, see “tour” at their website.

I recorded this set in our usual manner in this venue, with the Sennheiser cards mounted in our perch to the left of the soundboard and mixed with a board feed. We were fortunate that Dead Meadow FOH Chris Preston was with the band and provided a customized feed with well balanced guitars and effects. The result is that the sound quality is superb. Enjoy!

Stream “1000 Dreams”:

Stream “Til Kingdom Come”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dead Meadow
2014-02-11
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Chris Preston] + Sennheiser MKH-8040s > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:24:22]
01 [intro]
02 Greensky Greenlake
03 Everything’s Going On
04 Such Hawks Such Hounds
05 Six to Let the Light Shine Thru
06 The Whirlings
07 1000 Dreams
08 In The Thicket
09 Good Moanin
10 At Her Open Door
11 Rains in the Desert
12 Sleepy Silver Door
13 Til Kingdom Come
14 Heaven

If you enjoyed this recording, please support Dead Meadow, visit their website, and purchase Warble Womb from your preferred retailer, or iTunes [HERE]

Bustle In Your Hedgerow: February 7, 2014 Brooklyn Bowl – Flac/MP3/Streaming

February 10, 2014
By

Bustle TJ Cain
[photo by TJ Cain]

We know from recent experience that the group of musicians who call themselves Bustle In Your Hedgerow can play Grateful Dead music to perfection, and that they also excel at the music of The Band. But it was as an annual Led Zeppelin cover band that Joe Russo, Marco Benevento, Scott Metzger and Dave Dreiwitz first mastered the art of melding classic rock with their own jazz/fusion/rock/jam style. And now, Bustle has existed as a project for more than ten years. On Friday night at Brooklyn Bowl, it was the second night of this year’s two-show Bustle run and the band’s energy was clear from the outset. The material speaks for itself, but its the ability of the Bustle quartet to bring their own special interpretation that creates the magic that these musicians can impart to well-worn songs. In the first set, it was the stretched out “Heartbreaker” that stood out primarily because of Metzger’s extended guitar solo and the set final “Over The Hills” was a classic example of primo ensemble work. In the second set, we were impressed with the spot-on versions of “Kashmir” and “Song Remains The Same”, both of which are streaming below. Also remarkable was the extended jam segment and seamless segue between “In The Evening” and “Four Sticks”, two entirely unrelated tracks from different segments of the Zep’s career which Bustle interplayed perfectly. We expect that this outstanding quartet will continue to play the Zep for the foreseeable future, but we’re also on the edge of our seat to see whatever classic band they reinterpret next.

I recorded this set with the Sennheiser Cards mounted on the right side midway on the floor and mixed with an excellent board feed. The mix of the two sources really came out well, and we’re pleased to report that the sound quality of this set is superb. Enjoy!

Stream “Kashmir”:

Stream “The Song Remains The Same”:

Download the Complete Show [MP3] or [MP3] / [FLAC] or [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Bustle In Your Hedgerow
2014-02-07
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades, EQ) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Joe Russo – Drums
Marco Benevento – Keyboards
Scott Metzger – Guitar
Dave Dreiwitz – Bass

Setlist:
Set 1
[Total Time 57:18]
01 Communication Breakdown
02 The Lemon Song
03 Ramble On
04 Ten Years Gone
05 Heartbreaker
06 Custard Pie
07 All Of My Love
08 [band intro]
09 Over The Hills and Far Away

Set 2
[Total Time 1:18:09]
10 Hot Dog
11 Moby Dick
12 Since I’ve Been Loving You
13 Kashmir
14 In The Evening
15 Four Sticks
16 We’re Gonna Groove
17 The Song Remains the Same
18 [encore break]
19 Wearing and Tearing

If you download this recording from NYCTaper, we expect that you’ll please support these artists, visit their websites and purchase their office merchancise. Benevento-Russo Duo [HERE], Marco Benevento [HERE], Scott Metzger [HERE], and Dave Dreiwitz [HERE].

Aa (Big A little a): January 28, 2014 Death By Audio – Flac/MP3/Streaming

February 7, 2014
By

Aa UnartigNYC
[screen cap from unartigNYC video]

The conventional story going into this show — the album release party for Aa’s new album VoyAager on Northern Spy — was that the band had returned after a lengthy hiatus to produce their first album in seven years and that it is a triumphant return. But things sort of took a detour along the way, namely in the form of a fatal computer crash midway through the set. That being said, after a few days to digest what was clearly a weird end to a show, we went back to listen to the half-show we recorded. Its ends up that the 3 song set is absolutely phenomenal, performance-wise and sound quality wise. The Aa stage set was essentially John Atkinson on electronics and vocals and a quartet of drummers. From the outset the energy in the set was stunning as the drum corps kept up with Atkinson’s frenetic soundscape. Its almost as if the laptop couldn’t take the heat from the stage. The brevity of the set gives us the opportunity to stream the whole show, and all three tracks are streaming below.

The band’s personnel seems to evolve from show to show, and now that they are out on the West coast touring, Atkinson will be reunited with band co-founder (along with Josh Bonati) Aron Wahl who now resides in Los Angeles. We expect to capture a full Aa show when they return East, but for now this mini set is a very nice taste of the excellent music they are currently producing.

I recorded this show with the Sennheiser cards mounted on a stand at the front of the stage and mixed with a board feed. The mics picked up mostly drums and the soundboard was primarily the electronics, but after a few test mixes I believe I finally found the right balance. The sound is quite superb. Enjoy!

Full Disclosure: It was announced yesterday that NYCTaper is a media sponsor of a SXSW show co-presented by Northern Spy and Baba Bing Records. This relationship with Northern Spy in no way influenced our positive review of their artist Aa. We wouldn’t have posted the recording if the performance wasn’t top notch.

Stream “Bubby”:

Stream “Rankzone”:

Stream “Postsac”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Aa
2014-01-28
Death By Audio
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 15:14]
01 Bubby
02 Rankzone
03 Postsac

If you enjoyed this recording, please support Aa, visit their band page at the Northern Spy website, and purchase VoyAager from Northern Spy [HERE]

Oneida: January 31, 2014 Knitting Factory – Flac/MP3/Streaming

February 3, 2014
By

oneida 09 market

The rabid fans of a classic old band used to say “it doesn’t matter what they play, but how they play it”. The modern day version of Oneida fits this phrase exactly. In their 17th year as a band, Oneida has settled in well as a five-piece band that literally plays with no conventional boundaries. As their recent albums have eschewed traditional song structures, their contemporary concerts don’t really have “setlists” as much as the band just plays. Last fall, we captured an Oneida show at Glasslands that essentially consisted of one “song” and an encore. The show on Friday at Knitting Factory was over an hour and consisted of four separate tracks that weren’t seemingly so much songs as extended musical interplay between the individual members of the quintet, the penultimate of which lasted longer than thirty minutes. That being said, the attraction of the present incarnation of this amazing band is the musicianship. Kid Millions is perhaps the greatest living drummer and his indefagitable work behind the kit is always a wonder to behold. On this night we spent much of the time watching the interplay between the dual guitars of Baby Jane and Shahin Motia, who sometimes take a supporting role but on this night spent much of the set trading furious lead segments. As they approach their second decade as a band, Oneida continues to amaze with their inventiveness and we are certain to see them every time possible when they play locally — which is generally only a few times a year.

I recorded this set with the Sennheiser cards on a stand back near the soundboard and mixed with an excellent feed provided by house FOH Rob. The sound quality is quite excellent, enjoy!

Stream “The River”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Oneida
2014-01-31
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Rob] + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:07:33]
01 Cedars
02 You Get Brighter
03 Each One Teach One
04 The River

If you enjoyed this recording, please support Oneida, visit their website, and purchase A List of the Burning Mountains and their other releases from Jagjaguwar [HERE]

Heliotropes: January 25, 2014 Radio Bushwick – Flac/MP3/Streaming

January 28, 2014
By

Heliotropes Dean Keim 1
[photos by Dean Keim]

Heliotropes headlined an excellent four-band bill on Saturday night at new venue Radio Bushwick in a show presented by Supercrush Studio. When we last checked in with the band it was at our very own CMJ show in 2012 before the release of their album and the steady flow of praise that followed. The release of their debut album A Constant Sea was lauded as a “sumptuous psych-rock opus” by Spin, and a year or more later the band is stronger still. The obvious focus is on the dual vocalists Amber and Jessica, and on Jessica’s heavy guitar work, but at the Radio Bushwick set it was the rhythm section who were the stars of the night. The venue’s excellent sound mix allowed us to really hear the intricate bass work beneath Nya Abudu’s otherwise powerful playing. And Cici Harrison is one of those drummers that you have to watch closely to appreciate — she isn’t fancy or flashy but her tight aggressive play is the backbone of this band. Heliotropes set contained six songs from their album and two relatively new unreleased tracks which bode well for the future output of this excellent quartet. Heliotropes next gigs will be at the Savannah Stopover Festival, with complete Fest dates announced in a few days.

This was our first visit to the relatively new venue Radio Bushwick, as 22 Wyckoff Street. The venue has all of the ingredients for a successful run — excellent sound system, outstanding staff, prime beer selection, and a neat layout. For L train riders, its literally twenty feet from the Jefferson Street stop on the train. We had a perfect experience there on Saturday and hope to return often.

I recorded this set with the Sennheiser cards mounted on a small stand front and center of the stage and mixed it with a fine board feed provided by the venue’s talented FOH Steve. The sound quality is superb. Enjoy!

Stream “Psalms”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Heliotropes
2014-01-25
Radio Bushwick
Brooklyn NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard [engineer Steve Saverance] + Sennheiser MKH-8040s > Edirol R-44 > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 38:09]
01 Everyone Else
02 Early In The Morning
03 Good and Evil
04 [new song 1]
05 Psalms
06 [banter]
07 Quatto
08 Ribbons
09 [encore break]
10 [new song 2]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Heliotropes, visit their Facebook page, visit their Bandcamp page, and purchase A Constant Sea from Manimal [HERE].

Deafheaven: January 18, 2014 285 Kent – Flac/MP3/Streaming

January 22, 2014
By

deafheaven-22
[photos by PSquared Photography]

Good things come to those who wait. I arrived at 285 Kent at about 7:30pm on Saturday night prepared for a seven-band marathon show, but not quite expecting that the headliner would not take the stage until 2:45am the following morning. But Deafheaven at any ungodly hour is still an intense and entirely worthwhile experience. While quite a few of the overflowing sold-out crowd didn’t make it to the end, the space gave the diehards the option to get right upfront and experience the manic energy of George Clarke face to face. And George didn’t disappoint, getting right into the first few rows for most of the show. I’ll admit having a hard time keeping up the energy as their hour-long set pushed until nearly four a.m., but the band had no such problem. We’ve seen Deafheaven twice before and each time we were breathless even from the back of the room at Saint Vitus. But upfront and personal, the experience is that much more fervent. For the set, the band worked through virtually all of Sunbather (sans one instrumental track) — the album that saw them at or near the top of virtually every single published Best-of list for 2013. Deafheaven begins a two-month cross-country tour of the US in a few weeks, and their next appearance in NYC will be at Governor’s Ball. Like 285 Kent, the days of seeing Deafheaven from a few feet away in a DIY venue have pretty much ended, but having had this last experience, I’m ok with that.

I recorded this set in my usual manner in this venue, with the Sennheiser cards mounted on the beam near the stage and mixed with a board feed. The sound is excellent. Enjoy!

Stream “Vertigo”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

deafheaven-4

Deafheaven
2014-01-18
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 50:31]
01 Dream House
02 Sunbather
03 Please Remember
04 Vertigo
05 Windows
06 The Pecan Tree

unartigNYC has posted a video of this entire set.

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deafheaven, visit their website, and purchase their official releases including Sunbather from Deathwish Inc. [HERE].

deafheaven-25

Lee Ranaldo and The Dust: January 11, 2014 Bell House – Flac/MP3/Streaming

January 16, 2014
By

Lee at Bell House
[photo by Kevin Bannon]

The last time we checked in with Lee Ranaldo, he played the penultimate show in the history of Maxwell’s. At that point, Lee had a series of new songs that would eventually appear on his second post-Sonic Youth album Last Night on Earth which was ultimately released in October. Like its predecessor 2102’s Between the Times and the Tides, Last Night is a mature, honest and straightforward rock album. For the new album and the tours of 2013, Lee has credited his band “The Dust” which currently consists of downtown guitar wiz Alan Licht, bassist Tim Lüntzel and Sonic Youth drummer Steve Shelley. At the Bell House on Saturday night, Lee and the band played a lengthy set to a energetic crowd. All nine tracks of the new album were performed in the set along with selected older tracks and three interesting covers. It was the last night of the tour and Lee referenced the difficulties of a broken amp and a series of broken strings. But the band persevered and produced 100 minutes of outstanding music that was both tight and also offered a chance for the band to stretch out and jam. Lee Ranaldo and The Dust will appear again in NYC at the Union Pool on February 13.

I recorded this set with the Sennheiser cards mounted in the raised VIP area and mixed with an excellent board engineered by Lee’s tour FOH Jay Eigenmann. The sound quality is superb. Enjoy!

Stream “Lecce Leaving”:

Stream “Everybody’s Been Burned” (Byrds cover):

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lee Ranaldo and The Dust
2014-01-11
Bell House
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard (engineer Jay) + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:37:49]
01 KeyHole
02 Last Night On Earth
03 Lecce Leaving
04 By the Window
05 Ambulancer
06 Home Chds
07 [The Rising Tide intro]
08 The Rising Tide
09 Off The Wall
10 Angles
11 Late Descent
12 Everybody’s Been Burned [Byrds]
13 [banter – thanks]
14 Xtina as I Knew Her
15 [encore break]
16 Fragile [Wire]
17 Mannequin [Wire]
18 Blackt Out

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Lee Ranaldo, visit his page at the Sonic Youth website, and purchase Last Night On Earth directly from the Matador Records website [HERE].

Dva: January 9, 2014 Trans Pecos – Flac/MP3/Streaming

January 13, 2014
By

dva2
[photo by Adam]

My first show of 2014 was a very memorable one. The Czech band Dva have been around for a while and have been to NYC before, in fact they have a live album recorded for WMFU last year. But none of their albums have ever been distributed in the US — that is until Northern Spy Records will release Nipomo on February 25, 2014. And I had not seen them live until this past Thursday at Trans Pecos, at an outstanding show curated by Northern Spy. “Dva” is Czech for “duo”, and that is the basic formula for this band — but that’s just the start. Bára Kratochvílová plays a litany of instruments, including sax, a variety of percussion instruments and banjo. She also provides most of the vocals and the vocal sampling. Jan Kratochvíl is seated on stage with his acoustic guitar, a sampler, a mixer and his ability to perfectly beatbox. The sound of the band can best be described as “acoustic electronica” but the performance was so much more than that. In other words, Dva have to be seen to be completely understood. We will get that chance again in March, as the band has announced that they will return to the US for a tour which will include stops at SXSW and NYC.

I recorded this set with the Sennheiser cards on a stand at the front of the stage and mixed with a soundboard feed provided by the venue’s excellent FOH Max. The sound is pro quality. Enjoy!

Stream “Mulatu”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dva
2014-01-09
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:02:42]
01 Nunovo Tango
02 Hap Hej
03 Huhu
04 Mechan Tuman
05 Nanuk
06 Nipomo
07 Tatanc
08 Fin
09 Mulatu
10 Tropikal Animal

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Dva, visit their website, and pre-order Nipomo from Northern Spy Records [HERE].

nyctaper Top Ten Concerts of 2013 + Live Mix Tape

December 29, 2013
By

taper large

Another banner year at the site and seeing shows in NYC (and sometimes beyond). This “best of” only encompasses the shows that I, nyctaper, saw. Remember that the site has had nine contributing tapers this year, and I did not even record and post the most shows — that honor goes to the indefagitable acidjack, who we hope will come along soon with his own list.

I’ve also attached an mp3 compilation to this post. Its mostly of a mix of “honorable mentions”, just really cool songs I recall from this year, some new songs, some older songs, but all performed and recorded in 2013. Enjoy!

nyctaper Top 10 Concerts of 2013:

1. Wilco – June 21, 2013 Solid Sound Festival North Adams MA
PSquared and I drove a long way in a short time to see this show, and then drove all the way back almost as soon as it was over. And it was infinitely worth it. Wilco playing an entire two and a half hour show of covers, some popular classics and some fairly obscure, but all in their own style and all requested by fans. This one-off is very unlikely to happen again and we’re so fortunate to not only have been there to but have captured an “event” of this kind. Our recording got us mentioned in Spin Magazine, Paste Magazine, Fuse TV, WXRT radio, Pitchfork, Stereogum, Consequence of Sound, The Examiner, Prefix Magazine, Gothamist, and a hundred other smaller sites. 20,000 people have downloaded this recording from our site. There are 24,000 plays on the “Marquee Moon” soundcloud sample (posted below). Its my own personal highlight of the year, and one of the best moments in the history of the site.

2. Yo La Tengo – December 16, 2013 Bell House Brooklyn
Sure, they appeared on the site six times this year, including the final four shows of the year at Bell House and of course the historical final YLT show at Maxwell’s (RIP) in June. But I believe this show was the most fully formed, most inspirationally played, and including some absolute classic selections. I’ve seen this band live about fifty times, and this may be the most completely realized performance of all of them.

3. Thee Oh Sees – October 27, 2013 285 Kent
In a cruel bit of synchronous irony, on the same day this month that word spread that the venue 285 Kent would soon close, Thee Oh Sees announced an “indefinite hiatus”. It was only about six weeks previous that this band played this venue on the day that Lou Reed died and it was a moment in time that anyone in attendance will not soon forget. One of the best live bands around played with an enormous amount of energy and inspiration and the packed crowd responded with equal energy.

4. Deervana (Deer Tick) – September 13, 2013 Brooklyn Bowl
This is another show selected because of its historical signifance. If perhaps the performance wasn’t technically perfect, the spirit and energy that Deer Tick brings to its “Deervana” performances is clear. On the 20th anniversary of the release of In Utero, the album was played from start to finish. It was a celebration, not some mournful exercise, and the love of the music was obvious from both the band and the crowd. In terms of the importance to the site, this recording also saw us get mentioned all over the web, including Spin, Consequence of Sound, The Examiner, MTV, Stereogum and a bunch of other places.

5. Superchunk – September 28, 2013 Bowery Ballroom NYC
They are indie vets both as a band and as a label, but Superchunk continues to produce excellent material. And this year’s new album I Hate Music was one of their best. This show at Bowery, the first of two sold-out shows in NYC was like most Superchunk shows a kinetic and crazy run through material old and new and their was a celebratory and special air in the room. Perhaps the most fun show we saw all year.

6. The Complete Last Waltz – November 27, 2013 Capitol Theatre, Portchester NY
The original Last Waltz was perhaps the greatest concert in the history of rock music, so a complete performance nearly forty years later would have to be a pale comparison, right? Only it wasn’t. We were absolutely stunned at the quality of the performances and the reverence with which the entire ensemble treated the material.

7. Deafheaven – February 22, 2013 Saint Vitus Brooklyn
Yes, I realize that Deafheaven has appeared on virtually every best of 2013 list compiled on the web in the last month or so, but this is different (aren’t we always), this is a concert that we recorded early in the year before their game-changing album Sunbather had even been released. We saw them again in July, which was also a phenomenal show but we’re sticking with the first experience of this “take your breath away” band who are destined for bigger places than the great Saint Vitus in 2014. But we were there then. As it ever was.

8. Kevin Devine – November 22, 2013 Webster Hall NYC
He released two of the best records of the year, and unless you read Paste Magazine every day or saw our post about Kevin in November, you wouldn’t even know it. He is perhaps the best current purveyor of power pop and his prolific songwriting ability is a thing to behold. This concert was the home show after a lengthy US tour and Kevin and band were in a fine form from start to finish.

9. Ty Segall – August 30, 2013 Bowery Ballroom NYC
Ty Segall released a true departure album this year, the somewhat-quiet and contemplative Sleeper. This Bowery show was a seated affair, with the new album performed almost entirely to start the show. Ty is a performer of great proficiency and this show highlighted his maturity and versatility.

10. Joe Russo’s Almost Dead – January 26, 2013 Brooklyn Bowl
Easily the best single performance of Grateful Dead material since the demise of the original band nearly twenty years ago. My review was pretty harsh regarding “post-Jerry” projects and that generated a bit of a comment war, but thankfully most people agreed with me — and nearly everyone agreed that this show was immense.

Honorable Mention:
This is a 16-track MP3 mix of songs from other excellent concerts I attended this year. Its by no means a comprehensive list of musical highlights, but consists of tracks that caught our ear this year. We included three tracks from the Top Ten because fit they thematically, but 13 songs are from shows that were certainly important enough to deserve mention. Download [HERE].

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